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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD5087 it is the complementary color #32AF78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD5087. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD5087 shade: #D25082, #E36295, #F474A8, #FF86BB and #FF98CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD5087. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD5087 shade: #CD5087, #BC3E74, #AB2C61, #9A1A4E and #89083B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD5087 shade: #CD4F87, #CD4F65 and #CD4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD5087 shade: #CD4F87, #CD4FA9, #CD4FCB, #AE4FCD and #8C4FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD5087 shade matches the following richer shades: #CD4F87, #DF3D85 and #F12B82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD5087 shade: #CD4F87, #BB6289, #A9748B, #97868D and #85988F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD5087 shade: #CD4FCB, #CD4FAA, #CD4F88, #CD4F67 and #CD5A4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD5087 shade: #9E2C5E, #BE3571, #CD4F87, #D6709D and #DF90B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD5087 shade: #CD5087, #CDAE4F and #4FBACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD5087 shade: #CD5087, #88CD4F and #4F88CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD5087 shade: #CD5087, #CDAE4F, #4FCD95 and #4F6FCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD5087 shade: #CD5087, #C7CD4F, #4FCD95 and #564FCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 34 / 20

HEX #CD5087

RGB 205 80 135

HSL 333.6, 0.56%, 0.56%

LAB 52.36, 54.69, -4.87

 

Complementary color

CMYK 71 / 0 / 31 / 31

HEX #32AF78

RGB 50 175 120

HSL 153.6, 0.56%, 0.44%

LAB 63.91, -46.88, 18.63

 

CMYK 0 / 62 / 38 / 18

HEX #D25082

RGB 210 80 130

HSL 336.92, 0.59%, 0.57%

LAB 53, 55.67, -0.85

 

CMYK 0 / 57 / 34 / 11

HEX #E36295

RGB 227 98 149

HSL 336.28, 0.7%, 0.64%

LAB 59.19, 55.13, -2.64

 

CMYK 0 / 52 / 31 / 4

HEX #F474A8

RGB 244 116 168

HSL 335.63, 0.85%, 0.71%

LAB 65.4, 54.44, -4.14

 

CMYK 0 / 47 / 27 / 0

HEX #FF86BB

RGB 255 134 187

HSL 333.72, 1%, 0.76%

LAB 70.8, 51.74, -6.68

 

CMYK 0 / 40 / 19 / 0

HEX #FF98CE

RGB 255 152 206

HSL 328.54, 1%, 0.8%

LAB 74.93, 45.39, -11.05

 

CMYK 0 / 61 / 34 / 20

HEX #CD5087

RGB 205 80 135

HSL 333.6, 0.56%, 0.56%

LAB 52.36, 54.69, -4.87

 

CMYK 0 / 67 / 38 / 26

HEX #BC3E74

RGB 188 62 116

HSL 334.29, 0.5%, 0.49%

LAB 46.17, 54.97, -2.86

 

CMYK 0 / 74 / 43 / 33

HEX #AB2C61

RGB 171 44 97

HSL 334.96, 0.59%, 0.42%

LAB 40.12, 54.78, -0.31

 

CMYK 0 / 83 / 49 / 40

HEX #9A1A4E

RGB 154 26 78

HSL 335.63, 0.71%, 0.35%

LAB 34.31, 53.77, 3.02

 

CMYK 0 / 94 / 57 / 46

HEX #89083B

RGB 137 8 59

HSL 336.28, 0.89%, 0.28%

LAB 28.92, 51.45, 7.45

 

CMYK 0 / 61 / 34 / 20

HEX #CD4F87

RGB 205 79 135

HSL 333.33, 0.56%, 0.56%

LAB 52.2, 55.13, -5.11

 

CMYK 0 / 61 / 51 / 20

HEX #CD4F65

RGB 205 79 101

HSL 349.52, 0.56%, 0.56%

LAB 51.28, 51.65, 13.91

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 0 / 61 / 34 / 20

HEX #CD4F87

RGB 205 79 135

HSL 333.33, 0.56%, 0.56%

LAB 52.2, 55.13, -5.11

 

CMYK 0 / 61 / 18 / 20

HEX #CD4FA9

RGB 205 79 169

HSL 317.14, 0.56%, 0.56%

LAB 53.42, 59.6, -23.33

 

CMYK 0 / 61 / 1 / 20

HEX #CD4FCB

RGB 205 79 203

HSL 300.95, 0.56%, 0.56%

LAB 54.95, 64.93, -40.61

 

CMYK 15 / 61 / 0 / 20

HEX #AE4FCD

RGB 174 79 205

HSL 285.24, 0.56%, 0.56%

LAB 50.69, 57.74, -48.79

 

CMYK 32 / 61 / 0 / 20

HEX #8C4FCD

RGB 140 79 205

HSL 269.05, 0.56%, 0.56%

LAB 46.41, 49.76, -55.87

 

CMYK 0 / 61 / 34 / 20

HEX #CD4F87

RGB 205 79 135

HSL 333.33, 0.56%, 0.56%

LAB 52.2, 55.13, -5.11

 

CMYK 0 / 73 / 40 / 13

HEX #DF3D85

RGB 223 61 133

HSL 333.33, 0.72%, 0.56%

LAB 52.64, 67.01, -2.93

 

CMYK 0 / 82 / 46 / 5

HEX #F12B82

RGB 241 43 130

HSL 333.64, 0.88%, 0.56%

LAB 54.07, 76.28, 1.35

 

CMYK 0 / 61 / 34 / 20

HEX #CD4F87

RGB 205 79 135

HSL 333.33, 0.56%, 0.56%

LAB 52.2, 55.13, -5.11

 

CMYK 0 / 48 / 27 / 27

HEX #BB6289

RGB 187 98 137

HSL 333.71, 0.4%, 0.56%

LAB 53.07, 40.36, -5.31

 

CMYK 0 / 31 / 18 / 34

HEX #A9748B

RGB 169 116 139

HSL 333.96, 0.24%, 0.56%

LAB 54.86, 24.36, -4.09

 

CMYK 0 / 11 / 7 / 41

HEX #97868D

RGB 151 134 141

HSL 335.29, 0.08%, 0.56%

LAB 57.61, 7.69, -1.4

 

CMYK 13 / 0 / 6 / 40

HEX #85988F

RGB 133 152 143

HSL 151.58, 0.08%, 0.56%

LAB 61.16, -8.58, 2.45

 

CMYK 0 / 61 / 1 / 20

HEX #CD4FCB

RGB 205 79 203

HSL 300.95, 0.56%, 0.56%

LAB 54.95, 64.93, -40.61

 

CMYK 0 / 61 / 17 / 20

HEX #CD4FAA

RGB 205 79 170

HSL 316.67, 0.56%, 0.56%

LAB 53.46, 59.75, -23.85

 

CMYK 0 / 61 / 34 / 20

HEX #CD4F88

RGB 205 79 136

HSL 332.86, 0.56%, 0.56%

LAB 52.23, 55.25, -5.66

 

CMYK 0 / 61 / 50 / 20

HEX #CD4F67

RGB 205 79 103

HSL 348.57, 0.56%, 0.56%

LAB 51.32, 51.82, 12.78

 

CMYK 0 / 56 / 61 / 20

HEX #CD5A4F

RGB 205 90 79

HSL 5.24, 0.56%, 0.56%

LAB 52.79, 44.84, 28.89

 

CMYK 0 / 72 / 41 / 38

HEX #9E2C5E

RGB 158 44 94

HSL 333.68, 0.56%, 0.4%

LAB 37.62, 50.7, -2.36

 

CMYK 0 / 72 / 41 / 25

HEX #BE3571

RGB 190 53 113

HSL 333.72, 0.56%, 0.48%

LAB 45.2, 58.64, -2.42

 

CMYK 0 / 61 / 34 / 20

HEX #CD4F87

RGB 205 79 135

HSL 333.33, 0.56%, 0.56%

LAB 52.2, 55.13, -5.11

 

CMYK 0 / 48 / 27 / 16

HEX #D6709D

RGB 214 112 157

HSL 333.53, 0.55%, 0.64%

LAB 60.18, 45.13, -6.03

 

CMYK 0 / 35 / 20 / 13

HEX #DF90B3

RGB 223 144 179

HSL 333.42, 0.55%, 0.72%

LAB 68.67, 34.7, -5.8

 

CMYK 0 / 61 / 34 / 20

HEX #CD5087

RGB 205 80 135

HSL 333.6, 0.56%, 0.56%

LAB 52.36, 54.69, -4.87

 

CMYK 0 / 15 / 61 / 20

HEX #CDAE4F

RGB 205 174 79

HSL 45.24, 0.56%, 0.56%

LAB 72.11, 0.24, 51.8

 

CMYK 61 / 9 / 0 / 20

HEX #4FBACD

RGB 79 186 205

HSL 189.05, 0.56%, 0.56%

LAB 70.31, -24.89, -18.76

 

CMYK 0 / 61 / 34 / 20

HEX #CD5087

RGB 205 80 135

HSL 333.6, 0.56%, 0.56%

LAB 52.36, 54.69, -4.87

 

CMYK 34 / 0 / 61 / 20

HEX #88CD4F

RGB 136 205 79

HSL 92.86, 0.56%, 0.56%

LAB 75.74, -42.6, 54.45

 

CMYK 61 / 34 / 0 / 20

HEX #4F88CD

RGB 79 136 205

HSL 212.86, 0.56%, 0.56%

LAB 55.76, 2.47, -41.24

 

CMYK 0 / 61 / 34 / 20

HEX #CD5087

RGB 205 80 135

HSL 333.6, 0.56%, 0.56%

LAB 52.36, 54.69, -4.87

 

CMYK 0 / 15 / 61 / 20

HEX #CDAE4F

RGB 205 174 79

HSL 45.24, 0.56%, 0.56%

LAB 72.11, 0.24, 51.8

 

CMYK 61 / 0 / 27 / 20

HEX #4FCD95

RGB 79 205 149

HSL 153.33, 0.56%, 0.56%

LAB 74.51, -47.87, 17.75

 

CMYK 61 / 46 / 0 / 20

HEX #4F6FCD

RGB 79 111 205

HSL 224.76, 0.56%, 0.56%

LAB 48.81, 17.69, -52.3

 

CMYK 0 / 61 / 34 / 20

HEX #CD5087

RGB 205 80 135

HSL 333.6, 0.56%, 0.56%

LAB 52.36, 54.69, -4.87

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 61 / 0 / 27 / 20

HEX #4FCD95

RGB 79 205 149

HSL 153.33, 0.56%, 0.56%

LAB 74.51, -47.87, 17.75

 

CMYK 58 / 61 / 0 / 20

HEX #564FCD

RGB 86 79 205

HSL 243.33, 0.56%, 0.56%

LAB 41.18, 38.8, -64.59

 

Description

Color code: HEX #CD5087 | qconv.com Color code: HEX #CD5087 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 80 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 80 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 34 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 34% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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