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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCF205 it is the complementary color #330DFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCF205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCF205 shade: #D1F200, #E2FF13, #F3FF26, #FFFF39 and #FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCF205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCF205 shade: #CCF205, #BBE000, #AACE00, #99BC00 and #88AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCF205 shade: #CAF005, #F0D605, #F09705, #F05705 and #F01805

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCF205 shade: #CAF005, #8BF005, #4BF005, #0CF005 and #05F03D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCF205 shade matches the following richer shades: #CAF005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCF205 shade: #CAF005, #BDDC19, #AFC82D, #A2B440 and #94A154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCF205 shade: #F09605, #F0D405, #CDF005, #8EF005 and #4FF005

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCF205 shade: #869F03, #A8C704, #CAF005, #D8FB24 and #DFFB4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCF205 shade: #CCF205, #05F057 and #B505F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCF205 shade: #CCF205, #05CDF0 and #F005CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCF205 shade: #CCF205, #05F057, #2805F0 and #F0059E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCF205 shade: #CCF205, #05F09E, #2805F0 and #F00557

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 98 / 5

HEX #CCF205

RGB 204 242 5

HSL 69.62, 0.96%, 0.48%

LAB 90.02, -36.14, 87.19

 

Complementary color

CMYK 80 / 95 / 0 / 2

HEX #330DFA

RGB 51 13 250

HSL 249.62, 0.96%, 0.52%

LAB 33.76, 76.65, -102.58

 

CMYK 14 / 0 / 100 / 5

HEX #D1F200

RGB 209 242 0

HSL 68.18, 1%, 0.47%

LAB 90.35, -34.19, 87.97

 

CMYK 11 / 0 / 93 / 0

HEX #E2FF13

RGB 226 255 19

HSL 67.37, 1%, 0.54%

LAB 95.05, -33.14, 90.5

 

CMYK 5 / 0 / 85 / 0

HEX #F3FF26

RGB 243 255 38

HSL 63.32, 1%, 0.57%

LAB 96.29, -25.97, 89.2

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF39

RGB 255 255 57

HSL 60, 1%, 0.61%

LAB 97.26, -20.59, 86.04

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 16 / 0 / 98 / 5

HEX #CCF205

RGB 204 242 5

HSL 69.62, 0.96%, 0.48%

LAB 90.02, -36.14, 87.19

 

CMYK 17 / 0 / 100 / 12

HEX #BBE000

RGB 187 224 0

HSL 69.91, 1%, 0.44%

LAB 83.9, -34.8, 82.48

 

CMYK 17 / 0 / 100 / 19

HEX #AACE00

RGB 170 206 0

HSL 70.49, 1%, 0.4%

LAB 77.69, -33.41, 77.31

 

CMYK 19 / 0 / 100 / 26

HEX #99BC00

RGB 153 188 0

HSL 71.17, 1%, 0.37%

LAB 71.38, -32.01, 72.05

 

CMYK 20 / 0 / 100 / 33

HEX #88AA00

RGB 136 170 0

HSL 72, 1%, 0.33%

LAB 64.95, -30.59, 66.7

 

CMYK 16 / 0 / 98 / 6

HEX #CAF005

RGB 202 240 5

HSL 69.7, 0.96%, 0.48%

LAB 89.34, -36.03, 86.62

 

CMYK 0 / 11 / 98 / 6

HEX #F0D605

RGB 240 214 5

HSL 53.36, 0.96%, 0.48%

LAB 85.32, -7.77, 84.93

 

CMYK 0 / 37 / 98 / 6

HEX #F09705

RGB 240 151 5

HSL 37.28, 0.96%, 0.48%

LAB 69.94, 25.02, 74.18

 

CMYK 0 / 64 / 98 / 6

HEX #F05705

RGB 240 87 5

HSL 20.94, 0.96%, 0.48%

LAB 57.42, 56.27, 66.43

 

CMYK 0 / 90 / 98 / 6

HEX #F01805

RGB 240 24 5

HSL 4.85, 0.96%, 0.48%

LAB 50.91, 74.33, 63.17

 

CMYK 16 / 0 / 98 / 6

HEX #CAF005

RGB 202 240 5

HSL 69.7, 0.96%, 0.48%

LAB 89.34, -36.03, 86.62

 

CMYK 42 / 0 / 98 / 6

HEX #8BF005

RGB 139 240 5

HSL 85.79, 0.96%, 0.48%

LAB 85.92, -58.96, 82.49

 

CMYK 69 / 0 / 98 / 6

HEX #4BF005

RGB 75 240 5

HSL 102.13, 0.96%, 0.48%

LAB 83.88, -75.25, 80

 

CMYK 95 / 0 / 98 / 6

HEX #0CF005

RGB 12 240 5

HSL 118.21, 0.96%, 0.48%

LAB 83.13, -81.86, 79.09

 

CMYK 98 / 0 / 75 / 6

HEX #05F03D

RGB 5 240 61

HSL 134.3, 0.96%, 0.48%

LAB 83.28, -79.85, 68.28

 

CMYK 16 / 0 / 98 / 6

HEX #CAF005

RGB 202 240 5

HSL 69.7, 0.96%, 0.48%

LAB 89.34, -36.03, 86.62

 

CMYK 16 / 0 / 98 / 6

HEX #CAF005

RGB 202 240 5

HSL 69.7, 0.96%, 0.48%

LAB 89.34, -36.03, 86.62

 

CMYK 14 / 0 / 89 / 14

HEX #BDDC19

RGB 189 220 25

HSL 69.54, 0.8%, 0.48%

LAB 82.95, -31.82, 79.08

 

CMYK 13 / 0 / 78 / 22

HEX #AFC82D

RGB 175 200 45

HSL 69.68, 0.63%, 0.48%

LAB 76.44, -27.53, 68.53

 

CMYK 10 / 0 / 64 / 29

HEX #A2B440

RGB 162 180 64

HSL 69.31, 0.48%, 0.48%

LAB 69.96, -22.15, 55.03

 

CMYK 8 / 0 / 48 / 37

HEX #94A154

RGB 148 161 84

HSL 70.13, 0.31%, 0.48%

LAB 63.69, -16.63, 38.3

 

CMYK 0 / 38 / 98 / 6

HEX #F09605

RGB 240 150 5

HSL 37.02, 0.96%, 0.48%

LAB 69.72, 25.55, 74.03

 

CMYK 0 / 12 / 98 / 6

HEX #F0D405

RGB 240 212 5

HSL 52.85, 0.96%, 0.48%

LAB 84.8, -6.76, 84.56

 

CMYK 15 / 0 / 98 / 6

HEX #CDF005

RGB 205 240 5

HSL 68.94, 0.96%, 0.48%

LAB 89.54, -34.83, 86.85

 

CMYK 41 / 0 / 98 / 6

HEX #8EF005

RGB 142 240 5

HSL 85.02, 0.96%, 0.48%

LAB 86.05, -57.99, 82.65

 

CMYK 67 / 0 / 98 / 6

HEX #4FF005

RGB 79 240 5

HSL 101.11, 0.96%, 0.48%

LAB 83.96, -74.51, 80.11

 

CMYK 16 / 0 / 98 / 38

HEX #869F03

RGB 134 159 3

HSL 69.62, 0.96%, 0.32%

LAB 61.54, -26.1, 63.64

 

CMYK 16 / 0 / 98 / 22

HEX #A8C704

RGB 168 199 4

HSL 69.54, 0.96%, 0.4%

LAB 75.56, -30.93, 75.24

 

CMYK 16 / 0 / 98 / 6

HEX #CAF005

RGB 202 240 5

HSL 69.7, 0.96%, 0.48%

LAB 89.34, -36.03, 86.62

 

CMYK 14 / 0 / 86 / 2

HEX #D8FB24

RGB 216 251 36

HSL 69.77, 0.96%, 0.56%

LAB 93.33, -34.99, 86.36

 

CMYK 11 / 0 / 70 / 2

HEX #DFFB4C

RGB 223 251 76

HSL 69.6, 0.96%, 0.64%

LAB 93.97, -30.73, 76.31

 

CMYK 16 / 0 / 98 / 5

HEX #CCF205

RGB 204 242 5

HSL 69.62, 0.96%, 0.48%

LAB 90.02, -36.14, 87.19

 

CMYK 98 / 0 / 64 / 6

HEX #05F057

RGB 5 240 87

HSL 140.94, 0.96%, 0.48%

LAB 83.46, -77.5, 58.85

 

CMYK 25 / 98 / 0 / 6

HEX #B505F0

RGB 181 5 240

HSL 284.94, 0.96%, 0.48%

LAB 47.27, 85.13, -74.16

 

CMYK 16 / 0 / 98 / 5

HEX #CCF205

RGB 204 242 5

HSL 69.62, 0.96%, 0.48%

LAB 90.02, -36.14, 87.19

 

CMYK 98 / 15 / 0 / 6

HEX #05CDF0

RGB 5 205 240

HSL 188.94, 0.96%, 0.48%

LAB 76.06, -29.7, -29.04

 

CMYK 0 / 98 / 15 / 6

HEX #F005CD

RGB 240 5 205

HSL 308.94, 0.96%, 0.48%

LAB 55.12, 88.88, -41.11

 

CMYK 16 / 0 / 98 / 5

HEX #CCF205

RGB 204 242 5

HSL 69.62, 0.96%, 0.48%

LAB 90.02, -36.14, 87.19

 

CMYK 98 / 0 / 64 / 6

HEX #05F057

RGB 5 240 87

HSL 140.94, 0.96%, 0.48%

LAB 83.46, -77.5, 58.85

 

CMYK 83 / 98 / 0 / 6

HEX #2805F0

RGB 40 5 240

HSL 248.94, 0.96%, 0.48%

LAB 31.47, 75.22, -100.78

 

CMYK 0 / 98 / 34 / 6

HEX #F0059E

RGB 240 5 158

HSL 320.94, 0.96%, 0.48%

LAB 53.06, 83.65, -16.88

 

CMYK 16 / 0 / 98 / 5

HEX #CCF205

RGB 204 242 5

HSL 69.62, 0.96%, 0.48%

LAB 90.02, -36.14, 87.19

 

CMYK 98 / 0 / 34 / 6

HEX #05F09E

RGB 5 240 158

HSL 159.06, 0.96%, 0.48%

LAB 84.39, -66.35, 26.48

 

CMYK 83 / 98 / 0 / 6

HEX #2805F0

RGB 40 5 240

HSL 248.94, 0.96%, 0.48%

LAB 31.47, 75.22, -100.78

 

CMYK 0 / 98 / 64 / 6

HEX #F00557

RGB 240 5 87

HSL 339.06, 0.96%, 0.48%

LAB 51.06, 78.34, 23.16

 

Description

Color code: HEX #CCF205 | qconv.com Color code: HEX #CCF205 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 242 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 242 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 98 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 98% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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