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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD1FD0 it is the complementary color #32E02F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD1FD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD1FD0 shade: #D21FCB, #E331DE, #F443F1, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD1FD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD1FD0 shade: #CD1FD0, #BC0DBD, #AB00AA, #9A0097 and #890084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD1FD0 shade: #CE1FD1, #D11FA4, #D11F74, #D11F44 and #D11F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD1FD0 shade: #CE1FD1, #9E1FD1, #6E1FD1, #3E1FD1 and #1F1FD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD1FD0 shade matches the following richer shades: #CE1FD1 and #E00CE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD1FD0 shade: #CE1FD1, #BB33BD, #A846AA, #955996 and #836D83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD1FD0 shade: #6C1FD1, #9B1FD1, #CB1FD1, #D11FA7 and #D11F78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD1FD0 shade: #871489, #AA1AAD, #CE1FD1, #DE38E1 and #E45CE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD1FD0 shade: #CD1FD0, #D13D1F and #1FD184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD1FD0 shade: #CD1FD0, #D1CB1F and #1FD1CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD1FD0 shade: #CD1FD0, #D13D1F, #25D11F and #1FB3D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD1FD0 shade: #CD1FD0, #D1721F, #25D11F and #1F7ED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 85 / 0 / 18

HEX #CD1FD0

RGB 205 31 208

HSL 298.98, 0.74%, 0.47%

LAB 50.11, 80.28, -51.15

 

Complementary color

CMYK 78 / 0 / 79 / 12

HEX #32E02F

RGB 50 224 47

HSL 118.98, 0.74%, 0.53%

LAB 78.58, -73.05, 68.12

 

CMYK 0 / 85 / 3 / 18

HEX #D21FCB

RGB 210 31 203

HSL 302.35, 0.74%, 0.47%

LAB 50.68, 80.44, -47.32

 

CMYK 0 / 78 / 2 / 11

HEX #E331DE

RGB 227 49 222

HSL 301.69, 0.76%, 0.54%

LAB 55.89, 82.59, -49.71

 

CMYK 0 / 73 / 1 / 4

HEX #F443F1

RGB 244 67 241

HSL 301.02, 0.89%, 0.61%

LAB 61.31, 83.93, -51.6

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 1 / 85 / 0 / 18

HEX #CD1FD0

RGB 205 31 208

HSL 298.98, 0.74%, 0.47%

LAB 50.11, 80.28, -51.15

 

CMYK 1 / 93 / 0 / 26

HEX #BC0DBD

RGB 188 13 189

HSL 299.66, 0.87%, 0.4%

LAB 45.16, 77.09, -48.23

 

CMYK 0 / 100 / 1 / 33

HEX #AB00AA

RGB 171 0 170

HSL 300.35, 1%, 0.34%

LAB 40.51, 72.68, -44.6

 

CMYK 0 / 100 / 2 / 40

HEX #9A0097

RGB 154 0 151

HSL 301.17, 1%, 0.3%

LAB 36.18, 66.97, -40.22

 

CMYK 0 / 100 / 4 / 46

HEX #890084

RGB 137 0 132

HSL 302.19, 1%, 0.27%

LAB 31.77, 61.14, -35.73

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD1

RGB 206 31 209

HSL 298.99, 0.74%, 0.47%

LAB 50.34, 80.61, -51.35

 

CMYK 0 / 85 / 22 / 18

HEX #D11FA4

RGB 209 31 164

HSL 315.17, 0.74%, 0.47%

LAB 48.53, 74.99, -27.9

 

CMYK 0 / 85 / 44 / 18

HEX #D11F74

RGB 209 31 116

HSL 331.35, 0.74%, 0.47%

LAB 46.71, 69.91, -1.64

 

CMYK 0 / 85 / 67 / 18

HEX #D11F44

RGB 209 31 68

HSL 347.53, 0.74%, 0.47%

LAB 45.57, 66.62, 26.46

 

CMYK 0 / 85 / 85 / 18

HEX #D11F1F

RGB 209 31 31

HSL 0, 0.74%, 0.47%

LAB 45.13, 65.33, 47.1

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD1

RGB 206 31 209

HSL 298.99, 0.74%, 0.47%

LAB 50.34, 80.61, -51.35

 

CMYK 24 / 85 / 0 / 18

HEX #9E1FD1

RGB 158 31 209

HSL 282.81, 0.74%, 0.47%

LAB 42.54, 72.66, -64.33

 

CMYK 47 / 85 / 0 / 18

HEX #6E1FD1

RGB 110 31 209

HSL 266.63, 0.74%, 0.47%

LAB 35.79, 66.17, -75.65

 

CMYK 70 / 85 / 0 / 18

HEX #3E1FD1

RGB 62 31 209

HSL 250.45, 0.74%, 0.47%

LAB 30.9, 61.83, -83.89

 

CMYK 85 / 85 / 0 / 18

HEX #1F1FD1

RGB 31 31 209

HSL 240, 0.74%, 0.47%

LAB 29.09, 60.33, -86.94

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD1

RGB 206 31 209

HSL 298.99, 0.74%, 0.47%

LAB 50.34, 80.61, -51.35

 

CMYK 2 / 95 / 0 / 11

HEX #E00CE4

RGB 224 12 228

HSL 298.89, 0.9%, 0.47%

LAB 53.72, 88.82, -56.6

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD1

RGB 206 31 209

HSL 298.99, 0.74%, 0.47%

LAB 50.34, 80.61, -51.35

 

CMYK 1 / 73 / 0 / 26

HEX #BB33BD

RGB 187 51 189

HSL 299.13, 0.58%, 0.47%

LAB 47.76, 68.84, -44.08

 

CMYK 1 / 59 / 0 / 33

HEX #A846AA

RGB 168 70 170

HSL 298.8, 0.42%, 0.47%

LAB 46.46, 53.67, -35.19

 

CMYK 1 / 41 / 0 / 41

HEX #955996

RGB 149 89 150

HSL 299.02, 0.26%, 0.47%

LAB 46.63, 34.58, -23.25

 

CMYK 0 / 17 / 0 / 49

HEX #836D83

RGB 131 109 131

HSL 300, 0.09%, 0.47%

LAB 48.76, 12.83, -8.88

 

CMYK 48 / 85 / 0 / 18

HEX #6C1FD1

RGB 108 31 209

HSL 265.96, 0.74%, 0.47%

LAB 35.54, 65.94, -76.06

 

CMYK 26 / 85 / 0 / 18

HEX #9B1FD1

RGB 155 31 209

HSL 281.8, 0.74%, 0.47%

LAB 42.08, 72.2, -65.1

 

CMYK 3 / 85 / 0 / 18

HEX #CB1FD1

RGB 203 31 209

HSL 297.98, 0.74%, 0.47%

LAB 49.83, 80.09, -52.19

 

CMYK 0 / 85 / 20 / 18

HEX #D11FA7

RGB 209 31 167

HSL 314.16, 0.74%, 0.47%

LAB 48.67, 75.36, -29.47

 

CMYK 0 / 85 / 43 / 18

HEX #D11F78

RGB 209 31 120

HSL 330, 0.74%, 0.47%

LAB 46.83, 70.27, -3.91

 

CMYK 1 / 85 / 0 / 46

HEX #871489

RGB 135 20 137

HSL 298.97, 0.75%, 0.31%

LAB 32.83, 58.28, -37.18

 

CMYK 2 / 85 / 0 / 32

HEX #AA1AAD

RGB 170 26 173

HSL 298.78, 0.74%, 0.39%

LAB 41.69, 69.49, -44.51

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD1

RGB 206 31 209

HSL 298.99, 0.74%, 0.47%

LAB 50.34, 80.61, -51.35

 

CMYK 1 / 75 / 0 / 12

HEX #DE38E1

RGB 222 56 225

HSL 298.93, 0.74%, 0.55%

LAB 55.88, 80.24, -51.47

 

CMYK 1 / 60 / 0 / 9

HEX #E45CE7

RGB 228 92 231

HSL 298.71, 0.74%, 0.63%

LAB 61.58, 69.88, -45.74

 

CMYK 1 / 85 / 0 / 18

HEX #CD1FD0

RGB 205 31 208

HSL 298.98, 0.74%, 0.47%

LAB 50.11, 80.28, -51.15

 

CMYK 0 / 71 / 85 / 18

HEX #D13D1F

RGB 209 61 31

HSL 10.11, 0.74%, 0.47%

LAB 48.25, 56.59, 49.78

 

CMYK 85 / 0 / 37 / 18

HEX #1FD184

RGB 31 209 132

HSL 154.04, 0.74%, 0.47%

LAB 74.55, -59.46, 26.61

 

CMYK 1 / 85 / 0 / 18

HEX #CD1FD0

RGB 205 31 208

HSL 298.98, 0.74%, 0.47%

LAB 50.11, 80.28, -51.15

 

CMYK 0 / 3 / 85 / 18

HEX #D1CB1F

RGB 209 203 31

HSL 57.98, 0.74%, 0.47%

LAB 79.82, -15.14, 76.03

 

CMYK 85 / 0 / 3 / 18

HEX #1FD1CB

RGB 31 209 203

HSL 177.98, 0.74%, 0.47%

LAB 76.19, -41.95, -8.92

 

CMYK 1 / 85 / 0 / 18

HEX #CD1FD0

RGB 205 31 208

HSL 298.98, 0.74%, 0.47%

LAB 50.11, 80.28, -51.15

 

CMYK 0 / 71 / 85 / 18

HEX #D13D1F

RGB 209 61 31

HSL 10.11, 0.74%, 0.47%

LAB 48.25, 56.59, 49.78

 

CMYK 82 / 0 / 85 / 18

HEX #25D11F

RGB 37 209 31

HSL 117.98, 0.74%, 0.47%

LAB 73.61, -71.04, 67.57

 

CMYK 85 / 14 / 0 / 18

HEX #1FB3D1

RGB 31 179 209

HSL 190.11, 0.74%, 0.47%

LAB 67.38, -25.93, -25.51

 

CMYK 1 / 85 / 0 / 18

HEX #CD1FD0

RGB 205 31 208

HSL 298.98, 0.74%, 0.47%

LAB 50.11, 80.28, -51.15

 

CMYK 0 / 45 / 85 / 18

HEX #D1721F

RGB 209 114 31

HSL 27.98, 0.74%, 0.47%

LAB 57.74, 32, 57.79

 

CMYK 82 / 0 / 85 / 18

HEX #25D11F

RGB 37 209 31

HSL 117.98, 0.74%, 0.47%

LAB 73.61, -71.04, 67.57

 

CMYK 85 / 40 / 0 / 18

HEX #1F7ED1

RGB 31 126 209

HSL 207.98, 0.74%, 0.47%

LAB 51.63, 3.57, -50.16

 

Description

Color code: HEX #CD1FD0 | qconv.com Color code: HEX #CD1FD0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 31 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 31 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 85 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 85% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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