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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3DA4 it is the complementary color #32C25B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3DA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3DA4 shade: #D23D9F, #E34FB2, #F461C5, #FF73D8 and #FF85EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3DA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3DA4 shade: #CD3DA4, #BC2B91, #AB197E, #9A076B and #890058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3DA4 shade: #CD3CA4, #CD3C7D, #CD3C56 and #CD3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3DA4 shade: #CD3CA4, #CD3CCB, #A83CCD, #813CCD and #5A3CCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3DA4 shade matches the following richer shades: #CD3CA4, #E129AC and #F415B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3DA4 shade: #CD3CA4, #B9509B, #A56493, #91788A and #7E8C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3DA4 shade: #A93CCD, #CD3CCA, #CD3CA4, #CD3C7D and #CD3C57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3DA4 shade: #912573, #B22E8C, #CD3CA4, #D55DB3 and #DE7EC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3DA4 shade: #CD3DA4, #CD823C and #3CCDBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3DA4 shade: #CD3DA4, #A4CD3C and #3CA4CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3DA4 shade: #CD3DA4, #CD823C, #3CCD65 and #3C87CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3DA4 shade: #CD3DA4, #CDAE3C, #3CCD65 and #3C5CCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 20 / 20

HEX #CD3DA4

RGB 205 61 164

HSL 317.08, 0.59%, 0.52%

LAB 50.68, 65.92, -24.62

 

Complementary color

CMYK 74 / 0 / 53 / 24

HEX #32C25B

RGB 50 194 91

HSL 137.08, 0.59%, 0.48%

LAB 69.48, -59.17, 40.89

 

CMYK 0 / 71 / 24 / 18

HEX #D23D9F

RGB 210 61 159

HSL 320.54, 0.62%, 0.53%

LAB 51.32, 66.53, -20.62

 

CMYK 0 / 65 / 22 / 11

HEX #E34FB2

RGB 227 79 178

HSL 319.86, 0.73%, 0.6%

LAB 57.21, 66.82, -22.46

 

CMYK 0 / 60 / 19 / 4

HEX #F461C5

RGB 244 97 197

HSL 319.18, 0.87%, 0.67%

LAB 63.19, 66.72, -23.94

 

CMYK 0 / 55 / 15 / 0

HEX #FF73D8

RGB 255 115 216

HSL 316.71, 1%, 0.73%

LAB 68.37, 64.68, -26.52

 

CMYK 0 / 48 / 8 / 0

HEX #FF85EB

RGB 255 133 235

HSL 309.84, 1%, 0.76%

LAB 72.25, 59.27, -31.05

 

CMYK 0 / 70 / 20 / 20

HEX #CD3DA4

RGB 205 61 164

HSL 317.08, 0.59%, 0.52%

LAB 50.68, 65.92, -24.62

 

CMYK 0 / 77 / 23 / 26

HEX #BC2B91

RGB 188 43 145

HSL 317.79, 0.63%, 0.45%

LAB 44.89, 65.06, -22.46

 

CMYK 0 / 85 / 26 / 33

HEX #AB197E

RGB 171 25 126

HSL 318.49, 0.74%, 0.38%

LAB 39.34, 63.28, -19.64

 

CMYK 0 / 95 / 31 / 40

HEX #9A076B

RGB 154 7 107

HSL 319.18, 0.91%, 0.32%

LAB 34.16, 60.21, -15.95

 

CMYK 0 / 100 / 36 / 46

HEX #890058

RGB 137 0 88

HSL 321.46, 1%, 0.27%

LAB 29.47, 55.38, -11.11

 

CMYK 0 / 71 / 20 / 20

HEX #CD3CA4

RGB 205 60 164

HSL 316.97, 0.59%, 0.52%

LAB 50.56, 66.27, -24.81

 

CMYK 0 / 71 / 39 / 20

HEX #CD3C7D

RGB 205 60 125

HSL 333.1, 0.59%, 0.52%

LAB 49.12, 61.6, -3.66

 

CMYK 0 / 71 / 58 / 20

HEX #CD3C56

RGB 205 60 86

HSL 349.24, 0.59%, 0.52%

LAB 48.11, 58.21, 18.64

 

CMYK 0 / 71 / 71 / 20

HEX #CD3C3C

RGB 205 60 60

HSL 0, 0.59%, 0.52%

LAB 47.67, 56.69, 33.62

 

CMYK 0 / 71 / 20 / 20

HEX #CD3CA4

RGB 205 60 164

HSL 316.97, 0.59%, 0.52%

LAB 50.56, 66.27, -24.81

 

CMYK 0 / 71 / 1 / 20

HEX #CD3CCB

RGB 205 60 203

HSL 300.83, 0.59%, 0.52%

LAB 52.42, 72.03, -44.6

 

CMYK 18 / 71 / 0 / 20

HEX #A83CCD

RGB 168 60 205

HSL 284.69, 0.59%, 0.52%

LAB 46.93, 64.53, -54.85

 

CMYK 37 / 71 / 0 / 20

HEX #813CCD

RGB 129 60 205

HSL 268.55, 0.59%, 0.52%

LAB 41.7, 56.84, -63.56

 

CMYK 56 / 71 / 0 / 20

HEX #5A3CCD

RGB 90 60 205

HSL 252.41, 0.59%, 0.52%

LAB 37.5, 50.27, -70.58

 

CMYK 0 / 71 / 20 / 20

HEX #CD3CA4

RGB 205 60 164

HSL 316.97, 0.59%, 0.52%

LAB 50.56, 66.27, -24.81

 

CMYK 0 / 82 / 24 / 12

HEX #E129AC

RGB 225 41 172

HSL 317.28, 0.75%, 0.52%

LAB 52.48, 77.3, -26.28

 

CMYK 0 / 91 / 26 / 4

HEX #F415B5

RGB 244 21 181

HSL 316.95, 0.91%, 0.52%

LAB 55.18, 85.51, -27.08

 

CMYK 0 / 71 / 20 / 20

HEX #CD3CA4

RGB 205 60 164

HSL 316.97, 0.59%, 0.52%

LAB 50.56, 66.27, -24.81

 

CMYK 0 / 57 / 16 / 27

HEX #B9509B

RGB 185 80 155

HSL 317.14, 0.43%, 0.52%

LAB 50, 51.32, -20.62

 

CMYK 0 / 39 / 11 / 35

HEX #A56493

RGB 165 100 147

HSL 316.62, 0.27%, 0.52%

LAB 50.94, 33.26, -14.69

 

CMYK 0 / 17 / 5 / 43

HEX #91788A

RGB 145 120 138

HSL 316.8, 0.1%, 0.52%

LAB 53.26, 12.94, -6.14

 

CMYK 10 / 0 / 7 / 45

HEX #7E8C82

RGB 126 140 130

HSL 137.14, 0.06%, 0.52%

LAB 56.88, -7.1, 3.61

 

CMYK 18 / 71 / 0 / 20

HEX #A93CCD

RGB 169 60 205

HSL 285.1, 0.59%, 0.52%

LAB 47.07, 64.73, -54.61

 

CMYK 0 / 71 / 1 / 20

HEX #CD3CCA

RGB 205 60 202

HSL 301.24, 0.59%, 0.52%

LAB 52.37, 71.87, -44.11

 

CMYK 0 / 71 / 20 / 20

HEX #CD3CA4

RGB 205 60 164

HSL 316.97, 0.59%, 0.52%

LAB 50.56, 66.27, -24.81

 

CMYK 0 / 71 / 39 / 20

HEX #CD3C7D

RGB 205 60 125

HSL 333.1, 0.59%, 0.52%

LAB 49.12, 61.6, -3.66

 

CMYK 0 / 71 / 58 / 20

HEX #CD3C57

RGB 205 60 87

HSL 348.83, 0.59%, 0.52%

LAB 48.13, 58.28, 18.06

 

CMYK 0 / 74 / 21 / 43

HEX #912573

RGB 145 37 115

HSL 316.67, 0.59%, 0.36%

LAB 35.16, 52.24, -19.61

 

CMYK 0 / 74 / 21 / 30

HEX #B22E8C

RGB 178 46 140

HSL 317.27, 0.59%, 0.44%

LAB 43.23, 61.04, -22.14

 

CMYK 0 / 71 / 20 / 20

HEX #CD3CA4

RGB 205 60 164

HSL 316.97, 0.59%, 0.52%

LAB 50.56, 66.27, -24.81

 

CMYK 0 / 56 / 16 / 16

HEX #D55DB3

RGB 213 93 179

HSL 317, 0.59%, 0.6%

LAB 57.3, 57.16, -23.08

 

CMYK 0 / 43 / 13 / 13

HEX #DE7EC2

RGB 222 126 194

HSL 317.5, 0.59%, 0.68%

LAB 65.24, 46.13, -19.39

 

CMYK 0 / 70 / 20 / 20

HEX #CD3DA4

RGB 205 61 164

HSL 317.08, 0.59%, 0.52%

LAB 50.68, 65.92, -24.62

 

CMYK 0 / 37 / 71 / 20

HEX #CD823C

RGB 205 130 60

HSL 28.97, 0.59%, 0.52%

LAB 61.02, 22.87, 48.56

 

CMYK 71 / 0 / 8 / 20

HEX #3CCDBC

RGB 60 205 188

HSL 172.97, 0.59%, 0.52%

LAB 74.98, -41.57, -2.57

 

CMYK 0 / 70 / 20 / 20

HEX #CD3DA4

RGB 205 61 164

HSL 317.08, 0.59%, 0.52%

LAB 50.68, 65.92, -24.62

 

CMYK 20 / 0 / 71 / 20

HEX #A4CD3C

RGB 164 205 60

HSL 76.97, 0.59%, 0.52%

LAB 77.21, -33.56, 64.05

 

CMYK 71 / 20 / 0 / 20

HEX #3CA4CD

RGB 60 164 205

HSL 196.97, 0.59%, 0.52%

LAB 63.28, -16.47, -29.57

 

CMYK 0 / 70 / 20 / 20

HEX #CD3DA4

RGB 205 61 164

HSL 317.08, 0.59%, 0.52%

LAB 50.68, 65.92, -24.62

 

CMYK 0 / 37 / 71 / 20

HEX #CD823C

RGB 205 130 60

HSL 28.97, 0.59%, 0.52%

LAB 61.02, 22.87, 48.56

 

CMYK 71 / 0 / 51 / 20

HEX #3CCD65

RGB 60 205 101

HSL 136.97, 0.59%, 0.52%

LAB 73.26, -59.99, 40.72

 

CMYK 71 / 34 / 0 / 20

HEX #3C87CD

RGB 60 135 205

HSL 208.97, 0.59%, 0.52%

LAB 54.76, -0.12, -42.88

 

CMYK 0 / 70 / 20 / 20

HEX #CD3DA4

RGB 205 61 164

HSL 317.08, 0.59%, 0.52%

LAB 50.68, 65.92, -24.62

 

CMYK 0 / 15 / 71 / 20

HEX #CDAE3C

RGB 205 174 60

HSL 47.17, 0.59%, 0.52%

LAB 71.95, -0.89, 59.86

 

CMYK 71 / 0 / 51 / 20

HEX #3CCD65

RGB 60 205 101

HSL 136.97, 0.59%, 0.52%

LAB 73.26, -59.99, 40.72

 

CMYK 71 / 55 / 0 / 20

HEX #3C5CCD

RGB 60 92 205

HSL 226.76, 0.59%, 0.52%

LAB 42.8, 26.66, -62.04

 

Description

Color code: HEX #CD3DA4 | qconv.com Color code: HEX #CD3DA4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 61 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 61 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 20 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 20% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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