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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD2C77 it is the complementary color #32D388. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD2C77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD2C77 shade: #D22C72, #E33E85, #F45098, #FF62AB and #FF74BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD2C77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD2C77 shade: #CD2C77, #BC1A64, #AB0851, #9A003E and #89002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD2C77 shade: #CE2C77, #CE2C4C and #CE2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD2C77 shade: #CE2C77, #CE2CA3, #CD2CCE, #A22CCE and #762CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD2C77 shade matches the following richer shades: #CE2C77, #E21876 and #F70375

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD2C77 shade: #CE2C77, #BA4079, #A6547A, #92687C and #7D7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD2C77 shade: #CE2CCE, #CE2CA3, #CE2C78, #CE2C4C and #CE372C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD2C77 shade: #8A1D50, #AC2564, #CE2C77, #D94A8D and #E06CA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD2C77 shade: #CD2C77, #CEA32C and #2CB9CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD2C77 shade: #CD2C77, #78CE2C and #2C78CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD2C77 shade: #CD2C77, #CEA32C, #2CCE82 and #2C57CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD2C77 shade: #CD2C77, #C9CE2C, #2CCE82 and #312CCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 42 / 20

HEX #CD2C77

RGB 205 44 119

HSL 332.05, 0.65%, 0.49%

LAB 47.12, 66.1, -2.96

 

Complementary color

CMYK 76 / 0 / 36 / 17

HEX #32D388

RGB 50 211 136

HSL 152.05, 0.65%, 0.51%

LAB 75.48, -57.49, 25.83

 

CMYK 0 / 79 / 46 / 18

HEX #D22C72

RGB 210 44 114

HSL 334.7, 0.65%, 0.5%

LAB 47.9, 66.93, 1.36

 

CMYK 0 / 73 / 41 / 11

HEX #E33E85

RGB 227 62 133

HSL 334.18, 0.75%, 0.57%

LAB 53.46, 67.76, -1.64

 

CMYK 0 / 67 / 38 / 4

HEX #F45098

RGB 244 80 152

HSL 333.66, 0.88%, 0.64%

LAB 59.19, 68.01, -4.08

 

CMYK 0 / 62 / 33 / 0

HEX #FF62AB

RGB 255 98 171

HSL 332.1, 1%, 0.69%

LAB 64.11, 66.14, -7.58

 

CMYK 0 / 55 / 25 / 0

HEX #FF74BE

RGB 255 116 190

HSL 328.06, 1%, 0.73%

LAB 67.63, 60.64, -13.1

 

CMYK 0 / 79 / 42 / 20

HEX #CD2C77

RGB 205 44 119

HSL 332.05, 0.65%, 0.49%

LAB 47.12, 66.1, -2.96

 

CMYK 0 / 86 / 47 / 26

HEX #BC1A64

RGB 188 26 100

HSL 332.59, 0.76%, 0.42%

LAB 41.77, 64.41, 0.6

 

CMYK 0 / 95 / 53 / 33

HEX #AB0851

RGB 171 8 81

HSL 333.13, 0.91%, 0.35%

LAB 36.79, 61.52, 5.09

 

CMYK 0 / 100 / 60 / 40

HEX #9A003E

RGB 154 0 62

HSL 335.84, 1%, 0.3%

LAB 32.3, 57.1, 10.7

 

CMYK 0 / 100 / 69 / 46

HEX #89002B

RGB 137 0 43

HSL 341.17, 1%, 0.27%

LAB 28.09, 51.76, 17.14

 

CMYK 0 / 79 / 42 / 19

HEX #CE2C77

RGB 206 44 119

HSL 332.22, 0.65%, 0.49%

LAB 47.31, 66.36, -2.66

 

CMYK 0 / 79 / 63 / 19

HEX #CE2C4C

RGB 206 44 76

HSL 348.15, 0.65%, 0.49%

LAB 46.24, 63.07, 22.3

 

CMYK 0 / 79 / 79 / 19

HEX #CE2C2C

RGB 206 44 44

HSL 0, 0.65%, 0.49%

LAB 45.78, 61.62, 40.67

 

CMYK 0 / 79 / 42 / 19

HEX #CE2C77

RGB 206 44 119

HSL 332.22, 0.65%, 0.49%

LAB 47.31, 66.36, -2.66

 

CMYK 0 / 79 / 21 / 19

HEX #CE2CA3

RGB 206 44 163

HSL 315.93, 0.65%, 0.49%

LAB 48.97, 71.27, -26.67

 

CMYK 0 / 79 / 0 / 19

HEX #CD2CCE

RGB 205 44 206

HSL 299.63, 0.65%, 0.49%

LAB 50.96, 77.16, -48.65

 

CMYK 21 / 79 / 0 / 19

HEX #A22CCE

RGB 162 44 206

HSL 283.7, 0.65%, 0.49%

LAB 44.15, 69.2, -59.96

 

CMYK 43 / 79 / 0 / 19

HEX #762CCE

RGB 118 44 206

HSL 267.41, 0.65%, 0.49%

LAB 38.04, 62.04, -70.17

 

CMYK 0 / 79 / 42 / 19

HEX #CE2C77

RGB 206 44 119

HSL 332.22, 0.65%, 0.49%

LAB 47.31, 66.36, -2.66

 

CMYK 0 / 89 / 48 / 11

HEX #E21876

RGB 226 24 118

HSL 332.08, 0.81%, 0.49%

LAB 49.65, 75.26, 1.83

 

CMYK 0 / 99 / 53 / 3

HEX #F70375

RGB 247 3 117

HSL 331.97, 0.98%, 0.49%

LAB 53.08, 81.85, 7.91

 

CMYK 0 / 79 / 42 / 19

HEX #CE2C77

RGB 206 44 119

HSL 332.22, 0.65%, 0.49%

LAB 47.31, 66.36, -2.66

 

CMYK 0 / 66 / 35 / 27

HEX #BA4079

RGB 186 64 121

HSL 331.97, 0.49%, 0.49%

LAB 46.29, 54.12, -5.78

 

CMYK 0 / 49 / 27 / 35

HEX #A6547A

RGB 166 84 122

HSL 332.2, 0.33%, 0.49%

LAB 46.78, 38.28, -6

 

CMYK 0 / 29 / 15 / 43

HEX #92687C

RGB 146 104 124

HSL 331.43, 0.17%, 0.49%

LAB 48.84, 20.08, -4.42

 

CMYK 0 / 0 / 0 / 51

HEX #7D7D7D

RGB 125 125 125

HSL 0, 0%, 0.49%

LAB 52.41, 0, -0.01

 

CMYK 0 / 79 / 0 / 19

HEX #CE2CCE

RGB 206 44 206

HSL 300, 0.65%, 0.49%

LAB 51.13, 77.36, -48.37

 

CMYK 0 / 79 / 21 / 19

HEX #CE2CA3

RGB 206 44 163

HSL 315.93, 0.65%, 0.49%

LAB 48.97, 71.27, -26.67

 

CMYK 0 / 79 / 42 / 19

HEX #CE2C78

RGB 206 44 120

HSL 331.85, 0.65%, 0.49%

LAB 47.34, 66.45, -3.23

 

CMYK 0 / 79 / 63 / 19

HEX #CE2C4C

RGB 206 44 76

HSL 348.15, 0.65%, 0.49%

LAB 46.24, 63.07, 22.3

 

CMYK 0 / 73 / 79 / 19

HEX #CE372C

RGB 206 55 44

HSL 4.07, 0.65%, 0.49%

LAB 47.02, 58.15, 41.95

 

CMYK 0 / 79 / 42 / 46

HEX #8A1D50

RGB 138 29 80

HSL 331.93, 0.65%, 0.33%

LAB 31.49, 48.68, -2.79

 

CMYK 0 / 78 / 42 / 33

HEX #AC2564

RGB 172 37 100

HSL 332, 0.65%, 0.41%

LAB 39.6, 57.6, -2.94

 

CMYK 0 / 79 / 42 / 19

HEX #CE2C77

RGB 206 44 119

HSL 332.22, 0.65%, 0.49%

LAB 47.31, 66.36, -2.66

 

CMYK 0 / 66 / 35 / 15

HEX #D94A8D

RGB 217 74 141

HSL 331.89, 0.65%, 0.57%

LAB 53.57, 61.46, -6.43

 

CMYK 0 / 52 / 28 / 12

HEX #E06CA2

RGB 224 108 162

HSL 332.07, 0.65%, 0.65%

LAB 60.94, 51.07, -7.62

 

CMYK 0 / 79 / 42 / 20

HEX #CD2C77

RGB 205 44 119

HSL 332.05, 0.65%, 0.49%

LAB 47.12, 66.1, -2.96

 

CMYK 0 / 21 / 79 / 19

HEX #CEA32C

RGB 206 163 44

HSL 44.07, 0.65%, 0.49%

LAB 69.11, 4.71, 63.15

 

CMYK 79 / 10 / 0 / 19

HEX #2CB9CE

RGB 44 185 206

HSL 187.78, 0.65%, 0.49%

LAB 69.25, -28.81, -20.99

 

CMYK 0 / 79 / 42 / 20

HEX #CD2C77

RGB 205 44 119

HSL 332.05, 0.65%, 0.49%

LAB 47.12, 66.1, -2.96

 

CMYK 42 / 0 / 79 / 19

HEX #78CE2C

RGB 120 206 44

HSL 91.85, 0.65%, 0.49%

LAB 75.02, -50.89, 66.36

 

CMYK 79 / 42 / 0 / 19

HEX #2C78CE

RGB 44 120 206

HSL 211.85, 0.65%, 0.49%

LAB 50.01, 7.3, -51.03

 

CMYK 0 / 79 / 42 / 20

HEX #CD2C77

RGB 205 44 119

HSL 332.05, 0.65%, 0.49%

LAB 47.12, 66.1, -2.96

 

CMYK 0 / 21 / 79 / 19

HEX #CEA32C

RGB 206 163 44

HSL 44.07, 0.65%, 0.49%

LAB 69.11, 4.71, 63.15

 

CMYK 79 / 0 / 37 / 19

HEX #2CCE82

RGB 44 206 130

HSL 151.85, 0.65%, 0.49%

LAB 73.73, -57.53, 26.59

 

CMYK 79 / 58 / 0 / 19

HEX #2C57CE

RGB 44 87 206

HSL 224.07, 0.65%, 0.49%

LAB 40.91, 28.38, -65.71

 

CMYK 0 / 79 / 42 / 20

HEX #CD2C77

RGB 205 44 119

HSL 332.05, 0.65%, 0.49%

LAB 47.12, 66.1, -2.96

 

CMYK 2 / 0 / 79 / 19

HEX #C9CE2C

RGB 201 206 44

HSL 61.85, 0.65%, 0.49%

LAB 80.03, -19.64, 72.77

 

CMYK 79 / 0 / 37 / 19

HEX #2CCE82

RGB 44 206 130

HSL 151.85, 0.65%, 0.49%

LAB 73.73, -57.53, 26.59

 

CMYK 76 / 79 / 0 / 19

HEX #312CCE

RGB 49 44 206

HSL 241.85, 0.65%, 0.49%

LAB 31.6, 54.45, -81

 

Description

Color code: HEX #CD2C77 | qconv.com Color code: HEX #CD2C77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 44 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 44 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 42 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 42% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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