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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3DF0 it is the complementary color #32C20F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3DF0 shade: #D23DEB, #E34FFE, #F461FF, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3DF0 shade: #CD3DF0, #BC2BDD, #AB19CA, #9A07B7 and #8900A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3DF0 shade: #CD3DF0, #F03DE3, #F03DB3, #F03D82 and #F03D52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3DF0 shade: #CD3DF0, #9D3DF0, #6C3DF0 and #3D3DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3DF0 shade matches the following richer shades: #CD3DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3DF0 shade: #CD3DF0, #C34DDF, #B95ECF, #AE6FBE and #A480AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3DF0 shade: #6C3DF0, #9C3DF0, #CC3DF0, #F03DE4 and #F03DB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3DF0 shade: #A60FCB, #C316ED, #CD3DF0, #D763F3 and #E189F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3DF0 shade: #CD3DF0, #F03D3D and #3DF084

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3DF0 shade: #CD3DF0, #F0CC3D and #3DF0CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3DF0 shade: #CD3DF0, #F03D3D, #61F03D and #3DF0F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3DF0 shade: #CD3DF0, #F0723D, #61F03D and #3DBAF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

Complementary color

CMYK 74 / 0 / 92 / 24

HEX #32C20F

RGB 50 194 15

HSL 108.27, 0.86%, 0.41%

LAB 68.97, -65.44, 66.58

 

CMYK 11 / 74 / 0 / 8

HEX #D23DEB

RGB 210 61 235

HSL 291.38, 0.81%, 0.58%

LAB 55.11, 78.05, -58.44

 

CMYK 11 / 69 / 0 / 0

HEX #E34FFE

RGB 227 79 254

HSL 290.74, 0.99%, 0.65%

LAB 60.85, 78.64, -59.69

 

CMYK 4 / 62 / 0 / 0

HEX #F461FF

RGB 244 97 255

HSL 295.82, 1%, 0.69%

LAB 65.75, 75.67, -52.3

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

CMYK 15 / 81 / 0 / 13

HEX #BC2BDD

RGB 188 43 221

HSL 288.88, 0.72%, 0.52%

LAB 49.06, 76.78, -60.44

 

CMYK 15 / 88 / 0 / 21

HEX #AB19CA

RGB 171 25 202

HSL 289.49, 0.78%, 0.45%

LAB 43.68, 74.67, -58.33

 

CMYK 16 / 96 / 0 / 28

HEX #9A07B7

RGB 154 7 183

HSL 290.11, 0.93%, 0.37%

LAB 38.62, 71.32, -55.52

 

CMYK 16 / 100 / 0 / 36

HEX #8900A4

RGB 137 0 164

HSL 290.12, 1%, 0.32%

LAB 33.98, 66.38, -51.83

 

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

CMYK 0 / 75 / 5 / 6

HEX #F03DE3

RGB 240 61 227

HSL 304.36, 0.86%, 0.59%

LAB 59.35, 82.75, -46.91

 

CMYK 0 / 75 / 25 / 6

HEX #F03DB3

RGB 240 61 179

HSL 320.45, 0.86%, 0.59%

LAB 57.19, 76.35, -22.88

 

CMYK 0 / 75 / 46 / 6

HEX #F03D82

RGB 240 61 130

HSL 336.87, 0.86%, 0.59%

LAB 55.56, 71.29, 3.48

 

CMYK 0 / 75 / 66 / 6

HEX #F03D52

RGB 240 61 82

HSL 352.96, 0.86%, 0.59%

LAB 54.52, 67.96, 30.59

 

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

CMYK 35 / 75 / 0 / 6

HEX #9D3DF0

RGB 157 61 240

HSL 272.18, 0.86%, 0.59%

LAB 48, 69.41, -73.1

 

CMYK 55 / 75 / 0 / 6

HEX #6C3DF0

RGB 108 61 240

HSL 255.75, 0.86%, 0.59%

LAB 42.49, 62.09, -82.35

 

CMYK 75 / 75 / 0 / 6

HEX #3D3DF0

RGB 61 61 240

HSL 240, 0.86%, 0.59%

LAB 38.93, 57.21, -88.33

 

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

CMYK 13 / 65 / 0 / 13

HEX #C34DDF

RGB 195 77 223

HSL 288.49, 0.7%, 0.59%

LAB 54.28, 66.96, -53.13

 

CMYK 11 / 55 / 0 / 19

HEX #B95ECF

RGB 185 94 207

HSL 288.32, 0.54%, 0.59%

LAB 54.89, 53.74, -43.17

 

CMYK 8 / 42 / 0 / 25

HEX #AE6FBE

RGB 174 111 190

HSL 287.85, 0.38%, 0.59%

LAB 56.17, 38.31, -31.55

 

CMYK 5 / 26 / 0 / 32

HEX #A480AD

RGB 164 128 173

HSL 288, 0.22%, 0.59%

LAB 58.37, 22.04, -18.53

 

CMYK 55 / 75 / 0 / 6

HEX #6C3DF0

RGB 108 61 240

HSL 255.75, 0.86%, 0.59%

LAB 42.49, 62.09, -82.35

 

CMYK 35 / 75 / 0 / 6

HEX #9C3DF0

RGB 156 61 240

HSL 271.84, 0.86%, 0.59%

LAB 47.88, 69.24, -73.31

 

CMYK 15 / 75 / 0 / 6

HEX #CC3DF0

RGB 204 61 240

HSL 287.93, 0.86%, 0.59%

LAB 54.52, 77.78, -62.24

 

CMYK 0 / 75 / 5 / 6

HEX #F03DE4

RGB 240 61 228

HSL 304.02, 0.86%, 0.59%

LAB 59.4, 82.9, -47.39

 

CMYK 0 / 75 / 25 / 6

HEX #F03DB4

RGB 240 61 180

HSL 320.11, 0.86%, 0.59%

LAB 57.23, 76.47, -23.4

 

CMYK 18 / 93 / 0 / 20

HEX #A60FCB

RGB 166 15 203

HSL 288.19, 0.86%, 0.43%

LAB 42.4, 75.64, -61.02

 

CMYK 18 / 91 / 0 / 7

HEX #C316ED

RGB 195 22 237

HSL 288.28, 0.86%, 0.51%

LAB 49.85, 84.78, -68.17

 

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

CMYK 12 / 59 / 0 / 5

HEX #D763F3

RGB 215 99 243

HSL 288.33, 0.86%, 0.67%

LAB 61.52, 65.87, -52.64

 

CMYK 9 / 44 / 0 / 4

HEX #E189F6

RGB 225 137 246

HSL 288.44, 0.86%, 0.75%

LAB 69.86, 50.64, -41.06

 

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

CMYK 0 / 75 / 75 / 6

HEX #F03D3D

RGB 240 61 61

HSL 0, 0.86%, 0.59%

LAB 54.24, 67.03, 42.25

 

CMYK 75 / 0 / 45 / 6

HEX #3DF084

RGB 61 240 132

HSL 143.8, 0.86%, 0.59%

LAB 84.47, -67.17, 39.69

 

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

CMYK 0 / 15 / 75 / 6

HEX #F0CC3D

RGB 240 204 61

HSL 47.93, 0.86%, 0.59%

LAB 82.94, -1.46, 71.31

 

CMYK 75 / 0 / 15 / 6

HEX #3DF0CC

RGB 61 240 204

HSL 167.93, 0.86%, 0.59%

LAB 85.84, -52.23, 4.74

 

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

CMYK 0 / 75 / 75 / 6

HEX #F03D3D

RGB 240 61 61

HSL 0, 0.86%, 0.59%

LAB 54.24, 67.03, 42.25

 

CMYK 60 / 0 / 75 / 6

HEX #61F03D

RGB 97 240 61

HSL 107.93, 0.86%, 0.59%

LAB 84.59, -68.7, 70.01

 

CMYK 75 / 0 / 0 / 6

HEX #3DF0F0

RGB 61 240 240

HSL 180, 0.86%, 0.59%

LAB 86.8, -42.71, -12.72

 

CMYK 15 / 75 / 0 / 6

HEX #CD3DF0

RGB 205 61 240

HSL 288.27, 0.86%, 0.59%

LAB 54.67, 77.97, -62

 

CMYK 0 / 53 / 75 / 6

HEX #F0723D

RGB 240 114 61

HSL 17.77, 0.86%, 0.59%

LAB 62.42, 45.21, 51.01

 

CMYK 60 / 0 / 75 / 6

HEX #61F03D

RGB 97 240 61

HSL 107.93, 0.86%, 0.59%

LAB 84.59, -68.7, 70.01

 

CMYK 75 / 23 / 0 / 6

HEX #3DBAF0

RGB 61 186 240

HSL 198.1, 0.86%, 0.59%

LAB 71.15, -16.53, -36.58

 

Description

Color code: HEX #CD3DF0 | qconv.com Color code: HEX #CD3DF0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 61 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 61 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 75 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 75% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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