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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCEFF84C it is the complementary color #3310074C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCEFF84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCEFF84C shade: #D1EFF34C, #E2FFFF4C, #F3FFFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCEFF84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCEFF84C shade: #CCEFF84C, #BBDDE54C, #AACBD24C, #99B9BF4C and #88A7AC4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCEFF84C shade: #CEF0F8, #CEE4F8, #CED9F8, #CECEF8 and #DACEF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCEFF84C shade: #CEF0F8, #CEE4F8, #CED9F8 and #CECEF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCEFF84C shade matches the following richer shades: #CEF0F8 and #C9F2FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCEFF84C shade: #CEF0F8, #D2EDF4, #D7EAEF, #DBE8EB and #E0E5E6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCEFF84C shade: #CEF8EA, #CEF8F5, #CEF0F8, #CEE4F8 and #CED9F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCEFF84C shade: #85D9EE, #A9E4F3, #CEF0F8, #F2FBFD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCEFF84C shade: #CCEFF8, #DFCEF8 and #F8F0CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCEFF84C shade: #CCEFF8, #F8CEF0 and #F0F8CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCEFF84C shade: #CCEFF8, #DFCEF8, #F8D6CE and #E7F8CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCEFF84C shade: #CCEFF8, #EBCEF8, #F8D6CE and #DAF8CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 1 / 0 / 1

HEX #CCEFF84C

RGBA 204 239 248 0.3

HSLA 192.27, 0.76%, 0.89%, 0.3

LABA 92.29, -9.46, -8.14, 0.3

 

Complementary color

CMYK 0 / 21 / 26 / 24

HEX #3310074C

RGBA 51 16 7 0.3

HSLA 12.27, 0.76%, 0.11%, 0.3

LABA 9.72, 16.99, 12.07, 0.3

 

CMYK 4 / 0 / 0 / 1

HEX #D1EFF34C

RGBA 209 239 243 0.3

HSLA 187.06, 0.59%, 0.89%, 0.3

LABA 92.47, -8.94, -5.24, 0.3

 

CMYK 3 / 0 / 0 / 0

HEX #E2FFFF4C

RGBA 226 255 255 0.3

HSLA 180, 1%, 0.94%, 0.3

LABA 98, -9.32, -3.18, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F3FFFF4C

RGBA 243 255 255 0.3

HSLA 180, 1%, 0.98%, 0.3

LABA 99.14, -3.91, -1.37, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 5 / 1 / 0 / 1

HEX #CCEFF84C

RGBA 204 239 248 0.3

HSLA 192.27, 0.76%, 0.89%, 0.3

LABA 92.29, -9.46, -8.14, 0.3

 

CMYK 6 / 1 / 0 / 3

HEX #BBDDE54C

RGBA 187 221 229 0.3

HSLA 191.43, 0.45%, 0.82%, 0.3

LABA 85.97, -9.45, -7.65, 0.3

 

CMYK 6 / 1 / 0 / 5

HEX #AACBD24C

RGBA 170 203 210 0.3

HSLA 190.5, 0.31%, 0.75%, 0.3

LABA 79.56, -9.45, -7.15, 0.3

 

CMYK 6 / 1 / 0 / 8

HEX #99B9BF4C

RGBA 153 185 191 0.3

HSLA 189.47, 0.23%, 0.67%, 0.3

LABA 73.04, -9.46, -6.64, 0.3

 

CMYK 6 / 1 / 0 / 10

HEX #88A7AC4C

RGBA 136 167 172 0.3

HSLA 188.33, 0.18%, 0.6%, 0.3

LABA 66.41, -9.48, -6.11, 0.3

 

CMYK 17 / 3 / 0 / 3

HEX #CEF0F8

RGB 206 240 248

HSL 191.43, 0.75%, 0.89%

LAB 92.67, -9.36, -7.56

 

CMYK 17 / 8 / 0 / 3

HEX #CEE4F8

RGB 206 228 248

HSL 208.57, 0.75%, 0.89%

LAB 89.57, -3.22, -12.16

 

CMYK 17 / 13 / 0 / 3

HEX #CED9F8

RGB 206 217 248

HSL 224.29, 0.75%, 0.89%

LAB 86.76, 2.51, -16.37

 

CMYK 17 / 17 / 0 / 3

HEX #CECEF8

RGB 206 206 248

HSL 240, 0.75%, 0.89%

LAB 83.99, 8.33, -20.56

 

CMYK 12 / 17 / 0 / 3

HEX #DACEF8

RGB 218 206 248

HSL 257.14, 0.75%, 0.89%

LAB 84.91, 12.09, -19.08

 

CMYK 17 / 3 / 0 / 3

HEX #CEF0F8

RGB 206 240 248

HSL 191.43, 0.75%, 0.89%

LAB 92.67, -9.36, -7.56

 

CMYK 17 / 8 / 0 / 3

HEX #CEE4F8

RGB 206 228 248

HSL 208.57, 0.75%, 0.89%

LAB 89.57, -3.22, -12.16

 

CMYK 17 / 13 / 0 / 3

HEX #CED9F8

RGB 206 217 248

HSL 224.29, 0.75%, 0.89%

LAB 86.76, 2.51, -16.37

 

CMYK 17 / 17 / 0 / 3

HEX #CECEF8

RGB 206 206 248

HSL 240, 0.75%, 0.89%

LAB 83.99, 8.33, -20.56

 

CMYK 17 / 3 / 0 / 3

HEX #CEF0F8

RGB 206 240 248

HSL 191.43, 0.75%, 0.89%

LAB 92.67, -9.36, -7.56

 

CMYK 21 / 4 / 0 / 1

HEX #C9F2FD

RGB 201 242 253

HSL 192.69, 0.93%, 0.89%

LAB 93.02, -10.83, -9.67

 

CMYK 17 / 3 / 0 / 3

HEX #CEF0F8

RGB 206 240 248

HSL 191.43, 0.75%, 0.89%

LAB 92.67, -9.36, -7.56

 

CMYK 14 / 3 / 0 / 4

HEX #D2EDF4

RGB 210 237 244

HSL 192.35, 0.61%, 0.89%

LAB 92.04, -7.41, -6.38

 

CMYK 10 / 2 / 0 / 6

HEX #D7EAEF

RGB 215 234 239

HSL 192.5, 0.43%, 0.89%

LAB 91.47, -5.29, -4.57

 

CMYK 7 / 1 / 0 / 8

HEX #DBE8EB

RGB 219 232 235

HSL 191.25, 0.29%, 0.89%

LAB 91.13, -3.74, -2.95

 

CMYK 3 / 0 / 0 / 10

HEX #E0E5E6

RGB 224 229 230

HSL 190, 0.11%, 0.89%

LAB 90.6, -1.49, -1.08

HEX #E0E5E6

CMYK 17 / 0 / 6 / 3

HEX #CEF8EA

RGB 206 248 234

HSL 160, 0.75%, 0.89%

LAB 94.4, -16.14, 2.24

 

CMYK 17 / 0 / 1 / 3

HEX #CEF8F5

RGB 206 248 245

HSL 175.71, 0.75%, 0.89%

LAB 94.67, -13.98, -3.05

 

CMYK 17 / 3 / 0 / 3

HEX #CEF0F8

RGB 206 240 248

HSL 191.43, 0.75%, 0.89%

LAB 92.67, -9.36, -7.56

 

CMYK 17 / 8 / 0 / 3

HEX #CEE4F8

RGB 206 228 248

HSL 208.57, 0.75%, 0.89%

LAB 89.57, -3.22, -12.16

 

CMYK 17 / 13 / 0 / 3

HEX #CED9F8

RGB 206 217 248

HSL 224.29, 0.75%, 0.89%

LAB 86.76, 2.51, -16.37

 

CMYK 44 / 9 / 0 / 7

HEX #85D9EE

RGB 133 217 238

HSL 192, 0.76%, 0.73%

LAB 82.26, -20.14, -18.27

 

CMYK 30 / 6 / 0 / 5

HEX #A9E4F3

RGB 169 228 243

HSL 192.16, 0.76%, 0.81%

LAB 87.19, -15.19, -13.33

 

CMYK 17 / 3 / 0 / 3

HEX #CEF0F8

RGB 206 240 248

HSL 191.43, 0.75%, 0.89%

LAB 92.67, -9.36, -7.56

 

CMYK 4 / 1 / 0 / 1

HEX #F2FBFD

RGB 242 251 253

HSL 190.91, 0.73%, 0.97%

LAB 98.02, -2.58, -1.99

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 4 / 0 / 3

HEX #CCEFF8

RGB 204 239 248

HSL 192.27, 0.76%, 0.89%

LAB 92.29, -9.46, -8.14

 

CMYK 10 / 17 / 0 / 3

HEX #DFCEF8

RGB 223 206 248

HSL 264.29, 0.75%, 0.89%

LAB 85.31, 13.68, -18.44

 

CMYK 0 / 3 / 17 / 3

HEX #F8F0CE

RGB 248 240 206

HSL 48.57, 0.75%, 0.89%

LAB 94.62, -2.76, 17.41

 

CMYK 18 / 4 / 0 / 3

HEX #CCEFF8

RGB 204 239 248

HSL 192.27, 0.76%, 0.89%

LAB 92.29, -9.46, -8.14

 

CMYK 0 / 17 / 3 / 3

HEX #F8CEF0

RGB 248 206 240

HSL 311.43, 0.75%, 0.89%

LAB 87.19, 20.34, -11.16

 

CMYK 3 / 0 / 17 / 3

HEX #F0F8CE

RGB 240 248 206

HSL 71.43, 0.75%, 0.89%

LAB 96.04, -9.61, 19.31

 

CMYK 18 / 4 / 0 / 3

HEX #CCEFF8

RGB 204 239 248

HSL 192.27, 0.76%, 0.89%

LAB 92.29, -9.46, -8.14

 

CMYK 10 / 17 / 0 / 3

HEX #DFCEF8

RGB 223 206 248

HSL 264.29, 0.75%, 0.89%

LAB 85.31, 13.68, -18.44

 

CMYK 0 / 14 / 17 / 3

HEX #F8D6CE

RGB 248 214 206

HSL 11.43, 0.75%, 0.89%

LAB 88.21, 10.58, 8.31

 

CMYK 7 / 0 / 17 / 3

HEX #E7F8CE

RGB 231 248 206

HSL 84.29, 0.75%, 0.89%

LAB 95.4, -12.75, 18.32

 

CMYK 18 / 4 / 0 / 3

HEX #CCEFF8

RGB 204 239 248

HSL 192.27, 0.76%, 0.89%

LAB 92.29, -9.46, -8.14

 

CMYK 5 / 17 / 0 / 3

HEX #EBCEF8

RGB 235 206 248

HSL 281.43, 0.75%, 0.89%

LAB 86.3, 17.54, -16.85

 

CMYK 0 / 14 / 17 / 3

HEX #F8D6CE

RGB 248 214 206

HSL 11.43, 0.75%, 0.89%

LAB 88.21, 10.58, 8.31

 

CMYK 12 / 0 / 17 / 3

HEX #DAF8CE

RGB 218 248 206

HSL 102.86, 0.75%, 0.89%

LAB 94.52, -17.21, 16.96

 

Description

Color code: HEX #CCEFF84C | qconv.com Color code: HEX #CCEFF84C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 239 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 239 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 1 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 1% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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