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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD5220 it is the complementary color #32ADDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD5220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD5220 shade: #D2521B, #E3642E, #F47641, #FF8854 and #FF9A67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD5220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD5220 shade: #CD5220, #BC400D, #AB2E00, #9A1C00 and #890A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD5220 shade: #CB5120, #CB2320 and #CB2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD5220 shade: #CB5120, #CB7F20, #CBAE20, #BACB20 and #8CCB20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD5220 shade matches the following richer shades: #CB5120 and #DE490D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD5220 shade: #CB5120, #B85933, #A56146, #926959 and #7F716C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD5220 shade: #CB204A, #CB2320, #CB5020, #CB7E20 and #CBAC20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD5220 shade: #843515, #A7431A, #CB5120, #DF6634 and #E58158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD5220 shade: #CD5220, #78CB20 and #2034CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD5220 shade: #CD5220, #20CB50 and #5020CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD5220 shade: #CD5220, #78CB20, #209ACB and #7220CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD5220 shade: #CD5220, #45CB20, #209ACB and #A620CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 84 / 20

HEX #CD5220

RGB 205 82 32

HSL 17.34, 0.73%, 0.46%

LAB 50.82, 46.45, 51.28

 

Complementary color

CMYK 78 / 22 / 0 / 13

HEX #32ADDF

RGB 50 173 223

HSL 197.34, 0.73%, 0.54%

LAB 66.44, -16.51, -34.64

 

CMYK 0 / 61 / 87 / 18

HEX #D2521B

RGB 210 82 27

HSL 18.03, 0.77%, 0.46%

LAB 51.63, 48.15, 54.3

 

CMYK 0 / 56 / 80 / 11

HEX #E3642E

RGB 227 100 46

HSL 17.9, 0.76%, 0.54%

LAB 57.7, 46.53, 52.69

 

CMYK 0 / 52 / 73 / 4

HEX #F47641

RGB 244 118 65

HSL 17.77, 0.89%, 0.61%

LAB 63.81, 44.93, 50.71

 

CMYK 0 / 47 / 67 / 0

HEX #FF8854

RGB 255 136 84

HSL 18.25, 1%, 0.66%

LAB 69.12, 41.12, 47.54

 

CMYK 0 / 40 / 60 / 0

HEX #FF9A67

RGB 255 154 103

HSL 20.13, 1%, 0.7%

LAB 73.12, 33.12, 42.54

 

CMYK 0 / 60 / 84 / 20

HEX #CD5220

RGB 205 82 32

HSL 17.34, 0.73%, 0.46%

LAB 50.82, 46.45, 51.28

 

CMYK 0 / 66 / 93 / 26

HEX #BC400D

RGB 188 64 13

HSL 17.49, 0.87%, 0.39%

LAB 44.78, 47.97, 52.34

 

CMYK 0 / 73 / 100 / 33

HEX #AB2E00

RGB 171 46 0

HSL 16.14, 1%, 0.34%

LAB 38.92, 49.19, 51.3

 

CMYK 0 / 82 / 100 / 40

HEX #9A1C00

RGB 154 28 0

HSL 10.91, 1%, 0.3%

LAB 33.35, 49.7, 46.6

 

CMYK 0 / 93 / 100 / 46

HEX #890A00

RGB 137 10 0

HSL 4.38, 1%, 0.27%

LAB 28.21, 48.79, 41.21

 

CMYK 0 / 60 / 84 / 20

HEX #CB5120

RGB 203 81 32

HSL 17.19, 0.73%, 0.46%

LAB 50.32, 46.17, 50.71

 

CMYK 0 / 83 / 84 / 20

HEX #CB2320

RGB 203 35 32

HSL 1.05, 0.73%, 0.46%

LAB 44.24, 62.8, 45.35

 

CMYK 0 / 84 / 84 / 20

HEX #CB2020

RGB 203 32 32

HSL 0, 0.73%, 0.46%

LAB 43.99, 63.49, 45.13

 

CMYK 0 / 60 / 84 / 20

HEX #CB5120

RGB 203 81 32

HSL 17.19, 0.73%, 0.46%

LAB 50.32, 46.17, 50.71

 

CMYK 0 / 37 / 84 / 20

HEX #CB7F20

RGB 203 127 32

HSL 33.33, 0.73%, 0.46%

LAB 59.87, 22.53, 58.93

 

CMYK 0 / 14 / 84 / 20

HEX #CBAE20

RGB 203 174 32

HSL 49.82, 0.73%, 0.46%

LAB 71.6, -2.83, 68.8

 

CMYK 8 / 0 / 84 / 20

HEX #BACB20

RGB 186 203 32

HSL 65.96, 0.73%, 0.46%

LAB 78.03, -24.85, 73.6

 

CMYK 31 / 0 / 84 / 20

HEX #8CCB20

RGB 140 203 32

HSL 82.11, 0.73%, 0.46%

LAB 75.07, -43.16, 69.91

 

CMYK 0 / 60 / 84 / 20

HEX #CB5120

RGB 203 81 32

HSL 17.19, 0.73%, 0.46%

LAB 50.32, 46.17, 50.71

 

CMYK 0 / 67 / 94 / 13

HEX #DE490D

RGB 222 73 13

HSL 17.22, 0.89%, 0.46%

LAB 52.2, 55.95, 60.1

 

CMYK 0 / 60 / 84 / 20

HEX #CB5120

RGB 203 81 32

HSL 17.19, 0.73%, 0.46%

LAB 50.32, 46.17, 50.71

 

CMYK 0 / 52 / 72 / 28

HEX #B85933

RGB 184 89 51

HSL 17.14, 0.57%, 0.46%

LAB 48.98, 35.69, 39.17

 

CMYK 0 / 41 / 58 / 35

HEX #A56146

RGB 165 97 70

HSL 17.05, 0.4%, 0.46%

LAB 48.25, 24.84, 27.1

 

CMYK 0 / 28 / 39 / 43

HEX #926959

RGB 146 105 89

HSL 16.84, 0.24%, 0.46%

LAB 48.18, 14.22, 15.48

 

CMYK 0 / 11 / 15 / 50

HEX #7F716C

RGB 127 113 108

HSL 15.79, 0.08%, 0.46%

LAB 48.77, 4.55, 4.76

 

CMYK 0 / 84 / 64 / 20

HEX #CB204A

RGB 203 32 74

HSL 345.26, 0.73%, 0.46%

LAB 44.55, 65.15, 21.22

 

CMYK 0 / 83 / 84 / 20

HEX #CB2320

RGB 203 35 32

HSL 1.05, 0.73%, 0.46%

LAB 44.24, 62.8, 45.35

 

CMYK 0 / 61 / 84 / 20

HEX #CB5020

RGB 203 80 32

HSL 16.84, 0.73%, 0.46%

LAB 50.14, 46.63, 50.56

 

CMYK 0 / 38 / 84 / 20

HEX #CB7E20

RGB 203 126 32

HSL 32.98, 0.73%, 0.46%

LAB 59.64, 23.08, 58.73

 

CMYK 0 / 15 / 84 / 20

HEX #CBAC20

RGB 203 172 32

HSL 49.12, 0.73%, 0.46%

LAB 71.08, -1.78, 68.36

 

CMYK 0 / 60 / 84 / 48

HEX #843515

RGB 132 53 21

HSL 17.3, 0.73%, 0.3%

LAB 32.93, 32.19, 35.56

 

CMYK 0 / 60 / 84 / 35

HEX #A7431A

RGB 167 67 26

HSL 17.45, 0.73%, 0.38%

LAB 41.7, 39.13, 43.42

 

CMYK 0 / 60 / 84 / 20

HEX #CB5120

RGB 203 81 32

HSL 17.19, 0.73%, 0.46%

LAB 50.32, 46.17, 50.71

 

CMYK 0 / 54 / 77 / 13

HEX #DF6634

RGB 223 102 52

HSL 17.54, 0.73%, 0.54%

LAB 57.5, 44.29, 49.48

 

CMYK 0 / 44 / 62 / 10

HEX #E58158

RGB 229 129 88

HSL 17.45, 0.73%, 0.62%

LAB 64.21, 34.87, 38.8

 

CMYK 0 / 60 / 84 / 20

HEX #CD5220

RGB 205 82 32

HSL 17.34, 0.73%, 0.46%

LAB 50.82, 46.45, 51.28

 

CMYK 41 / 0 / 84 / 20

HEX #78CB20

RGB 120 203 32

HSL 89.12, 0.73%, 0.46%

LAB 74.07, -50.22, 68.64

 

CMYK 84 / 74 / 0 / 20

HEX #2034CB

RGB 32 52 203

HSL 232.98, 0.73%, 0.46%

LAB 31.98, 48.17, -78.66

 

CMYK 0 / 60 / 84 / 20

HEX #CD5220

RGB 205 82 32

HSL 17.34, 0.73%, 0.46%

LAB 50.82, 46.45, 51.28

 

CMYK 84 / 0 / 61 / 20

HEX #20CB50

RGB 32 203 80

HSL 136.84, 0.73%, 0.46%

LAB 71.96, -65.76, 48.89

 

CMYK 61 / 84 / 0 / 20

HEX #5020CB

RGB 80 32 203

HSL 256.84, 0.73%, 0.46%

LAB 31.92, 61.25, -78.65

 

CMYK 0 / 60 / 84 / 20

HEX #CD5220

RGB 205 82 32

HSL 17.34, 0.73%, 0.46%

LAB 50.82, 46.45, 51.28

 

CMYK 41 / 0 / 84 / 20

HEX #78CB20

RGB 120 203 32

HSL 89.12, 0.73%, 0.46%

LAB 74.07, -50.22, 68.64

 

CMYK 84 / 24 / 0 / 20

HEX #209ACB

RGB 32 154 203

HSL 197.19, 0.73%, 0.46%

LAB 59.64, -14.79, -34.13

 

CMYK 44 / 84 / 0 / 20

HEX #7220CB

RGB 114 32 203

HSL 268.77, 0.73%, 0.46%

LAB 35.83, 64.96, -72.07

 

CMYK 0 / 60 / 84 / 20

HEX #CD5220

RGB 205 82 32

HSL 17.34, 0.73%, 0.46%

LAB 50.82, 46.45, 51.28

 

CMYK 66 / 0 / 84 / 20

HEX #45CB20

RGB 69 203 32

HSL 107.02, 0.73%, 0.46%

LAB 72.28, -64.19, 66.38

 

CMYK 84 / 24 / 0 / 20

HEX #209ACB

RGB 32 154 203

HSL 197.19, 0.73%, 0.46%

LAB 59.64, -14.79, -34.13

 

CMYK 18 / 84 / 0 / 20

HEX #A620CB

RGB 166 32 203

HSL 287.02, 0.73%, 0.46%

LAB 43.44, 72.58, -59.34

 

Description

Color code: HEX #CD5220 | qconv.com Color code: HEX #CD5220 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 82 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 82 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 84 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 84% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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