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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCF0EB it is the complementary color #330F14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCF0EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCF0EB shade: #D1F0E6, #E2FFF9 and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCF0EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCF0EB shade: #CCF0EB, #BBDED8, #AACCC5, #99BAB2 and #88A89F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCF0EB shade: #CBF0EB, #CBF0E1, #CBF0D7, #CBF0CD and #D3F0CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCF0EB shade: #CBF0EB, #CBEBF0, #CBE1F0, #CBD7F0 and #CBCDF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCF0EB shade matches the following richer shades: #CBF0EB, #C6F5EE and #C0FAF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCF0EB shade: #CBF0EB, #D0EAE7, #D6E5E3, #DBDFDF and #E1DADB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCF0EB shade: #CBF0D7, #CBF0E0, #CBF0EA, #CBEBF0 and #CBE2F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCF0EB shade: #8BDDD2, #ABE6DE, #CBF0EB and #EBF9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCF0EB shade: #CCF0EB, #CDCBF0 and #F0DCCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCF0EB shade: #CCF0EB, #EACBF0 and #F0EACB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCF0EB shade: #CCF0EB, #CDCBF0, #F0CBD1 and #EEF0CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCF0EB shade: #CCF0EB, #D8CBF0, #F0CBD1 and #E3F0CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

Complementary color

CMYK 0 / 71 / 61 / 80

HEX #330F14

RGB 51 15 20

HSL 351.67, 0.55%, 0.13%

LAB 9.77, 18.72, 5.6

 

CMYK 13 / 0 / 4 / 6

HEX #D1F0E6

RGB 209 240 230

HSL 160.65, 0.51%, 0.88%

LAB 92.39, -11.97, 1.42

 

CMYK 11 / 0 / 2 / 0

HEX #E2FFF9

RGB 226 255 249

HSL 167.59, 1%, 0.94%

LAB 97.84, -10.46, -0.32

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 16 / 0 / 3 / 13

HEX #BBDED8

RGB 187 222 216

HSL 169.71, 0.35%, 0.8%

LAB 85.89, -12.63, -0.91

 

CMYK 17 / 0 / 3 / 20

HEX #AACCC5

RGB 170 204 197

HSL 167.65, 0.25%, 0.73%

LAB 79.48, -12.69, -0.3

 

CMYK 18 / 0 / 4 / 27

HEX #99BAB2

RGB 153 186 178

HSL 165.45, 0.19%, 0.66%

LAB 72.96, -12.76, 0.34

 

CMYK 19 / 0 / 5 / 34

HEX #88A89F

RGB 136 168 159

HSL 163.13, 0.16%, 0.6%

LAB 66.32, -12.85, 1

 

CMYK 15 / 0 / 2 / 6

HEX #CBF0EB

RGB 203 240 235

HSL 171.89, 0.55%, 0.87%

LAB 92.14, -12.9, -1.6

 

CMYK 15 / 0 / 6 / 6

HEX #CBF0E1

RGB 203 240 225

HSL 155.68, 0.55%, 0.87%

LAB 91.89, -14.84, 3.24

 

CMYK 15 / 0 / 10 / 6

HEX #CBF0D7

RGB 203 240 215

HSL 139.46, 0.55%, 0.87%

LAB 91.65, -16.7, 8.09

 

CMYK 15 / 0 / 15 / 6

HEX #CBF0CD

RGB 203 240 205

HSL 123.24, 0.55%, 0.87%

LAB 91.43, -18.48, 12.96

 

CMYK 12 / 0 / 15 / 6

HEX #D3F0CB

RGB 211 240 203

HSL 107.03, 0.55%, 0.87%

LAB 91.9, -16.14, 14.74

 

CMYK 15 / 0 / 2 / 6

HEX #CBF0EB

RGB 203 240 235

HSL 171.89, 0.55%, 0.87%

LAB 92.14, -12.9, -1.6

 

CMYK 15 / 2 / 0 / 6

HEX #CBEBF0

RGB 203 235 240

HSL 188.11, 0.55%, 0.87%

LAB 90.96, -9.38, -5.93

 

CMYK 15 / 6 / 0 / 6

HEX #CBE1F0

RGB 203 225 240

HSL 204.32, 0.55%, 0.87%

LAB 88.37, -4.26, -9.78

 

CMYK 15 / 10 / 0 / 6

HEX #CBD7F0

RGB 203 215 240

HSL 220.54, 0.55%, 0.87%

LAB 85.8, 0.95, -13.61

 

CMYK 15 / 15 / 0 / 6

HEX #CBCDF0

RGB 203 205 240

HSL 236.76, 0.55%, 0.87%

LAB 83.26, 6.23, -17.43

 

CMYK 15 / 0 / 2 / 6

HEX #CBF0EB

RGB 203 240 235

HSL 171.89, 0.55%, 0.87%

LAB 92.14, -12.9, -1.6

 

CMYK 19 / 0 / 3 / 4

HEX #C6F5EE

RGB 198 245 238

HSL 171.06, 0.7%, 0.87%

LAB 93.23, -16.33, -1.6

 

CMYK 23 / 0 / 3 / 2

HEX #C0FAF2

RGB 192 250 242

HSL 171.72, 0.85%, 0.87%

LAB 94.31, -19.77, -2.13

 

CMYK 15 / 0 / 2 / 6

HEX #CBF0EB

RGB 203 240 235

HSL 171.89, 0.55%, 0.87%

LAB 92.14, -12.9, -1.6

 

CMYK 11 / 0 / 1 / 8

HEX #D0EAE7

RGB 208 234 231

HSL 173.08, 0.38%, 0.87%

LAB 90.79, -9.08, -1.45

 

CMYK 7 / 0 / 1 / 10

HEX #D6E5E3

RGB 214 229 227

HSL 172, 0.22%, 0.87%

LAB 89.8, -5.35, -0.75

 

CMYK 2 / 0 / 0 / 13

HEX #DBDFDF

RGB 219 223 223

HSL 180, 0.06%, 0.87%

LAB 88.53, -1.34, -0.48

 

CMYK 0 / 3 / 3 / 12

HEX #E1DADB

RGB 225 218 219

HSL 351.43, 0.1%, 0.87%

LAB 87.61, 2.57, 0.35

 

CMYK 15 / 0 / 10 / 6

HEX #CBF0D7

RGB 203 240 215

HSL 139.46, 0.55%, 0.87%

LAB 91.65, -16.7, 8.09

 

CMYK 15 / 0 / 7 / 6

HEX #CBF0E0

RGB 203 240 224

HSL 154.05, 0.55%, 0.87%

LAB 91.86, -15.03, 3.72

 

CMYK 15 / 0 / 3 / 6

HEX #CBF0EA

RGB 203 240 234

HSL 170.27, 0.55%, 0.87%

LAB 92.11, -13.1, -1.12

 

CMYK 15 / 2 / 0 / 6

HEX #CBEBF0

RGB 203 235 240

HSL 188.11, 0.55%, 0.87%

LAB 90.96, -9.38, -5.93

 

CMYK 15 / 6 / 0 / 6

HEX #CBE2F0

RGB 203 226 240

HSL 202.7, 0.55%, 0.87%

LAB 88.63, -4.78, -9.39

 

CMYK 37 / 0 / 5 / 13

HEX #8BDDD2

RGB 139 221 210

HSL 171.95, 0.55%, 0.71%

LAB 82.84, -27.47, -2.51

 

CMYK 26 / 0 / 3 / 10

HEX #ABE6DE

RGB 171 230 222

HSL 171.86, 0.54%, 0.79%

LAB 87.25, -20.29, -2.18

 

CMYK 15 / 0 / 2 / 6

HEX #CBF0EB

RGB 203 240 235

HSL 171.89, 0.55%, 0.87%

LAB 92.14, -12.9, -1.6

 

CMYK 6 / 0 / 1 / 2

HEX #EBF9F7

RGB 235 249 247

HSL 171.43, 0.54%, 0.95%

LAB 96.87, -4.94, -0.64

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 15 / 15 / 0 / 6

HEX #CDCBF0

RGB 205 203 240

HSL 243.24, 0.55%, 0.87%

LAB 82.9, 7.93, -17.95

 

CMYK 0 / 8 / 15 / 6

HEX #F0DCCB

RGB 240 220 203

HSL 27.57, 0.55%, 0.87%

LAB 88.93, 4.14, 10.83

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 3 / 15 / 0 / 6

HEX #EACBF0

RGB 234 203 240

HSL 290.27, 0.55%, 0.87%

LAB 85.25, 17.29, -14.19

 

CMYK 0 / 3 / 15 / 6

HEX #F0EACB

RGB 240 234 203

HSL 50.27, 0.55%, 0.87%

LAB 92.43, -3.03, 15.79

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 15 / 15 / 0 / 6

HEX #CDCBF0

RGB 205 203 240

HSL 243.24, 0.55%, 0.87%

LAB 82.9, 7.93, -17.95

 

CMYK 0 / 15 / 13 / 6

HEX #F0CBD1

RGB 240 203 209

HSL 350.27, 0.55%, 0.87%

LAB 84.92, 13.96, 1.87

 

CMYK 1 / 0 / 15 / 6

HEX #EEF0CB

RGB 238 240 203

HSL 63.24, 0.55%, 0.87%

LAB 93.8, -6.77, 17.69

 

CMYK 15 / 0 / 2 / 6

HEX #CCF0EB

RGB 204 240 235

HSL 171.67, 0.55%, 0.87%

LAB 92.2, -12.59, -1.5

 

CMYK 10 / 15 / 0 / 6

HEX #D8CBF0

RGB 216 203 240

HSL 261.08, 0.55%, 0.87%

LAB 83.76, 11.43, -16.58

 

CMYK 0 / 15 / 13 / 6

HEX #F0CBD1

RGB 240 203 209

HSL 350.27, 0.55%, 0.87%

LAB 84.92, 13.96, 1.87

 

CMYK 5 / 0 / 15 / 6

HEX #E3F0CB

RGB 227 240 203

HSL 81.08, 0.55%, 0.87%

LAB 93, -10.64, 16.44

 

Description

Color code: HEX #CCF0EB | qconv.com Color code: HEX #CCF0EB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 240 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 240 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 2 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 2% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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