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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD11EC it is the complementary color #32EE13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD11EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD11EC shade: #D211E7, #E323FA, #F435FF, #FF47FF and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD11EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD11EC shade: #CD11EC, #BC00D9, #AB00C6, #9A00B3 and #8900A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD11EC shade: #CF11EE, #EE11D2, #EE1196, #EE115A and #EE111F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD11EC shade: #CF11EE, #9311EE, #5711EE, #1C11EE and #1111EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD11EC shade matches the following richer shades: #CF11EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD11EC shade: #CF11EE, #C025DA, #B13AC5, #A34EB1 and #94639C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD11EC shade: #5711EE, #9211EE, #CD11EE, #EE11D5 and #EE1199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD11EC shade: #8C0BA1, #AE0EC8, #CF11EE, #D737F1 and #DF5EF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD11EC shade: #CD11EC, #EE1C11 and #11EE74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD11EC shade: #CD11EC, #EECD11 and #11EECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD11EC shade: #CD11EC, #EE1C11, #32EE11 and #11E3EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD11EC shade: #CD11EC, #EE5E11, #32EE11 and #11A1EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 93 / 0 / 7

HEX #CD11EC

RGB 205 17 236

HSL 291.51, 0.87%, 0.5%

LAB 51.19, 86.68, -65.35

 

Complementary color

CMYK 79 / 0 / 92 / 7

HEX #32EE13

RGB 50 238 19

HSL 111.51, 0.87%, 0.5%

LAB 82.85, -78.2, 77.64

 

CMYK 9 / 93 / 0 / 9

HEX #D211E7

RGB 210 17 231

HSL 294.11, 0.86%, 0.49%

LAB 51.69, 86.64, -61.68

 

CMYK 9 / 86 / 0 / 2

HEX #E323FA

RGB 227 35 250

HSL 293.58, 0.96%, 0.56%

LAB 56.52, 89.78, -64.42

 

CMYK 4 / 79 / 0 / 0

HEX #F435FF

RGB 244 53 255

HSL 296.73, 1%, 0.6%

LAB 60.78, 89.78, -60.21

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 13 / 93 / 0 / 7

HEX #CD11EC

RGB 205 17 236

HSL 291.51, 0.87%, 0.5%

LAB 51.19, 86.68, -65.35

 

CMYK 13 / 100 / 0 / 15

HEX #BC00D9

RGB 188 0 217

HSL 291.98, 1%, 0.43%

LAB 46.58, 82.61, -62.15

 

CMYK 14 / 100 / 0 / 22

HEX #AB00C6

RGB 171 0 198

HSL 291.82, 1%, 0.39%

LAB 42.36, 77.08, -58.14

 

CMYK 14 / 100 / 0 / 30

HEX #9A00B3

RGB 154 0 179

HSL 291.62, 1%, 0.35%

LAB 38.07, 71.44, -54.05

 

CMYK 14 / 100 / 0 / 37

HEX #8900A0

RGB 137 0 160

HSL 291.38, 1%, 0.31%

LAB 33.68, 65.68, -49.89

 

CMYK 13 / 93 / 0 / 7

HEX #CF11EE

RGB 207 17 238

HSL 291.58, 0.87%, 0.5%

LAB 51.66, 87.29, -65.71

 

CMYK 0 / 93 / 12 / 7

HEX #EE11D2

RGB 238 17 210

HSL 307.6, 0.87%, 0.5%

LAB 55.31, 88.28, -43.69

 

CMYK 0 / 93 / 37 / 7

HEX #EE1196

RGB 238 17 150

HSL 323.89, 0.87%, 0.5%

LAB 52.71, 81.53, -12.69

 

CMYK 0 / 93 / 62 / 7

HEX #EE115A

RGB 238 17 90

HSL 340.18, 0.87%, 0.5%

LAB 51.06, 77.05, 21.25

 

CMYK 0 / 93 / 87 / 7

HEX #EE111F

RGB 238 17 31

HSL 356.2, 0.87%, 0.5%

LAB 50.31, 74.98, 53.79

 

CMYK 13 / 93 / 0 / 7

HEX #CF11EE

RGB 207 17 238

HSL 291.58, 0.87%, 0.5%

LAB 51.66, 87.29, -65.71

 

CMYK 38 / 93 / 0 / 7

HEX #9311EE

RGB 147 17 238

HSL 275.29, 0.87%, 0.5%

LAB 42.43, 79.53, -81.15

 

CMYK 63 / 93 / 0 / 7

HEX #5711EE

RGB 87 17 238

HSL 259, 0.87%, 0.5%

LAB 35.2, 74.51, -93.32

 

CMYK 88 / 93 / 0 / 7

HEX #1C11EE

RGB 28 17 238

HSL 242.99, 0.87%, 0.5%

LAB 31.4, 72.43, -99.77

 

CMYK 93 / 93 / 0 / 7

HEX #1111EE

RGB 17 17 238

HSL 240, 0.87%, 0.5%

LAB 31.1, 72.29, -100.27

 

CMYK 13 / 93 / 0 / 7

HEX #CF11EE

RGB 207 17 238

HSL 291.58, 0.87%, 0.5%

LAB 51.66, 87.29, -65.71

 

CMYK 13 / 93 / 0 / 7

HEX #CF11EE

RGB 207 17 238

HSL 291.58, 0.87%, 0.5%

LAB 51.66, 87.29, -65.71

 

CMYK 12 / 83 / 0 / 15

HEX #C025DA

RGB 192 37 218

HSL 291.38, 0.71%, 0.5%

LAB 49, 78.41, -58.79

 

CMYK 10 / 71 / 0 / 23

HEX #B13AC5

RGB 177 58 197

HSL 291.37, 0.55%, 0.5%

LAB 47.5, 65.67, -49.24

 

CMYK 8 / 56 / 0 / 31

HEX #A34EB1

RGB 163 78 177

HSL 291.52, 0.39%, 0.5%

LAB 47.51, 49.85, -37.7

 

CMYK 5 / 37 / 0 / 39

HEX #94639C

RGB 148 99 156

HSL 291.58, 0.22%, 0.5%

LAB 49.03, 29.8, -23.11

 

CMYK 63 / 93 / 0 / 7

HEX #5711EE

RGB 87 17 238

HSL 259, 0.87%, 0.5%

LAB 35.2, 74.51, -93.32

 

CMYK 39 / 93 / 0 / 7

HEX #9211EE

RGB 146 17 238

HSL 275.02, 0.87%, 0.5%

LAB 42.28, 79.42, -81.39

 

CMYK 14 / 93 / 0 / 7

HEX #CD11EE

RGB 205 17 238

HSL 291.04, 0.87%, 0.5%

LAB 51.33, 87, -66.26

 

CMYK 0 / 93 / 11 / 7

HEX #EE11D5

RGB 238 17 213

HSL 306.79, 0.87%, 0.5%

LAB 55.46, 88.67, -45.16

 

CMYK 0 / 93 / 36 / 7

HEX #EE1199

RGB 238 17 153

HSL 323.08, 0.87%, 0.5%

LAB 52.82, 81.82, -14.32

 

CMYK 13 / 93 / 0 / 37

HEX #8C0BA1

RGB 140 11 161

HSL 291.6, 0.87%, 0.34%

LAB 34.78, 64.86, -48.7

 

CMYK 13 / 93 / 0 / 22

HEX #AE0EC8

RGB 174 14 200

HSL 291.61, 0.87%, 0.42%

LAB 43.48, 76.45, -57.46

 

CMYK 13 / 93 / 0 / 7

HEX #CF11EE

RGB 207 17 238

HSL 291.58, 0.87%, 0.5%

LAB 51.66, 87.29, -65.71

 

CMYK 11 / 77 / 0 / 5

HEX #D737F1

RGB 215 55 241

HSL 291.61, 0.87%, 0.58%

LAB 55.61, 81.79, -60.95

 

CMYK 9 / 61 / 0 / 4

HEX #DF5EF4

RGB 223 94 244

HSL 291.6, 0.87%, 0.66%

LAB 61.85, 70.12, -52.6

 

CMYK 13 / 93 / 0 / 7

HEX #CD11EC

RGB 205 17 236

HSL 291.51, 0.87%, 0.5%

LAB 51.19, 86.68, -65.35

 

CMYK 0 / 88 / 93 / 7

HEX #EE1C11

RGB 238 28 17

HSL 2.99, 0.87%, 0.5%

LAB 50.74, 73.33, 59.62

 

CMYK 93 / 0 / 51 / 7

HEX #11EE74

RGB 17 238 116

HSL 146.88, 0.87%, 0.5%

LAB 83.19, -72.77, 45.68

 

CMYK 13 / 93 / 0 / 7

HEX #CD11EC

RGB 205 17 236

HSL 291.51, 0.87%, 0.5%

LAB 51.19, 86.68, -65.35

 

CMYK 0 / 14 / 93 / 7

HEX #EECD11

RGB 238 205 17

HSL 51.04, 0.87%, 0.5%

LAB 82.85, -3.96, 81.85

 

CMYK 93 / 0 / 14 / 7

HEX #11EECD

RGB 17 238 205

HSL 171.04, 0.87%, 0.5%

LAB 84.83, -54.31, 2.7

 

CMYK 13 / 93 / 0 / 7

HEX #CD11EC

RGB 205 17 236

HSL 291.51, 0.87%, 0.5%

LAB 51.19, 86.68, -65.35

 

CMYK 0 / 88 / 93 / 7

HEX #EE1C11

RGB 238 28 17

HSL 2.99, 0.87%, 0.5%

LAB 50.74, 73.33, 59.62

 

CMYK 79 / 0 / 93 / 7

HEX #32EE11

RGB 50 238 17

HSL 111.04, 0.87%, 0.5%

LAB 82.84, -78.24, 77.88

 

CMYK 93 / 5 / 0 / 7

HEX #11E3EE

RGB 17 227 238

HSL 182.99, 0.87%, 0.5%

LAB 82.5, -40.35, -18.17

 

CMYK 13 / 93 / 0 / 7

HEX #CD11EC

RGB 205 17 236

HSL 291.51, 0.87%, 0.5%

LAB 51.19, 86.68, -65.35

 

CMYK 0 / 61 / 93 / 7

HEX #EE5E11

RGB 238 94 17

HSL 20.9, 0.87%, 0.5%

LAB 58.25, 52.66, 64.32

 

CMYK 79 / 0 / 93 / 7

HEX #32EE11

RGB 50 238 17

HSL 111.04, 0.87%, 0.5%

LAB 82.84, -78.24, 77.88

 

CMYK 93 / 32 / 0 / 7

HEX #11A1EE

RGB 17 161 238

HSL 200.9, 0.87%, 0.5%

LAB 63.16, -6.91, -48.05

 

Description

Color code: HEX #CD11EC | qconv.com Color code: HEX #CD11EC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 17 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 17 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 93 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 93% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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