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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCF8D0 it is the complementary color #33072F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCF8D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCF8D0 shade: #D1F8CB, #E2FFDE, #F3FFF1 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCF8D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCF8D0 shade: #CCF8D0, #BBE6BD, #AAD4AA, #99C297 and #88B084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCF8D0 shade: #CEF8D2, #D5F8CE, #E1F8CE, #ECF8CE and #F8F8CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCF8D0 shade: #CEF8D2, #CEF8DD, #CEF8E8, #CEF8F4 and #CEF1F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCF8D0 shade matches the following richer shades: #CEF8D2 and #C9FDCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCF8D0 shade: #CEF8D2, #D2F4D5, #D7EFD9, #DBEBDD and #E0E6E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCF8D0 shade: #E1F8CE, #D5F8CE, #CEF8D1, #CEF8DD and #CEF8E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCF8D0 shade: #85EE8F, #A9F3B0, #CEF8D2, #F2FDF3 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCF8D0 shade: #CCF8D0, #CEECF8 and #F8CEDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCF8D0 shade: #CCF8D0, #D1CEF8 and #F8D1CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCF8D0 shade: #CCF8D0, #CEECF8, #F8CEF5 and #F8DACE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCF8D0 shade: #CCF8D0, #CEDFF8, #F8CEF5 and #F8E7CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 16 / 3

HEX #CCF8D0

RGB 204 248 208

HSL 125.45, 0.76%, 0.89%

LAB 93.68, -21.53, 14.61

 

Complementary color

CMYK 0 / 86 / 8 / 80

HEX #33072F

RGB 51 7 47

HSL 305.45, 0.76%, 0.11%

LAB 9.49, 27.11, -15.02

 

CMYK 16 / 0 / 18 / 3

HEX #D1F8CB

RGB 209 248 203

HSL 112, 0.76%, 0.88%

LAB 93.88, -20.73, 17.51

 

CMYK 11 / 0 / 13 / 0

HEX #E2FFDE

RGB 226 255 222

HSL 112.73, 1%, 0.94%

LAB 97.21, -15.29, 12.63

 

CMYK 5 / 0 / 5 / 0

HEX #F3FFF1

RGB 243 255 241

HSL 111.43, 1%, 0.97%

LAB 98.8, -6.39, 5.32

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 0 / 16 / 3

HEX #CCF8D0

RGB 204 248 208

HSL 125.45, 0.76%, 0.89%

LAB 93.68, -21.53, 14.61

 

CMYK 19 / 0 / 18 / 10

HEX #BBE6BD

RGB 187 230 189

HSL 122.79, 0.46%, 0.82%

LAB 87.4, -21.67, 15.45

 

CMYK 20 / 0 / 20 / 17

HEX #AAD4AA

RGB 170 212 170

HSL 120, 0.33%, 0.75%

LAB 81.04, -21.82, 16.33

 

CMYK 21 / 0 / 22 / 24

HEX #99C297

RGB 153 194 151

HSL 117.21, 0.26%, 0.68%

LAB 74.57, -21.98, 17.26

 

CMYK 23 / 0 / 25 / 31

HEX #88B084

RGB 136 176 132

HSL 114.55, 0.22%, 0.6%

LAB 67.98, -22.16, 18.25

 

CMYK 17 / 0 / 15 / 3

HEX #CEF8D2

RGB 206 248 210

HSL 125.71, 0.75%, 0.89%

LAB 93.84, -20.53, 13.83

 

CMYK 14 / 0 / 17 / 3

HEX #D5F8CE

RGB 213 248 206

HSL 110, 0.75%, 0.89%

LAB 94.2, -18.89, 16.45

 

CMYK 9 / 0 / 17 / 3

HEX #E1F8CE

RGB 225 248 206

HSL 92.86, 0.75%, 0.89%

LAB 94.99, -14.82, 17.68

 

CMYK 5 / 0 / 17 / 3

HEX #ECF8CE

RGB 236 248 206

HSL 77.14, 0.75%, 0.89%

LAB 95.76, -11.01, 18.87

 

CMYK 0 / 0 / 17 / 3

HEX #F8F8CE

RGB 248 248 206

HSL 60, 0.75%, 0.89%

LAB 96.64, -6.78, 20.23

 

CMYK 17 / 0 / 15 / 3

HEX #CEF8D2

RGB 206 248 210

HSL 125.71, 0.75%, 0.89%

LAB 93.84, -20.53, 13.83

 

CMYK 17 / 0 / 11 / 3

HEX #CEF8DD

RGB 206 248 221

HSL 141.43, 0.75%, 0.89%

LAB 94.09, -18.57, 8.51

 

CMYK 17 / 0 / 6 / 3

HEX #CEF8E8

RGB 206 248 232

HSL 157.14, 0.75%, 0.89%

LAB 94.35, -16.52, 3.2

 

CMYK 17 / 0 / 2 / 3

HEX #CEF8F4

RGB 206 248 244

HSL 174.29, 0.75%, 0.89%

LAB 94.65, -14.18, -2.57

 

CMYK 17 / 3 / 0 / 3

HEX #CEF1F8

RGB 206 241 248

HSL 190, 0.75%, 0.89%

LAB 92.93, -9.86, -7.17

 

CMYK 17 / 0 / 15 / 3

HEX #CEF8D2

RGB 206 248 210

HSL 125.71, 0.75%, 0.89%

LAB 93.84, -20.53, 13.83

 

CMYK 21 / 0 / 19 / 1

HEX #C9FDCE

RGB 201 253 206

HSL 125.77, 0.93%, 0.89%

LAB 94.79, -25.26, 17.18

 

CMYK 17 / 0 / 15 / 3

HEX #CEF8D2

RGB 206 248 210

HSL 125.71, 0.75%, 0.89%

LAB 93.84, -20.53, 13.83

 

CMYK 14 / 0 / 13 / 4

HEX #D2F4D5

RGB 210 244 213

HSL 125.29, 0.61%, 0.89%

LAB 93.11, -16.74, 11.27

 

CMYK 10 / 0 / 9 / 6

HEX #D7EFD9

RGB 215 239 217

HSL 125, 0.43%, 0.89%

LAB 92.22, -11.89, 7.97

 

CMYK 7 / 0 / 6 / 8

HEX #DBEBDD

RGB 219 235 221

HSL 127.5, 0.29%, 0.89%

LAB 91.55, -7.84, 4.96

 

CMYK 3 / 0 / 3 / 10

HEX #E0E6E0

RGB 224 230 224

HSL 120, 0.11%, 0.89%

LAB 90.7, -3.08, 2.21

 

CMYK 9 / 0 / 17 / 3

HEX #E1F8CE

RGB 225 248 206

HSL 92.86, 0.75%, 0.89%

LAB 94.99, -14.82, 17.68

 

CMYK 14 / 0 / 17 / 3

HEX #D5F8CE

RGB 213 248 206

HSL 110, 0.75%, 0.89%

LAB 94.2, -18.89, 16.45

 

CMYK 17 / 0 / 16 / 3

HEX #CEF8D1

RGB 206 248 209

HSL 124.29, 0.75%, 0.89%

LAB 93.82, -20.7, 14.32

 

CMYK 17 / 0 / 11 / 3

HEX #CEF8DD

RGB 206 248 221

HSL 141.43, 0.75%, 0.89%

LAB 94.09, -18.57, 8.51

 

CMYK 17 / 0 / 6 / 3

HEX #CEF8E8

RGB 206 248 232

HSL 157.14, 0.75%, 0.89%

LAB 94.35, -16.52, 3.2

 

CMYK 44 / 0 / 40 / 7

HEX #85EE8F

RGB 133 238 143

HSL 125.71, 0.76%, 0.73%

LAB 86.07, -49.65, 36.72

 

CMYK 30 / 0 / 28 / 5

HEX #A9F3B0

RGB 169 243 176

HSL 125.68, 0.76%, 0.81%

LAB 89.71, -35.84, 25.21

 

CMYK 17 / 0 / 15 / 3

HEX #CEF8D2

RGB 206 248 210

HSL 125.71, 0.75%, 0.89%

LAB 93.84, -20.53, 13.83

 

CMYK 4 / 0 / 4 / 1

HEX #F2FDF3

RGB 242 253 243

HSL 125.45, 0.73%, 0.97%

LAB 98.27, -5.38, 3.52

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 0 / 16 / 3

HEX #CCF8D0

RGB 204 248 208

HSL 125.45, 0.76%, 0.89%

LAB 93.68, -21.53, 14.61

 

CMYK 17 / 5 / 0 / 3

HEX #CEECF8

RGB 206 236 248

HSL 197.14, 0.75%, 0.89%

LAB 91.64, -7.33, -9.09

 

CMYK 0 / 17 / 12 / 3

HEX #F8CEDB

RGB 248 206 219

HSL 341.43, 0.75%, 0.89%

LAB 86.61, 16.8, -0.89

 

CMYK 18 / 0 / 16 / 3

HEX #CCF8D0

RGB 204 248 208

HSL 125.45, 0.76%, 0.89%

LAB 93.68, -21.53, 14.61

 

CMYK 16 / 17 / 0 / 3

HEX #D1CEF8

RGB 209 206 248

HSL 244.29, 0.75%, 0.89%

LAB 84.21, 9.26, -20.2

 

CMYK 0 / 16 / 17 / 3

HEX #F8D1CE

RGB 248 209 206

HSL 4.29, 0.75%, 0.89%

LAB 87, 13.19, 6.57

 

CMYK 18 / 0 / 16 / 3

HEX #CCF8D0

RGB 204 248 208

HSL 125.45, 0.76%, 0.89%

LAB 93.68, -21.53, 14.61

 

CMYK 17 / 5 / 0 / 3

HEX #CEECF8

RGB 206 236 248

HSL 197.14, 0.75%, 0.89%

LAB 91.64, -7.33, -9.09

 

CMYK 0 / 17 / 1 / 3

HEX #F8CEF5

RGB 248 206 245

HSL 304.29, 0.75%, 0.89%

LAB 87.33, 21.23, -13.59

 

CMYK 0 / 12 / 17 / 3

HEX #F8DACE

RGB 248 218 206

HSL 17.14, 0.75%, 0.89%

LAB 89.18, 8.5, 9.7

 

CMYK 18 / 0 / 16 / 3

HEX #CCF8D0

RGB 204 248 208

HSL 125.45, 0.76%, 0.89%

LAB 93.68, -21.53, 14.61

 

CMYK 17 / 10 / 0 / 3

HEX #CEDFF8

RGB 206 223 248

HSL 215.71, 0.75%, 0.89%

LAB 88.29, -0.63, -14.08

 

CMYK 0 / 17 / 1 / 3

HEX #F8CEF5

RGB 248 206 245

HSL 304.29, 0.75%, 0.89%

LAB 87.33, 21.23, -13.59

 

CMYK 0 / 7 / 17 / 3

HEX #F8E7CE

RGB 248 231 206

HSL 35.71, 0.75%, 0.89%

LAB 92.38, 1.81, 14.25

 

Description

Color code: HEX #CCF8D0 | qconv.com Color code: HEX #CCF8D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 248 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 248 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 16 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 16% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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