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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD4615 it is the complementary color #32B9EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD4615. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD4615 shade: #D24610, #E35823, #F46A36, #FF7C49 and #FF8E5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD4615. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD4615 shade: #CD4615, #BC3402, #AB2200, #9A1000 and #890000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD4615 shade: #CB4615 and #CB1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD4615 shade: #CB4615, #CB7715, #CBA815, #BDCB15 and #8CCB15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD4615 shade matches the following richer shades: #CB4615 and #DD3D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD4615 shade: #CB4615, #B94E27, #A7573A, #955F4C and #82685E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD4615 shade: #CB1549, #CB1518, #CB4315, #CB7315 and #CBA415

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD4615 shade: #802C0D, #A63911, #CB4615, #E85722 and #EC7347

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD4615 shade: #CD4615, #79CB15 and #1531CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD4615 shade: #CD4615, #15CB43 and #4315CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD4615 shade: #CD4615, #79CB15, #159ECB and #6715CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD4615 shade: #CD4615, #43CB15, #159ECB and #9E15CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 90 / 20

HEX #CD4615

RGB 205 70 21

HSL 15.98, 0.81%, 0.44%

LAB 48.78, 51.5, 53.94

 

Complementary color

CMYK 79 / 21 / 0 / 8

HEX #32B9EA

RGB 50 185 234

HSL 195.98, 0.81%, 0.56%

LAB 70.4, -19.16, -34.51

 

CMYK 0 / 67 / 92 / 18

HEX #D24610

RGB 210 70 16

HSL 16.7, 0.86%, 0.44%

LAB 49.64, 53.14, 56.58

 

CMYK 0 / 61 / 85 / 11

HEX #E35823

RGB 227 88 35

HSL 16.56, 0.77%, 0.51%

LAB 55.51, 51.73, 55.49

 

CMYK 0 / 57 / 78 / 4

HEX #F46A36

RGB 244 106 54

HSL 16.42, 0.9%, 0.58%

LAB 61.49, 50.22, 53.59

 

CMYK 0 / 51 / 71 / 0

HEX #FF7C49

RGB 255 124 73

HSL 16.81, 1%, 0.64%

LAB 66.64, 46.48, 50.29

 

CMYK 0 / 44 / 64 / 0

HEX #FF8E5C

RGB 255 142 92

HSL 18.4, 1%, 0.68%

LAB 70.44, 38.55, 45

 

CMYK 0 / 66 / 90 / 20

HEX #CD4615

RGB 205 70 21

HSL 15.98, 0.81%, 0.44%

LAB 48.78, 51.5, 53.94

 

CMYK 0 / 72 / 99 / 26

HEX #BC3402

RGB 188 52 2

HSL 16.13, 0.98%, 0.37%

LAB 42.99, 52.62, 54.44

 

CMYK 0 / 80 / 100 / 33

HEX #AB2200

RGB 171 34 0

HSL 11.93, 1%, 0.34%

LAB 37.48, 53.19, 50.66

 

CMYK 0 / 90 / 100 / 40

HEX #9A1000

RGB 154 16 0

HSL 6.23, 1%, 0.3%

LAB 32.35, 52.55, 45.97

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 66 / 90 / 20

HEX #CB4615

RGB 203 70 21

HSL 16.15, 0.81%, 0.44%

LAB 48.42, 50.81, 53.52

 

CMYK 0 / 90 / 90 / 20

HEX #CB1515

RGB 203 21 21

HSL 0, 0.81%, 0.44%

LAB 43.19, 65.36, 49.69

 

CMYK 0 / 66 / 90 / 20

HEX #CB4615

RGB 203 70 21

HSL 16.15, 0.81%, 0.44%

LAB 48.42, 50.81, 53.52

 

CMYK 0 / 41 / 90 / 20

HEX #CB7715

RGB 203 119 21

HSL 32.31, 0.81%, 0.44%

LAB 57.98, 26.61, 60.72

 

CMYK 0 / 17 / 90 / 20

HEX #CBA815

RGB 203 168 21

HSL 48.46, 0.81%, 0.44%

LAB 70, 0.09, 69.99

 

CMYK 7 / 0 / 90 / 20

HEX #BDCB15

RGB 189 203 21

HSL 64.62, 0.81%, 0.44%

LAB 78.22, -23.84, 75.93

 

CMYK 31 / 0 / 90 / 20

HEX #8CCB15

RGB 140 203 21

HSL 80.77, 0.81%, 0.44%

LAB 75.04, -43.47, 72.04

 

CMYK 0 / 66 / 90 / 20

HEX #CB4615

RGB 203 70 21

HSL 16.15, 0.81%, 0.44%

LAB 48.42, 50.81, 53.52

 

CMYK 0 / 72 / 99 / 13

HEX #DD3D03

RGB 221 61 3

HSL 15.96, 0.97%, 0.44%

LAB 50.35, 60.02, 61.3

 

CMYK 0 / 66 / 90 / 20

HEX #CB4615

RGB 203 70 21

HSL 16.15, 0.81%, 0.44%

LAB 48.42, 50.81, 53.52

 

CMYK 0 / 58 / 79 / 27

HEX #B94E27

RGB 185 78 39

HSL 16.03, 0.65%, 0.44%

LAB 46.86, 41.09, 43.17

 

CMYK 0 / 48 / 65 / 35

HEX #A7573A

RGB 167 87 58

HSL 15.96, 0.48%, 0.44%

LAB 46.09, 30.29, 31.36

 

CMYK 0 / 36 / 49 / 42

HEX #955F4C

RGB 149 95 76

HSL 15.62, 0.32%, 0.44%

LAB 45.77, 19.79, 19.98

 

CMYK 0 / 20 / 28 / 49

HEX #82685E

RGB 130 104 94

HSL 16.67, 0.16%, 0.44%

LAB 46.25, 8.77, 9.56

 

CMYK 0 / 90 / 64 / 20

HEX #CB1549

RGB 203 21 73

HSL 342.86, 0.81%, 0.44%

LAB 43.82, 67.14, 20.88

 

CMYK 0 / 90 / 88 / 20

HEX #CB1518

RGB 203 21 24

HSL 359.01, 0.81%, 0.44%

LAB 43.21, 65.41, 48.36

 

CMYK 0 / 67 / 90 / 20

HEX #CB4315

RGB 203 67 21

HSL 15.16, 0.81%, 0.44%

LAB 47.96, 52.05, 53.18

 

CMYK 0 / 43 / 90 / 20

HEX #CB7315

RGB 203 115 21

HSL 30.99, 0.81%, 0.44%

LAB 57.09, 28.75, 60.03

 

CMYK 0 / 19 / 90 / 20

HEX #CBA415

RGB 203 164 21

HSL 47.14, 0.81%, 0.44%

LAB 68.97, 2.22, 69.18

 

CMYK 0 / 66 / 90 / 50

HEX #802C0D

RGB 128 44 13

HSL 16.17, 0.82%, 0.28%

LAB 30.45, 34.85, 36.85

 

CMYK 0 / 66 / 90 / 35

HEX #A63911

RGB 166 57 17

HSL 16.11, 0.81%, 0.36%

LAB 39.7, 43.2, 45.51

 

CMYK 0 / 66 / 90 / 20

HEX #CB4615

RGB 203 70 21

HSL 16.15, 0.81%, 0.44%

LAB 48.42, 50.81, 53.52

 

CMYK 0 / 63 / 85 / 9

HEX #E85722

RGB 232 87 34

HSL 16.06, 0.81%, 0.52%

LAB 56.18, 53.9, 56.79

 

CMYK 0 / 51 / 70 / 7

HEX #EC7347

RGB 236 115 71

HSL 16, 0.81%, 0.6%

LAB 62.13, 43.67, 45.52

 

CMYK 0 / 66 / 90 / 20

HEX #CD4615

RGB 205 70 21

HSL 15.98, 0.81%, 0.44%

LAB 48.78, 51.5, 53.94

 

CMYK 40 / 0 / 90 / 20

HEX #79CB15

RGB 121 203 21

HSL 87.03, 0.81%, 0.44%

LAB 74.08, -50.23, 70.85

 

CMYK 90 / 76 / 0 / 20

HEX #1531CB

RGB 21 49 203

HSL 230.77, 0.81%, 0.44%

LAB 31.04, 49.38, -80.22

 

CMYK 0 / 66 / 90 / 20

HEX #CD4615

RGB 205 70 21

HSL 15.98, 0.81%, 0.44%

LAB 48.78, 51.5, 53.94

 

CMYK 90 / 0 / 67 / 20

HEX #15CB43

RGB 21 203 67

HSL 135.16, 0.81%, 0.44%

LAB 71.74, -68.08, 54.16

 

CMYK 67 / 90 / 0 / 20

HEX #4315CB

RGB 67 21 203

HSL 255.16, 0.81%, 0.44%

LAB 29.52, 63.79, -82.68

 

CMYK 0 / 66 / 90 / 20

HEX #CD4615

RGB 205 70 21

HSL 15.98, 0.81%, 0.44%

LAB 48.78, 51.5, 53.94

 

CMYK 40 / 0 / 90 / 20

HEX #79CB15

RGB 121 203 21

HSL 87.03, 0.81%, 0.44%

LAB 74.08, -50.23, 70.85

 

CMYK 90 / 22 / 0 / 20

HEX #159ECB

RGB 21 158 203

HSL 194.84, 0.81%, 0.44%

LAB 60.72, -17.67, -32.48

 

CMYK 49 / 90 / 0 / 20

HEX #6715CB

RGB 103 21 203

HSL 267.03, 0.81%, 0.44%

LAB 33.42, 66.71, -76.09

 

CMYK 0 / 66 / 90 / 20

HEX #CD4615

RGB 205 70 21

HSL 15.98, 0.81%, 0.44%

LAB 48.78, 51.5, 53.94

 

CMYK 67 / 0 / 90 / 20

HEX #43CB15

RGB 67 203 21

HSL 104.84, 0.81%, 0.44%

LAB 72.2, -65, 68.51

 

CMYK 90 / 22 / 0 / 20

HEX #159ECB

RGB 21 158 203

HSL 194.84, 0.81%, 0.44%

LAB 60.72, -17.67, -32.48

 

CMYK 22 / 90 / 0 / 20

HEX #9E15CB

RGB 158 21 203

HSL 285.16, 0.81%, 0.44%

LAB 41.4, 73.57, -62.7

 

Description

Color code: HEX #CD4615 | qconv.com Color code: HEX #CD4615 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 70 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 70 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 90 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 90% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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