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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD191F it is the complementary color #32E6E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD191F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD191F shade: #D2191A, #E32B2D, #F43D40, #FF4F53 and #FF6166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD191F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD191F shade: #CD191F, #BC070C, #AB0000, #9A0000 and #890000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD191F shade: #CC191F and #CC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD191F shade: #CC191F, #CC194F, #CC197F, #CC19B0 and #B819CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD191F shade matches the following richer shades: #CC191F and #DE060D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD191F shade: #CC191F, #B92B30, #A73E41, #945053 and #816364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD191F shade: #CC197E, #CC194E, #CC191F, #CC4319 and #CC7219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD191F shade: #821013, #A71419, #CC191F, #E42A30 and #E94E53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD191F shade: #CD191F, #AECC19 and #1966CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD191F shade: #CD191F, #1FCC19 and #191FCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD191F shade: #CD191F, #AECC19, #19CCC6 and #3719CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD191F shade: #CD191F, #78CC19, #19CCC6 and #6C19CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 85 / 20

HEX #CD191F

RGB 205 25 31

HSL 358, 0.78%, 0.45%

LAB 43.91, 65.41, 45.72

 

Complementary color

CMYK 78 / 0 / 3 / 10

HEX #32E6E0

RGB 50 230 224

HSL 178, 0.78%, 0.55%

LAB 83.26, -43.81, -9.59

 

CMYK 0 / 88 / 88 / 18

HEX #D2191A

RGB 210 25 26

HSL 359.68, 0.79%, 0.46%

LAB 44.9, 66.63, 49.39

 

CMYK 0 / 81 / 80 / 11

HEX #E32B2D

RGB 227 43 45

HSL 359.35, 0.77%, 0.53%

LAB 49.8, 67.88, 45.52

 

CMYK 0 / 75 / 74 / 4

HEX #F43D40

RGB 244 61 64

HSL 359.02, 0.89%, 0.6%

LAB 55.01, 68.31, 41.65

 

CMYK 0 / 69 / 67 / 0

HEX #FF4F53

RGB 255 79 83

HSL 358.64, 1%, 0.65%

LAB 59.41, 66.36, 36.64

 

CMYK 0 / 62 / 60 / 0

HEX #FF6166

RGB 255 97 102

HSL 358.1, 1%, 0.69%

LAB 62.31, 60.38, 29.52

 

CMYK 0 / 88 / 85 / 20

HEX #CD191F

RGB 205 25 31

HSL 358, 0.78%, 0.45%

LAB 43.91, 65.41, 45.72

 

CMYK 0 / 96 / 94 / 26

HEX #BC070C

RGB 188 7 12

HSL 358.34, 0.93%, 0.38%

LAB 39.36, 63.08, 49.21

 

CMYK 0 / 100 / 100 / 33

HEX #AB0000

RGB 171 0 0

HSL 0, 1%, 0.34%

LAB 35.32, 59.38, 49.65

 

CMYK 0 / 100 / 100 / 40

HEX #9A0000

RGB 154 0 0

HSL 0, 1%, 0.3%

LAB 31.51, 54.97, 45.41

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 88 / 85 / 20

HEX #CC191F

RGB 204 25 31

HSL 357.99, 0.78%, 0.45%

LAB 43.7, 65.14, 45.46

 

CMYK 0 / 88 / 88 / 20

HEX #CC1919

RGB 204 25 25

HSL 0, 0.78%, 0.45%

LAB 43.66, 65.02, 48.34

 

CMYK 0 / 88 / 85 / 20

HEX #CC191F

RGB 204 25 31

HSL 357.99, 0.78%, 0.45%

LAB 43.7, 65.14, 45.46

 

CMYK 0 / 88 / 61 / 20

HEX #CC194F

RGB 204 25 79

HSL 341.9, 0.78%, 0.45%

LAB 44.37, 67.08, 17.9

 

CMYK 0 / 88 / 38 / 20

HEX #CC197F

RGB 204 25 127

HSL 325.81, 0.78%, 0.45%

LAB 45.72, 70.87, -9.96

 

CMYK 0 / 88 / 14 / 20

HEX #CC19B0

RGB 204 25 176

HSL 309.39, 0.78%, 0.45%

LAB 47.84, 76.56, -36.15

 

CMYK 10 / 88 / 0 / 20

HEX #B819CC

RGB 184 25 204

HSL 293.3, 0.78%, 0.45%

LAB 45.97, 77.12, -55.69

 

CMYK 0 / 88 / 85 / 20

HEX #CC191F

RGB 204 25 31

HSL 357.99, 0.78%, 0.45%

LAB 43.7, 65.14, 45.46

 

CMYK 0 / 97 / 94 / 13

HEX #DE060D

RGB 222 6 13

HSL 358.06, 0.95%, 0.45%

LAB 46.56, 71.75, 56.79

 

CMYK 0 / 88 / 85 / 20

HEX #CC191F

RGB 204 25 31

HSL 357.99, 0.78%, 0.45%

LAB 43.7, 65.14, 45.46

 

CMYK 0 / 77 / 74 / 27

HEX #B92B30

RGB 185 43 48

HSL 357.89, 0.62%, 0.45%

LAB 41.62, 55.84, 32.67

 

CMYK 0 / 63 / 61 / 35

HEX #A73E41

RGB 167 62 65

HSL 358.29, 0.46%, 0.45%

LAB 41.28, 43.44, 21.23

 

CMYK 0 / 46 / 44 / 42

HEX #945053

RGB 148 80 83

HSL 357.35, 0.3%, 0.45%

LAB 42.24, 28.68, 10.94

 

CMYK 0 / 23 / 22 / 49

HEX #816364

RGB 129 99 100

HSL 358, 0.13%, 0.45%

LAB 44.96, 12.27, 4.1

 

CMYK 0 / 88 / 38 / 20

HEX #CC197E

RGB 204 25 126

HSL 326.15, 0.78%, 0.45%

LAB 45.69, 70.77, -9.4

 

CMYK 0 / 88 / 62 / 20

HEX #CC194E

RGB 204 25 78

HSL 342.23, 0.78%, 0.45%

LAB 44.35, 67.02, 18.5

 

CMYK 0 / 88 / 85 / 20

HEX #CC191F

RGB 204 25 31

HSL 357.99, 0.78%, 0.45%

LAB 43.7, 65.14, 45.46

 

CMYK 0 / 67 / 88 / 20

HEX #CC4319

RGB 204 67 25

HSL 14.08, 0.78%, 0.45%

LAB 48.16, 52.47, 51.88

 

CMYK 0 / 44 / 88 / 20

HEX #CC7219

RGB 204 114 25

HSL 29.83, 0.78%, 0.45%

LAB 57.02, 29.79, 58.89

 

CMYK 0 / 88 / 85 / 49

HEX #821013

RGB 130 16 19

HSL 358.42, 0.78%, 0.29%

LAB 27.2, 45.93, 31.09

 

CMYK 0 / 88 / 85 / 35

HEX #A71419

RGB 167 20 25

HSL 357.96, 0.79%, 0.37%

LAB 35.57, 55.86, 38.41

 

CMYK 0 / 88 / 85 / 20

HEX #CC191F

RGB 204 25 31

HSL 357.99, 0.78%, 0.45%

LAB 43.7, 65.14, 45.46

 

CMYK 0 / 82 / 79 / 11

HEX #E42A30

RGB 228 42 48

HSL 358.06, 0.78%, 0.53%

LAB 49.93, 68.48, 44.11

 

CMYK 0 / 67 / 64 / 9

HEX #E94E53

RGB 233 78 83

HSL 358.06, 0.78%, 0.61%

LAB 55.48, 59.89, 30.94

 

CMYK 0 / 88 / 85 / 20

HEX #CD191F

RGB 205 25 31

HSL 358, 0.78%, 0.45%

LAB 43.91, 65.41, 45.72

 

CMYK 15 / 0 / 88 / 20

HEX #AECC19

RGB 174 204 25

HSL 70.06, 0.78%, 0.45%

LAB 77.43, -30.47, 74.17

 

CMYK 88 / 50 / 0 / 20

HEX #1966CC

RGB 25 102 204

HSL 214.19, 0.78%, 0.45%

LAB 44.33, 16.32, -59.03

 

CMYK 0 / 88 / 85 / 20

HEX #CD191F

RGB 205 25 31

HSL 358, 0.78%, 0.45%

LAB 43.91, 65.41, 45.72

 

CMYK 85 / 0 / 88 / 20

HEX #1FCC19

RGB 31 204 25

HSL 117.99, 0.78%, 0.45%

LAB 71.92, -70.45, 67.31

 

CMYK 88 / 85 / 0 / 20

HEX #191FCC

RGB 25 31 204

HSL 237.99, 0.78%, 0.45%

LAB 28.24, 58.68, -85.46

 

CMYK 0 / 88 / 85 / 20

HEX #CD191F

RGB 205 25 31

HSL 358, 0.78%, 0.45%

LAB 43.91, 65.41, 45.72

 

CMYK 15 / 0 / 88 / 20

HEX #AECC19

RGB 174 204 25

HSL 70.06, 0.78%, 0.45%

LAB 77.43, -30.47, 74.17

 

CMYK 88 / 0 / 3 / 20

HEX #19CCC6

RGB 25 204 198

HSL 177.99, 0.78%, 0.45%

LAB 74.49, -41.53, -8.76

 

CMYK 73 / 88 / 0 / 20

HEX #3719CC

RGB 55 25 204

HSL 250.06, 0.78%, 0.45%

LAB 29.07, 62.15, -84.02

 

CMYK 0 / 88 / 85 / 20

HEX #CD191F

RGB 205 25 31

HSL 358, 0.78%, 0.45%

LAB 43.91, 65.41, 45.72

 

CMYK 41 / 0 / 88 / 20

HEX #78CC19

RGB 120 204 25

HSL 88.16, 0.78%, 0.45%

LAB 74.35, -50.85, 70.35

 

CMYK 88 / 0 / 3 / 20

HEX #19CCC6

RGB 25 204 198

HSL 177.99, 0.78%, 0.45%

LAB 74.49, -41.53, -8.76

 

CMYK 47 / 88 / 0 / 20

HEX #6C19CC

RGB 108 25 204

HSL 267.82, 0.78%, 0.45%

LAB 34.48, 66.47, -74.9

 

Description

Color code: HEX #CD191F | qconv.com Color code: HEX #CD191F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 25 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 25 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 85% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - MATEK — Интегрирован...
Link: http://matek.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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