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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD55AE it is the complementary color #32AA51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD55AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CD55AE: #D255A9, #E367BC, #F479CF, #FF8BE2 and #FF9DF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD55AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CD55AE: #CD55AE, #BC439B, #AB3188, #9A1F75 and #890D62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 15 / 20

HEX #CD55AE

RGB 205 85 174

HSL 315.5, 0.55%, 0.57%

LAB 54.59, 57.73, -24.45

 

Complementary color

CMYK 71 / 0 / 52 / 33

HEX #32AA51

RGB 50 170 81

HSL 135.5, 0.55%, 0.43%

LAB 61.67, -52.12, 36.27

 

CMYK 0 / 60 / 20 / 18

HEX #D255A9

RGB 210 85 169

HSL 319.68, 0.58%, 0.58%

LAB 55.14, 58.42, -20.63

 

CMYK 0 / 55 / 17 / 11

HEX #E367BC

RGB 227 103 188

HSL 318.87, 0.69%, 0.65%

LAB 61.36, 57.98, -21.84

 

CMYK 0 / 50 / 15 / 4

HEX #F479CF

RGB 244 121 207

HSL 318.05, 0.85%, 0.72%

LAB 67.59, 57.4, -22.84

 

CMYK 0 / 45 / 11 / 0

HEX #FF8BE2

RGB 255 139 226

HSL 315, 1%, 0.77%

LAB 73.03, 54.93, -24.91

 

CMYK 0 / 38 / 4 / 0

HEX #FF9DF5

RGB 255 157 245

HSL 306.12, 1%, 0.81%

LAB 77.26, 49.07, -28.79

 

CMYK 0 / 59 / 15 / 20

HEX #CD55AE

RGB 205 85 174

HSL 315.5, 0.55%, 0.57%

LAB 54.59, 57.73, -24.45

 

CMYK 0 / 64 / 18 / 26

HEX #BC439B

RGB 188 67 155

HSL 316.36, 0.47%, 0.5%

LAB 48.35, 57.92, -23.11

 

CMYK 0 / 71 / 20 / 33

HEX #AB3188

RGB 171 49 136

HSL 317.21, 0.55%, 0.43%

LAB 42.2, 57.68, -21.38

 

CMYK 0 / 80 / 24 / 40

HEX #9A1F75

RGB 154 31 117

HSL 318.05, 0.66%, 0.36%

LAB 36.24, 56.68, -19.07

 

CMYK 0 / 91 / 28 / 46

HEX #890D62

RGB 137 13 98

HSL 318.87, 0.83%, 0.29%

LAB 30.61, 54.47, -15.9

 

CMYK 0 / 59 / 15 / 20

HEX #CD55AE

RGB 205 85 174

HSL 315.5, 0.55%, 0.57%

LAB 54.59, 57.73, -24.45

 

CMYK 0 / 59 / 24 / 20

HEX #CD559B

RGB 205 85 155

HSL 325, 0.55%, 0.57%

LAB 53.86, 55, -14.46

 

CMYK 0 / 59 / 34 / 20

HEX #CD5587

RGB 205 85 135

HSL 335, 0.55%, 0.57%

LAB 53.2, 52.45, -3.64

 

CMYK 0 / 59 / 44 / 20

HEX #CD5573

RGB 205 85 115

HSL 345, 0.55%, 0.57%

LAB 52.63, 50.25, 7.45

 

CMYK 0 / 59 / 54 / 20

HEX #CD555F

RGB 205 85 95

HSL 355, 0.55%, 0.57%

LAB 52.18, 48.41, 18.72

 

CMYK 0 / 59 / 15 / 20

HEX #CD55AE

RGB 205 85 174

HSL 315.5, 0.55%, 0.57%

LAB 54.59, 57.73, -24.45

 

CMYK 0 / 100 / 0 / 100

HEX #010001

RGB 1 0 1

HSL 300, 1%, 0%

LAB 0.08, 0.4, -0.29

 

CMYK 0 / 58 / 15 / 80

HEX #34162C

RGB 52 22 44

HSL 316, 0.41%, 0.15%

LAB 12.52, 18.66, -8.1

 

CMYK 0 / 58 / 16 / 60

HEX #672B57

RGB 103 43 87

HSL 316, 0.41%, 0.29%

LAB 27.57, 32.93, -13.92

 

CMYK 0 / 58 / 15 / 40

HEX #9A4083

RGB 154 64 131

HSL 315.33, 0.41%, 0.43%

LAB 41.49, 45.85, -19.65

 

CMYK 0 / 59 / 15 / 20

HEX #CD55AE

RGB 205 85 174

HSL 315.5, 0.55%, 0.57%

LAB 54.59, 57.73, -24.45

 

CMYK 0 / 32 / 59 / 20

HEX #CD8B55

RGB 205 139 85

HSL 27, 0.55%, 0.57%

LAB 63.43, 19.58, 38.74

 

CMYK 59 / 0 / 9 / 20

HEX #55CDBB

RGB 85 205 187

HSL 171, 0.55%, 0.57%

LAB 75.56, -37.84, -1.11

 

CMYK 0 / 59 / 15 / 20

HEX #CD55AE

RGB 205 85 174

HSL 315.5, 0.55%, 0.57%

LAB 54.59, 57.73, -24.45

 

CMYK 15 / 0 / 59 / 20

HEX #AFCD55

RGB 175 205 85

HSL 75, 0.55%, 0.57%

LAB 78.13, -27.48, 55.15

 

CMYK 59 / 15 / 0 / 20

HEX #55AFCD

RGB 85 175 205

HSL 195, 0.55%, 0.57%

LAB 67.28, -18.16, -23.35

 

CMYK 0 / 59 / 15 / 20

HEX #CD55AE

RGB 205 85 174

HSL 315.5, 0.55%, 0.57%

LAB 54.59, 57.73, -24.45

 

CMYK 0 / 32 / 59 / 20

HEX #CD8B55

RGB 205 139 85

HSL 27, 0.55%, 0.57%

LAB 63.43, 19.58, 38.74

 

CMYK 59 / 0 / 44 / 20

HEX #55CD73

RGB 85 205 115

HSL 135, 0.55%, 0.57%

LAB 74.08, -52.95, 34.93

 

CMYK 59 / 26 / 0 / 20

HEX #5597CD

RGB 85 151 205

HSL 207, 0.55%, 0.57%

LAB 60.31, -5.06, -34.1

 

CMYK 0 / 59 / 15 / 20

HEX #CD55AE

RGB 205 85 174

HSL 315.5, 0.55%, 0.57%

LAB 54.59, 57.73, -24.45

 

CMYK 0 / 15 / 59 / 20

HEX #CDAF55

RGB 205 175 85

HSL 45, 0.55%, 0.57%

LAB 72.43, 0.14, 49.34

 

CMYK 59 / 0 / 44 / 20

HEX #55CD73

RGB 85 205 115

HSL 135, 0.55%, 0.57%

LAB 74.08, -52.95, 34.93

 

CMYK 59 / 44 / 0 / 20

HEX #5573CD

RGB 85 115 205

HSL 225, 0.55%, 0.57%

LAB 50.22, 16.36, -50.03

 

Description

Color code: HEX #CD55AE | qconv.com Color code: HEX #CD55AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 85 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 85 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 15 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 15% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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