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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD46EE it is the complementary color #32B911. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD46EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD46EE shade: #D246E9, #E358FC, #F46AFF, #FF7CFF and #FF8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD46EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD46EE shade: #CD46EE, #BC34DB, #AB22C8, #9A10B5 and #8900A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD46EE shade: #CC44EE, #EE44E1, #EE44B4, #EE4486 and #EE4458

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD46EE shade: #CC44EE, #9F44EE, #7144EE and #4444EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD46EE shade matches the following richer shades: #CC44EE and #D634FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD46EE shade: #CC44EE, #C255DD, #B865CD, #AE76BC and #A486AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD46EE shade: #7144EE, #9F44EE, #CC44EE, #EE44E2 and #EE44B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD46EE shade: #A813CC, #C21FEA, #CC44EE, #D76AF1 and #E190F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD46EE shade: #CD46EE, #EE4444 and #44EE88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD46EE shade: #CD46EE, #EECC44 and #44EECC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD46EE shade: #CD46EE, #EE4444, #66EE44 and #44EEEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD46EE shade: #CD46EE, #EE7744, #66EE44 and #44BBEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 71 / 0 / 7

HEX #CD46EE

RGB 205 70 238

HSL 288.21, 0.83%, 0.6%

LAB 55.62, 74.55, -59.35

 

Complementary color

CMYK 73 / 0 / 91 / 27

HEX #32B911

RGB 50 185 17

HSL 108.21, 0.83%, 0.4%

LAB 66.07, -62.61, 63.83

 

CMYK 10 / 70 / 0 / 9

HEX #D246E9

RGB 210 70 233

HSL 291.53, 0.79%, 0.59%

LAB 56.05, 74.68, -55.81

 

CMYK 10 / 65 / 0 / 1

HEX #E358FC

RGB 227 88 252

HSL 290.85, 0.96%, 0.67%

LAB 61.95, 74.9, -56.84

 

CMYK 4 / 58 / 0 / 0

HEX #F46AFF

RGB 244 106 255

HSL 295.57, 1%, 0.71%

LAB 67.1, 71.96, -50.17

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 14 / 71 / 0 / 7

HEX #CD46EE

RGB 205 70 238

HSL 288.21, 0.83%, 0.6%

LAB 55.62, 74.55, -59.35

 

CMYK 14 / 76 / 0 / 14

HEX #BC34DB

RGB 188 52 219

HSL 288.86, 0.7%, 0.53%

LAB 49.81, 73.86, -58.08

 

CMYK 15 / 83 / 0 / 22

HEX #AB22C8

RGB 171 34 200

HSL 289.52, 0.71%, 0.46%

LAB 44.19, 72.41, -56.34

 

CMYK 15 / 91 / 0 / 29

HEX #9A10B5

RGB 154 16 181

HSL 290.18, 0.84%, 0.39%

LAB 38.86, 69.85, -53.96

 

CMYK 15 / 100 / 0 / 36

HEX #8900A2

RGB 137 0 162

HSL 290.74, 1%, 0.32%

LAB 33.83, 66.03, -50.86

 

CMYK 14 / 71 / 0 / 7

HEX #CC44EE

RGB 204 68 238

HSL 288, 0.83%, 0.6%

LAB 55.22, 75.06, -59.99

 

CMYK 0 / 71 / 5 / 7

HEX #EE44E1

RGB 238 68 225

HSL 304.59, 0.83%, 0.6%

LAB 59.66, 79.96, -45.32

 

CMYK 0 / 71 / 24 / 7

HEX #EE44B4

RGB 238 68 180

HSL 320.47, 0.83%, 0.6%

LAB 57.66, 73.81, -22.76

 

CMYK 0 / 71 / 44 / 7

HEX #EE4486

RGB 238 68 134

HSL 336.71, 0.83%, 0.6%

LAB 56.12, 68.85, 1.88

 

CMYK 0 / 71 / 63 / 7

HEX #EE4458

RGB 238 68 88

HSL 352.94, 0.83%, 0.6%

LAB 55.09, 65.41, 27.71

 

CMYK 14 / 71 / 0 / 7

HEX #CC44EE

RGB 204 68 238

HSL 288, 0.83%, 0.6%

LAB 55.22, 75.06, -59.99

 

CMYK 33 / 71 / 0 / 7

HEX #9F44EE

RGB 159 68 238

HSL 272.12, 0.83%, 0.6%

LAB 49.1, 66.48, -70.18

 

CMYK 53 / 71 / 0 / 7

HEX #7144EE

RGB 113 68 238

HSL 255.88, 0.83%, 0.6%

LAB 43.97, 58.89, -78.77

 

CMYK 71 / 71 / 0 / 7

HEX #4444EE

RGB 68 68 238

HSL 240, 0.83%, 0.6%

LAB 40.47, 53.41, -84.65

 

CMYK 14 / 71 / 0 / 7

HEX #CC44EE

RGB 204 68 238

HSL 288, 0.83%, 0.6%

LAB 55.22, 75.06, -59.99

 

CMYK 16 / 80 / 0 / 0

HEX #D634FE

RGB 214 52 254

HSL 288.12, 0.99%, 0.6%

LAB 56, 84.64, -67.59

 

CMYK 14 / 71 / 0 / 7

HEX #CC44EE

RGB 204 68 238

HSL 288, 0.83%, 0.6%

LAB 55.22, 75.06, -59.99

 

CMYK 12 / 62 / 0 / 13

HEX #C255DD

RGB 194 85 221

HSL 288.09, 0.67%, 0.6%

LAB 55.26, 62.93, -50.44

 

CMYK 10 / 51 / 0 / 20

HEX #B865CD

RGB 184 101 205

HSL 287.88, 0.51%, 0.6%

LAB 55.99, 49.56, -40.3

 

CMYK 7 / 37 / 0 / 26

HEX #AE76BC

RGB 174 118 188

HSL 288, 0.34%, 0.6%

LAB 57.64, 34.04, -28.12

 

CMYK 5 / 22 / 0 / 33

HEX #A486AC

RGB 164 134 172

HSL 287.37, 0.19%, 0.6%

LAB 59.82, 18.41, -15.75

 

CMYK 53 / 71 / 0 / 7

HEX #7144EE

RGB 113 68 238

HSL 255.88, 0.83%, 0.6%

LAB 43.97, 58.89, -78.77

 

CMYK 33 / 71 / 0 / 7

HEX #9F44EE

RGB 159 68 238

HSL 272.12, 0.83%, 0.6%

LAB 49.1, 66.48, -70.18

 

CMYK 14 / 71 / 0 / 7

HEX #CC44EE

RGB 204 68 238

HSL 288, 0.83%, 0.6%

LAB 55.22, 75.06, -59.99

 

CMYK 0 / 71 / 5 / 7

HEX #EE44E2

RGB 238 68 226

HSL 304.24, 0.83%, 0.6%

LAB 59.71, 80.11, -45.8

 

CMYK 0 / 71 / 24 / 7

HEX #EE44B5

RGB 238 68 181

HSL 320.12, 0.83%, 0.6%

LAB 57.7, 73.94, -23.28

 

CMYK 18 / 91 / 0 / 20

HEX #A813CC

RGB 168 19 204

HSL 288.32, 0.83%, 0.44%

LAB 42.99, 75.56, -60.63

 

CMYK 17 / 87 / 0 / 8

HEX #C21FEA

RGB 194 31 234

HSL 288.18, 0.83%, 0.52%

LAB 49.97, 82.68, -66.29

 

CMYK 14 / 71 / 0 / 7

HEX #CC44EE

RGB 204 68 238

HSL 288, 0.83%, 0.6%

LAB 55.22, 75.06, -59.99

 

CMYK 11 / 56 / 0 / 5

HEX #D76AF1

RGB 215 106 241

HSL 288.44, 0.83%, 0.68%

LAB 62.6, 62.29, -49.82

 

CMYK 8 / 41 / 0 / 4

HEX #E190F5

RGB 225 144 245

HSL 288.12, 0.83%, 0.76%

LAB 71.25, 46.83, -38.36

 

CMYK 14 / 71 / 0 / 7

HEX #CD46EE

RGB 205 70 238

HSL 288.21, 0.83%, 0.6%

LAB 55.62, 74.55, -59.35

 

CMYK 0 / 71 / 71 / 7

HEX #EE4444

RGB 238 68 68

HSL 0, 0.83%, 0.6%

LAB 54.79, 64.4, 38.87

 

CMYK 71 / 0 / 43 / 7

HEX #44EE88

RGB 68 238 136

HSL 144, 0.83%, 0.6%

LAB 84.05, -64.83, 37.2

 

CMYK 14 / 71 / 0 / 7

HEX #CD46EE

RGB 205 70 238

HSL 288.21, 0.83%, 0.6%

LAB 55.62, 74.55, -59.35

 

CMYK 0 / 14 / 71 / 7

HEX #EECC44

RGB 238 204 68

HSL 48, 0.83%, 0.6%

LAB 82.8, -2, 68.58

 

CMYK 71 / 0 / 14 / 7

HEX #44EECC

RGB 68 238 204

HSL 168, 0.83%, 0.6%

LAB 85.37, -50.57, 4.08

 

CMYK 14 / 71 / 0 / 7

HEX #CD46EE

RGB 205 70 238

HSL 288.21, 0.83%, 0.6%

LAB 55.62, 74.55, -59.35

 

CMYK 0 / 71 / 71 / 7

HEX #EE4444

RGB 238 68 68

HSL 0, 0.83%, 0.6%

LAB 54.79, 64.4, 38.87

 

CMYK 57 / 0 / 71 / 7

HEX #66EE44

RGB 102 238 68

HSL 108, 0.83%, 0.6%

LAB 84.17, -66.36, 67.29

 

CMYK 71 / 0 / 0 / 7

HEX #44EEEE

RGB 68 238 238

HSL 180, 0.83%, 0.6%

LAB 86.28, -41.62, -12.44

 

CMYK 14 / 71 / 0 / 7

HEX #CD46EE

RGB 205 70 238

HSL 288.21, 0.83%, 0.6%

LAB 55.62, 74.55, -59.35

 

CMYK 0 / 50 / 71 / 7

HEX #EE7744

RGB 238 119 68

HSL 18, 0.83%, 0.6%

LAB 63.17, 42.3, 48.28

 

CMYK 57 / 0 / 71 / 7

HEX #66EE44

RGB 102 238 68

HSL 108, 0.83%, 0.6%

LAB 84.17, -66.36, 67.29

 

CMYK 71 / 21 / 0 / 7

HEX #44BBEE

RGB 68 187 238

HSL 198, 0.83%, 0.6%

LAB 71.52, -16.85, -34.91

 

Description

Color code: HEX #CD46EE | qconv.com Color code: HEX #CD46EE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 70 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 70 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 71 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 71% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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