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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3E7E it is the complementary color #32C181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3E7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3E7E shade: #D23E79, #E3508C, #F4629F, #FF74B2 and #FF86C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3E7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3E7E shade: #CD3E7E, #BC2C6B, #AB1A58, #9A0845 and #890032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3E7E shade: #CC3C7D, #CC3C56 and #CC3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3E7E shade: #CC3C7D, #CC3CA3, #CC3CCA, #A73CCC and #803CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3E7E shade matches the following richer shades: #CC3C7D, #E0287A and #F41478

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3E7E shade: #CC3C7D, #B9507F, #A56381, #917783 and #7D8B85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3E7E shade: #CC3CCA, #CC3CA3, #CC3C7D, #CC3C56 and #CC483C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3E7E shade: #912555, #B22D69, #CC3C7D, #D55D92 and #DD7DA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3E7E shade: #CD3E7E, #CCA83C and #3CB7CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3E7E shade: #CD3E7E, #7DCC3C and #3C7DCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3E7E shade: #CD3E7E, #CCA83C, #3CCC8B and #3C60CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3E7E shade: #CD3E7E, #C5CC3C, #3CCC8B and #433CCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 39 / 20

HEX #CD3E7E

RGB 205 62 126

HSL 333.15, 0.59%, 0.52%

LAB 49.41, 60.98, -3.83

 

Complementary color

CMYK 74 / 0 / 33 / 24

HEX #32C181

RGB 50 193 129

HSL 153.15, 0.59%, 0.48%

LAB 69.76, -52.09, 21.76

 

CMYK 0 / 70 / 42 / 18

HEX #D23E79

RGB 210 62 121

HSL 336.08, 0.62%, 0.53%

LAB 50.13, 61.89, 0.34

 

CMYK 0 / 65 / 38 / 11

HEX #E3508C

RGB 227 80 140

HSL 335.51, 0.72%, 0.6%

LAB 56.05, 61.88, -1.99

 

CMYK 0 / 60 / 35 / 4

HEX #F4629F

RGB 244 98 159

HSL 334.93, 0.87%, 0.67%

LAB 62.06, 61.53, -3.91

 

CMYK 0 / 55 / 30 / 0

HEX #FF74B2

RGB 255 116 178

HSL 333.24, 1%, 0.73%

LAB 67.25, 59.13, -6.89

 

CMYK 0 / 47 / 23 / 0

HEX #FF86C5

RGB 255 134 197

HSL 328.76, 1%, 0.76%

LAB 71.11, 53.09, -11.8

 

CMYK 0 / 70 / 39 / 20

HEX #CD3E7E

RGB 205 62 126

HSL 333.15, 0.59%, 0.52%

LAB 49.41, 60.98, -3.83

 

CMYK 0 / 77 / 43 / 26

HEX #BC2C6B

RGB 188 44 107

HSL 333.75, 0.62%, 0.45%

LAB 43.59, 60.47, -1.12

 

CMYK 0 / 85 / 49 / 33

HEX #AB1A58

RGB 171 26 88

HSL 334.34, 0.74%, 0.39%

LAB 38.02, 59.11, 2.36

 

CMYK 0 / 95 / 55 / 40

HEX #9A0845

RGB 154 8 69

HSL 334.93, 0.9%, 0.32%

LAB 32.86, 56.48, 6.85

 

CMYK 0 / 100 / 64 / 46

HEX #890032

RGB 137 0 50

HSL 338.1, 1%, 0.27%

LAB 28.24, 52.16, 12.6

 

CMYK 0 / 71 / 39 / 20

HEX #CC3C7D

RGB 204 60 125

HSL 332.92, 0.59%, 0.52%

LAB 48.95, 61.32, -3.94

 

CMYK 0 / 71 / 58 / 20

HEX #CC3C56

RGB 204 60 86

HSL 349.17, 0.59%, 0.52%

LAB 47.93, 57.9, 18.37

 

CMYK 0 / 71 / 71 / 20

HEX #CC3C3C

RGB 204 60 60

HSL 0, 0.59%, 0.52%

LAB 47.49, 56.37, 33.36

 

CMYK 0 / 71 / 39 / 20

HEX #CC3C7D

RGB 204 60 125

HSL 332.92, 0.59%, 0.52%

LAB 48.95, 61.32, -3.94

 

CMYK 0 / 71 / 20 / 20

HEX #CC3CA3

RGB 204 60 163

HSL 317.08, 0.59%, 0.52%

LAB 50.35, 65.89, -24.56

 

CMYK 0 / 71 / 1 / 20

HEX #CC3CCA

RGB 204 60 202

HSL 300.83, 0.59%, 0.52%

LAB 52.21, 71.65, -44.37

 

CMYK 18 / 71 / 0 / 20

HEX #A73CCC

RGB 167 60 204

HSL 284.58, 0.59%, 0.52%

LAB 46.72, 64.13, -54.62

 

CMYK 37 / 71 / 0 / 20

HEX #803CCC

RGB 128 60 204

HSL 268.33, 0.59%, 0.52%

LAB 41.5, 56.41, -63.31

 

CMYK 0 / 71 / 39 / 20

HEX #CC3C7D

RGB 204 60 125

HSL 332.92, 0.59%, 0.52%

LAB 48.95, 61.32, -3.94

 

CMYK 0 / 82 / 46 / 12

HEX #E0287A

RGB 224 40 122

HSL 333.26, 0.75%, 0.52%

LAB 50.42, 72.14, 0.46

 

CMYK 0 / 92 / 51 / 4

HEX #F41478

RGB 244 20 120

HSL 333.21, 0.91%, 0.52%

LAB 53.05, 80.02, 5.96

 

CMYK 0 / 71 / 39 / 20

HEX #CC3C7D

RGB 204 60 125

HSL 332.92, 0.59%, 0.52%

LAB 48.95, 61.32, -3.94

 

CMYK 0 / 57 / 31 / 27

HEX #B9507F

RGB 185 80 127

HSL 333.14, 0.43%, 0.52%

LAB 48.99, 47.37, -5.43

 

CMYK 0 / 40 / 22 / 35

HEX #A56381

RGB 165 99 129

HSL 332.73, 0.27%, 0.52%

LAB 50.11, 30.83, -5.27

 

CMYK 0 / 18 / 10 / 43

HEX #917783

RGB 145 119 131

HSL 332.31, 0.11%, 0.52%

LAB 52.79, 12.21, -2.75

 

CMYK 10 / 0 / 4 / 45

HEX #7D8B85

RGB 125 139 133

HSL 154.29, 0.06%, 0.52%

LAB 56.6, -6.31, 1.47

 

CMYK 0 / 71 / 1 / 20

HEX #CC3CCA

RGB 204 60 202

HSL 300.83, 0.59%, 0.52%

LAB 52.21, 71.65, -44.37

 

CMYK 0 / 71 / 20 / 20

HEX #CC3CA3

RGB 204 60 163

HSL 317.08, 0.59%, 0.52%

LAB 50.35, 65.89, -24.56

 

CMYK 0 / 71 / 39 / 20

HEX #CC3C7D

RGB 204 60 125

HSL 332.92, 0.59%, 0.52%

LAB 48.95, 61.32, -3.94

 

CMYK 0 / 71 / 58 / 20

HEX #CC3C56

RGB 204 60 86

HSL 349.17, 0.59%, 0.52%

LAB 47.93, 57.9, 18.37

 

CMYK 0 / 65 / 71 / 20

HEX #CC483C

RGB 204 72 60

HSL 5, 0.59%, 0.52%

LAB 49.25, 51.58, 35.42

 

CMYK 0 / 74 / 41 / 43

HEX #912555

RGB 145 37 85

HSL 333.33, 0.59%, 0.36%

LAB 33.98, 48.49, -2.23

 

CMYK 0 / 75 / 41 / 30

HEX #B22D69

RGB 178 45 105

HSL 332.93, 0.6%, 0.44%

LAB 41.79, 57.21, -2.74

 

CMYK 0 / 71 / 39 / 20

HEX #CC3C7D

RGB 204 60 125

HSL 332.92, 0.59%, 0.52%

LAB 48.95, 61.32, -3.94

 

CMYK 0 / 56 / 31 / 16

HEX #D55D92

RGB 213 93 146

HSL 333.5, 0.59%, 0.6%

LAB 56.14, 52.63, -5.64

 

CMYK 0 / 43 / 24 / 13

HEX #DD7DA8

RGB 221 125 168

HSL 333.13, 0.59%, 0.68%

LAB 64.05, 42.38, -6.47

 

CMYK 0 / 70 / 39 / 20

HEX #CD3E7E

RGB 205 62 126

HSL 333.15, 0.59%, 0.52%

LAB 49.41, 60.98, -3.83

 

CMYK 0 / 18 / 71 / 20

HEX #CCA83C

RGB 204 168 60

HSL 45, 0.59%, 0.52%

LAB 70.29, 1.86, 58.16

 

CMYK 71 / 10 / 0 / 20

HEX #3CB7CC

RGB 60 183 204

HSL 188.75, 0.59%, 0.52%

LAB 68.89, -26.61, -20.41

 

CMYK 0 / 70 / 39 / 20

HEX #CD3E7E

RGB 205 62 126

HSL 333.15, 0.59%, 0.52%

LAB 49.41, 60.98, -3.83

 

CMYK 39 / 0 / 71 / 20

HEX #7DCC3C

RGB 125 204 60

HSL 92.92, 0.59%, 0.52%

LAB 74.74, -47.46, 60.86

 

CMYK 71 / 39 / 0 / 20

HEX #3C7DCC

RGB 60 125 204

HSL 212.92, 0.59%, 0.52%

LAB 51.82, 5.53, -46.96

 

CMYK 0 / 70 / 39 / 20

HEX #CD3E7E

RGB 205 62 126

HSL 333.15, 0.59%, 0.52%

LAB 49.41, 60.98, -3.83

 

CMYK 0 / 18 / 71 / 20

HEX #CCA83C

RGB 204 168 60

HSL 45, 0.59%, 0.52%

LAB 70.29, 1.86, 58.16

 

CMYK 71 / 0 / 32 / 20

HEX #3CCC8B

RGB 60 204 139

HSL 152.92, 0.59%, 0.52%

LAB 73.55, -52.85, 21.67

 

CMYK 71 / 53 / 0 / 20

HEX #3C60CC

RGB 60 96 204

HSL 225, 0.59%, 0.52%

LAB 43.78, 23.74, -59.87

 

CMYK 0 / 70 / 39 / 20

HEX #CD3E7E

RGB 205 62 126

HSL 333.15, 0.59%, 0.52%

LAB 49.41, 60.98, -3.83

 

CMYK 3 / 0 / 71 / 20

HEX #C5CC3C

RGB 197 204 60

HSL 62.92, 0.59%, 0.52%

LAB 79.26, -19.66, 66.86

 

CMYK 71 / 0 / 32 / 20

HEX #3CCC8B

RGB 60 204 139

HSL 152.92, 0.59%, 0.52%

LAB 73.55, -52.85, 21.67

 

CMYK 67 / 71 / 0 / 20

HEX #433CCC

RGB 67 60 204

HSL 242.92, 0.59%, 0.52%

LAB 35.57, 46.91, -73.26

 

Description

Color code: HEX #CD3E7E | qconv.com Color code: HEX #CD3E7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 62 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 62 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 39 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 39% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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