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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCF0EB it is the complementary color #330F14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCF0EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCF0EB shade: #D1F0E6, #E2FFF9, #F3FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCF0EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCF0EB shade: #CCF0EB, #BBDED8, #AACCC5, #99BAB2 and #88A89F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCF0EB shade: #CCF0EB, #CCF0E1, #CCF0D7, #CCF0CE and #D4F0CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCF0EB shade: #CCF0EB, #CCEBF0, #CCE1F0, #CCD8F0 and #CCCEF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCF0EB shade matches the following richer shades: #CCF0EB, #C6F5EF and #C1FBF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCF0EB shade: #CCF0EB, #D1EBE7, #D6E5E3, #DCE0DF and #E1DBDC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCF0EB shade: #CCF0D7, #CCF0E1, #CCF0EB, #CCECF0 and #CCE2F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCF0EB shade: #8CDED2, #ACE7DF, #CCF0EB, #ECF9F7 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCF0EB shade: #CCF0EB, #CDCCF0 and #F0DCCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCF0EB shade: #CCF0EB, #EBCCF0 and #F0EBCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCF0EB shade: #CCF0EB, #CDCCF0, #F0CCD1 and #EEF0CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCF0EB shade: #CCF0EB, #D8CCF0, #F0CCD1 and #E3F0CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

Complementary color

CMYK 0 / 71 / 61 / 80

HEX #330F14

RGB 51 15 20

HSL 351.67, 0.55%, 0.13%

LAB 9.77, 18.72, 5.6

 

CMYK 13 / 0 / 4 / 6

HEX #D1F0E6

RGB 209 240 230

HSL 160.65, 0.51%, 0.88%

LAB 92.39, -11.97, 1.42

 

CMYK 11 / 0 / 2 / 0

HEX #E2FFF9

RGB 226 255 249

HSL 167.59, 1%, 0.94%

LAB 97.84, -10.46, -0.32

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 16 / 0 / 3 / 13

HEX #BBDED8

RGB 187 222 216

HSL 169.71, 0.35%, 0.8%

LAB 85.89, -12.63, -0.91

 

CMYK 17 / 0 / 3 / 20

HEX #AACCC5

RGB 170 204 197

HSL 167.65, 0.25%, 0.73%

LAB 79.48, -12.69, -0.3

 

CMYK 18 / 0 / 4 / 27

HEX #99BAB2

RGB 153 186 178

HSL 165.45, 0.19%, 0.66%

LAB 72.96, -12.76, 0.34

 

CMYK 19 / 0 / 5 / 34

HEX #88A89F

RGB 136 168 159

HSL 163.13, 0.16%, 0.6%

LAB 66.32, -12.85, 1

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 15 / 0 / 6 / 6

HEX #CCF0E1

RGB 204 240 225

HSL 155, 0.55%, 0.87%

LAB 91.95, -14.52, 3.34

 

CMYK 15 / 0 / 10 / 6

HEX #CCF0D7

RGB 204 240 215

HSL 138.33, 0.55%, 0.87%

LAB 91.71, -16.37, 8.19

 

CMYK 15 / 0 / 14 / 6

HEX #CCF0CE

RGB 204 240 206

HSL 123.33, 0.55%, 0.87%

LAB 91.51, -17.97, 12.57

 

CMYK 12 / 0 / 15 / 6

HEX #D4F0CC

RGB 212 240 204

HSL 106.67, 0.55%, 0.87%

LAB 91.99, -15.63, 14.36

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 15 / 2 / 0 / 6

HEX #CCEBF0

RGB 204 235 240

HSL 188.33, 0.55%, 0.87%

LAB 91.03, -9.07, -5.83

 

CMYK 15 / 6 / 0 / 6

HEX #CCE1F0

RGB 204 225 240

HSL 205, 0.55%, 0.87%

LAB 88.44, -3.95, -9.67

 

CMYK 15 / 10 / 0 / 6

HEX #CCD8F0

RGB 204 216 240

HSL 220, 0.55%, 0.87%

LAB 86.13, 0.74, -13.12

 

CMYK 15 / 14 / 0 / 6

HEX #CCCEF0

RGB 204 206 240

HSL 236.67, 0.55%, 0.87%

LAB 83.58, 6.02, -16.93

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 19 / 0 / 2 / 4

HEX #C6F5EF

RGB 198 245 239

HSL 172.34, 0.7%, 0.87%

LAB 93.25, -16.13, -2.08

 

CMYK 23 / 0 / 3 / 2

HEX #C1FBF3

RGB 193 251 243

HSL 171.72, 0.88%, 0.87%

LAB 94.65, -19.76, -2.13

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 11 / 0 / 2 / 8

HEX #D1EBE7

RGB 209 235 231

HSL 170.77, 0.39%, 0.87%

LAB 91.12, -9.26, -0.97

 

CMYK 7 / 0 / 1 / 10

HEX #D6E5E3

RGB 214 229 227

HSL 172, 0.22%, 0.87%

LAB 89.8, -5.35, -0.75

 

CMYK 2 / 0 / 0 / 12

HEX #DCE0DF

RGB 220 224 223

HSL 165, 0.06%, 0.87%

LAB 88.85, -1.52, 0.01

 

CMYK 0 / 3 / 2 / 12

HEX #E1DBDC

RGB 225 219 220

HSL 350, 0.09%, 0.87%

LAB 87.89, 2.22, 0.23

 

CMYK 15 / 0 / 10 / 6

HEX #CCF0D7

RGB 204 240 215

HSL 138.33, 0.55%, 0.87%

LAB 91.71, -16.37, 8.19

 

CMYK 15 / 0 / 6 / 6

HEX #CCF0E1

RGB 204 240 225

HSL 155, 0.55%, 0.87%

LAB 91.95, -14.52, 3.34

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 15 / 2 / 0 / 6

HEX #CCECF0

RGB 204 236 240

HSL 186.67, 0.55%, 0.87%

LAB 91.29, -9.58, -5.45

 

CMYK 15 / 6 / 0 / 6

HEX #CCE2F0

RGB 204 226 240

HSL 203.33, 0.55%, 0.87%

LAB 88.7, -4.46, -9.29

 

CMYK 37 / 0 / 5 / 13

HEX #8CDED2

RGB 140 222 210

HSL 171.22, 0.55%, 0.71%

LAB 83.16, -27.69, -2.03

 

CMYK 26 / 0 / 3 / 9

HEX #ACE7DF

RGB 172 231 223

HSL 171.86, 0.55%, 0.79%

LAB 87.61, -20.28, -2.18

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 5 / 0 / 1 / 2

HEX #ECF9F7

RGB 236 249 247

HSL 170.77, 0.52%, 0.95%

LAB 96.94, -4.62, -0.53

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 15 / 15 / 0 / 6

HEX #CDCCF0

RGB 205 204 240

HSL 241.67, 0.55%, 0.87%

LAB 83.16, 7.4, -17.57

 

CMYK 0 / 8 / 15 / 6

HEX #F0DCCC

RGB 240 220 204

HSL 26.67, 0.55%, 0.87%

LAB 88.96, 4.3, 10.34

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 2 / 15 / 0 / 6

HEX #EBCCF0

RGB 235 204 240

HSL 291.67, 0.55%, 0.87%

LAB 85.57, 17.09, -13.69

 

CMYK 0 / 2 / 15 / 6

HEX #F0EBCC

RGB 240 235 204

HSL 51.67, 0.55%, 0.87%

LAB 92.71, -3.38, 15.66

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 15 / 15 / 0 / 6

HEX #CDCCF0

RGB 205 204 240

HSL 241.67, 0.55%, 0.87%

LAB 83.16, 7.4, -17.57

 

CMYK 0 / 15 / 13 / 6

HEX #F0CCD1

RGB 240 204 209

HSL 351.67, 0.55%, 0.87%

LAB 85.16, 13.43, 2.22

 

CMYK 1 / 0 / 15 / 6

HEX #EEF0CC

RGB 238 240 204

HSL 63.33, 0.55%, 0.87%

LAB 93.82, -6.62, 17.2

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 10 / 15 / 0 / 6

HEX #D8CCF0

RGB 216 204 240

HSL 260, 0.55%, 0.87%

LAB 84.01, 10.9, -16.21

 

CMYK 0 / 15 / 13 / 6

HEX #F0CCD1

RGB 240 204 209

HSL 351.67, 0.55%, 0.87%

LAB 85.16, 13.43, 2.22

 

CMYK 5 / 0 / 15 / 6

HEX #E3F0CC

RGB 227 240 204

HSL 81.67, 0.55%, 0.87%

LAB 93.02, -10.48, 15.96

 

Description

Color code: HEX #CCF0EB | qconv.com Color code: HEX #CCF0EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 240 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 240 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 2 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 2% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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