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Color name
HEX #CD53AF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD53AF it is the complementary color #32AC50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD53AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD53AF shade: #D253AA, #E365BD, #F477D0, #FF89E3 and #FF9BF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD53AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD53AF shade: #CD53AF, #BC419C, #AB2F89, #9A1D76 and #890B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD53AF shade: #CD51AE, #CD518D, #CD516C and #CD5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD53AF shade: #CD51AE, #CA51CD, #A851CD, #8751CD and #6651CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD53AF shade matches the following richer shades: #CD51AE, #DF3FB7 and #F12DC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD53AF shade: #CD51AE, #BA63A5, #A8759C, #968892 and #849A89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD53AF shade: #A751CD, #C851CD, #CD51B0, #CD518F and #CD516E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD53AF shade: #9D2E82, #BD379C, #CD51AE, #D671BD and #DF91CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD53AF shade: #CD53AF, #CD8751 and #51CDB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD53AF shade: #CD53AF, #B0CD51 and #51B0CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD53AF shade: #CD53AF, #CD8751, #51CD6E and #5197CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD53AF shade: #CD53AF, #CDAC51, #51CD6E and #5172CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 15 / 20

HEX #CD53AF

RGB 205 83 175

HSL 314.75, 0.55%, 0.56%

LAB 54.3, 58.76, -25.47

 

Complementary color

CMYK 71 / 0 / 53 / 33

HEX #32AC50

RGB 50 172 80

HSL 134.75, 0.55%, 0.44%

LAB 62.31, -52.99, 37.54

 

CMYK 0 / 60 / 19 / 18

HEX #D253AA

RGB 210 83 170

HSL 318.9, 0.59%, 0.57%

LAB 54.86, 59.43, -21.65

 

CMYK 0 / 56 / 17 / 11

HEX #E365BD

RGB 227 101 189

HSL 318.1, 0.69%, 0.64%

LAB 61.06, 59.05, -22.87

 

CMYK 0 / 51 / 15 / 4

HEX #F477D0

RGB 244 119 208

HSL 317.28, 0.85%, 0.71%

LAB 67.26, 58.5, -23.89

 

CMYK 0 / 46 / 11 / 0

HEX #FF89E3

RGB 255 137 227

HSL 314.24, 1%, 0.77%

LAB 72.69, 56.07, -25.98

 

CMYK 0 / 39 / 4 / 0

HEX #FF9BF6

RGB 255 155 246

HSL 305.4, 1%, 0.8%

LAB 76.89, 50.26, -29.89

 

CMYK 0 / 60 / 15 / 20

HEX #CD53AF

RGB 205 83 175

HSL 314.75, 0.55%, 0.56%

LAB 54.3, 58.76, -25.47

 

CMYK 0 / 65 / 17 / 26

HEX #BC419C

RGB 188 65 156

HSL 315.61, 0.49%, 0.5%

LAB 48.1, 58.88, -24.1

 

CMYK 0 / 73 / 20 / 33

HEX #AB2F89

RGB 171 47 137

HSL 316.45, 0.57%, 0.43%

LAB 42, 58.53, -22.32

 

CMYK 0 / 81 / 23 / 40

HEX #9A1D76

RGB 154 29 118

HSL 317.28, 0.68%, 0.36%

LAB 36.09, 57.37, -19.93

 

CMYK 0 / 92 / 28 / 46

HEX #890B63

RGB 137 11 99

HSL 318.1, 0.85%, 0.29%

LAB 30.54, 54.93, -16.65

 

CMYK 0 / 60 / 15 / 20

HEX #CD51AE

RGB 205 81 174

HSL 315, 0.55%, 0.56%

LAB 53.94, 59.48, -25.45

 

CMYK 0 / 60 / 31 / 20

HEX #CD518D

RGB 205 81 141

HSL 330.97, 0.55%, 0.56%

LAB 52.72, 54.97, -7.91

 

CMYK 0 / 60 / 47 / 20

HEX #CD516C

RGB 205 81 108

HSL 346.94, 0.55%, 0.56%

LAB 51.78, 51.39, 10.42

 

CMYK 0 / 60 / 60 / 20

HEX #CD5151

RGB 205 81 81

HSL 0, 0.55%, 0.56%

LAB 51.22, 49.19, 25.72

 

CMYK 0 / 60 / 15 / 20

HEX #CD51AE

RGB 205 81 174

HSL 315, 0.55%, 0.56%

LAB 53.94, 59.48, -25.45

 

CMYK 1 / 60 / 0 / 20

HEX #CA51CD

RGB 202 81 205

HSL 298.55, 0.55%, 0.56%

LAB 54.92, 63.69, -41.83

 

CMYK 18 / 60 / 0 / 20

HEX #A851CD

RGB 168 81 205

HSL 282.1, 0.55%, 0.56%

LAB 50.24, 55.35, -49.55

 

CMYK 34 / 60 / 0 / 20

HEX #8751CD

RGB 135 81 205

HSL 266.13, 0.55%, 0.56%

LAB 46.24, 47.57, -56.19

 

CMYK 50 / 60 / 0 / 20

HEX #6651CD

RGB 102 81 205

HSL 250.16, 0.55%, 0.56%

LAB 42.94, 40.55, -61.68

 

CMYK 0 / 60 / 15 / 20

HEX #CD51AE

RGB 205 81 174

HSL 315, 0.55%, 0.56%

LAB 53.94, 59.48, -25.45

 

CMYK 0 / 72 / 18 / 13

HEX #DF3FB7

RGB 223 63 183

HSL 315, 0.71%, 0.56%

LAB 54.72, 72.2, -29.24

 

CMYK 0 / 81 / 20 / 5

HEX #F12DC1

RGB 241 45 193

HSL 314.69, 0.88%, 0.56%

LAB 56.51, 82.38, -32

 

CMYK 0 / 60 / 15 / 20

HEX #CD51AE

RGB 205 81 174

HSL 315, 0.55%, 0.56%

LAB 53.94, 59.48, -25.45

 

CMYK 0 / 47 / 11 / 27

HEX #BA63A5

RGB 186 99 165

HSL 314.48, 0.39%, 0.56%

LAB 54.11, 43.82, -20.18

 

CMYK 0 / 30 / 7 / 34

HEX #A8759C

RGB 168 117 156

HSL 314.12, 0.23%, 0.56%

LAB 55.53, 26.38, -12.99

 

CMYK 0 / 9 / 3 / 41

HEX #968892

RGB 150 136 146

HSL 317.14, 0.06%, 0.56%

LAB 58.2, 7.12, -3.43

 

CMYK 14 / 0 / 11 / 40

HEX #849A89

RGB 132 154 137

HSL 133.64, 0.1%, 0.56%

LAB 61.5, -11.21, 6.33

 

CMYK 19 / 60 / 0 / 20

HEX #A751CD

RGB 167 81 205

HSL 281.61, 0.55%, 0.56%

LAB 50.11, 55.1, -49.77

 

CMYK 2 / 60 / 0 / 20

HEX #C851CD

RGB 200 81 205

HSL 297.58, 0.55%, 0.56%

LAB 54.63, 63.2, -42.31

 

CMYK 0 / 60 / 14 / 20

HEX #CD51B0

RGB 205 81 176

HSL 314.03, 0.55%, 0.56%

LAB 54.03, 59.78, -26.48

 

CMYK 0 / 60 / 30 / 20

HEX #CD518F

RGB 205 81 143

HSL 330, 0.55%, 0.56%

LAB 52.78, 55.22, -9

 

CMYK 0 / 60 / 46 / 20

HEX #CD516E

RGB 205 81 110

HSL 345.97, 0.55%, 0.56%

LAB 51.83, 51.58, 9.29

 

CMYK 0 / 71 / 17 / 38

HEX #9D2E82

RGB 157 46 130

HSL 314.59, 0.55%, 0.4%

LAB 39.13, 54.27, -22.65

 

CMYK 0 / 71 / 17 / 26

HEX #BD379C

RGB 189 55 156

HSL 314.78, 0.55%, 0.48%

LAB 46.91, 62.92, -25.93

 

CMYK 0 / 60 / 15 / 20

HEX #CD51AE

RGB 205 81 174

HSL 315, 0.55%, 0.56%

LAB 53.94, 59.48, -25.45

 

CMYK 0 / 47 / 12 / 16

HEX #D671BD

RGB 214 113 189

HSL 314.85, 0.55%, 0.64%

LAB 61.46, 49.41, -22.41

 

CMYK 0 / 35 / 9 / 13

HEX #DF91CC

RGB 223 145 204

HSL 314.62, 0.55%, 0.72%

LAB 69.68, 38.19, -18.22

 

CMYK 0 / 60 / 15 / 20

HEX #CD53AF

RGB 205 83 175

HSL 314.75, 0.55%, 0.56%

LAB 54.3, 58.76, -25.47

 

CMYK 0 / 34 / 60 / 20

HEX #CD8751

RGB 205 135 81

HSL 26.13, 0.55%, 0.56%

LAB 62.42, 21.46, 39.63

 

CMYK 60 / 0 / 10 / 20

HEX #51CDB8

RGB 81 205 184

HSL 169.84, 0.55%, 0.56%

LAB 75.37, -39.34, 0.22

 

CMYK 0 / 60 / 15 / 20

HEX #CD53AF

RGB 205 83 175

HSL 314.75, 0.55%, 0.56%

LAB 54.3, 58.76, -25.47

 

CMYK 14 / 0 / 60 / 20

HEX #B0CD51

RGB 176 205 81

HSL 74.03, 0.55%, 0.56%

LAB 78.16, -27.4, 56.95

 

CMYK 60 / 14 / 0 / 20

HEX #51B0CD

RGB 81 176 205

HSL 194.03, 0.55%, 0.56%

LAB 67.43, -19.43, -23.13

 

CMYK 0 / 60 / 15 / 20

HEX #CD53AF

RGB 205 83 175

HSL 314.75, 0.55%, 0.56%

LAB 54.3, 58.76, -25.47

 

CMYK 0 / 34 / 60 / 20

HEX #CD8751

RGB 205 135 81

HSL 26.13, 0.55%, 0.56%

LAB 62.42, 21.46, 39.63

 

CMYK 60 / 0 / 46 / 20

HEX #51CD6E

RGB 81 205 110

HSL 134.03, 0.55%, 0.56%

LAB 73.89, -54.62, 37.17

 

CMYK 60 / 26 / 0 / 20

HEX #5197CD

RGB 81 151 205

HSL 206.13, 0.55%, 0.56%

LAB 60.15, -5.84, -34.37

 

CMYK 0 / 60 / 15 / 20

HEX #CD53AF

RGB 205 83 175

HSL 314.75, 0.55%, 0.56%

LAB 54.3, 58.76, -25.47

 

CMYK 0 / 16 / 60 / 20

HEX #CDAC51

RGB 205 172 81

HSL 44.03, 0.55%, 0.56%

LAB 71.61, 1.44, 50.3

 

CMYK 60 / 0 / 46 / 20

HEX #51CD6E

RGB 81 205 110

HSL 134.03, 0.55%, 0.56%

LAB 73.89, -54.62, 37.17

 

CMYK 60 / 44 / 0 / 20

HEX #5172CD

RGB 81 114 205

HSL 224.03, 0.55%, 0.56%

LAB 49.73, 16.2, -50.82

 

Description

Color code: HEX #CD53AF | qconv.com Color code: HEX #CD53AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 83 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 83 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 15 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 15% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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