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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCF93E it is the complementary color #3306C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCF93E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCF93E shade: #D1F939, #E2FF4C, #F3FF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCF93E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCF93E shade: #CCF93E, #BBE72B, #AAD518, #99C305 and #88B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCF93E shade: #CCF93E, #F9F43E, #F9C13E, #F98F3E and #F95C3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCF93E shade: #CCF93E, #9AF93E, #67F93E, #3EF947 and #3EF97A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCF93E shade matches the following richer shades: #CCF93E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCF93E shade: #CCF93E, #C4E94E, #BBD95E, #B3C96E and #ABB97E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCF93E shade: #F9C13E, #F9F33E, #CDF93E, #9CF93E and #6AF93E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCF93E shade: #AADE07, #C1F816, #CCF93E, #D7FA66 and #E1FC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCF93E shade: #CCF93E, #3EF98F and #DA3EF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCF93E shade: #CCF93E, #3ECDF9 and #F93ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCF93E shade: #CCF93E, #3EF98F, #6A3EF9 and #F93EA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCF93E shade: #CCF93E, #3EF9C7, #6A3EF9 and #F93E70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

Complementary color

CMYK 74 / 97 / 0 / 24

HEX #3306C1

RGB 51 6 193

HSL 254.44, 0.94%, 0.39%

LAB 25.82, 63.83, -83

 

CMYK 16 / 0 / 77 / 2

HEX #D1F939

RGB 209 249 57

HSL 72.5, 0.94%, 0.6%

LAB 92.4, -36.16, 80.46

 

CMYK 11 / 0 / 70 / 0

HEX #E2FF4C

RGB 226 255 76

HSL 69.72, 1%, 0.65%

LAB 95.25, -31.39, 77.63

 

CMYK 5 / 0 / 63 / 0

HEX #F3FF5F

RGB 243 255 95

HSL 64.5, 1%, 0.69%

LAB 96.57, -23.63, 72.4

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

CMYK 19 / 0 / 81 / 9

HEX #BBE72B

RGB 187 231 43

HSL 74.04, 0.8%, 0.54%

LAB 85.95, -37.16, 77.85

 

CMYK 20 / 0 / 89 / 16

HEX #AAD518

RGB 170 213 24

HSL 73.65, 0.8%, 0.46%

LAB 79.73, -36.26, 76.11

 

CMYK 22 / 0 / 97 / 24

HEX #99C305

RGB 153 195 5

HSL 73.26, 0.95%, 0.39%

LAB 73.42, -35.17, 73.06

 

CMYK 23 / 0 / 100 / 31

HEX #88B100

RGB 136 177 0

HSL 73.9, 1%, 0.35%

LAB 67.04, -33.85, 68.28

 

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

CMYK 0 / 2 / 75 / 2

HEX #F9F43E

RGB 249 244 62

HSL 58.4, 0.94%, 0.61%

LAB 93.96, -17.59, 81.5

 

CMYK 0 / 22 / 75 / 2

HEX #F9C13E

RGB 249 193 62

HSL 42.03, 0.94%, 0.61%

LAB 81.09, 8.06, 69.51

 

CMYK 0 / 43 / 75 / 2

HEX #F98F3E

RGB 249 143 62

HSL 25.99, 0.94%, 0.61%

LAB 69.56, 34.17, 58.26

 

CMYK 0 / 63 / 75 / 2

HEX #F95C3E

RGB 249 92 62

HSL 9.63, 0.94%, 0.61%

LAB 60.02, 58.44, 48.42

 

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

CMYK 38 / 0 / 75 / 2

HEX #9AF93E

RGB 154 249 62

HSL 90.48, 0.94%, 0.61%

LAB 89.38, -55.85, 75.07

 

CMYK 59 / 0 / 75 / 2

HEX #67F93E

RGB 103 249 62

HSL 106.84, 0.94%, 0.61%

LAB 87.48, -70.27, 72.58

 

CMYK 75 / 0 / 71 / 2

HEX #3EF947

RGB 62 249 71

HSL 122.89, 0.94%, 0.61%

LAB 86.62, -77.24, 68.45

 

CMYK 75 / 0 / 51 / 2

HEX #3EF97A

RGB 62 249 122

HSL 139.25, 0.94%, 0.61%

LAB 87.09, -71.6, 47.76

 

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

CMYK 16 / 0 / 67 / 9

HEX #C4E94E

RGB 196 233 78

HSL 74.32, 0.78%, 0.61%

LAB 87.27, -32.88, 68.25

 

CMYK 14 / 0 / 57 / 15

HEX #BBD95E

RGB 187 217 94

HSL 74.63, 0.62%, 0.61%

LAB 82.38, -27.74, 56.18

 

CMYK 11 / 0 / 45 / 21

HEX #B3C96E

RGB 179 201 110

HSL 74.51, 0.46%, 0.61%

LAB 77.57, -21.6, 42.82

 

CMYK 8 / 0 / 32 / 27

HEX #ABB97E

RGB 171 185 126

HSL 74.24, 0.3%, 0.61%

LAB 72.8, -14.71, 28.39

 

CMYK 0 / 22 / 75 / 2

HEX #F9C13E

RGB 249 193 62

HSL 42.03, 0.94%, 0.61%

LAB 81.09, 8.06, 69.51

 

CMYK 0 / 2 / 75 / 2

HEX #F9F33E

RGB 249 243 62

HSL 58.07, 0.94%, 0.61%

LAB 93.71, -17.1, 81.26

 

CMYK 18 / 0 / 75 / 2

HEX #CDF93E

RGB 205 249 62

HSL 74.12, 0.94%, 0.61%

LAB 92.17, -37.5, 78.7

 

CMYK 37 / 0 / 75 / 2

HEX #9CF93E

RGB 156 249 62

HSL 89.84, 0.94%, 0.61%

LAB 89.47, -55.19, 75.19

 

CMYK 57 / 0 / 75 / 2

HEX #6AF93E

RGB 106 249 62

HSL 105.88, 0.94%, 0.61%

LAB 87.56, -69.56, 72.69

 

CMYK 23 / 0 / 97 / 13

HEX #AADE07

RGB 170 222 7

HSL 74.51, 0.94%, 0.45%

LAB 82.27, -40.54, 80.16

 

CMYK 22 / 0 / 91 / 3

HEX #C1F816

RGB 193 248 22

HSL 74.6, 0.94%, 0.53%

LAB 91.02, -42.87, 86.09

 

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

CMYK 14 / 0 / 59 / 2

HEX #D7FA66

RGB 215 250 102

HSL 74.19, 0.94%, 0.69%

LAB 93.35, -31.72, 65.53

 

CMYK 11 / 0 / 44 / 1

HEX #E1FC8E

RGB 225 252 142

HSL 74.73, 0.95%, 0.77%

LAB 94.98, -25.25, 49.6

 

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

CMYK 75 / 0 / 43 / 2

HEX #3EF98F

RGB 62 249 143

HSL 145.99, 0.94%, 0.61%

LAB 87.37, -68.31, 38.04

 

CMYK 12 / 75 / 0 / 2

HEX #DA3EF9

RGB 218 62 249

HSL 290.05, 0.94%, 0.61%

LAB 57.26, 81.66, -62.75

 

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

CMYK 75 / 18 / 0 / 2

HEX #3ECDF9

RGB 62 205 249

HSL 194.12, 0.94%, 0.61%

LAB 77, -23.31, -32.37

 

CMYK 0 / 75 / 18 / 2

HEX #F93ECD

RGB 249 62 205

HSL 314.12, 0.94%, 0.61%

LAB 59.88, 81.36, -33.53

 

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

CMYK 75 / 0 / 43 / 2

HEX #3EF98F

RGB 62 249 143

HSL 145.99, 0.94%, 0.61%

LAB 87.37, -68.31, 38.04

 

CMYK 57 / 75 / 0 / 2

HEX #6A3EF9

RGB 106 62 249

HSL 254.12, 0.94%, 0.61%

LAB 43.28, 63.82, -86.1

 

CMYK 0 / 75 / 33 / 2

HEX #F93EA8

RGB 249 62 168

HSL 325.99, 0.94%, 0.61%

LAB 58.43, 76.98, -14.47

 

CMYK 18 / 0 / 75 / 2

HEX #CCF93E

RGB 204 249 62

HSL 74.44, 0.94%, 0.61%

LAB 92.1, -37.89, 78.61

 

CMYK 75 / 0 / 20 / 2

HEX #3EF9C7

RGB 62 249 199

HSL 163.96, 0.94%, 0.61%

LAB 88.4, -56.95, 11.02

 

CMYK 57 / 75 / 0 / 2

HEX #6A3EF9

RGB 106 62 249

HSL 254.12, 0.94%, 0.61%

LAB 43.28, 63.82, -86.1

 

CMYK 0 / 75 / 55 / 2

HEX #F93E70

RGB 249 62 112

HSL 343.96, 0.94%, 0.61%

LAB 56.84, 72, 16.21

 

Description

Color code: HEX #CCF93E | qconv.com Color code: HEX #CCF93E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 249 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 249 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 75 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 75% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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