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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCE70B it is the complementary color #3318F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCE70B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCE70B shade: #D1E706, #E2F919, #F3FF2C, #FFFF3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCE70B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCE70B shade: #CCE70B, #BBD500, #AAC300, #99B100 and #889F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCE70B shade: #CAE50B, #E5C50B, #E58A0B, #E54F0B and #E5140B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCE70B shade: #CAE50B, #8FE50B, #55E50B, #1AE50B and #0BE537

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCE70B shade matches the following richer shades: #CAE50B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCE70B shade: #CAE50B, #BCD21E, #ADBE32, #9EAB45 and #909758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCE70B shade: #E58A0B, #E5C40B, #CBE50B, #91E50B and #57E50B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCE70B shade: #859607, #A7BE09, #CAE50B, #DBF524 and #E2F74C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCE70B shade: #CCE70B, #0BE550 and #A70BE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCE70B shade: #CCE70B, #0BCBE5 and #E50BCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCE70B shade: #CCE70B, #0BE550, #240BE5 and #E50BA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCE70B shade: #CCE70B, #0BE591, #240BE5 and #E50B5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 95 / 9

HEX #CCE70B

RGB 204 231 11

HSL 67.36, 0.91%, 0.47%

LAB 87, -31.05, 84.42

 

Complementary color

CMYK 79 / 90 / 0 / 4

HEX #3318F4

RGB 51 24 244

HSL 247.36, 0.91%, 0.53%

LAB 33.75, 72.8, -99.21

 

CMYK 10 / 0 / 97 / 9

HEX #D1E706

RGB 209 231 6

HSL 65.87, 0.95%, 0.46%

LAB 87.35, -29.06, 85.24

 

CMYK 9 / 0 / 90 / 2

HEX #E2F919

RGB 226 249 25

HSL 66.16, 0.95%, 0.54%

LAB 93.45, -30.3, 88.52

 

CMYK 5 / 0 / 83 / 0

HEX #F3FF2C

RGB 243 255 44

HSL 63.41, 1%, 0.59%

LAB 96.31, -25.83, 88

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 12 / 0 / 95 / 9

HEX #CCE70B

RGB 204 231 11

HSL 67.36, 0.91%, 0.47%

LAB 87, -31.05, 84.42

 

CMYK 12 / 0 / 100 / 16

HEX #BBD500

RGB 187 213 0

HSL 67.32, 1%, 0.42%

LAB 80.82, -29.71, 80.17

 

CMYK 13 / 0 / 100 / 24

HEX #AAC300

RGB 170 195 0

HSL 67.69, 1%, 0.38%

LAB 74.56, -28.26, 74.95

 

CMYK 14 / 0 / 100 / 31

HEX #99B100

RGB 153 177 0

HSL 68.14, 1%, 0.35%

LAB 68.18, -26.78, 69.65

 

CMYK 14 / 0 / 100 / 38

HEX #889F00

RGB 136 159 0

HSL 68.68, 1%, 0.31%

LAB 61.68, -25.29, 64.24

 

CMYK 12 / 0 / 95 / 10

HEX #CAE50B

RGB 202 229 11

HSL 67.43, 0.91%, 0.47%

LAB 86.32, -30.93, 83.83

 

CMYK 0 / 14 / 95 / 10

HEX #E5C50B

RGB 229 197 11

HSL 51.19, 0.91%, 0.47%

LAB 79.96, -3.8, 80.02

 

CMYK 0 / 40 / 95 / 10

HEX #E58A0B

RGB 229 138 11

HSL 34.95, 0.91%, 0.47%

LAB 65.64, 27.31, 69.81

 

CMYK 0 / 66 / 95 / 10

HEX #E54F0B

RGB 229 79 11

HSL 18.72, 0.91%, 0.47%

LAB 54.32, 55.87, 62.47

 

CMYK 0 / 91 / 95 / 10

HEX #E5140B

RGB 229 20 11

HSL 2.48, 0.91%, 0.47%

LAB 48.49, 72.11, 59.19

 

CMYK 12 / 0 / 95 / 10

HEX #CAE50B

RGB 202 229 11

HSL 67.43, 0.91%, 0.47%

LAB 86.32, -30.93, 83.83

 

CMYK 38 / 0 / 95 / 10

HEX #8FE50B

RGB 143 229 11

HSL 83.67, 0.91%, 0.47%

LAB 82.86, -53.29, 79.65

 

CMYK 63 / 0 / 95 / 10

HEX #55E50B

RGB 85 229 11

HSL 99.63, 0.91%, 0.47%

LAB 80.74, -69.76, 77.05

 

CMYK 89 / 0 / 95 / 10

HEX #1AE50B

RGB 26 229 11

HSL 115.87, 0.91%, 0.47%

LAB 79.77, -78.14, 75.87

 

CMYK 95 / 0 / 76 / 10

HEX #0BE537

RGB 11 229 55

HSL 132.11, 0.91%, 0.47%

LAB 79.83, -77.06, 66.8

 

CMYK 12 / 0 / 95 / 10

HEX #CAE50B

RGB 202 229 11

HSL 67.43, 0.91%, 0.47%

LAB 86.32, -30.93, 83.83

 

CMYK 12 / 0 / 95 / 10

HEX #CAE50B

RGB 202 229 11

HSL 67.43, 0.91%, 0.47%

LAB 86.32, -30.93, 83.83

 

CMYK 10 / 0 / 86 / 18

HEX #BCD21E

RGB 188 210 30

HSL 67.33, 0.75%, 0.47%

LAB 80.11, -27.42, 75.82

 

CMYK 9 / 0 / 74 / 25

HEX #ADBE32

RGB 173 190 50

HSL 67.29, 0.58%, 0.47%

LAB 73.51, -23.3, 64.16

 

CMYK 8 / 0 / 60 / 33

HEX #9EAB45

RGB 158 171 69

HSL 67.65, 0.43%, 0.47%

LAB 67.15, -18.95, 49.73

 

CMYK 5 / 0 / 42 / 41

HEX #909758

RGB 144 151 88

HSL 66.67, 0.26%, 0.47%

LAB 60.58, -12.6, 32.29

 

CMYK 0 / 40 / 95 / 10

HEX #E58A0B

RGB 229 138 11

HSL 34.95, 0.91%, 0.47%

LAB 65.64, 27.31, 69.81

 

CMYK 0 / 14 / 95 / 10

HEX #E5C40B

RGB 229 196 11

HSL 50.92, 0.91%, 0.47%

LAB 79.71, -3.29, 79.83

 

CMYK 11 / 0 / 95 / 10

HEX #CBE50B

RGB 203 229 11

HSL 67.16, 0.91%, 0.47%

LAB 86.38, -30.53, 83.92

 

CMYK 37 / 0 / 95 / 10

HEX #91E50B

RGB 145 229 11

HSL 83.12, 0.91%, 0.47%

LAB 82.96, -52.61, 79.77

 

CMYK 62 / 0 / 95 / 10

HEX #57E50B

RGB 87 229 11

HSL 99.08, 0.91%, 0.47%

LAB 80.79, -69.32, 77.12

 

CMYK 11 / 0 / 95 / 41

HEX #859607

RGB 133 150 7

HSL 67.13, 0.91%, 0.31%

LAB 58.8, -22, 60.91

 

CMYK 12 / 0 / 95 / 25

HEX #A7BE09

RGB 167 190 9

HSL 67.62, 0.91%, 0.39%

LAB 72.93, -27.01, 72.67

 

CMYK 12 / 0 / 95 / 10

HEX #CAE50B

RGB 202 229 11

HSL 67.43, 0.91%, 0.47%

LAB 86.32, -30.93, 83.83

 

CMYK 11 / 0 / 85 / 4

HEX #DBF524

RGB 219 245 36

HSL 67.46, 0.91%, 0.55%

LAB 91.91, -31.05, 85.27

 

CMYK 9 / 0 / 69 / 3

HEX #E2F74C

RGB 226 247 76

HSL 67.37, 0.91%, 0.63%

LAB 93.11, -27.68, 75.53

 

CMYK 12 / 0 / 95 / 9

HEX #CCE70B

RGB 204 231 11

HSL 67.36, 0.91%, 0.47%

LAB 87, -31.05, 84.42

 

CMYK 95 / 0 / 65 / 10

HEX #0BE550

RGB 11 229 80

HSL 138.99, 0.91%, 0.47%

LAB 80, -74.88, 57.89

 

CMYK 27 / 95 / 0 / 10

HEX #A70BE5

RGB 167 11 229

HSL 282.94, 0.91%, 0.47%

LAB 44.39, 80.87, -72.71

 

CMYK 12 / 0 / 95 / 9

HEX #CCE70B

RGB 204 231 11

HSL 67.36, 0.91%, 0.47%

LAB 87, -31.05, 84.42

 

CMYK 95 / 11 / 0 / 10

HEX #0BCBE5

RGB 11 203 229

HSL 187.16, 0.91%, 0.47%

LAB 75.1, -32.14, -24.59

 

CMYK 0 / 95 / 11 / 10

HEX #E50BCB

RGB 229 11 203

HSL 307.16, 0.91%, 0.47%

LAB 53.18, 86.29, -43.15

 

CMYK 12 / 0 / 95 / 9

HEX #CCE70B

RGB 204 231 11

HSL 67.36, 0.91%, 0.47%

LAB 87, -31.05, 84.42

 

CMYK 95 / 0 / 65 / 10

HEX #0BE550

RGB 11 229 80

HSL 138.99, 0.91%, 0.47%

LAB 80, -74.88, 57.89

 

CMYK 84 / 95 / 0 / 10

HEX #240BE5

RGB 36 11 229

HSL 246.88, 0.91%, 0.47%

LAB 30.09, 71.49, -96.81

 

CMYK 0 / 95 / 30 / 10

HEX #E50BA0

RGB 229 11 160

HSL 318.99, 0.91%, 0.47%

LAB 51.19, 81.21, -21.11

 

CMYK 12 / 0 / 95 / 9

HEX #CCE70B

RGB 204 231 11

HSL 67.36, 0.91%, 0.47%

LAB 87, -31.05, 84.42

 

CMYK 95 / 0 / 37 / 10

HEX #0BE591

RGB 11 229 145

HSL 156.88, 0.91%, 0.47%

LAB 80.82, -64.98, 28.31

 

CMYK 84 / 95 / 0 / 10

HEX #240BE5

RGB 36 11 229

HSL 246.88, 0.91%, 0.47%

LAB 30.09, 71.49, -96.81

 

CMYK 0 / 95 / 59 / 10

HEX #E50B5E

RGB 229 11 94

HSL 337.16, 0.91%, 0.47%

LAB 49.14, 75.74, 15.91

 

Description

Color code: HEX #CCE70B | qconv.com Color code: HEX #CCE70B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 231 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 231 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 95 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 95% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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