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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD545B it is the complementary color #32ABA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD545B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CD545B: #D25456, #E36669, #F4787C, #FF8A8F and #FF9CA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD545B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CD545B: #CD545B, #BC4248, #AB3035, #9A1E22 and #890C0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 56 / 20

HEX #CD545B

RGB 205 84 91

HSL 356.53, 0.55%, 0.57%

LAB 51.92, 48.55, 20.74

Complementary color

CMYK 71 / 0 / 4 / 33

HEX #32ABA4

RGB 50 171 164

HSL 176.53, 0.55%, 0.43%

LAB 63.74, -34.05, -6

 

CMYK 0 / 60 / 59 / 18

HEX #D25456

RGB 210 84 86

HSL 359.05, 0.58%, 0.58%

LAB 52.64, 49.91, 24.78

 

CMYK 0 / 55 / 54 / 11

HEX #E36669

RGB 227 102 105

HSL 358.56, 0.69%, 0.65%

LAB 58.84, 48.9, 22.42

 

CMYK 0 / 51 / 49 / 4

HEX #F4787C

RGB 244 120 124

HSL 358.06, 0.85%, 0.71%

LAB 65.06, 47.85, 20.4

 

CMYK 0 / 46 / 44 / 0

HEX #FF8A8F

RGB 255 138 143

HSL 357.44, 1%, 0.77%

LAB 70.47, 44.67, 17.42

 

CMYK 0 / 39 / 36 / 0

HEX #FF9CA2

RGB 255 156 162

HSL 356.36, 1%, 0.81%

LAB 74.6, 37.56, 12.69

 

CMYK 0 / 59 / 56 / 20

HEX #CD545B

RGB 205 84 91

HSL 356.53, 0.55%, 0.57%

LAB 51.92, 48.55, 20.74

Pantone® 7418 C

CMYK 0 / 65 / 62 / 26

HEX #BC4248

RGB 188 66 72

HSL 357.05, 0.48%, 0.5%

LAB 45.71, 49.41, 23.41

 

CMYK 0 / 72 / 69 / 33

HEX #AB3035

RGB 171 48 53

HSL 357.56, 0.56%, 0.43%

LAB 39.63, 49.96, 26.65

 

CMYK 0 / 81 / 78 / 40

HEX #9A1E22

RGB 154 30 34

HSL 358.06, 0.67%, 0.36%

LAB 33.8, 49.89, 30.59

 

CMYK 0 / 91 / 89 / 46

HEX #890C0F

RGB 137 12 15

HSL 358.56, 0.84%, 0.29%

LAB 28.42, 48.7, 34.98

 

CMYK 0 / 59 / 56 / 20

HEX #CD545B

RGB 205 84 91

HSL 356.53, 0.55%, 0.57%

LAB 51.92, 48.55, 20.74

Pantone® 7418 C

CMYK 0 / 53 / 59 / 20

HEX #CD6155

RGB 205 97 85

HSL 6, 0.55%, 0.57%

LAB 54.22, 41.83, 27.26

 

CMYK 0 / 43 / 59 / 20

HEX #CD7555

RGB 205 117 85

HSL 16, 0.55%, 0.57%

LAB 58.37, 31.47, 32.52

 

CMYK 0 / 33 / 59 / 20

HEX #CD8955

RGB 205 137 85

HSL 26, 0.55%, 0.57%

LAB 62.95, 20.67, 38.16

 

CMYK 0 / 23 / 59 / 20

HEX #CD9D55

RGB 205 157 85

HSL 36, 0.55%, 0.57%

LAB 67.84, 9.78, 44

 

CMYK 0 / 59 / 56 / 20

HEX #CD545B

RGB 205 84 91

HSL 356.53, 0.55%, 0.57%

LAB 51.92, 48.55, 20.74

Pantone® 7418 C

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 60 / 56 / 80

HEX #341517

RGB 52 21 23

HSL 356.13, 0.42%, 0.14%

LAB 11.47, 15.82, 5.9

 

CMYK 0 / 59 / 55 / 60

HEX #672A2E

RGB 103 42 46

HSL 356.07, 0.42%, 0.28%

LAB 25.97, 27.82, 11.07

 

CMYK 0 / 59 / 56 / 40

HEX #9A3F44

RGB 154 63 68

HSL 356.7, 0.42%, 0.43%

LAB 39.31, 38.5, 16.37

 

CMYK 0 / 59 / 56 / 20

HEX #CD545B

RGB 205 84 91

HSL 356.53, 0.55%, 0.57%

LAB 51.92, 48.55, 20.74

Pantone® 7418 C

CMYK 8 / 0 / 59 / 20

HEX #BDCD55

RGB 189 205 85

HSL 68, 0.55%, 0.57%

LAB 79.12, -21.88, 56.53

 

CMYK 59 / 31 / 0 / 20

HEX #558DCD

RGB 85 141 205

HSL 212, 0.55%, 0.57%

LAB 57.45, 0.7, -38.57

 

CMYK 0 / 59 / 56 / 20

HEX #CD545B

RGB 205 84 91

HSL 356.53, 0.55%, 0.57%

LAB 51.92, 48.55, 20.74

Pantone® 7418 C

CMYK 55 / 0 / 59 / 20

HEX #5DCD55

RGB 93 205 85

HSL 116, 0.55%, 0.57%

LAB 73.96, -55.14, 49.3

 

CMYK 59 / 55 / 0 / 20

HEX #555DCD

RGB 85 93 205

HSL 236, 0.55%, 0.57%

LAB 44.47, 30.05, -59.26

 

CMYK 0 / 59 / 56 / 20

HEX #CD545B

RGB 205 84 91

HSL 356.53, 0.55%, 0.57%

LAB 51.92, 48.55, 20.74

Pantone® 7418 C

CMYK 8 / 0 / 59 / 20

HEX #BDCD55

RGB 189 205 85

HSL 68, 0.55%, 0.57%

LAB 79.12, -21.88, 56.53

 

CMYK 59 / 0 / 4 / 20

HEX #55CDC5

RGB 85 205 197

HSL 176, 0.55%, 0.57%

LAB 75.84, -35.25, -6.1

 

CMYK 51 / 59 / 0 / 20

HEX #6555CD

RGB 101 85 205

HSL 248, 0.55%, 0.57%

LAB 43.76, 38, -60.35

 

CMYK 0 / 59 / 56 / 20

HEX #CD545B

RGB 205 84 91

HSL 356.53, 0.55%, 0.57%

LAB 51.92, 48.55, 20.74

Pantone® 7418 C

CMYK 25 / 0 / 59 / 20

HEX #99CD55

RGB 153 205 85

HSL 86, 0.55%, 0.57%

LAB 76.73, -35.93, 53.2

 

CMYK 59 / 0 / 4 / 20

HEX #55CDC5

RGB 85 205 197

HSL 176, 0.55%, 0.57%

LAB 75.84, -35.25, -6.1

 

CMYK 33 / 59 / 0 / 20

HEX #8955CD

RGB 137 85 205

HSL 266, 0.55%, 0.57%

LAB 47.27, 45.88, -54.52

 

Description

Color code: HEX #CD545B | qconv.com Color code: HEX #CD545B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 84 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 84 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 56 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 56% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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