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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCE673 it is the complementary color #33198C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCE673. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCE673 shade: #D1E66E, #E2F881, #F3FF94, #FFFFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCE673. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCE673 shade: #CCE673, #BBD460, #AAC24D, #99B03A and #889E27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCE673 shade: #CDE774, #E7E274, #E7C374, #E7A474 and #E78574

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCE673 shade: #CDE774, #AEE774, #8FE774, #74E778 and #74E797

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCE673 shade matches the following richer shades: #CDE774 and #D4F467

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCE673 shade: #CDE774, #C5D981, #BECC8F, #B7BF9C and #B0B2A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCE673 shade: #E7C274, #E7E174, #CEE774, #AFE774 and #91E774

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCE673 shade: #B3DA2E, #C0E051, #CDE774, #D9ED97 and #E6F3BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCE673 shade: #CCE673, #74E7A4 and #D274E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCE673 shade: #CCE673, #74CEE7 and #E774CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCE673 shade: #CCE673, #74E7A4, #8D74E7 and #E774B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCE673 shade: #CCE673, #74E7C6, #8D74E7 and #E77495

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 50 / 10

HEX #CCE673

RGB 204 230 115

HSL 73.57, 0.7%, 0.68%

LAB 87.32, -25.46, 52.66

 

Complementary color

CMYK 64 / 82 / 0 / 45

HEX #33198C

RGB 51 25 140

HSL 253.57, 0.7%, 0.32%

LAB 21.18, 43.65, -58.54

 

CMYK 9 / 0 / 52 / 10

HEX #D1E66E

RGB 209 230 110

HSL 70.5, 0.71%, 0.67%

LAB 87.62, -23.99, 55.4

 

CMYK 9 / 0 / 48 / 3

HEX #E2F881

RGB 226 248 129

HSL 71.09, 0.89%, 0.74%

LAB 93.84, -24.28, 54.32

 

CMYK 5 / 0 / 42 / 0

HEX #F3FF94

RGB 243 255 148

HSL 66.73, 1%, 0.79%

LAB 97.11, -19.29, 49.66

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 11 / 0 / 50 / 10

HEX #CCE673

RGB 204 230 115

HSL 73.57, 0.7%, 0.68%

LAB 87.32, -25.46, 52.66

 

CMYK 12 / 0 / 55 / 17

HEX #BBD460

RGB 187 212 96

HSL 72.93, 0.57%, 0.6%

LAB 81.01, -25.18, 53.72

 

CMYK 12 / 0 / 60 / 24

HEX #AAC24D

RGB 170 194 77

HSL 72.31, 0.49%, 0.53%

LAB 74.61, -24.81, 54.66

 

CMYK 13 / 0 / 67 / 31

HEX #99B03A

RGB 153 176 58

HSL 71.69, 0.5%, 0.46%

LAB 68.12, -24.32, 55.36

 

CMYK 14 / 0 / 75 / 38

HEX #889E27

RGB 136 158 39

HSL 71.09, 0.6%, 0.39%

LAB 61.51, -23.67, 55.56

 

CMYK 11 / 0 / 50 / 9

HEX #CDE774

RGB 205 231 116

HSL 73.57, 0.71%, 0.68%

LAB 87.68, -25.46, 52.63

 

CMYK 0 / 2 / 50 / 9

HEX #E7E274

RGB 231 226 116

HSL 57.39, 0.71%, 0.68%

LAB 88.28, -12.82, 53.82

 

CMYK 0 / 16 / 50 / 9

HEX #E7C374

RGB 231 195 116

HSL 41.22, 0.71%, 0.68%

LAB 80.34, 2.98, 44.21

 

CMYK 0 / 29 / 50 / 9

HEX #E7A474

RGB 231 164 116

HSL 25.04, 0.71%, 0.68%

LAB 72.76, 19.37, 34.68

 

CMYK 0 / 42 / 50 / 9

HEX #E78574

RGB 231 133 116

HSL 8.87, 0.71%, 0.68%

LAB 65.77, 35.79, 25.54

 

CMYK 11 / 0 / 50 / 9

HEX #CDE774

RGB 205 231 116

HSL 73.57, 0.71%, 0.68%

LAB 87.68, -25.46, 52.63

 

CMYK 25 / 0 / 50 / 9

HEX #AEE774

RGB 174 231 116

HSL 89.74, 0.71%, 0.68%

LAB 85.71, -36.99, 49.8

 

CMYK 38 / 0 / 50 / 9

HEX #8FE774

RGB 143 231 116

HSL 105.91, 0.71%, 0.68%

LAB 84.1, -47.45, 47.47

 

CMYK 50 / 0 / 48 / 9

HEX #74E778

RGB 116 231 120

HSL 122.09, 0.71%, 0.68%

LAB 83.03, -54.78, 43.99

 

CMYK 50 / 0 / 35 / 9

HEX #74E797

RGB 116 231 151

HSL 138.26, 0.71%, 0.68%

LAB 83.49, -49.95, 29.17

 

CMYK 11 / 0 / 50 / 9

HEX #CDE774

RGB 205 231 116

HSL 73.57, 0.71%, 0.68%

LAB 87.68, -25.46, 52.63

 

CMYK 13 / 0 / 58 / 4

HEX #D4F467

RGB 212 244 103

HSL 73.62, 0.87%, 0.68%

LAB 91.54, -30.02, 63.03

 

CMYK 11 / 0 / 50 / 9

HEX #CDE774

RGB 205 231 116

HSL 73.57, 0.71%, 0.68%

LAB 87.68, -25.46, 52.63

 

CMYK 9 / 0 / 41 / 15

HEX #C5D981

RGB 197 217 129

HSL 73.64, 0.54%, 0.68%

LAB 83.48, -20.4, 41.07

 

CMYK 7 / 0 / 30 / 20

HEX #BECC8F

RGB 190 204 143

HSL 73.77, 0.37%, 0.68%

LAB 79.68, -14.83, 28.88

 

CMYK 4 / 0 / 18 / 25

HEX #B7BF9C

RGB 183 191 156

HSL 73.71, 0.21%, 0.68%

LAB 75.9, -8.87, 16.75

 

CMYK 1 / 0 / 5 / 30

HEX #B0B2A9

RGB 176 178 169

HSL 73.33, 0.06%, 0.68%

LAB 72.19, -2.36, 4.34

 

CMYK 0 / 16 / 50 / 9

HEX #E7C274

RGB 231 194 116

HSL 40.7, 0.71%, 0.68%

LAB 80.09, 3.5, 43.9

 

CMYK 0 / 3 / 50 / 9

HEX #E7E174

RGB 231 225 116

HSL 56.87, 0.71%, 0.68%

LAB 88.02, -12.32, 53.51

 

CMYK 11 / 0 / 50 / 9

HEX #CEE774

RGB 206 231 116

HSL 73.04, 0.71%, 0.68%

LAB 87.74, -25.08, 52.73

 

CMYK 24 / 0 / 50 / 9

HEX #AFE774

RGB 175 231 116

HSL 89.22, 0.71%, 0.68%

LAB 85.77, -36.63, 49.89

 

CMYK 37 / 0 / 50 / 9

HEX #91E774

RGB 145 231 116

HSL 104.87, 0.71%, 0.68%

LAB 84.19, -46.82, 47.6

 

CMYK 18 / 0 / 79 / 15

HEX #B3DA2E

RGB 179 218 46

HSL 73.6, 0.7%, 0.52%

LAB 81.8, -34.29, 73.2

 

CMYK 14 / 0 / 64 / 12

HEX #C0E051

RGB 192 224 81

HSL 73.43, 0.7%, 0.6%

LAB 84.54, -30.07, 64.15

 

CMYK 11 / 0 / 50 / 9

HEX #CDE774

RGB 205 231 116

HSL 73.57, 0.71%, 0.68%

LAB 87.68, -25.46, 52.63

 

CMYK 8 / 0 / 36 / 7

HEX #D9ED97

RGB 217 237 151

HSL 73.95, 0.7%, 0.76%

LAB 90.58, -20.03, 39.51

 

CMYK 5 / 0 / 23 / 5

HEX #E6F3BA

RGB 230 243 186

HSL 73.68, 0.7%, 0.84%

LAB 93.65, -13.61, 26.11

 

CMYK 11 / 0 / 50 / 10

HEX #CCE673

RGB 204 230 115

HSL 73.57, 0.7%, 0.68%

LAB 87.32, -25.46, 52.66

 

CMYK 50 / 0 / 29 / 9

HEX #74E7A4

RGB 116 231 164

HSL 145.04, 0.71%, 0.68%

LAB 83.73, -47.58, 22.81

 

CMYK 9 / 50 / 0 / 9

HEX #D274E7

RGB 210 116 231

HSL 289.04, 0.71%, 0.68%

LAB 63.31, 54.22, -43.18

 

CMYK 11 / 0 / 50 / 10

HEX #CCE673

RGB 204 230 115

HSL 73.57, 0.7%, 0.68%

LAB 87.32, -25.46, 52.66

 

CMYK 50 / 11 / 0 / 9

HEX #74CEE7

RGB 116 206 231

HSL 193.04, 0.71%, 0.68%

LAB 78.24, -20.32, -20.69

 

CMYK 0 / 50 / 11 / 9

HEX #E774CE

RGB 231 116 206

HSL 313.04, 0.71%, 0.68%

LAB 64.91, 55.79, -26.53

 

CMYK 11 / 0 / 50 / 10

HEX #CCE673

RGB 204 230 115

HSL 73.57, 0.7%, 0.68%

LAB 87.32, -25.46, 52.66

 

CMYK 50 / 0 / 29 / 9

HEX #74E7A4

RGB 116 231 164

HSL 145.04, 0.71%, 0.68%

LAB 83.73, -47.58, 22.81

 

CMYK 39 / 50 / 0 / 9

HEX #8D74E7

RGB 141 116 231

HSL 253.04, 0.71%, 0.68%

LAB 56.01, 36.19, -55.22

 

CMYK 0 / 50 / 21 / 9

HEX #E774B7

RGB 231 116 183

HSL 325.04, 0.71%, 0.68%

LAB 64.08, 52.31, -14.81

 

CMYK 11 / 0 / 50 / 10

HEX #CCE673

RGB 204 230 115

HSL 73.57, 0.7%, 0.68%

LAB 87.32, -25.46, 52.66

 

CMYK 50 / 0 / 14 / 9

HEX #74E7C6

RGB 116 231 198

HSL 162.78, 0.71%, 0.68%

LAB 84.45, -40.51, 6.07

 

CMYK 39 / 50 / 0 / 9

HEX #8D74E7

RGB 141 116 231

HSL 253.04, 0.71%, 0.68%

LAB 56.01, 36.19, -55.22

 

CMYK 0 / 50 / 35 / 9

HEX #E77495

RGB 231 116 149

HSL 342.78, 0.71%, 0.68%

LAB 63.05, 47.87, 3.06

 

Description

Color code: HEX #CCE673 | qconv.com Color code: HEX #CCE673 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 230 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 230 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 50 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 50% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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