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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3675CE it is the complementary color #32C98ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3675CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3675CE shade: #D23670CE, #E34883CE, #F45A96CE, #FF6CA9CE and #FF7EBCCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3675CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3675CE shade: #CD3675CE, #BC2462CE, #AB124FCE, #9A003CCE and #890029CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3675CE shade: #CD3776, #CD374D and #CD3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3675CE shade: #CD3776, #CD379E, #CD37C6, #AB37CD and #8337CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3675CE shade matches the following richer shades: #CD3776, #E12372 and #F50F6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3675CE shade: #CD3776, #B94B79, #A5607C, #907480 and #7C8883

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3675CE shade: #CD37C8, #CD37A0, #CD3778, #CD3750 and #CD4637

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3675CE shade: #8E2450, #AF2C63, #CD3776, #D5588C and #DE79A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3675CE shade: #CD3675, #CDAA37 and #37B4CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3675CE shade: #CD3675, #78CD37 and #3778CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3675CE shade: #CD3675, #CDAA37, #37CD8C and #375ACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3675CE shade: #CD3675, #C3CD37, #37CD8C and #4137CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 35 / 16

HEX #CD3675CE

RGBA 205 54 117 0.81

HSLA 334.97, 0.6%, 0.51%, 0.81

LABA 48.14, 62.87, -0.25, 0.81

 

Complementary color

CMYK 61 / 0 / 25 / 17

HEX #32C98ACE

RGBA 50 201 138 0.81

HSLA 154.97, 0.6%, 0.49%, 0.81

LABA 72.42, -53.29, 20.62, 0.81

 

CMYK 0 / 60 / 38 / 14

HEX #D23670CE

RGBA 210 54 112 0.81

HSLA 337.69, 0.63%, 0.52%, 0.81

LABA 48.9, 63.79, 4.02, 0.81

 

CMYK 0 / 55 / 34 / 9

HEX #E34883CE

RGBA 227 72 131 0.81

HSLA 337.16, 0.73%, 0.59%, 0.81

LABA 54.66, 64.06, 1.31, 0.81

 

CMYK 0 / 51 / 31 / 3

HEX #F45A96CE

RGBA 244 90 150 0.81

HSLA 336.62, 0.88%, 0.65%, 0.81

LABA 60.56, 63.9, -0.91, 0.81

 

CMYK 0 / 47 / 27 / 0

HEX #FF6CA9CE

RGBA 255 108 169 0.81

HSLA 335.1, 1%, 0.71%, 0.81

LABA 65.63, 61.65, -4.18, 0.81

 

CMYK 0 / 41 / 21 / 0

HEX #FF7EBCCE

RGBA 255 126 188 0.81

HSLA 331.16, 1%, 0.75%, 0.81

LABA 69.34, 55.73, -9.42, 0.81

 

CMYK 0 / 60 / 35 / 16

HEX #CD3675CE

RGBA 205 54 117 0.81

HSLA 334.97, 0.6%, 0.51%, 0.81

LABA 48.14, 62.87, -0.25, 0.81

 

CMYK 0 / 65 / 39 / 21

HEX #BC2462CE

RGBA 188 36 98 0.81

HSLA 335.53, 0.68%, 0.44%, 0.81

LABA 42.51, 61.94, 2.94, 0.81

 

CMYK 0 / 72 / 44 / 27

HEX #AB124FCE

RGBA 171 18 79 0.81

HSLA 336.08, 0.81%, 0.37%, 0.81

LABA 37.22, 59.98, 6.99, 0.81

 

CMYK 0 / 81 / 49 / 32

HEX #9A003CCE

RGBA 154 0 60 0.81

HSLA 336.62, 1%, 0.3%, 0.81

LABA 32.25, 56.98, 11.96, 0.81

 

CMYK 0 / 81 / 57 / 37

HEX #890029CE

RGBA 137 0 41 0.81

HSLA 342.04, 1%, 0.27%, 0.81

LABA 28.06, 51.65, 18.44, 0.81

 

CMYK 0 / 73 / 42 / 20

HEX #CD3776

RGB 205 55 118

HSL 334.8, 0.6%, 0.51%

LAB 48.28, 62.63, -0.64

 

CMYK 0 / 73 / 62 / 20

HEX #CD374D

RGB 205 55 77

HSL 351.2, 0.6%, 0.51%

LAB 47.3, 59.39, 23.03

 

CMYK 0 / 73 / 73 / 20

HEX #CD3737

RGB 205 55 55

HSL 0, 0.6%, 0.51%

LAB 46.96, 58.25, 35.68

 

CMYK 0 / 73 / 42 / 20

HEX #CD3776

RGB 205 55 118

HSL 334.8, 0.6%, 0.51%

LAB 48.28, 62.63, -0.64

 

CMYK 0 / 73 / 23 / 20

HEX #CD379E

RGB 205 55 158

HSL 318.8, 0.6%, 0.51%

LAB 49.71, 67.16, -22.56

 

CMYK 0 / 73 / 3 / 20

HEX #CD37C6

RGB 205 55 198

HSL 302.8, 0.6%, 0.51%

LAB 51.6, 72.84, -43.03

 

CMYK 17 / 73 / 0 / 20

HEX #AB37CD

RGB 171 55 205

HSL 286.4, 0.6%, 0.51%

LAB 46.71, 67.01, -55.18

 

CMYK 36 / 73 / 0 / 20

HEX #8337CD

RGB 131 55 205

HSL 270.4, 0.6%, 0.51%

LAB 41.16, 59.42, -64.43

 

CMYK 0 / 73 / 42 / 20

HEX #CD3776

RGB 205 55 118

HSL 334.8, 0.6%, 0.51%

LAB 48.28, 62.63, -0.64

 

CMYK 0 / 84 / 49 / 12

HEX #E12372

RGB 225 35 114

HSL 335.05, 0.76%, 0.51%

LAB 50.01, 72.81, 4.76

 

CMYK 0 / 94 / 55 / 4

HEX #F50F6F

RGB 245 15 111

HSL 334.96, 0.92%, 0.51%

LAB 52.84, 80.12, 11.15

 

CMYK 0 / 73 / 42 / 20

HEX #CD3776

RGB 205 55 118

HSL 334.8, 0.6%, 0.51%

LAB 48.28, 62.63, -0.64

 

CMYK 0 / 59 / 35 / 27

HEX #B94B79

RGB 185 75 121

HSL 334.91, 0.44%, 0.51%

LAB 47.91, 48.98, -3.4

 

CMYK 0 / 42 / 25 / 35

HEX #A5607C

RGB 165 96 124

HSL 335.65, 0.28%, 0.51%

LAB 49.28, 31.73, -3.51

 

CMYK 0 / 19 / 11 / 44

HEX #907480

RGB 144 116 128

HSL 334.29, 0.11%, 0.51%

LAB 51.81, 13.03, -2.43

 

CMYK 9 / 0 / 4 / 47

HEX #7C8883

RGB 124 136 131

HSL 155, 0.05%, 0.51%

LAB 55.62, -5.4, 1.18

 

CMYK 0 / 73 / 2 / 20

HEX #CD37C8

RGB 205 55 200

HSL 302, 0.6%, 0.51%

LAB 51.7, 73.15, -44.02

 

CMYK 0 / 73 / 22 / 20

HEX #CD37A0

RGB 205 55 160

HSL 318, 0.6%, 0.51%

LAB 49.8, 67.41, -23.62

 

CMYK 0 / 73 / 41 / 20

HEX #CD3778

RGB 205 55 120

HSL 334, 0.6%, 0.51%

LAB 48.35, 62.83, -1.77

 

CMYK 0 / 73 / 61 / 20

HEX #CD3750

RGB 205 55 80

HSL 350, 0.6%, 0.51%

LAB 47.35, 59.58, 21.28

 

CMYK 0 / 66 / 73 / 20

HEX #CD4637

RGB 205 70 55

HSL 6, 0.6%, 0.51%

LAB 49.05, 52.53, 38.05

 

CMYK 0 / 75 / 44 / 44

HEX #8E2450

RGB 142 36 80

HSL 335.09, 0.6%, 0.35%

LAB 33.12, 47.44, -0.31

 

CMYK 0 / 75 / 43 / 31

HEX #AF2C63

RGB 175 44 99

HSL 334.81, 0.6%, 0.43%

LAB 40.92, 56.11, -0.31

 

CMYK 0 / 73 / 42 / 20

HEX #CD3776

RGB 205 55 118

HSL 334.8, 0.6%, 0.51%

LAB 48.28, 62.63, -0.64

 

CMYK 0 / 59 / 34 / 16

HEX #D5588C

RGB 213 88 140

HSL 335.04, 0.6%, 0.59%

LAB 55.09, 54.2, -3.66

 

CMYK 0 / 45 / 27 / 13

HEX #DE79A3

RGB 222 121 163

HSL 335.05, 0.6%, 0.67%

LAB 63.22, 44.08, -4.85

 

CMYK 0 / 74 / 43 / 20

HEX #CD3675

RGB 205 54 117

HSL 334.97, 0.6%, 0.51%

LAB 48.14, 62.87, -0.25

 

CMYK 0 / 17 / 73 / 20

HEX #CDAA37

RGB 205 170 55

HSL 46, 0.6%, 0.51%

LAB 70.87, 0.99, 60.76

 

CMYK 73 / 12 / 0 / 20

HEX #37B4CD

RGB 55 180 205

HSL 190, 0.6%, 0.51%

LAB 67.92, -25.44, -22.45

 

CMYK 0 / 74 / 43 / 20

HEX #CD3675

RGB 205 54 117

HSL 334.97, 0.6%, 0.51%

LAB 48.14, 62.87, -0.25

 

CMYK 41 / 0 / 73 / 20

HEX #78CD37

RGB 120 205 55

HSL 94, 0.6%, 0.51%

LAB 74.78, -49.86, 62.61

 

CMYK 73 / 41 / 0 / 20

HEX #3778CD

RGB 55 120 205

HSL 214, 0.6%, 0.51%

LAB 50.28, 8.26, -50

 

CMYK 0 / 74 / 43 / 20

HEX #CD3675

RGB 205 54 117

HSL 334.97, 0.6%, 0.51%

LAB 48.14, 62.87, -0.25

 

CMYK 0 / 17 / 73 / 20

HEX #CDAA37

RGB 205 170 55

HSL 46, 0.6%, 0.51%

LAB 70.87, 0.99, 60.76

 

CMYK 73 / 0 / 32 / 20

HEX #37CD8C

RGB 55 205 140

HSL 154, 0.6%, 0.51%

LAB 73.78, -53.75, 21.44

 

CMYK 73 / 56 / 0 / 20

HEX #375ACD

RGB 55 90 205

HSL 226, 0.6%, 0.51%

LAB 42.05, 27.3, -63.26

 

CMYK 0 / 74 / 43 / 20

HEX #CD3675

RGB 205 54 117

HSL 334.97, 0.6%, 0.51%

LAB 48.14, 62.87, -0.25

 

CMYK 5 / 0 / 73 / 20

HEX #C3CD37

RGB 195 205 55

HSL 64, 0.6%, 0.51%

LAB 79.35, -21.22, 68.61

 

CMYK 73 / 0 / 32 / 20

HEX #37CD8C

RGB 55 205 140

HSL 154, 0.6%, 0.51%

LAB 73.78, -53.75, 21.44

 

CMYK 68 / 73 / 0 / 20

HEX #4137CD

RGB 65 55 205

HSL 244, 0.6%, 0.51%

LAB 34.53, 49.78, -75.55

 

Description

Color code: HEX #CD3675CE | qconv.com Color code: HEX #CD3675CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 54 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 54 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 35 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 35% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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