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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD153B it is the complementary color #32EAC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD153B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD153B shade: #D21536, #E32749, #F4395C, #FF4B6F and #FF5D82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD153B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD153B shade: #CD153B, #BC0328, #AB0015, #9A0002 and #890000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD153B shade: #CB153B and #CB1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD153B shade: #CB153B, #CB156C, #CB159D, #C815CB and #9715CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD153B shade matches the following richer shades: #CB153B and #DD0330

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD153B shade: #CB153B, #B92746, #A73A50, #954C5B and #825E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD153B shade: #CB159E, #CB156D, #CB153D, #CB1E15 and #CB4F15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD153B shade: #800D25, #A61130, #CB153B, #E8224B and #EC4769

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD153B shade: #CD153B, #CBC815 and #1585CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD153B shade: #CD153B, #3DCB15 and #153DCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD153B shade: #CD153B, #CBC815, #15CBA4 and #1518CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD153B shade: #CD153B, #98CB15, #15CBA4 and #4915CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 71 / 20

HEX #CD153B

RGB 205 21 59

HSL 347.61, 0.81%, 0.44%

LAB 43.99, 66.97, 29.84

 

Complementary color

CMYK 79 / 0 / 16 / 8

HEX #32EAC4

RGB 50 234 196

HSL 167.61, 0.81%, 0.56%

LAB 83.71, -52.91, 5.84

 

CMYK 0 / 90 / 74 / 18

HEX #D21536

RGB 210 21 54

HSL 349.52, 0.82%, 0.45%

LAB 44.95, 68.04, 34.24

 

CMYK 0 / 83 / 68 / 11

HEX #E32749

RGB 227 39 73

HSL 349.15, 0.77%, 0.52%

LAB 49.81, 69.88, 29.51

 

CMYK 0 / 77 / 62 / 4

HEX #F4395C

RGB 244 57 92

HSL 348.77, 0.89%, 0.59%

LAB 55, 70.83, 25.46

 

CMYK 0 / 71 / 56 / 0

HEX #FF4B6F

RGB 255 75 111

HSL 348, 1%, 0.65%

LAB 59.38, 69.42, 20.45

 

CMYK 0 / 64 / 49 / 0

HEX #FF5D82

RGB 255 93 130

HSL 346.3, 1%, 0.68%

LAB 62.25, 64.12, 13.35

 

CMYK 0 / 90 / 71 / 20

HEX #CD153B

RGB 205 21 59

HSL 347.61, 0.81%, 0.44%

LAB 43.99, 66.97, 29.84

 

CMYK 0 / 98 / 79 / 26

HEX #BC0328

RGB 188 3 40

HSL 348, 0.97%, 0.37%

LAB 39.43, 64.1, 35.17

 

CMYK 0 / 100 / 88 / 33

HEX #AB0015

RGB 171 0 21

HSL 352.63, 1%, 0.34%

LAB 35.42, 59.67, 40.73

 

CMYK 0 / 100 / 99 / 40

HEX #9A0002

RGB 154 0 2

HSL 359.22, 1%, 0.3%

LAB 31.52, 55, 44.6

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 90 / 71 / 20

HEX #CB153B

RGB 203 21 59

HSL 347.47, 0.81%, 0.44%

LAB 43.58, 66.46, 29.25

 

CMYK 0 / 90 / 90 / 20

HEX #CB1515

RGB 203 21 21

HSL 0, 0.81%, 0.44%

LAB 43.19, 65.36, 49.69

 

CMYK 0 / 90 / 71 / 20

HEX #CB153B

RGB 203 21 59

HSL 347.47, 0.81%, 0.44%

LAB 43.58, 66.46, 29.25

 

CMYK 0 / 90 / 47 / 20

HEX #CB156C

RGB 203 21 108

HSL 331.32, 0.81%, 0.44%

LAB 44.68, 69.55, 0.21

 

CMYK 0 / 90 / 23 / 20

HEX #CB159D

RGB 203 21 157

HSL 315.16, 0.81%, 0.44%

LAB 46.53, 74.56, -26.92

 

CMYK 1 / 90 / 0 / 20

HEX #C815CB

RGB 200 21 203

HSL 299.01, 0.81%, 0.44%

LAB 48.42, 80.25, -51.03

 

CMYK 26 / 90 / 0 / 20

HEX #9715CB

RGB 151 21 203

HSL 282.86, 0.81%, 0.44%

LAB 40.29, 72.56, -64.56

 

CMYK 0 / 90 / 71 / 20

HEX #CB153B

RGB 203 21 59

HSL 347.47, 0.81%, 0.44%

LAB 43.58, 66.46, 29.25

 

CMYK 0 / 99 / 78 / 13

HEX #DD0330

RGB 221 3 48

HSL 347.61, 0.97%, 0.44%

LAB 46.51, 72.43, 40.12

 

CMYK 0 / 90 / 71 / 20

HEX #CB153B

RGB 203 21 59

HSL 347.47, 0.81%, 0.44%

LAB 43.58, 66.46, 29.25

 

CMYK 0 / 79 / 62 / 27

HEX #B92746

RGB 185 39 70

HSL 347.26, 0.65%, 0.44%

LAB 41.54, 58.21, 19.1

 

CMYK 0 / 65 / 52 / 35

HEX #A73A50

RGB 167 58 80

HSL 347.89, 0.48%, 0.44%

LAB 40.93, 46.44, 11.44

 

CMYK 0 / 49 / 39 / 42

HEX #954C5B

RGB 149 76 91

HSL 347.67, 0.32%, 0.44%

LAB 41.71, 32.23, 5.28

 

CMYK 0 / 28 / 22 / 49

HEX #825E65

RGB 130 94 101

HSL 348.33, 0.16%, 0.44%

LAB 43.79, 15.81, 1.81

 

CMYK 0 / 90 / 22 / 20

HEX #CB159E

RGB 203 21 158

HSL 314.84, 0.81%, 0.44%

LAB 46.58, 74.68, -27.44

 

CMYK 0 / 90 / 46 / 20

HEX #CB156D

RGB 203 21 109

HSL 330.99, 0.81%, 0.44%

LAB 44.71, 69.64, -0.37

 

CMYK 0 / 90 / 70 / 20

HEX #CB153D

RGB 203 21 61

HSL 346.81, 0.81%, 0.44%

LAB 43.61, 66.55, 28.06

 

CMYK 0 / 85 / 90 / 20

HEX #CB1E15

RGB 203 30 21

HSL 2.97, 0.81%, 0.44%

LAB 43.77, 63.7, 50.1

 

CMYK 0 / 61 / 90 / 20

HEX #CB4F15

RGB 203 79 21

HSL 19.12, 0.81%, 0.44%

LAB 49.91, 46.85, 54.62

 

CMYK 0 / 90 / 71 / 50

HEX #800D25

RGB 128 13 37

HSL 347.48, 0.82%, 0.28%

LAB 26.76, 46.73, 19.07

 

CMYK 0 / 90 / 71 / 35

HEX #A61130

RGB 166 17 48

HSL 347.52, 0.81%, 0.36%

LAB 35.44, 56.96, 24.43

 

CMYK 0 / 90 / 71 / 20

HEX #CB153B

RGB 203 21 59

HSL 347.47, 0.81%, 0.44%

LAB 43.58, 66.46, 29.25

 

CMYK 0 / 85 / 68 / 9

HEX #E8224B

RGB 232 34 75

HSL 347.58, 0.81%, 0.52%

LAB 50.46, 72.32, 29.33

 

CMYK 0 / 70 / 56 / 7

HEX #EC4769

RGB 236 71 105

HSL 347.64, 0.81%, 0.6%

LAB 55.44, 64.86, 18.08

 

CMYK 0 / 90 / 71 / 20

HEX #CD153B

RGB 205 21 59

HSL 347.61, 0.81%, 0.44%

LAB 43.99, 66.97, 29.84

 

CMYK 0 / 1 / 90 / 20

HEX #CBC815

RGB 203 200 21

HSL 59.01, 0.81%, 0.44%

LAB 78.5, -16.41, 76.62

 

CMYK 90 / 34 / 0 / 20

HEX #1585CB

RGB 21 133 203

HSL 203.08, 0.81%, 0.44%

LAB 53.22, -3.58, -44.24

 

CMYK 0 / 90 / 71 / 20

HEX #CD153B

RGB 205 21 59

HSL 347.61, 0.81%, 0.44%

LAB 43.99, 66.97, 29.84

 

CMYK 70 / 0 / 90 / 20

HEX #3DCB15

RGB 61 203 21

HSL 106.81, 0.81%, 0.44%

LAB 72.07, -66.15, 68.35

 

CMYK 90 / 70 / 0 / 20

HEX #153DCB

RGB 21 61 203

HSL 226.81, 0.81%, 0.44%

LAB 33.58, 42.29, -76.02

 

CMYK 0 / 90 / 71 / 20

HEX #CD153B

RGB 205 21 59

HSL 347.61, 0.81%, 0.44%

LAB 43.99, 66.97, 29.84

 

CMYK 0 / 1 / 90 / 20

HEX #CBC815

RGB 203 200 21

HSL 59.01, 0.81%, 0.44%

LAB 78.5, -16.41, 76.62

 

CMYK 90 / 0 / 19 / 20

HEX #15CBA4

RGB 21 203 164

HSL 167.14, 0.81%, 0.44%

LAB 73.25, -50.58, 7.81

 

CMYK 90 / 88 / 0 / 20

HEX #1518CB

RGB 21 24 203

HSL 239.01, 0.81%, 0.44%

LAB 27.09, 60.97, -86.8

 

CMYK 0 / 90 / 71 / 20

HEX #CD153B

RGB 205 21 59

HSL 347.61, 0.81%, 0.44%

LAB 43.99, 66.97, 29.84

 

CMYK 25 / 0 / 90 / 20

HEX #98CB15

RGB 152 203 21

HSL 76.81, 0.81%, 0.44%

LAB 75.73, -38.91, 72.88

 

CMYK 90 / 0 / 19 / 20

HEX #15CBA4

RGB 21 203 164

HSL 167.14, 0.81%, 0.44%

LAB 73.25, -50.58, 7.81

 

CMYK 64 / 90 / 0 / 20

HEX #4915CB

RGB 73 21 203

HSL 257.14, 0.81%, 0.44%

LAB 30.07, 64.19, -81.74

 

Description

Color code: HEX #CD153B | qconv.com Color code: HEX #CD153B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 21 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 21 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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