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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD5E04 it is the complementary color #32A1FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD5E04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD5E04 shade: #D25E00, #E37012, #F48225, #FF9438 and #FFA64B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD5E04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD5E04 shade: #CD5E04, #BC4C00, #AB3A00, #9A2800 and #891600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD5E04 shade: #CD5E04, #CD2804 and #CD0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD5E04 shade: #CD5E04, #CD9404, #CDCA04, #99CD04 and #63CD04

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD5E04 shade matches the following richer shades: #CD5E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD5E04 shade: #CD5E04, #BC6015, #AB6226, #9A6337 and #896548

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD5E04 shade: #CD0418, #CD2604, #CD5B04, #CD9104 and #CDC604

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD5E04 shade: #7C3903, #A44C03, #CD5E04, #F57105 and #FB8729

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD5E04 shade: #CD5E04, #4ECD04 and #0B04CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD5E04 shade: #CD5E04, #04CD5B and #5B04CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD5E04 shade: #CD5E04, #4ECD04, #0476CD and #8304CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD5E04 shade: #CD5E04, #12CD04, #0476CD and #C004CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

Complementary color

CMYK 80 / 36 / 0 / 2

HEX #32A1FB

RGB 50 161 251

HSL 206.87, 0.96%, 0.59%

LAB 64.27, -0.07, -53.39

 

CMYK 0 / 55 / 100 / 18

HEX #D25E00

RGB 210 94 0

HSL 26.86, 1%, 0.41%

LAB 53.71, 42.12, 62.77

 

CMYK 0 / 51 / 92 / 11

HEX #E37012

RGB 227 112 18

HSL 26.99, 0.85%, 0.48%

LAB 59.86, 40.02, 64.36

 

CMYK 0 / 47 / 85 / 4

HEX #F48225

RGB 244 130 37

HSL 26.96, 0.9%, 0.55%

LAB 66.01, 38.02, 64.59

 

CMYK 0 / 42 / 78 / 0

HEX #FF9438

RGB 255 148 56

HSL 27.74, 1%, 0.61%

LAB 71.37, 33.77, 62.81

 

CMYK 0 / 35 / 71 / 0

HEX #FFA64B

RGB 255 166 75

HSL 30.33, 1%, 0.65%

LAB 75.48, 25.24, 58.83

 

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

CMYK 0 / 60 / 100 / 26

HEX #BC4C00

RGB 188 76 0

HSL 24.26, 1%, 0.37%

LAB 46.79, 42.38, 57.01

 

CMYK 0 / 66 / 100 / 33

HEX #AB3A00

RGB 171 58 0

HSL 20.35, 1%, 0.34%

LAB 40.71, 44.32, 52.18

 

CMYK 0 / 74 / 100 / 40

HEX #9A2800

RGB 154 40 0

HSL 15.58, 1%, 0.3%

LAB 34.78, 45.72, 47.42

 

CMYK 0 / 84 / 100 / 46

HEX #891600

RGB 137 22 0

HSL 9.64, 1%, 0.27%

LAB 29.14, 46.13, 41.97

 

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

CMYK 0 / 80 / 98 / 20

HEX #CD2804

RGB 205 40 4

HSL 10.75, 0.96%, 0.41%

LAB 44.95, 61.69, 56.65

 

CMYK 0 / 98 / 98 / 20

HEX #CD0404

RGB 205 4 4

HSL 0, 0.96%, 0.41%

LAB 42.88, 67.62, 55.7

 

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

CMYK 0 / 28 / 98 / 20

HEX #CD9404

RGB 205 148 4

HSL 42.99, 0.96%, 0.41%

LAB 65.1, 11.5, 69.05

 

CMYK 0 / 1 / 98 / 20

HEX #CDCA04

RGB 205 202 4

HSL 59.1, 0.96%, 0.41%

LAB 79.17, -16.76, 79.17

 

CMYK 25 / 0 / 98 / 20

HEX #99CD04

RGB 153 205 4

HSL 75.52, 0.96%, 0.41%

LAB 76.34, -39.67, 75.42

 

CMYK 52 / 0 / 98 / 20

HEX #63CD04

RGB 99 205 4

HSL 91.64, 0.96%, 0.41%

LAB 73.76, -58.2, 72.28

 

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

CMYK 0 / 49 / 89 / 26

HEX #BC6015

RGB 188 96 21

HSL 26.95, 0.8%, 0.41%

LAB 50.82, 32.6, 54.28

 

CMYK 0 / 43 / 78 / 33

HEX #AB6226

RGB 171 98 38

HSL 27.07, 0.64%, 0.41%

LAB 48.93, 24.86, 44.99

 

CMYK 0 / 36 / 64 / 40

HEX #9A6337

RGB 154 99 55

HSL 26.67, 0.47%, 0.41%

LAB 47.07, 17.82, 33.73

 

CMYK 0 / 26 / 47 / 46

HEX #896548

RGB 137 101 72

HSL 26.77, 0.31%, 0.41%

LAB 45.76, 10.66, 22.05

 

CMYK 0 / 98 / 88 / 20

HEX #CD0418

RGB 205 4 24

HSL 354.03, 0.96%, 0.41%

LAB 42.96, 67.85, 48.36

 

CMYK 0 / 81 / 98 / 20

HEX #CD2604

RGB 205 38 4

HSL 10.15, 0.96%, 0.41%

LAB 44.76, 62.21, 56.56

 

CMYK 0 / 56 / 98 / 20

HEX #CD5B04

RGB 205 91 4

HSL 25.97, 0.96%, 0.41%

LAB 52.36, 41.7, 60.72

 

CMYK 0 / 29 / 98 / 20

HEX #CD9104

RGB 205 145 4

HSL 42.09, 0.96%, 0.41%

LAB 64.35, 13.13, 68.54

 

CMYK 0 / 3 / 98 / 20

HEX #CDC604

RGB 205 198 4

HSL 57.91, 0.96%, 0.41%

LAB 78.1, -14.76, 78.38

 

CMYK 0 / 54 / 98 / 51

HEX #7C3903

RGB 124 57 3

HSL 26.78, 0.95%, 0.25%

LAB 32.3, 26.21, 41.91

 

CMYK 0 / 54 / 98 / 36

HEX #A44C03

RGB 164 76 3

HSL 27.2, 0.96%, 0.33%

LAB 42.87, 32.93, 51.86

 

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

CMYK 0 / 54 / 98 / 4

HEX #F57105

RGB 245 113 5

HSL 27, 0.96%, 0.49%

LAB 62.7, 46.34, 69.91

 

CMYK 0 / 46 / 84 / 2

HEX #FB8729

RGB 251 135 41

HSL 26.86, 0.96%, 0.57%

LAB 68.02, 38.35, 65.29

 

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

CMYK 62 / 0 / 98 / 20

HEX #4ECD04

RGB 78 205 4

HSL 97.91, 0.96%, 0.41%

LAB 73.08, -63.64, 71.46

 

CMYK 95 / 98 / 0 / 20

HEX #0B04CD

RGB 11 4 205

HSL 242.09, 0.96%, 0.41%

LAB 25.46, 66.43, -90.69

 

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

CMYK 98 / 0 / 56 / 20

HEX #04CD5B

RGB 4 205 91

HSL 145.97, 0.96%, 0.41%

LAB 72.52, -66.55, 44.46

 

CMYK 56 / 98 / 0 / 20

HEX #5B04CD

RGB 91 4 205

HSL 265.97, 0.96%, 0.41%

LAB 31.16, 69.18, -81.05

 

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

CMYK 62 / 0 / 98 / 20

HEX #4ECD04

RGB 78 205 4

HSL 97.91, 0.96%, 0.41%

LAB 73.08, -63.64, 71.46

 

CMYK 98 / 42 / 0 / 20

HEX #0476CD

RGB 4 118 205

HSL 205.97, 0.96%, 0.41%

LAB 48.75, 5.62, -52.51

 

CMYK 36 / 98 / 0 / 20

HEX #8304CD

RGB 131 4 205

HSL 277.91, 0.96%, 0.41%

LAB 36.59, 72.78, -71.89

 

CMYK 0 / 54 / 98 / 20

HEX #CD5E04

RGB 205 94 4

HSL 26.87, 0.96%, 0.41%

LAB 52.94, 40.22, 61.07

 

CMYK 91 / 0 / 98 / 20

HEX #12CD04

RGB 18 205 4

HSL 115.82, 0.96%, 0.41%

LAB 72.09, -72.25, 70.25

 

CMYK 98 / 42 / 0 / 20

HEX #0476CD

RGB 4 118 205

HSL 205.97, 0.96%, 0.41%

LAB 48.75, 5.62, -52.51

 

CMYK 6 / 98 / 0 / 20

HEX #C004CD

RGB 192 4 205

HSL 296.12, 0.96%, 0.41%

LAB 46.58, 80.97, -55.21

 

Description

Color code: HEX #CD5E04 | qconv.com Color code: HEX #CD5E04 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 94 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 94 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 98 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 98% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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