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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCFAC9 it is the complementary color #330536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCFAC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCFAC9 shade: #D1FAC4, #E2FFD7, #F3FFEA, #FFFFFD and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCFAC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCFAC9 shade: #CCFAC9, #BBE8B6, #AAD6A3, #99C490 and #88B27D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCFAC9 shade: #CAFAC7, #D8FAC7, #E6FAC7, #F3FAC7 and #FAF3C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCFAC9 shade: #CAFAC7, #C7FAD2, #C7FADF, #C7FAED and #C7F9FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCFAC9 shade matches the following richer shades: #CAFAC7 and #C6FFC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCFAC9 shade: #CAFAC7, #CEF5CC, #D3F0D1, #D7EBD6 and #DBE6DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCFAC9 shade: #E5FAC7, #D8FAC7, #CAFAC7, #C7FAD1 and #C7FADF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCFAC9 shade: #83F37B, #A6F6A1, #CAFAC7, #EEFDED and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCFAC9 shade: #CCFAC9, #C7F3FA and #FAC7DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCFAC9 shade: #CCFAC9, #C7CAFA and #FAC7CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCFAC9 shade: #CCFAC9, #C7F3FA, #F6C7FA and #FACEC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCFAC9 shade: #CCFAC9, #C7E4FA, #F6C7FA and #FADDC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 20 / 2

HEX #CCFAC9

RGB 204 250 201

HSL 116.33, 0.83%, 0.88%

LAB 94.07, -23.69, 18.75

 

Complementary color

CMYK 6 / 91 / 0 / 79

HEX #330536

RGB 51 5 54

HSL 296.33, 0.83%, 0.12%

LAB 9.63, 29.5, -19.93

 

CMYK 16 / 0 / 22 / 2

HEX #D1FAC4

RGB 209 250 196

HSL 105.56, 0.84%, 0.87%

LAB 94.27, -22.84, 21.65

 

CMYK 11 / 0 / 16 / 0

HEX #E2FFD7

RGB 226 255 215

HSL 103.5, 1%, 0.92%

LAB 97.06, -16.46, 16

 

CMYK 5 / 0 / 8 / 0

HEX #F3FFEA

RGB 243 255 234

HSL 94.29, 1%, 0.96%

LAB 98.64, -7.59, 8.67

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 0 / 20 / 2

HEX #CCFAC9

RGB 204 250 201

HSL 116.33, 0.83%, 0.88%

LAB 94.07, -23.69, 18.75

 

CMYK 19 / 0 / 22 / 9

HEX #BBE8B6

RGB 187 232 182

HSL 114, 0.52%, 0.81%

LAB 87.8, -23.83, 19.65

 

CMYK 21 / 0 / 24 / 16

HEX #AAD6A3

RGB 170 214 163

HSL 111.76, 0.38%, 0.74%

LAB 81.45, -23.99, 20.59

 

CMYK 22 / 0 / 27 / 23

HEX #99C490

RGB 153 196 144

HSL 109.62, 0.31%, 0.67%

LAB 74.99, -24.15, 21.59

 

CMYK 24 / 0 / 30 / 30

HEX #88B27D

RGB 136 178 125

HSL 107.55, 0.26%, 0.59%

LAB 68.43, -24.33, 22.65

 

CMYK 19 / 0 / 20 / 2

HEX #CAFAC7

RGB 202 250 199

HSL 116.47, 0.84%, 0.88%

LAB 93.91, -24.68, 19.53

 

CMYK 14 / 0 / 20 / 2

HEX #D8FAC7

RGB 216 250 199

HSL 100, 0.84%, 0.88%

LAB 94.78, -19.99, 20.88

 

CMYK 8 / 0 / 20 / 2

HEX #E6FAC7

RGB 230 250 199

HSL 83.53, 0.84%, 0.88%

LAB 95.71, -15.16, 22.32

 

CMYK 3 / 0 / 20 / 2

HEX #F3FAC7

RGB 243 250 199

HSL 68.24, 0.84%, 0.88%

LAB 96.64, -10.57, 23.74

 

CMYK 0 / 3 / 20 / 2

HEX #FAF3C7

RGB 250 243 199

HSL 51.76, 0.84%, 0.88%

LAB 95.39, -4.57, 22.1

 

CMYK 19 / 0 / 20 / 2

HEX #CAFAC7

RGB 202 250 199

HSL 116.47, 0.84%, 0.88%

LAB 93.91, -24.68, 19.53

 

CMYK 20 / 0 / 16 / 2

HEX #C7FAD2

RGB 199 250 210

HSL 132.94, 0.84%, 0.88%

LAB 93.95, -23.76, 13.93

 

CMYK 20 / 0 / 11 / 2

HEX #C7FADF

RGB 199 250 223

HSL 148.24, 0.84%, 0.88%

LAB 94.24, -21.39, 7.65

 

CMYK 20 / 0 / 5 / 2

HEX #C7FAED

RGB 199 250 237

HSL 164.71, 0.84%, 0.88%

LAB 94.58, -18.69, 0.9

 

CMYK 20 / 0 / 0 / 2

HEX #C7F9FA

RGB 199 249 250

HSL 181.18, 0.84%, 0.88%

LAB 94.65, -15.56, -5.72

 

CMYK 19 / 0 / 20 / 2

HEX #CAFAC7

RGB 202 250 199

HSL 116.47, 0.84%, 0.88%

LAB 93.91, -24.68, 19.53

 

CMYK 22 / 0 / 24 / 0

HEX #C6FFC2

RGB 198 255 194

HSL 116.07, 1%, 0.88%

LAB 94.92, -29.18, 23.45

 

CMYK 19 / 0 / 20 / 2

HEX #CAFAC7

RGB 202 250 199

HSL 116.47, 0.84%, 0.88%

LAB 93.91, -24.68, 19.53

 

CMYK 16 / 0 / 17 / 4

HEX #CEF5CC

RGB 206 245 204

HSL 117.07, 0.67%, 0.88%

LAB 92.92, -20.1, 15.62

 

CMYK 12 / 0 / 13 / 6

HEX #D3F0D1

RGB 211 240 209

HSL 116.13, 0.51%, 0.88%

LAB 92.03, -15.12, 11.82

 

CMYK 9 / 0 / 9 / 8

HEX #D7EBD6

RGB 215 235 214

HSL 117.14, 0.34%, 0.88%

LAB 91.11, -10.41, 7.94

 

CMYK 5 / 0 / 5 / 10

HEX #DBE6DB

RGB 219 230 219

HSL 120, 0.18%, 0.88%

LAB 90.21, -5.65, 4.08

 

CMYK 8 / 0 / 20 / 2

HEX #E5FAC7

RGB 229 250 199

HSL 84.71, 0.84%, 0.88%

LAB 95.64, -15.5, 22.21

 

CMYK 14 / 0 / 20 / 2

HEX #D8FAC7

RGB 216 250 199

HSL 100, 0.84%, 0.88%

LAB 94.78, -19.99, 20.88

 

CMYK 19 / 0 / 20 / 2

HEX #CAFAC7

RGB 202 250 199

HSL 116.47, 0.84%, 0.88%

LAB 93.91, -24.68, 19.53

 

CMYK 20 / 0 / 16 / 2

HEX #C7FAD1

RGB 199 250 209

HSL 131.76, 0.84%, 0.88%

LAB 93.93, -23.94, 14.41

 

CMYK 20 / 0 / 11 / 2

HEX #C7FADF

RGB 199 250 223

HSL 148.24, 0.84%, 0.88%

LAB 94.24, -21.39, 7.65

 

CMYK 46 / 0 / 49 / 5

HEX #83F37B

RGB 131 243 123

HSL 116, 0.83%, 0.72%

LAB 87.17, -55.05, 47.82

 

CMYK 33 / 0 / 35 / 4

HEX #A6F6A1

RGB 166 246 161

HSL 116.47, 0.83%, 0.8%

LAB 90.13, -40.53, 33.36

 

CMYK 19 / 0 / 20 / 2

HEX #CAFAC7

RGB 202 250 199

HSL 116.47, 0.84%, 0.88%

LAB 93.91, -24.68, 19.53

 

CMYK 6 / 0 / 6 / 1

HEX #EEFDED

RGB 238 253 237

HSL 116.25, 0.8%, 0.96%

LAB 97.85, -7.75, 5.95

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 0 / 20 / 2

HEX #CCFAC9

RGB 204 250 201

HSL 116.33, 0.83%, 0.88%

LAB 94.07, -23.69, 18.75

 

CMYK 20 / 3 / 0 / 2

HEX #C7F3FA

RGB 199 243 250

HSL 188.24, 0.84%, 0.88%

LAB 93.08, -12.57, -8.04

 

CMYK 0 / 20 / 11 / 2

HEX #FAC7DF

RGB 250 199 223

HSL 331.76, 0.84%, 0.88%

LAB 85.25, 21.82, -4.99

 

CMYK 18 / 0 / 20 / 2

HEX #CCFAC9

RGB 204 250 201

HSL 116.33, 0.83%, 0.88%

LAB 94.07, -23.69, 18.75

 

CMYK 20 / 19 / 0 / 2

HEX #C7CAFA

RGB 199 202 250

HSL 236.47, 0.84%, 0.88%

LAB 82.53, 8.76, -23.88

 

CMYK 0 / 20 / 19 / 2

HEX #FAC7CA

RGB 250 199 202

HSL 356.47, 0.84%, 0.88%

LAB 84.71, 18.54, 5.41

 

CMYK 18 / 0 / 20 / 2

HEX #CCFAC9

RGB 204 250 201

HSL 116.33, 0.83%, 0.88%

LAB 94.07, -23.69, 18.75

 

CMYK 20 / 3 / 0 / 2

HEX #C7F3FA

RGB 199 243 250

HSL 188.24, 0.84%, 0.88%

LAB 93.08, -12.57, -8.04

 

CMYK 2 / 20 / 0 / 2

HEX #F6C7FA

RGB 246 199 250

HSL 295.29, 0.84%, 0.88%

LAB 85.68, 25.18, -18.75

 

CMYK 0 / 18 / 20 / 2

HEX #FACEC7

RGB 250 206 199

HSL 8.24, 0.84%, 0.88%

LAB 86.3, 14.43, 9.29

 

CMYK 18 / 0 / 20 / 2

HEX #CCFAC9

RGB 204 250 201

HSL 116.33, 0.83%, 0.88%

LAB 94.07, -23.69, 18.75

 

CMYK 20 / 9 / 0 / 2

HEX #C7E4FA

RGB 199 228 250

HSL 205.88, 0.84%, 0.88%

LAB 89.17, -4.93, -13.86

 

CMYK 2 / 20 / 0 / 2

HEX #F6C7FA

RGB 246 199 250

HSL 295.29, 0.84%, 0.88%

LAB 85.68, 25.18, -18.75

 

CMYK 0 / 12 / 20 / 2

HEX #FADDC7

RGB 250 221 199

HSL 25.88, 0.84%, 0.88%

LAB 89.93, 6.63, 14.46

 

Description

Color code: HEX #CCFAC9 | qconv.com Color code: HEX #CCFAC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 250 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 250 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 20 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 20% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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