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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCEB48 it is the complementary color #3314B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCEB48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCEB48 shade: #D1EB43, #E2FD56, #F3FF69, #FFFF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCEB48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCEB48 shade: #CCEB48, #BBD935, #AAC722, #99B50F and #88A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCEB48 shade: #CCEB47, #EBDE47, #EBB247, #EB8647 and #EB5A47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCEB48 shade: #CCEB47, #A0EB47, #74EB47, #48EB47 and #47EB73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCEB48 shade matches the following richer shades: #CCEB47 and #D6FB37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCEB48 shade: #CCEB47, #C1DA58, #B7CA68, #ADB979 and #A3A989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCEB48 shade: #EBB147, #EBDD47, #CDEB47, #A1EB47 and #76EB47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCEB48 shade: #A7C916, #C1E622, #CCEB47, #D6EF6D and #E0F392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCEB48 shade: #CCEB48, #47EB86 and #C747EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCEB48 shade: #CCEB48, #47CDEB and #EB47CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCEB48 shade: #CCEB48, #47EB86, #6547EB and #EB47AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCEB48 shade: #CCEB48, #47EBB7, #6547EB and #EB477B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 69 / 8

HEX #CCEB48

RGB 204 235 72

HSL 71.41, 0.8%, 0.6%

LAB 88.31, -31.02, 71.68

 

Complementary color

CMYK 72 / 89 / 0 / 28

HEX #3314B7

RGB 51 20 183

HSL 251.41, 0.8%, 0.4%

LAB 25.63, 57.86, -77.37

 

CMYK 11 / 0 / 71 / 8

HEX #D1EB43

RGB 209 235 67

HSL 69.29, 0.81%, 0.59%

LAB 88.63, -29.29, 73.83

 

CMYK 11 / 0 / 66 / 1

HEX #E2FD56

RGB 226 253 86

HSL 69.7, 0.98%, 0.66%

LAB 94.78, -29.93, 73.6

 

CMYK 5 / 0 / 59 / 0

HEX #F3FF69

RGB 243 255 105

HSL 64.8, 1%, 0.71%

LAB 96.65, -22.98, 68.46

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 13 / 0 / 69 / 8

HEX #CCEB48

RGB 204 235 72

HSL 71.41, 0.8%, 0.6%

LAB 88.31, -31.02, 71.68

 

CMYK 14 / 0 / 76 / 15

HEX #BBD935

RGB 187 217 53

HSL 70.98, 0.68%, 0.53%

LAB 82.08, -30.34, 71.61

 

CMYK 15 / 0 / 83 / 22

HEX #AAC722

RGB 170 199 34

HSL 70.55, 0.71%, 0.46%

LAB 75.77, -29.51, 70.76

 

CMYK 15 / 0 / 92 / 29

HEX #99B50F

RGB 153 181 15

HSL 70.12, 0.85%, 0.38%

LAB 69.37, -28.48, 68.71

 

CMYK 17 / 0 / 100 / 36

HEX #88A300

RGB 136 163 0

HSL 69.94, 1%, 0.32%

LAB 62.87, -27.24, 65.13

 

CMYK 13 / 0 / 70 / 8

HEX #CCEB47

RGB 204 235 71

HSL 71.34, 0.8%, 0.6%

LAB 88.31, -31.07, 72.03

 

CMYK 0 / 6 / 70 / 8

HEX #EBDE47

RGB 235 222 71

HSL 55.24, 0.8%, 0.6%

LAB 87.17, -12.2, 71.69

 

CMYK 0 / 24 / 70 / 8

HEX #EBB247

RGB 235 178 71

HSL 39.15, 0.8%, 0.6%

LAB 76.04, 10.41, 60.47

 

CMYK 0 / 43 / 70 / 8

HEX #EB8647

RGB 235 134 71

HSL 23.05, 0.8%, 0.6%

LAB 65.88, 33.64, 49.65

 

CMYK 0 / 62 / 70 / 8

HEX #EB5A47

RGB 235 90 71

HSL 6.95, 0.8%, 0.6%

LAB 57.49, 54.94, 40.2

 

CMYK 13 / 0 / 70 / 8

HEX #CCEB47

RGB 204 235 71

HSL 71.34, 0.8%, 0.6%

LAB 88.31, -31.07, 72.03

 

CMYK 32 / 0 / 70 / 8

HEX #A0EB47

RGB 160 235 71

HSL 87.44, 0.8%, 0.6%

LAB 85.68, -47.58, 68.53

 

CMYK 51 / 0 / 70 / 8

HEX #74EB47

RGB 116 235 71

HSL 103.54, 0.8%, 0.6%

LAB 83.75, -61.45, 65.94

 

CMYK 69 / 0 / 70 / 8

HEX #48EB47

RGB 72 235 71

HSL 119.63, 0.8%, 0.6%

LAB 82.51, -71.37, 64.27

 

CMYK 70 / 0 / 51 / 8

HEX #47EB73

RGB 71 235 115

HSL 136.1, 0.8%, 0.6%

LAB 82.91, -66.59, 45.95

 

CMYK 13 / 0 / 70 / 8

HEX #CCEB47

RGB 204 235 71

HSL 71.34, 0.8%, 0.6%

LAB 88.31, -31.07, 72.03

 

CMYK 15 / 0 / 78 / 2

HEX #D6FB37

RGB 214 251 55

HSL 71.33, 0.96%, 0.6%

LAB 93.26, -35.19, 81.91

 

CMYK 13 / 0 / 70 / 8

HEX #CCEB47

RGB 204 235 71

HSL 71.34, 0.8%, 0.6%

LAB 88.31, -31.07, 72.03

 

CMYK 11 / 0 / 60 / 15

HEX #C1DA58

RGB 193 218 88

HSL 71.54, 0.64%, 0.6%

LAB 83.01, -26.33, 59.61

 

CMYK 9 / 0 / 49 / 21

HEX #B7CA68

RGB 183 202 104

HSL 71.63, 0.48%, 0.6%

LAB 78.06, -21.14, 46.41

 

CMYK 6 / 0 / 35 / 27

HEX #ADB979

RGB 173 185 121

HSL 71.25, 0.31%, 0.6%

LAB 72.87, -14.6, 31.14

 

CMYK 4 / 0 / 19 / 34

HEX #A3A989

RGB 163 169 137

HSL 71.25, 0.16%, 0.6%

LAB 68, -7.79, 15.83

 

CMYK 0 / 25 / 70 / 8

HEX #EBB147

RGB 235 177 71

HSL 38.78, 0.8%, 0.6%

LAB 75.8, 10.93, 60.22

 

CMYK 0 / 6 / 70 / 8

HEX #EBDD47

RGB 235 221 71

HSL 54.88, 0.8%, 0.6%

LAB 86.91, -11.71, 71.43

 

CMYK 13 / 0 / 70 / 8

HEX #CDEB47

RGB 205 235 71

HSL 70.98, 0.8%, 0.6%

LAB 88.38, -30.68, 72.12

 

CMYK 31 / 0 / 70 / 8

HEX #A1EB47

RGB 161 235 71

HSL 87.07, 0.8%, 0.6%

LAB 85.73, -47.23, 68.6

 

CMYK 50 / 0 / 70 / 8

HEX #76EB47

RGB 118 235 71

HSL 102.8, 0.8%, 0.6%

LAB 83.82, -60.9, 66.04

 

CMYK 17 / 0 / 89 / 21

HEX #A7C916

RGB 167 201 22

HSL 71.4, 0.8%, 0.44%

LAB 76.1, -32, 73.41

 

CMYK 16 / 0 / 85 / 10

HEX #C1E622

RGB 193 230 34

HSL 71.33, 0.8%, 0.52%

LAB 86.03, -34.61, 80.07

 

CMYK 13 / 0 / 70 / 8

HEX #CCEB47

RGB 204 235 71

HSL 71.34, 0.8%, 0.6%

LAB 88.31, -31.07, 72.03

 

CMYK 10 / 0 / 54 / 6

HEX #D6EF6D

RGB 214 239 109

HSL 71.54, 0.8%, 0.68%

LAB 90.38, -26.42, 59.14

 

CMYK 8 / 0 / 40 / 5

HEX #E0F392

RGB 224 243 146

HSL 71.75, 0.8%, 0.76%

LAB 92.59, -20.89, 44.64

 

CMYK 13 / 0 / 69 / 8

HEX #CCEB48

RGB 204 235 72

HSL 71.41, 0.8%, 0.6%

LAB 88.31, -31.02, 71.68

 

CMYK 70 / 0 / 43 / 8

HEX #47EB86

RGB 71 235 134

HSL 143.05, 0.8%, 0.6%

LAB 83.17, -63.65, 37.06

 

CMYK 15 / 70 / 0 / 8

HEX #C747EB

RGB 199 71 235

HSL 286.83, 0.8%, 0.6%

LAB 54.71, 72.41, -59.18

 

CMYK 13 / 0 / 69 / 8

HEX #CCEB48

RGB 204 235 72

HSL 71.41, 0.8%, 0.6%

LAB 88.31, -31.02, 71.68

 

CMYK 70 / 13 / 0 / 8

HEX #47CDEB

RGB 71 205 235

HSL 190.98, 0.8%, 0.6%

LAB 76.68, -26.59, -25.34

 

CMYK 0 / 70 / 13 / 8

HEX #EB47CD

RGB 235 71 205

HSL 310.98, 0.8%, 0.6%

LAB 58.58, 75.41, -35.73

 

CMYK 13 / 0 / 69 / 8

HEX #CCEB48

RGB 204 235 72

HSL 71.41, 0.8%, 0.6%

LAB 88.31, -31.02, 71.68

 

CMYK 70 / 0 / 43 / 8

HEX #47EB86

RGB 71 235 134

HSL 143.05, 0.8%, 0.6%

LAB 83.17, -63.65, 37.06

 

CMYK 57 / 70 / 0 / 8

HEX #6547EB

RGB 101 71 235

HSL 250.98, 0.8%, 0.6%

LAB 43.17, 54.79, -78.43

 

CMYK 0 / 70 / 27 / 8

HEX #EB47AC

RGB 235 71 172

HSL 323.05, 0.8%, 0.6%

LAB 57.22, 71.08, -18.85

 

CMYK 13 / 0 / 69 / 8

HEX #CCEB48

RGB 204 235 72

HSL 71.41, 0.8%, 0.6%

LAB 88.31, -31.02, 71.68

 

CMYK 70 / 0 / 22 / 8

HEX #47EBB7

RGB 71 235 183

HSL 160.98, 0.8%, 0.6%

LAB 84.06, -53.94, 13.2

 

CMYK 57 / 70 / 0 / 8

HEX #6547EB

RGB 101 71 235

HSL 250.98, 0.8%, 0.6%

LAB 43.17, 54.79, -78.43

 

CMYK 0 / 70 / 48 / 8

HEX #EB477B

RGB 235 71 123

HSL 340.98, 0.8%, 0.6%

LAB 55.68, 65.99, 7.71

 

Description

Color code: HEX #CCEB48 | qconv.com Color code: HEX #CCEB48 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 235 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 235 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 69 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 69% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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