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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCFA19 it is the complementary color #3305E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCFA19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCFA19 shade: #D1FA14, #E2FF27, #F3FF3A, #FFFF4D and #FFFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCFA19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCFA19 shade: #CCFA19, #BBE806, #AAD600, #99C400 and #88B200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCFA19 shade: #CCFA19, #FAEC19, #FAAF19, #FA7219 and #FA3519

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCFA19 shade: #CCFA19, #90FA19, #53FA19, #19FA1C and #19FA59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCFA19 shade matches the following richer shades: #CCFA19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCFA19 shade: #CCFA19, #C1E72C, #B6D43F, #ABC152 and #9FAE65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCFA19 shade: #FAAF19, #FAEB19, #CDFA19, #91FA19 and #55FA19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCFA19 shade: #97BD04, #B7E505, #CCFA19, #D5FB42 and #DEFC6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCFA19 shade: #CCFA19, #19FA73 and #CD19FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCFA19 shade: #CCFA19, #19CDFA and #FA19CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCFA19 shade: #CCFA19, #19FA73, #4619FA and #FA19A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCFA19 shade: #CCFA19, #19FAB7, #4619FA and #FA195D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

Complementary color

CMYK 78 / 98 / 0 / 10

HEX #3305E6

RGB 51 5 230

HSL 252.27, 0.96%, 0.46%

LAB 30.7, 73.06, -96.34

 

CMYK 16 / 0 / 92 / 2

HEX #D1FA14

RGB 209 250 20

HSL 70.7, 0.96%, 0.53%

LAB 92.56, -37.59, 87.97

 

CMYK 11 / 0 / 85 / 0

HEX #E2FF27

RGB 226 255 39

HSL 68.06, 1%, 0.58%

LAB 95.09, -32.77, 87.52

 

CMYK 5 / 0 / 77 / 0

HEX #F3FF3A

RGB 243 255 58

HSL 63.65, 1%, 0.61%

LAB 96.36, -25.41, 84.63

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

CMYK 19 / 0 / 97 / 9

HEX #BBE806

RGB 187 232 6

HSL 71.95, 0.95%, 0.47%

LAB 86.15, -38.35, 83.68

 

CMYK 21 / 0 / 100 / 16

HEX #AAD600

RGB 170 214 0

HSL 72.34, 1%, 0.42%

LAB 79.98, -37.06, 79.03

 

CMYK 22 / 0 / 100 / 23

HEX #99C400

RGB 153 196 0

HSL 73.16, 1%, 0.38%

LAB 73.71, -35.69, 73.81

 

CMYK 24 / 0 / 100 / 30

HEX #88B200

RGB 136 178 0

HSL 74.16, 1%, 0.35%

LAB 67.33, -34.31, 68.5

 

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

CMYK 0 / 6 / 90 / 2

HEX #FAEC19

RGB 250 236 25

HSL 56.27, 0.96%, 0.54%

LAB 91.86, -14.24, 88.07

 

CMYK 0 / 30 / 90 / 2

HEX #FAAF19

RGB 250 175 25

HSL 40, 0.96%, 0.54%

LAB 76.71, 16.86, 76.51

 

CMYK 0 / 54 / 90 / 2

HEX #FA7219

RGB 250 114 25

HSL 23.73, 0.96%, 0.54%

LAB 63.7, 47.96, 66.88

 

CMYK 0 / 79 / 90 / 2

HEX #FA3519

RGB 250 53 25

HSL 7.47, 0.96%, 0.54%

LAB 55.01, 71.32, 60.75

 

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

CMYK 42 / 0 / 90 / 2

HEX #90FA19

RGB 144 250 25

HSL 88.27, 0.96%, 0.54%

LAB 89.1, -60.83, 83.08

 

CMYK 67 / 0 / 90 / 2

HEX #53FA19

RGB 83 250 25

HSL 104.53, 0.96%, 0.54%

LAB 87.13, -76.43, 80.65

 

CMYK 90 / 0 / 89 / 2

HEX #19FA1C

RGB 25 250 28

HSL 120.8, 0.96%, 0.54%

LAB 86.34, -83.42, 79.19

 

CMYK 90 / 0 / 64 / 2

HEX #19FA59

RGB 25 250 89

HSL 137.07, 0.96%, 0.54%

LAB 86.65, -79.4, 61.6

 

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

CMYK 16 / 0 / 81 / 9

HEX #C1E72C

RGB 193 231 44

HSL 72.19, 0.8%, 0.54%

LAB 86.34, -34.76, 78.1

 

CMYK 14 / 0 / 70 / 17

HEX #B6D43F

RGB 182 212 63

HSL 72.08, 0.63%, 0.54%

LAB 80.4, -29.51, 66.54

 

CMYK 11 / 0 / 58 / 24

HEX #ABC152

RGB 171 193 82

HSL 71.89, 0.47%, 0.54%

LAB 74.45, -23.52, 52.28

 

CMYK 9 / 0 / 42 / 32

HEX #9FAE65

RGB 159 174 101

HSL 72.33, 0.31%, 0.54%

LAB 68.45, -16.95, 35.66

 

CMYK 0 / 30 / 90 / 2

HEX #FAAF19

RGB 250 175 25

HSL 40, 0.96%, 0.54%

LAB 76.71, 16.86, 76.51

 

CMYK 0 / 6 / 90 / 2

HEX #FAEB19

RGB 250 235 25

HSL 56, 0.96%, 0.54%

LAB 91.6, -13.75, 87.87

 

CMYK 18 / 0 / 90 / 2

HEX #CDFA19

RGB 205 250 25

HSL 72, 0.96%, 0.54%

LAB 92.32, -39.08, 87.03

 

CMYK 42 / 0 / 90 / 2

HEX #91FA19

RGB 145 250 25

HSL 88, 0.96%, 0.54%

LAB 89.14, -60.52, 83.13

 

CMYK 66 / 0 / 90 / 2

HEX #55FA19

RGB 85 250 25

HSL 104, 0.96%, 0.54%

LAB 87.18, -76.05, 80.71

 

CMYK 20 / 0 / 98 / 26

HEX #97BD04

RGB 151 189 4

HSL 72.32, 0.96%, 0.38%

LAB 71.54, -33.24, 71.67

 

CMYK 20 / 0 / 98 / 10

HEX #B7E505

RGB 183 229 5

HSL 72.32, 0.96%, 0.46%

LAB 85.06, -38.59, 82.82

 

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

CMYK 15 / 0 / 74 / 2

HEX #D5FB42

RGB 213 251 66

HSL 72.32, 0.96%, 0.62%

LAB 93.25, -35.13, 78.67

 

CMYK 12 / 0 / 58 / 1

HEX #DEFC6A

RGB 222 252 106

HSL 72.33, 0.96%, 0.7%

LAB 94.39, -29.66, 65.13

 

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

CMYK 90 / 0 / 54 / 2

HEX #19FA73

RGB 25 250 115

HSL 144, 0.96%, 0.54%

LAB 86.91, -76.25, 50.68

 

CMYK 18 / 90 / 0 / 2

HEX #CD19FA

RGB 205 25 250

HSL 288, 0.96%, 0.54%

LAB 52.48, 88, -71.11

 

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

CMYK 90 / 18 / 0 / 2

HEX #19CDFA

RGB 25 205 250

HSL 192, 0.96%, 0.54%

LAB 76.54, -25.79, -33.65

 

CMYK 0 / 90 / 18 / 2

HEX #FA19CD

RGB 250 25 205

HSL 312, 0.96%, 0.54%

LAB 57.49, 88.98, -37.25

 

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

CMYK 90 / 0 / 54 / 2

HEX #19FA73

RGB 25 250 115

HSL 144, 0.96%, 0.54%

LAB 86.91, -76.25, 50.68

 

CMYK 72 / 90 / 0 / 2

HEX #4619FA

RGB 70 25 250

HSL 252, 0.96%, 0.54%

LAB 35.79, 74.8, -99.17

 

CMYK 0 / 90 / 36 / 2

HEX #FA19A0

RGB 250 25 160

HSL 324, 0.96%, 0.54%

LAB 55.64, 84.1, -13.97

 

CMYK 18 / 0 / 90 / 2

HEX #CCFA19

RGB 204 250 25

HSL 72.27, 0.96%, 0.54%

LAB 92.26, -39.46, 86.96

 

CMYK 90 / 0 / 27 / 2

HEX #19FAB7

RGB 25 250 183

HSL 162.13, 0.96%, 0.54%

LAB 87.97, -63.9, 18.61

 

CMYK 72 / 90 / 0 / 2

HEX #4619FA

RGB 70 25 250

HSL 252, 0.96%, 0.54%

LAB 35.79, 74.8, -99.17

 

CMYK 0 / 90 / 63 / 2

HEX #FA195D

RGB 250 25 93

HSL 341.87, 0.96%, 0.54%

LAB 53.82, 79.11, 23.53

 

Description

Color code: HEX #CCFA19 | qconv.com Color code: HEX #CCFA19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 250 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 250 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 90 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 90% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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