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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCFB5E it is the complementary color #3304A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCFB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCFB5E shade: #D1FB59, #E2FF6C, #F3FF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCFB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCFB5E shade: #CCFB5E, #BBE94B, #AAD738, #99C525 and #88B312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCFB5E shade: #CCFA5F, #F6FA5F, #FAD55F, #FAAB5F and #FA825F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCFB5E shade: #CCFA5F, #A2FA5F, #78FA5F, #5FFA70 and #5FFA9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCFB5E shade matches the following richer shades: #CCFA5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCFB5E shade: #CCFA5F, #C7ED6D, #C1E07A, #BCD387 and #B7C694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCFB5E shade: #FAD45F, #F8FA5F, #CEFA5F, #A5FA5F and #7CFA5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCFB5E shade: #B2F80F, #BFF937, #CCFA5F, #D9FB88 and #E6FCB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCFB5E shade: #CCFB5E, #5FFAAA and #E85FFA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCFB5E shade: #CCFB5E, #5FCEFA and #FA5FCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCFB5E shade: #CCFB5E, #5FFAAA, #8B5FFA and #FA5FAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCFB5E shade: #CCFB5E, #5FFAD9, #8B5FFA and #FA5F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 63 / 2

HEX #CCFB5E

RGB 204 251 94

HSL 77.96, 0.95%, 0.68%

LAB 92.86, -36.94, 68.05

 

Complementary color

CMYK 68 / 98 / 0 / 37

HEX #3304A1

RGB 51 4 161

HSL 257.96, 0.95%, 0.32%

LAB 21.45, 56.26, -71.06

 

CMYK 17 / 0 / 65 / 2

HEX #D1FB59

RGB 209 251 89

HSL 75.56, 0.95%, 0.67%

LAB 93.13, -35.39, 70.4

 

CMYK 11 / 0 / 58 / 0

HEX #E2FF6C

RGB 226 255 108

HSL 71.84, 1%, 0.71%

LAB 95.48, -29.37, 65.58

 

CMYK 5 / 0 / 50 / 0

HEX #F3FF7F

RGB 243 255 127

HSL 65.63, 1%, 0.75%

LAB 96.86, -21.28, 59.14

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 19 / 0 / 63 / 2

HEX #CCFB5E

RGB 204 251 94

HSL 77.96, 0.95%, 0.68%

LAB 92.86, -36.94, 68.05

 

CMYK 20 / 0 / 68 / 9

HEX #BBE94B

RGB 187 233 75

HSL 77.47, 0.78%, 0.6%

LAB 86.68, -36.53, 68.58

 

CMYK 21 / 0 / 74 / 16

HEX #AAD738

RGB 170 215 56

HSL 76.98, 0.67%, 0.53%

LAB 80.42, -36.01, 68.69

 

CMYK 22 / 0 / 81 / 23

HEX #99C525

RGB 153 197 37

HSL 76.5, 0.68%, 0.46%

LAB 74.09, -35.34, 68.11

 

CMYK 24 / 0 / 90 / 30

HEX #88B312

RGB 136 179 18

HSL 76.02, 0.82%, 0.39%

LAB 67.66, -34.46, 66.39

 

CMYK 18 / 0 / 62 / 2

HEX #CCFA5F

RGB 204 250 95

HSL 77.81, 0.94%, 0.68%

LAB 92.59, -36.41, 67.36

 

CMYK 2 / 0 / 62 / 2

HEX #F6FA5F

RGB 246 250 95

HSL 61.55, 0.94%, 0.68%

LAB 95.49, -20.06, 71.33

 

CMYK 0 / 15 / 62 / 2

HEX #FAD55F

RGB 250 213 95

HSL 45.68, 0.94%, 0.68%

LAB 86.37, -0.11, 61.59

 

CMYK 0 / 32 / 62 / 2

HEX #FAAB5F

RGB 250 171 95

HSL 29.42, 0.94%, 0.68%

LAB 76.24, 21.72, 50.13

 

CMYK 0 / 48 / 62 / 2

HEX #FA825F

RGB 250 130 95

HSL 13.55, 0.94%, 0.68%

LAB 67.36, 42.88, 39.56

 

CMYK 18 / 0 / 62 / 2

HEX #CCFA5F

RGB 204 250 95

HSL 77.81, 0.94%, 0.68%

LAB 92.59, -36.41, 67.36

 

CMYK 35 / 0 / 62 / 2

HEX #A2FA5F

RGB 162 250 95

HSL 94.06, 0.94%, 0.68%

LAB 90.27, -51.34, 64.16

 

CMYK 52 / 0 / 62 / 2

HEX #78FA5F

RGB 120 250 95

HSL 110.32, 0.94%, 0.68%

LAB 88.54, -63.82, 61.76

 

CMYK 62 / 0 / 55 / 2

HEX #5FFA70

RGB 95 250 112

HSL 126.58, 0.94%, 0.68%

LAB 87.96, -67.76, 53.56

 

CMYK 62 / 0 / 38 / 2

HEX #5FFA9A

RGB 95 250 154

HSL 142.84, 0.94%, 0.68%

LAB 88.51, -61.55, 34.23

 

CMYK 18 / 0 / 62 / 2

HEX #CCFA5F

RGB 204 250 95

HSL 77.81, 0.94%, 0.68%

LAB 92.59, -36.41, 67.36

 

CMYK 18 / 0 / 62 / 2

HEX #CCFA5F

RGB 204 250 95

HSL 77.81, 0.94%, 0.68%

LAB 92.59, -36.41, 67.36

 

CMYK 16 / 0 / 54 / 7

HEX #C7ED6D

RGB 199 237 109

HSL 77.81, 0.78%, 0.68%

LAB 88.83, -31.22, 57.1

 

CMYK 14 / 0 / 46 / 12

HEX #C1E07A

RGB 193 224 122

HSL 78.24, 0.62%, 0.68%

LAB 85.02, -26.09, 46.37

 

CMYK 11 / 0 / 36 / 17

HEX #BCD387

RGB 188 211 135

HSL 78.16, 0.46%, 0.68%

LAB 81.31, -20.14, 35.13

 

CMYK 8 / 0 / 25 / 22

HEX #B7C694

RGB 183 198 148

HSL 78, 0.3%, 0.68%

LAB 77.63, -13.7, 23.41

 

CMYK 0 / 15 / 62 / 2

HEX #FAD45F

RGB 250 212 95

HSL 45.29, 0.94%, 0.68%

LAB 86.12, 0.4, 61.32

 

CMYK 1 / 0 / 62 / 2

HEX #F8FA5F

RGB 248 250 95

HSL 60.77, 0.94%, 0.68%

LAB 95.64, -19.27, 71.54

 

CMYK 18 / 0 / 62 / 2

HEX #CEFA5F

RGB 206 250 95

HSL 77.03, 0.94%, 0.68%

LAB 92.72, -35.66, 67.53

 

CMYK 34 / 0 / 62 / 2

HEX #A5FA5F

RGB 165 250 95

HSL 92.9, 0.94%, 0.68%

LAB 90.41, -50.34, 64.36

 

CMYK 50 / 0 / 62 / 2

HEX #7CFA5F

RGB 124 250 95

HSL 108.77, 0.94%, 0.68%

LAB 88.68, -62.76, 61.95

 

CMYK 28 / 0 / 94 / 3

HEX #B2F80F

RGB 178 248 15

HSL 78.03, 0.94%, 0.52%

LAB 90.15, -48.58, 85.81

 

CMYK 23 / 0 / 78 / 2

HEX #BFF937

RGB 191 249 55

HSL 77.94, 0.94%, 0.6%

LAB 91.28, -43.12, 79.58

 

CMYK 18 / 0 / 62 / 2

HEX #CCFA5F

RGB 204 250 95

HSL 77.81, 0.94%, 0.68%

LAB 92.59, -36.41, 67.36

 

CMYK 14 / 0 / 46 / 2

HEX #D9FB88

RGB 217 251 136

HSL 77.74, 0.93%, 0.76%

LAB 94.11, -28.39, 51.24

 

CMYK 9 / 0 / 30 / 1

HEX #E6FCB0

RGB 230 252 176

HSL 77.37, 0.93%, 0.84%

LAB 95.82, -19.38, 34.1

 

CMYK 19 / 0 / 63 / 2

HEX #CCFB5E

RGB 204 251 94

HSL 77.96, 0.95%, 0.68%

LAB 92.86, -36.94, 68.05

 

CMYK 62 / 0 / 32 / 2

HEX #5FFAAA

RGB 95 250 170

HSL 149.03, 0.94%, 0.68%

LAB 88.78, -58.63, 26.54

 

CMYK 7 / 62 / 0 / 2

HEX #E85FFA

RGB 232 95 250

HSL 293.03, 0.94%, 0.68%

LAB 63.54, 72.85, -53.15

 

CMYK 19 / 0 / 63 / 2

HEX #CCFB5E

RGB 204 251 94

HSL 77.96, 0.95%, 0.68%

LAB 92.86, -36.94, 68.05

 

CMYK 62 / 18 / 0 / 2

HEX #5FCEFA

RGB 95 206 250

HSL 197.03, 0.94%, 0.68%

LAB 78.16, -18.92, -31.05

 

CMYK 0 / 62 / 18 / 2

HEX #FA5FCE

RGB 250 95 206

HSL 317.03, 0.94%, 0.68%

LAB 64.13, 70.39, -27.5

 

CMYK 19 / 0 / 63 / 2

HEX #CCFB5E

RGB 204 251 94

HSL 77.96, 0.95%, 0.68%

LAB 92.86, -36.94, 68.05

 

CMYK 62 / 0 / 32 / 2

HEX #5FFAAA

RGB 95 250 170

HSL 149.03, 0.94%, 0.68%

LAB 88.78, -58.63, 26.54

 

CMYK 44 / 62 / 0 / 2

HEX #8B5FFA

RGB 139 95 250

HSL 257.03, 0.94%, 0.68%

LAB 52.48, 52.64, -71.5

 

CMYK 0 / 62 / 30 / 2

HEX #FA5FAF

RGB 250 95 175

HSL 329.03, 0.94%, 0.68%

LAB 63.01, 66.4, -11.58

 

CMYK 19 / 0 / 63 / 2

HEX #CCFB5E

RGB 204 251 94

HSL 77.96, 0.95%, 0.68%

LAB 92.86, -36.94, 68.05

 

CMYK 62 / 0 / 13 / 2

HEX #5FFAD9

RGB 95 250 217

HSL 167.23, 0.94%, 0.68%

LAB 89.77, -48.48, 3.74

 

CMYK 44 / 62 / 0 / 2

HEX #8B5FFA

RGB 139 95 250

HSL 257.03, 0.94%, 0.68%

LAB 52.48, 52.64, -71.5

 

CMYK 0 / 62 / 48 / 2

HEX #FA5F81

RGB 250 95 129

HSL 346.84, 0.94%, 0.68%

LAB 61.73, 61.66, 13.09

 

Description

Color code: HEX #CCFB5E | qconv.com Color code: HEX #CCFB5E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 251 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 251 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 63 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 63% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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