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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD2671 it is the complementary color #32D98E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD2671. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD2671 shade: #D2266C, #E3387F, #F44A92, #FF5CA5 and #FF6EB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD2671. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD2671 shade: #CD2671, #BC145E, #AB024B, #9A0038 and #890025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD2671 shade: #CF2672, #CF2644 and #CF2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD2671 shade: #CF2672, #CF269F, #CF26CD, #A326CF and #7626CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD2671 shade matches the following richer shades: #CF2672 and #E31270

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD2671 shade: #CF2672, #BB3A74, #A74E76, #936178 and #80757A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD2671 shade: #CF26CC, #CF269F, #CF2672, #CF2645 and #CF3426

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD2671 shade: #89194B, #AC205F, #CF2672, #DC4287 and #E3659D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD2671 shade: #CD2671, #CFA526 and #26B6CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD2671 shade: #CD2671, #72CF26 and #2672CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD2671 shade: #CD2671, #CFA526, #26CF83 and #2650CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD2671 shade: #CD2671, #C6CF26, #26CF83 and #2E26CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 45 / 20

HEX #CD2671

RGB 205 38 113

HSL 333.05, 0.69%, 0.48%

LAB 46.39, 67.11, -0.35

 

Complementary color

CMYK 77 / 0 / 35 / 15

HEX #32D98E

RGB 50 217 142

HSL 153.05, 0.69%, 0.52%

LAB 77.43, -58.52, 25.35

 

CMYK 0 / 82 / 49 / 18

HEX #D2266C

RGB 210 38 108

HSL 335.58, 0.69%, 0.49%

LAB 47.2, 67.95, 4.02

 

CMYK 0 / 75 / 44 / 11

HEX #E3387F

RGB 227 56 127

HSL 335.09, 0.75%, 0.55%

LAB 52.61, 69.1, 0.71

 

CMYK 0 / 70 / 40 / 4

HEX #F44A92

RGB 244 74 146

HSL 334.59, 0.89%, 0.62%

LAB 58.23, 69.57, -1.99

 

CMYK 0 / 64 / 35 / 0

HEX #FF5CA5

RGB 255 92 165

HSL 333.13, 1%, 0.68%

LAB 63.04, 67.89, -5.73

 

CMYK 0 / 57 / 28 / 0

HEX #FF6EB8

RGB 255 110 184

HSL 329.38, 1%, 0.72%

LAB 66.42, 62.56, -11.52

 

CMYK 0 / 81 / 45 / 20

HEX #CD2671

RGB 205 38 113

HSL 333.05, 0.69%, 0.48%

LAB 46.39, 67.11, -0.35

 

CMYK 0 / 89 / 50 / 26

HEX #BC145E

RGB 188 20 94

HSL 333.57, 0.81%, 0.41%

LAB 41.22, 65, 3.58

 

CMYK 0 / 99 / 56 / 33

HEX #AB024B

RGB 171 2 75

HSL 334.08, 0.98%, 0.34%

LAB 36.38, 61.8, 8.4

 

CMYK 0 / 100 / 64 / 40

HEX #9A0038

RGB 154 0 56

HSL 338.18, 1%, 0.3%

LAB 32.16, 56.73, 14.49

 

CMYK 0 / 100 / 73 / 46

HEX #890025

RGB 137 0 37

HSL 343.8, 1%, 0.27%

LAB 27.99, 51.46, 21.03

 

CMYK 0 / 82 / 45 / 19

HEX #CF2672

RGB 207 38 114

HSL 333.02, 0.69%, 0.48%

LAB 46.8, 67.7, -0.32

 

CMYK 0 / 82 / 67 / 19

HEX #CF2644

RGB 207 38 68

HSL 349.35, 0.69%, 0.48%

LAB 45.73, 64.5, 26.58

 

CMYK 0 / 82 / 82 / 19

HEX #CF2626

RGB 207 38 38

HSL 0, 0.69%, 0.48%

LAB 45.35, 63.34, 43.56

 

CMYK 0 / 82 / 45 / 19

HEX #CF2672

RGB 207 38 114

HSL 333.02, 0.69%, 0.48%

LAB 46.8, 67.7, -0.32

 

CMYK 0 / 82 / 23 / 19

HEX #CF269F

RGB 207 38 159

HSL 317.04, 0.69%, 0.48%

LAB 48.45, 72.47, -25.07

 

CMYK 0 / 82 / 1 / 19

HEX #CF26CD

RGB 207 38 205

HSL 300.71, 0.69%, 0.48%

LAB 50.76, 78.8, -48.38

 

CMYK 21 / 82 / 0 / 19

HEX #A326CF

RGB 163 38 207

HSL 284.38, 0.69%, 0.48%

LAB 43.77, 71.31, -61.14

 

CMYK 43 / 82 / 0 / 19

HEX #7626CF

RGB 118 38 207

HSL 268.4, 0.69%, 0.48%

LAB 37.38, 64.45, -71.84

 

CMYK 0 / 82 / 45 / 19

HEX #CF2672

RGB 207 38 114

HSL 333.02, 0.69%, 0.48%

LAB 46.8, 67.7, -0.32

 

CMYK 0 / 92 / 51 / 11

HEX #E31270

RGB 227 18 112

HSL 333.01, 0.85%, 0.48%

LAB 49.42, 75.8, 5.18

 

CMYK 0 / 82 / 45 / 19

HEX #CF2672

RGB 207 38 114

HSL 333.02, 0.69%, 0.48%

LAB 46.8, 67.7, -0.32

 

CMYK 0 / 69 / 38 / 27

HEX #BB3A74

RGB 187 58 116

HSL 333.02, 0.53%, 0.48%

LAB 45.43, 56.25, -3.98

 

CMYK 0 / 53 / 29 / 35

HEX #A74E76

RGB 167 78 118

HSL 333.03, 0.36%, 0.48%

LAB 45.6, 41.17, -5.31

 

CMYK 0 / 34 / 18 / 42

HEX #936178

RGB 147 97 120

HSL 332.4, 0.2%, 0.48%

LAB 47.12, 23.83, -4.56

 

CMYK 0 / 9 / 5 / 50

HEX #80757A

RGB 128 117 122

HSL 332.73, 0.04%, 0.48%

LAB 50.35, 5.19, -1.21

 

CMYK 0 / 82 / 1 / 19

HEX #CF26CC

RGB 207 38 204

HSL 301.07, 0.69%, 0.48%

LAB 50.7, 78.64, -47.89

 

CMYK 0 / 82 / 23 / 19

HEX #CF269F

RGB 207 38 159

HSL 317.04, 0.69%, 0.48%

LAB 48.45, 72.47, -25.07

 

CMYK 0 / 82 / 45 / 19

HEX #CF2672

RGB 207 38 114

HSL 333.02, 0.69%, 0.48%

LAB 46.8, 67.7, -0.32

 

CMYK 0 / 82 / 67 / 19

HEX #CF2645

RGB 207 38 69

HSL 348.99, 0.69%, 0.48%

LAB 45.75, 64.55, 25.99

 

CMYK 0 / 75 / 82 / 19

HEX #CF3426

RGB 207 52 38

HSL 4.97, 0.69%, 0.48%

LAB 46.79, 59.28, 44.94

 

CMYK 0 / 82 / 45 / 46

HEX #89194B

RGB 137 25 75

HSL 333.21, 0.69%, 0.32%

LAB 30.69, 49.11, -0.69

 

CMYK 0 / 81 / 45 / 33

HEX #AC205F

RGB 172 32 95

HSL 333, 0.69%, 0.4%

LAB 38.95, 58.52, -0.73

 

CMYK 0 / 82 / 45 / 19

HEX #CF2672

RGB 207 38 114

HSL 333.02, 0.69%, 0.48%

LAB 46.8, 67.7, -0.32

 

CMYK 0 / 70 / 39 / 14

HEX #DC4287

RGB 220 66 135

HSL 333.12, 0.69%, 0.56%

LAB 52.8, 64.67, -3.95

 

CMYK 0 / 56 / 31 / 11

HEX #E3659D

RGB 227 101 157

HSL 333.33, 0.69%, 0.64%

LAB 59.95, 54.71, -6.15

 

CMYK 0 / 81 / 45 / 20

HEX #CD2671

RGB 205 38 113

HSL 333.05, 0.69%, 0.48%

LAB 46.39, 67.11, -0.35

 

CMYK 0 / 20 / 82 / 19

HEX #CFA526

RGB 207 165 38

HSL 45.09, 0.69%, 0.48%

LAB 69.69, 3.87, 65.65

 

CMYK 82 / 12 / 0 / 19

HEX #26B6CF

RGB 38 182 207

HSL 188.88, 0.69%, 0.48%

LAB 68.29, -27.55, -23

 

CMYK 0 / 81 / 45 / 20

HEX #CD2671

RGB 205 38 113

HSL 333.05, 0.69%, 0.48%

LAB 46.39, 67.11, -0.35

 

CMYK 45 / 0 / 82 / 19

HEX #72CF26

RGB 114 207 38

HSL 93.02, 0.69%, 0.48%

LAB 75.04, -53.5, 67.94

 

CMYK 82 / 45 / 0 / 19

HEX #2672CF

RGB 38 114 207

HSL 213.02, 0.69%, 0.48%

LAB 48.2, 10.83, -54.5

 

CMYK 0 / 81 / 45 / 20

HEX #CD2671

RGB 205 38 113

HSL 333.05, 0.69%, 0.48%

LAB 46.39, 67.11, -0.35

 

CMYK 0 / 20 / 82 / 19

HEX #CFA526

RGB 207 165 38

HSL 45.09, 0.69%, 0.48%

LAB 69.69, 3.87, 65.65

 

CMYK 82 / 0 / 37 / 19

HEX #26CF83

RGB 38 207 131

HSL 153.02, 0.69%, 0.48%

LAB 73.98, -58.33, 26.39

 

CMYK 82 / 61 / 0 / 19

HEX #2650CF

RGB 38 80 207

HSL 225.09, 0.69%, 0.48%

LAB 38.99, 32.75, -69.43

 

CMYK 0 / 81 / 45 / 20

HEX #CD2671

RGB 205 38 113

HSL 333.05, 0.69%, 0.48%

LAB 46.39, 67.11, -0.35

 

CMYK 4 / 0 / 82 / 19

HEX #C6CF26

RGB 198 207 38

HSL 63.2, 0.69%, 0.48%

LAB 80.05, -21.59, 74.27

 

CMYK 82 / 0 / 37 / 19

HEX #26CF83

RGB 38 207 131

HSL 153.02, 0.69%, 0.48%

LAB 73.98, -58.33, 26.39

 

CMYK 78 / 82 / 0 / 19

HEX #2E26CF

RGB 46 38 207

HSL 242.84, 0.69%, 0.48%

LAB 30.57, 57.41, -83.3

 

Description

Color code: HEX #CD2671 | qconv.com Color code: HEX #CD2671 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 38 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 38 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 45 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 45% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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