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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD2CEE it is the complementary color #32D311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD2CEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD2CEE shade: #D22CE9, #E33EFC, #F450FF, #FF62FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD2CEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD2CEE shade: #CD2CEE, #BC1ADB, #AB08C8, #9A00B5 and #8900A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD2CEE shade: #CC2AED, #ED2ADA, #ED2AA5, #ED2A71 and #ED2A3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD2CEE shade: #CC2AED, #972AED, #632AED, #2E2AED and #2A2AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD2CEE shade matches the following richer shades: #CC2AED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD2CEE shade: #CC2AED, #C03DDB, #B44FC8, #A762B6 and #9B74A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD2CEE shade: #612AED, #962AED, #CA2AED, #ED2ADD and #ED2AA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD2CEE shade: #9A0EB7, #BA11DD, #CC2AED, #D550F0 and #DE77F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD2CEE shade: #CD2CEE, #ED2D2A and #2AED7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD2CEE shade: #CD2CEE, #EDCA2A and #2AEDCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD2CEE shade: #CD2CEE, #ED2D2A, #4EED2A and #2AEAED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD2CEE shade: #CD2CEE, #ED682A, #4EED2A and #2AB0ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 82 / 0 / 7

HEX #CD2CEE

RGB 205 44 238

HSL 289.79, 0.85%, 0.55%

LAB 52.9, 82.37, -63.72

 

Complementary color

CMYK 76 / 0 / 92 / 17

HEX #32D311

RGB 50 211 17

HSL 109.79, 0.85%, 0.45%

LAB 74.39, -70.47, 70.84

 

CMYK 10 / 81 / 0 / 9

HEX #D22CE9

RGB 210 44 233

HSL 292.7, 0.81%, 0.54%

LAB 53.37, 82.4, -60.11

 

CMYK 10 / 75 / 0 / 1

HEX #E33EFC

RGB 227 62 252

HSL 292.11, 0.97%, 0.62%

LAB 58.79, 83.84, -61.88

 

CMYK 4 / 69 / 0 / 0

HEX #F450FF

RGB 244 80 255

HSL 296.23, 1%, 0.66%

LAB 63.5, 81.98, -55.87

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 14 / 82 / 0 / 7

HEX #CD2CEE

RGB 205 44 238

HSL 289.79, 0.85%, 0.55%

LAB 52.9, 82.37, -63.72

 

CMYK 14 / 88 / 0 / 14

HEX #BC1ADB

RGB 188 26 219

HSL 290.36, 0.79%, 0.48%

LAB 47.68, 80.08, -61.51

 

CMYK 15 / 96 / 0 / 22

HEX #AB08C8

RGB 171 8 200

HSL 290.94, 0.92%, 0.41%

LAB 42.77, 76.62, -58.65

 

CMYK 15 / 100 / 0 / 29

HEX #9A00B5

RGB 154 0 181

HSL 291.05, 1%, 0.35%

LAB 38.21, 71.77, -55

 

CMYK 15 / 100 / 0 / 36

HEX #8900A2

RGB 137 0 162

HSL 290.74, 1%, 0.32%

LAB 33.83, 66.03, -50.86

 

CMYK 14 / 82 / 0 / 7

HEX #CC2AED

RGB 204 42 237

HSL 289.85, 0.84%, 0.55%

LAB 52.52, 82.51, -63.78

 

CMYK 0 / 82 / 8 / 7

HEX #ED2ADA

RGB 237 42 218

HSL 305.85, 0.84%, 0.55%

LAB 56.8, 85.49, -45.89

 

CMYK 0 / 82 / 30 / 7

HEX #ED2AA5

RGB 237 42 165

HSL 322.15, 0.84%, 0.55%

LAB 54.42, 78.92, -18.99

 

CMYK 0 / 82 / 52 / 7

HEX #ED2A71

RGB 237 42 113

HSL 338.15, 0.84%, 0.55%

LAB 52.79, 74.2, 9.64

 

CMYK 0 / 82 / 75 / 7

HEX #ED2A3C

RGB 237 42 60

HSL 354.46, 0.84%, 0.55%

LAB 51.82, 71.32, 39.97

 

CMYK 14 / 82 / 0 / 7

HEX #CC2AED

RGB 204 42 237

HSL 289.85, 0.84%, 0.55%

LAB 52.52, 82.51, -63.78

 

CMYK 36 / 82 / 0 / 7

HEX #972AED

RGB 151 42 237

HSL 273.54, 0.84%, 0.55%

LAB 44.73, 74.36, -76.79

 

CMYK 58 / 82 / 0 / 7

HEX #632AED

RGB 99 42 237

HSL 257.54, 0.84%, 0.55%

LAB 38.59, 68.21, -87.11

 

CMYK 81 / 82 / 0 / 7

HEX #2E2AED

RGB 46 42 237

HSL 241.23, 0.84%, 0.55%

LAB 34.7, 64.49, -93.67

 

CMYK 82 / 82 / 0 / 7

HEX #2A2AED

RGB 42 42 237

HSL 240, 0.84%, 0.55%

LAB 34.52, 64.32, -93.97

 

CMYK 14 / 82 / 0 / 7

HEX #CC2AED

RGB 204 42 237

HSL 289.85, 0.84%, 0.55%

LAB 52.52, 82.51, -63.78

 

CMYK 14 / 82 / 0 / 7

HEX #CC2AED

RGB 204 42 237

HSL 289.85, 0.84%, 0.55%

LAB 52.52, 82.51, -63.78

 

CMYK 12 / 72 / 0 / 14

HEX #C03DDB

RGB 192 61 219

HSL 289.75, 0.69%, 0.55%

LAB 51.45, 71.68, -55.42

 

CMYK 10 / 61 / 0 / 22

HEX #B44FC8

RGB 180 79 200

HSL 290.08, 0.52%, 0.55%

LAB 51.23, 58.22, -45.01

 

CMYK 8 / 46 / 0 / 29

HEX #A762B6

RGB 167 98 182

HSL 289.29, 0.37%, 0.55%

LAB 52.21, 41.63, -33.19

 

CMYK 5 / 29 / 0 / 36

HEX #9B74A3

RGB 155 116 163

HSL 289.79, 0.2%, 0.55%

LAB 54.14, 23.81, -19.3

 

CMYK 59 / 82 / 0 / 7

HEX #612AED

RGB 97 42 237

HSL 256.92, 0.84%, 0.55%

LAB 38.4, 68.01, -87.43

 

CMYK 37 / 82 / 0 / 7

HEX #962AED

RGB 150 42 237

HSL 273.23, 0.84%, 0.55%

LAB 44.6, 74.22, -77.01

 

CMYK 15 / 82 / 0 / 7

HEX #CA2AED

RGB 202 42 237

HSL 289.23, 0.84%, 0.55%

LAB 52.2, 82.17, -64.3

 

CMYK 0 / 82 / 7 / 7

HEX #ED2ADD

RGB 237 42 221

HSL 304.92, 0.84%, 0.55%

LAB 56.96, 85.9, -47.34

 

CMYK 0 / 82 / 29 / 7

HEX #ED2AA9

RGB 237 42 169

HSL 320.92, 0.84%, 0.55%

LAB 54.58, 79.36, -21.1

 

CMYK 16 / 92 / 0 / 28

HEX #9A0EB7

RGB 154 14 183

HSL 289.7, 0.86%, 0.39%

LAB 38.9, 70.48, -55.07

 

CMYK 16 / 92 / 0 / 13

HEX #BA11DD

RGB 186 17 221

HSL 289.71, 0.86%, 0.47%

LAB 47.05, 81.41, -63.69

 

CMYK 14 / 82 / 0 / 7

HEX #CC2AED

RGB 204 42 237

HSL 289.85, 0.84%, 0.55%

LAB 52.52, 82.51, -63.78

 

CMYK 11 / 67 / 0 / 6

HEX #D550F0

RGB 213 80 240

HSL 289.88, 0.84%, 0.63%

LAB 58.2, 72.83, -56.27

 

CMYK 9 / 51 / 0 / 5

HEX #DE77F3

RGB 222 119 243

HSL 289.84, 0.84%, 0.71%

LAB 65.9, 58.27, -45.65

 

CMYK 14 / 82 / 0 / 7

HEX #CD2CEE

RGB 205 44 238

HSL 289.79, 0.85%, 0.55%

LAB 52.9, 82.37, -63.72

 

CMYK 0 / 81 / 82 / 7

HEX #ED2D2A

RGB 237 45 42

HSL 0.92, 0.84%, 0.55%

LAB 51.89, 70.07, 49.76

 

CMYK 82 / 0 / 48 / 7

HEX #2AED7B

RGB 42 237 123

HSL 144.92, 0.84%, 0.55%

LAB 83.17, -69.73, 42.36

 

CMYK 14 / 82 / 0 / 7

HEX #CD2CEE

RGB 205 44 238

HSL 289.79, 0.85%, 0.55%

LAB 52.9, 82.37, -63.72

 

CMYK 0 / 15 / 82 / 7

HEX #EDCA2A

RGB 237 202 42

HSL 49.23, 0.84%, 0.55%

LAB 82.06, -2.36, 76.28

 

CMYK 82 / 0 / 15 / 7

HEX #2AEDCA

RGB 42 237 202

HSL 169.23, 0.84%, 0.55%

LAB 84.65, -53.31, 4.04

 

CMYK 14 / 82 / 0 / 7

HEX #CD2CEE

RGB 205 44 238

HSL 289.79, 0.85%, 0.55%

LAB 52.9, 82.37, -63.72

 

CMYK 0 / 81 / 82 / 7

HEX #ED2D2A

RGB 237 45 42

HSL 0.92, 0.84%, 0.55%

LAB 51.89, 70.07, 49.76

 

CMYK 67 / 0 / 82 / 7

HEX #4EED2A

RGB 78 237 42

HSL 108.92, 0.84%, 0.55%

LAB 83.1, -72.77, 73.81

 

CMYK 82 / 1 / 0 / 7

HEX #2AEAED

RGB 42 234 237

HSL 180.92, 0.84%, 0.55%

LAB 84.72, -42.52, -14.29

 

CMYK 14 / 82 / 0 / 7

HEX #CD2CEE

RGB 205 44 238

HSL 289.79, 0.85%, 0.55%

LAB 52.9, 82.37, -63.72

 

CMYK 0 / 56 / 82 / 7

HEX #ED682A

RGB 237 104 42

HSL 19.08, 0.84%, 0.55%

LAB 59.95, 48.22, 57.09

 

CMYK 67 / 0 / 82 / 7

HEX #4EED2A

RGB 78 237 42

HSL 108.92, 0.84%, 0.55%

LAB 83.1, -72.77, 73.81

 

CMYK 82 / 26 / 0 / 7

HEX #2AB0ED

RGB 42 176 237

HSL 198.77, 0.84%, 0.55%

LAB 67.77, -14.08, -40.24

 

Description

Color code: HEX #CD2CEE | qconv.com Color code: HEX #CD2CEE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 44 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 44 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 82 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 82% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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