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Color name
HEX #CD5817

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD5817 it is the complementary color #32A7E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD5817. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD5817 shade: #D25812, #E36A25, #F47C38, #FF8E4B and #FFA05E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD5817. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD5817 shade: #CD5817, #BC4604, #AB3400, #9A2200 and #891000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD5817 shade: #CF5917, #CF2717 and #CF1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD5817 shade: #CF5917, #CF8A17, #CFBC17, #B0CF17 and #7FCF17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD5817 shade matches the following richer shades: #CF5917 and #E15304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD5817 shade: #CF5917, #BC5E2A, #A9633C, #97684F and #846E61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD5817 shade: #CF1739, #CF2617, #CF5717, #CF8817 and #CFB917

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD5817 shade: #84390F, #A94913, #CF5917, #E76C28 and #EB854D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD5817 shade: #CD5817, #6ACF17 and #1720CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD5817 shade: #CD5817, #17CF57 and #5717CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD5817 shade: #CD5817, #6ACF17, #178ECF and #7C17CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD5817 shade: #CD5817, #32CF17, #178ECF and #B317CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 89 / 20

HEX #CD5817

RGB 205 88 23

HSL 21.43, 0.8%, 0.45%

LAB 51.86, 43.41, 55.57

 

Complementary color

CMYK 78 / 28 / 0 / 9

HEX #32A7E8

RGB 50 167 232

HSL 201.43, 0.8%, 0.55%

LAB 65.07, -10.17, -41.71

 

CMYK 0 / 58 / 91 / 18

HEX #D25812

RGB 210 88 18

HSL 21.88, 0.84%, 0.45%

LAB 52.65, 45.21, 58.07

 

CMYK 0 / 53 / 84 / 11

HEX #E36A25

RGB 227 106 37

HSL 21.79, 0.77%, 0.52%

LAB 58.76, 43.37, 57.48

 

CMYK 0 / 49 / 77 / 4

HEX #F47C38

RGB 244 124 56

HSL 21.7, 0.9%, 0.59%

LAB 64.91, 41.61, 56.06

 

CMYK 0 / 44 / 71 / 0

HEX #FF8E4B

RGB 255 142 75

HSL 22.33, 1%, 0.65%

LAB 70.26, 37.63, 53.25

 

CMYK 0 / 37 / 63 / 0

HEX #FFA05E

RGB 255 160 94

HSL 24.6, 1%, 0.68%

LAB 74.32, 29.42, 48.55

 

CMYK 0 / 57 / 89 / 20

HEX #CD5817

RGB 205 88 23

HSL 21.43, 0.8%, 0.45%

LAB 51.86, 43.41, 55.57

 

CMYK 0 / 63 / 98 / 26

HEX #BC4604

RGB 188 70 4

HSL 21.52, 0.96%, 0.38%

LAB 45.74, 45.22, 55.36

 

CMYK 0 / 70 / 100 / 33

HEX #AB3400

RGB 171 52 0

HSL 18.25, 1%, 0.34%

LAB 39.77, 46.86, 51.71

 

CMYK 0 / 78 / 100 / 40

HEX #9A2200

RGB 154 34 0

HSL 13.25, 1%, 0.3%

LAB 34.01, 47.85, 46.99

 

CMYK 0 / 88 / 100 / 46

HEX #891000

RGB 137 16 0

HSL 7.01, 1%, 0.27%

LAB 28.61, 47.63, 41.54

 

CMYK 0 / 57 / 89 / 19

HEX #CF5917

RGB 207 89 23

HSL 21.52, 0.8%, 0.45%

LAB 52.37, 43.69, 56.09

 

CMYK 0 / 81 / 89 / 19

HEX #CF2717

RGB 207 39 23

HSL 5.22, 0.8%, 0.45%

LAB 45.33, 62.75, 50.77

 

CMYK 0 / 89 / 89 / 19

HEX #CF1717

RGB 207 23 23

HSL 0, 0.8%, 0.45%

LAB 44.15, 66.12, 49.89

 

CMYK 0 / 57 / 89 / 19

HEX #CF5917

RGB 207 89 23

HSL 21.52, 0.8%, 0.45%

LAB 52.37, 43.69, 56.09

 

CMYK 0 / 33 / 89 / 19

HEX #CF8A17

RGB 207 138 23

HSL 37.5, 0.8%, 0.45%

LAB 62.93, 18.08, 64.24

 

CMYK 0 / 9 / 89 / 19

HEX #CFBC17

RGB 207 188 23

HSL 53.8, 0.8%, 0.45%

LAB 75.63, -8.56, 74.18

 

CMYK 15 / 0 / 89 / 19

HEX #B0CF17

RGB 176 207 23

HSL 70.11, 0.8%, 0.45%

LAB 78.41, -31.1, 75.37

 

CMYK 39 / 0 / 89 / 19

HEX #7FCF17

RGB 127 207 23

HSL 86.09, 0.8%, 0.45%

LAB 75.58, -49.74, 71.87

 

CMYK 0 / 57 / 89 / 19

HEX #CF5917

RGB 207 89 23

HSL 21.52, 0.8%, 0.45%

LAB 52.37, 43.69, 56.09

 

CMYK 0 / 63 / 98 / 12

HEX #E15304

RGB 225 83 4

HSL 21.45, 0.97%, 0.45%

LAB 54.24, 52.75, 63.52

 

CMYK 0 / 57 / 89 / 19

HEX #CF5917

RGB 207 89 23

HSL 21.52, 0.8%, 0.45%

LAB 52.37, 43.69, 56.09

 

CMYK 0 / 50 / 78 / 26

HEX #BC5E2A

RGB 188 94 42

HSL 21.37, 0.63%, 0.45%

LAB 50.53, 34.28, 45.53

 

CMYK 0 / 41 / 64 / 34

HEX #A9633C

RGB 169 99 60

HSL 21.47, 0.48%, 0.45%

LAB 49.11, 24.66, 33.9

 

CMYK 0 / 31 / 48 / 41

HEX #97684F

RGB 151 104 79

HSL 20.83, 0.31%, 0.45%

LAB 48.32, 15.76, 21.63

 

CMYK 0 / 17 / 27 / 48

HEX #846E61

RGB 132 110 97

HSL 22.29, 0.15%, 0.45%

LAB 48.16, 6.53, 10.48

 

CMYK 0 / 89 / 72 / 19

HEX #CF1739

RGB 207 23 57

HSL 348.91, 0.8%, 0.45%

LAB 44.48, 67.08, 31.74

 

CMYK 0 / 82 / 89 / 19

HEX #CF2617

RGB 207 38 23

HSL 4.89, 0.8%, 0.45%

LAB 45.24, 63.01, 50.7

 

CMYK 0 / 58 / 89 / 19

HEX #CF5717

RGB 207 87 23

HSL 20.87, 0.8%, 0.45%

LAB 52, 44.64, 55.81

 

CMYK 0 / 34 / 89 / 19

HEX #CF8817

RGB 207 136 23

HSL 36.85, 0.8%, 0.45%

LAB 62.45, 19.16, 63.87

 

CMYK 0 / 11 / 89 / 19

HEX #CFB917

RGB 207 185 23

HSL 52.83, 0.8%, 0.45%

LAB 74.84, -7.02, 73.55

 

CMYK 0 / 57 / 89 / 48

HEX #84390F

RGB 132 57 15

HSL 21.54, 0.8%, 0.29%

LAB 33.7, 29.91, 38.98

 

CMYK 0 / 57 / 89 / 34

HEX #A94913

RGB 169 73 19

HSL 21.6, 0.8%, 0.37%

LAB 43.13, 36.76, 47.66

 

CMYK 0 / 57 / 89 / 19

HEX #CF5917

RGB 207 89 23

HSL 21.52, 0.8%, 0.45%

LAB 52.37, 43.69, 56.09

 

CMYK 0 / 53 / 83 / 9

HEX #E76C28

RGB 231 108 40

HSL 21.36, 0.8%, 0.53%

LAB 59.77, 44, 57.4

 

CMYK 0 / 43 / 67 / 8

HEX #EB854D

RGB 235 133 77

HSL 21.27, 0.8%, 0.61%

LAB 65.73, 34.48, 46.5

 

CMYK 0 / 57 / 89 / 20

HEX #CD5817

RGB 205 88 23

HSL 21.43, 0.8%, 0.45%

LAB 51.86, 43.41, 55.57

 

CMYK 49 / 0 / 89 / 19

HEX #6ACF17

RGB 106 207 23

HSL 92.93, 0.8%, 0.45%

LAB 74.67, -56.5, 70.75

 

CMYK 89 / 85 / 0 / 19

HEX #1720CF

RGB 23 32 207

HSL 237.07, 0.8%, 0.45%

LAB 28.7, 59.1, -86.45

 

CMYK 0 / 57 / 89 / 20

HEX #CD5817

RGB 205 88 23

HSL 21.43, 0.8%, 0.45%

LAB 51.86, 43.41, 55.57

 

CMYK 89 / 0 / 58 / 19

HEX #17CF57

RGB 23 207 87

HSL 140.87, 0.8%, 0.45%

LAB 73.22, -66.84, 47.17

 

CMYK 58 / 89 / 0 / 19

HEX #5717CF

RGB 87 23 207

HSL 260.87, 0.8%, 0.45%

LAB 32.13, 65.7, -80.61

 

CMYK 0 / 57 / 89 / 20

HEX #CD5817

RGB 205 88 23

HSL 21.43, 0.8%, 0.45%

LAB 51.86, 43.41, 55.57

 

CMYK 49 / 0 / 89 / 19

HEX #6ACF17

RGB 106 207 23

HSL 92.93, 0.8%, 0.45%

LAB 74.67, -56.5, 70.75

 

CMYK 89 / 31 / 0 / 19

HEX #178ECF

RGB 23 142 207

HSL 201.2, 0.8%, 0.45%

LAB 56.12, -7.22, -41.91

 

CMYK 40 / 89 / 0 / 19

HEX #7C17CF

RGB 124 23 207

HSL 272.93, 0.8%, 0.45%

LAB 36.75, 69.44, -72.84

 

CMYK 0 / 57 / 89 / 20

HEX #CD5817

RGB 205 88 23

HSL 21.43, 0.8%, 0.45%

LAB 51.86, 43.41, 55.57

 

CMYK 76 / 0 / 89 / 19

HEX #32CF17

RGB 50 207 23

HSL 111.2, 0.8%, 0.45%

LAB 73.13, -69.12, 68.83

 

CMYK 89 / 31 / 0 / 19

HEX #178ECF

RGB 23 142 207

HSL 201.2, 0.8%, 0.45%

LAB 56.12, -7.22, -41.91

 

CMYK 14 / 89 / 0 / 19

HEX #B317CF

RGB 179 23 207

HSL 290.87, 0.8%, 0.45%

LAB 45.22, 77.14, -58.67

 

Description

Color code: HEX #CD5817 | qconv.com Color code: HEX #CD5817 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 88 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 88 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 89 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 89% 20% C M Y K

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