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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD42A8 it is the complementary color #32BD57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD42A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD42A8 shade: #D242A3, #E354B6, #F466C9, #FF78DC and #FF8AEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD42A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD42A8 shade: #CD42A8, #BC3095, #AB1E82, #9A0C6F and #89005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD42A8 shade: #CD42A8, #CD4282, #CD425D and #CD4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD42A8 shade: #CD42A8, #CC42CD, #A742CD, #8142CD and #5C42CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD42A8 shade matches the following richer shades: #CD42A8, #E02EB1 and #F31BBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD42A8 shade: #CD42A8, #B9559F, #A66896, #927C8C and #7F8F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD42A8 shade: #A542CD, #CA42CD, #CD42AA, #CD4285 and #CD4260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD42A8 shade: #942777, #B53092, #CD42A8, #D562B7 and #DE83C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD42A8 shade: #CD42A8, #CD8042 and #42CDB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD42A8 shade: #CD42A8, #AACD42 and #42AACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD42A8 shade: #CD42A8, #CD8042, #42CD64 and #428ECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD42A8 shade: #CD42A8, #CDAA42, #42CD64 and #4264CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

Complementary color

CMYK 74 / 0 / 54 / 26

HEX #32BD57

RGB 50 189 87

HSL 135.97, 0.58%, 0.47%

LAB 67.84, -58.01, 40.84

 

CMYK 0 / 69 / 22 / 18

HEX #D242A3

RGB 210 66 163

HSL 319.58, 0.62%, 0.54%

LAB 52.11, 65.27, -21.76

 

CMYK 0 / 63 / 20 / 11

HEX #E354B6

RGB 227 84 182

HSL 318.88, 0.72%, 0.61%

LAB 58.08, 65.38, -23.42

 

CMYK 0 / 58 / 18 / 4

HEX #F466C9

RGB 244 102 201

HSL 318.17, 0.87%, 0.68%

LAB 64.12, 65.15, -24.77

 

CMYK 0 / 53 / 14 / 0

HEX #FF78DC

RGB 255 120 220

HSL 315.56, 1%, 0.74%

LAB 69.37, 63.02, -27.21

 

CMYK 0 / 46 / 6 / 0

HEX #FF8AEF

RGB 255 138 239

HSL 308.21, 1%, 0.77%

LAB 73.33, 57.51, -31.57

 

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

CMYK 0 / 74 / 21 / 26

HEX #BC3095

RGB 188 48 149

HSL 316.71, 0.59%, 0.46%

LAB 45.6, 64.06, -23.77

 

CMYK 0 / 82 / 24 / 33

HEX #AB1E82

RGB 171 30 130

HSL 317.45, 0.7%, 0.39%

LAB 39.91, 62.65, -21.24

 

CMYK 0 / 92 / 28 / 40

HEX #9A0C6F

RGB 154 12 111

HSL 318.17, 0.86%, 0.33%

LAB 34.56, 60.01, -17.87

 

CMYK 0 / 100 / 33 / 46

HEX #89005C

RGB 137 0 92

HSL 319.71, 1%, 0.27%

LAB 29.64, 55.82, -13.47

 

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

CMYK 0 / 68 / 37 / 20

HEX #CD4282

RGB 205 66 130

HSL 332.37, 0.58%, 0.53%

LAB 50.08, 59.91, -5.26

 

CMYK 0 / 68 / 55 / 20

HEX #CD425D

RGB 205 66 93

HSL 348.35, 0.58%, 0.53%

LAB 49.09, 56.44, 15.72

 

CMYK 0 / 68 / 68 / 20

HEX #CD4242

RGB 205 66 66

HSL 0, 0.58%, 0.53%

LAB 48.6, 54.69, 31.23

 

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

CMYK 0 / 68 / 0 / 20

HEX #CC42CD

RGB 204 66 205

HSL 299.57, 0.58%, 0.53%

LAB 53.1, 70.06, -44.68

 

CMYK 19 / 68 / 0 / 20

HEX #A742CD

RGB 167 66 205

HSL 283.6, 0.58%, 0.53%

LAB 47.65, 61.89, -53.7

 

CMYK 37 / 68 / 0 / 20

HEX #8142CD

RGB 129 66 205

HSL 267.19, 0.58%, 0.53%

LAB 42.72, 53.99, -61.9

 

CMYK 55 / 68 / 0 / 20

HEX #5C42CD

RGB 92 66 205

HSL 251.22, 0.58%, 0.53%

LAB 38.86, 47.32, -68.35

 

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

CMYK 0 / 79 / 21 / 12

HEX #E02EB1

RGB 224 46 177

HSL 315.84, 0.74%, 0.53%

LAB 52.92, 76.53, -28.53

 

CMYK 0 / 89 / 23 / 5

HEX #F31BBA

RGB 243 27 186

HSL 315.83, 0.9%, 0.53%

LAB 55.47, 85.14, -29.56

 

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

CMYK 0 / 54 / 14 / 27

HEX #B9559F

RGB 185 85 159

HSL 315.6, 0.42%, 0.53%

LAB 51.05, 49.56, -21.36

 

CMYK 0 / 37 / 10 / 35

HEX #A66896

RGB 166 104 150

HSL 315.48, 0.26%, 0.53%

LAB 52.07, 31.91, -14.73

 

CMYK 0 / 15 / 4 / 43

HEX #927C8C

RGB 146 124 140

HSL 316.36, 0.09%, 0.53%

LAB 54.47, 11.38, -5.51

 

CMYK 11 / 0 / 8 / 44

HEX #7F8F83

RGB 127 143 131

HSL 135, 0.07%, 0.53%

LAB 57.84, -8.2, 4.43

 

CMYK 20 / 68 / 0 / 20

HEX #A542CD

RGB 165 66 205

HSL 282.73, 0.58%, 0.53%

LAB 47.37, 61.45, -54.16

 

CMYK 1 / 68 / 0 / 20

HEX #CA42CD

RGB 202 66 205

HSL 298.71, 0.58%, 0.53%

LAB 52.8, 69.61, -45.19

 

CMYK 0 / 68 / 17 / 20

HEX #CD42AA

RGB 205 66 170

HSL 315.11, 0.58%, 0.53%

LAB 51.59, 64.94, -26.76

 

CMYK 0 / 68 / 35 / 20

HEX #CD4285

RGB 205 66 133

HSL 331.08, 0.58%, 0.53%

LAB 50.18, 60.24, -6.91

 

CMYK 0 / 68 / 53 / 20

HEX #CD4260

RGB 205 66 96

HSL 347.05, 0.58%, 0.53%

LAB 49.15, 56.68, 13.99

 

CMYK 0 / 74 / 20 / 42

HEX #942777

RGB 148 39 119

HSL 315.96, 0.58%, 0.37%

LAB 36.14, 52.89, -20.58

 

CMYK 0 / 73 / 19 / 29

HEX #B53092

RGB 181 48 146

HSL 315.79, 0.58%, 0.45%

LAB 44.25, 61.94, -24.15

 

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

CMYK 0 / 54 / 14 / 16

HEX #D562B7

RGB 213 98 183

HSL 315.65, 0.58%, 0.61%

LAB 58.32, 55.45, -23.81

 

CMYK 0 / 41 / 11 / 13

HEX #DE83C6

RGB 222 131 198

HSL 315.82, 0.58%, 0.69%

LAB 66.4, 44.21, -19.87

 

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

CMYK 0 / 38 / 68 / 20

HEX #CD8042

RGB 205 128 66

HSL 26.76, 0.58%, 0.53%

LAB 60.61, 24.28, 45.2

 

CMYK 68 / 0 / 10 / 20

HEX #42CDB8

RGB 66 205 184

HSL 170.94, 0.58%, 0.53%

LAB 75, -41.79, -0.37

 

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

CMYK 17 / 0 / 68 / 20

HEX #AACD42

RGB 170 205 66

HSL 75.11, 0.58%, 0.53%

LAB 77.64, -30.83, 62.38

 

CMYK 68 / 17 / 0 / 20

HEX #42AACD

RGB 66 170 205

HSL 195.11, 0.58%, 0.53%

LAB 65.21, -18.79, -26.57

 

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

CMYK 0 / 38 / 68 / 20

HEX #CD8042

RGB 205 128 66

HSL 26.76, 0.58%, 0.53%

LAB 60.61, 24.28, 45.2

 

CMYK 68 / 0 / 51 / 20

HEX #42CD64

RGB 66 205 100

HSL 134.68, 0.58%, 0.53%

LAB 73.38, -59.1, 41.37

 

CMYK 68 / 31 / 0 / 20

HEX #428ECD

RGB 66 142 205

HSL 207.19, 0.58%, 0.53%

LAB 56.99, -3.31, -39.35

 

CMYK 0 / 68 / 18 / 20

HEX #CD42A8

RGB 205 66 168

HSL 315.97, 0.58%, 0.53%

LAB 51.5, 64.66, -25.71

 

CMYK 0 / 17 / 68 / 20

HEX #CDAA42

RGB 205 170 66

HSL 44.89, 0.58%, 0.53%

LAB 70.95, 1.55, 56.36

 

CMYK 68 / 0 / 51 / 20

HEX #42CD64

RGB 66 205 100

HSL 134.68, 0.58%, 0.53%

LAB 73.38, -59.1, 41.37

 

CMYK 68 / 51 / 0 / 20

HEX #4264CD

RGB 66 100 205

HSL 225.32, 0.58%, 0.53%

LAB 45.19, 22.43, -58.15

 

Description

Color code: HEX #CD42A8 | qconv.com Color code: HEX #CD42A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 66 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 66 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 18 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 18% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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