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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD1EE6 it is the complementary color #32E119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD1EE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD1EE6 shade: #D21EE1, #E330F4, #F442FF, #FF54FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD1EE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD1EE6 shade: #CD1EE6, #BC0CD3, #AB00C0, #9A00AD and #89009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD1EE6 shade: #CD1EE6, #E61EC9, #E61E93, #E61E5D and #E61E27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD1EE6 shade: #CD1EE6, #971EE6, #611EE6, #2B1EE6 and #1E1EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD1EE6 shade matches the following richer shades: #CD1EE6 and #DC0AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD1EE6 shade: #CD1EE6, #BE32D2, #AF47BE, #A05BA9 and #906F95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD1EE6 shade: #611EE6, #961EE6, #CB1EE6, #E61ECB and #E61E96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD1EE6 shade: #8E12A0, #AF16C5, #CD1EE6, #D543EA and #DE68EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD1EE6 shade: #CD1EE6, #E62B1E and #1EE67B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD1EE6 shade: #CD1EE6, #E6CB1E and #1EE6CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD1EE6 shade: #CD1EE6, #E62B1E, #39E61E and #1ED9E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD1EE6 shade: #CD1EE6, #E6671E, #39E61E and #1E9DE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

Complementary color

CMYK 78 / 0 / 89 / 12

HEX #32E119

RGB 50 225 25

HSL 112.5, 0.8%, 0.49%

LAB 78.81, -74.33, 73.35

 

CMYK 7 / 87 / 0 / 12

HEX #D21EE1

RGB 210 30 225

HSL 295.38, 0.76%, 0.5%

LAB 51.91, 83.94, -57.93

 

CMYK 7 / 80 / 0 / 4

HEX #E330F4

RGB 227 48 244

HSL 294.8, 0.9%, 0.57%

LAB 57.05, 86.21, -60.22

 

CMYK 4 / 74 / 0 / 0

HEX #F442FF

RGB 244 66 255

HSL 296.51, 1%, 0.63%

LAB 61.95, 86.39, -58.33

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

CMYK 11 / 94 / 0 / 17

HEX #BC0CD3

RGB 188 12 211

HSL 293.07, 0.89%, 0.44%

LAB 46.52, 80.61, -58.8

 

CMYK 11 / 100 / 0 / 25

HEX #AB00C0

RGB 171 0 192

HSL 293.44, 1%, 0.38%

LAB 41.94, 76.1, -55.31

 

CMYK 11 / 100 / 0 / 32

HEX #9A00AD

RGB 154 0 173

HSL 293.41, 1%, 0.34%

LAB 37.64, 70.44, -51.17

 

CMYK 11 / 100 / 0 / 40

HEX #89009A

RGB 137 0 154

HSL 293.38, 1%, 0.3%

LAB 33.25, 64.66, -46.94

 

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

CMYK 0 / 87 / 13 / 10

HEX #E61EC9

RGB 230 30 201

HSL 308.7, 0.8%, 0.51%

LAB 53.99, 84.04, -40.7

 

CMYK 0 / 87 / 36 / 10

HEX #E61E93

RGB 230 30 147

HSL 324.9, 0.8%, 0.51%

LAB 51.68, 77.81, -12.61

 

CMYK 0 / 87 / 60 / 10

HEX #E61E5D

RGB 230 30 93

HSL 341.1, 0.8%, 0.51%

LAB 50.15, 73.52, 17.93

 

CMYK 0 / 87 / 83 / 10

HEX #E61E27

RGB 230 30 39

HSL 357.3, 0.8%, 0.51%

LAB 49.37, 71.28, 48.46

 

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

CMYK 34 / 87 / 0 / 10

HEX #971EE6

RGB 151 30 230

HSL 276.3, 0.8%, 0.51%

LAB 43.09, 76.02, -75.5

 

CMYK 58 / 87 / 0 / 10

HEX #611EE6

RGB 97 30 230

HSL 260.1, 0.8%, 0.51%

LAB 36.33, 70.21, -86.87

 

CMYK 81 / 87 / 0 / 10

HEX #2B1EE6

RGB 43 30 230

HSL 243.9, 0.8%, 0.51%

LAB 32.16, 67.02, -93.92

 

CMYK 87 / 87 / 0 / 10

HEX #1E1EE6

RGB 30 30 230

HSL 240, 0.8%, 0.51%

LAB 31.62, 66.63, -94.84

 

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

CMYK 12 / 96 / 0 / 2

HEX #DC0AFA

RGB 220 10 250

HSL 292.5, 0.96%, 0.51%

LAB 54.38, 91.68, -67.93

 

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

CMYK 10 / 76 / 0 / 18

HEX #BE32D2

RGB 190 50 210

HSL 292.5, 0.64%, 0.51%

LAB 49.35, 73.28, -53.66

 

CMYK 8 / 63 / 0 / 25

HEX #AF47BE

RGB 175 71 190

HSL 292.44, 0.48%, 0.51%

LAB 48.68, 58.67, -43.31

 

CMYK 5 / 46 / 0 / 34

HEX #A05BA9

RGB 160 91 169

HSL 293.08, 0.31%, 0.51%

LAB 49.28, 40.69, -30.26

 

CMYK 3 / 26 / 0 / 42

HEX #906F95

RGB 144 111 149

HSL 292.11, 0.15%, 0.51%

LAB 51.23, 20.02, -15.66

 

CMYK 58 / 87 / 0 / 10

HEX #611EE6

RGB 97 30 230

HSL 260.1, 0.8%, 0.51%

LAB 36.33, 70.21, -86.87

 

CMYK 35 / 87 / 0 / 10

HEX #961EE6

RGB 150 30 230

HSL 276, 0.8%, 0.51%

LAB 42.95, 75.89, -75.74

 

CMYK 12 / 87 / 0 / 10

HEX #CB1EE6

RGB 203 30 230

HSL 291.9, 0.8%, 0.51%

LAB 51.08, 83.59, -62.16

 

CMYK 0 / 87 / 12 / 10

HEX #E61ECB

RGB 230 30 203

HSL 308.1, 0.8%, 0.51%

LAB 54.09, 84.3, -41.69

 

CMYK 0 / 87 / 35 / 10

HEX #E61E96

RGB 230 30 150

HSL 324, 0.8%, 0.51%

LAB 51.78, 78.1, -14.23

 

CMYK 11 / 89 / 0 / 37

HEX #8E12A0

RGB 142 18 160

HSL 292.39, 0.8%, 0.35%

LAB 35.44, 63.88, -47

 

CMYK 11 / 89 / 0 / 23

HEX #AF16C5

RGB 175 22 197

HSL 292.46, 0.8%, 0.43%

LAB 43.83, 74.99, -55.15

 

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

CMYK 9 / 71 / 0 / 8

HEX #D543EA

RGB 213 67 234

HSL 292.46, 0.8%, 0.59%

LAB 56.19, 76.51, -56.13

 

CMYK 7 / 56 / 0 / 7

HEX #DE68EE

RGB 222 104 238

HSL 292.84, 0.8%, 0.67%

LAB 63.01, 64.41, -47.44

 

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

CMYK 0 / 81 / 87 / 10

HEX #E62B1E

RGB 230 43 30

HSL 3.9, 0.8%, 0.51%

LAB 50.27, 68.36, 53.52

 

CMYK 87 / 0 / 47 / 10

HEX #1EE67B

RGB 30 230 123

HSL 147.9, 0.8%, 0.51%

LAB 80.91, -68.39, 39.47

 

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

CMYK 0 / 12 / 87 / 10

HEX #E6CB1E

RGB 230 203 30

HSL 51.9, 0.8%, 0.51%

LAB 81.64, -6.16, 78.47

 

CMYK 87 / 0 / 12 / 10

HEX #1EE6CB

RGB 30 230 203

HSL 171.9, 0.8%, 0.51%

LAB 82.48, -50.99, 0.34

 

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

CMYK 0 / 81 / 87 / 10

HEX #E62B1E

RGB 230 43 30

HSL 3.9, 0.8%, 0.51%

LAB 50.27, 68.36, 53.52

 

CMYK 75 / 0 / 87 / 10

HEX #39E61E

RGB 57 230 30

HSL 111.9, 0.8%, 0.51%

LAB 80.49, -74.66, 73.94

 

CMYK 87 / 6 / 0 / 10

HEX #1ED9E6

RGB 30 217 230

HSL 183.9, 0.8%, 0.51%

LAB 79.39, -37.64, -18.6

 

CMYK 11 / 87 / 0 / 10

HEX #CD1EE6

RGB 205 30 230

HSL 292.5, 0.8%, 0.51%

LAB 51.41, 83.91, -61.62

 

CMYK 0 / 55 / 87 / 10

HEX #E6671E

RGB 230 103 30

HSL 21.9, 0.8%, 0.51%

LAB 58.62, 45.8, 60.13

 

CMYK 75 / 0 / 87 / 10

HEX #39E61E

RGB 57 230 30

HSL 111.9, 0.8%, 0.51%

LAB 80.49, -74.66, 73.94

 

CMYK 87 / 32 / 0 / 10

HEX #1E9DE6

RGB 30 157 230

HSL 201.9, 0.8%, 0.51%

LAB 61.74, -6.92, -45.87

 

Description

Color code: HEX #CD1EE6 | qconv.com Color code: HEX #CD1EE6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 30 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 30 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 87 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 87% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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