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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCE5DD it is the complementary color #331A22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCE5DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CCE5DD: #D1E5D8, #E2F7EB, #F3FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCE5DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CCE5DD: #CCE5DD, #BBD3CA, #AAC1B7, #99AFA4 and #889D91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 3 / 10

HEX #CCE5DD

RGB 204 229 221

HSL 160.8, 0.32%, 0.85%

LAB 88.97, -9.75, 1.09

 

Complementary color

CMYK 0 / 49 / 33 / 80

HEX #331A22

RGB 51 26 34

HSL 340.8, 0.32%, 0.15%

LAB 12.97, 13.69, -0.11

 

CMYK 9 / 0 / 6 / 10

HEX #D1E5D8

RGB 209 229 216

HSL 141, 0.28%, 0.86%

LAB 89.18, -9.03, 4.06

 

CMYK 9 / 0 / 5 / 3

HEX #E2F7EB

RGB 226 247 235

HSL 145.71, 0.57%, 0.93%

LAB 95.45, -9.05, 3.41

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFE

RGB 243 255 254

HSL 175, 1%, 0.98%

LAB 99.12, -4.09, -0.89

 

CMYK 11 / 0 / 3 / 10

HEX #CCE5DD

RGB 204 229 221

HSL 160.8, 0.32%, 0.85%

LAB 88.97, -9.75, 1.09

 

CMYK 11 / 0 / 4 / 17

HEX #BBD3CA

RGB 187 211 202

HSL 157.5, 0.21%, 0.78%

LAB 82.6, -9.75, 1.72

 

CMYK 12 / 0 / 5 / 24

HEX #AAC1B7

RGB 170 193 183

HSL 153.91, 0.16%, 0.71%

LAB 76.13, -9.77, 2.38

 

CMYK 13 / 0 / 6 / 31

HEX #99AFA4

RGB 153 175 164

HSL 150, 0.12%, 0.64%

LAB 69.55, -9.79, 3.06

 

CMYK 13 / 0 / 8 / 38

HEX #889D91

RGB 136 157 145

HSL 145.71, 0.1%, 0.57%

LAB 62.84, -9.84, 3.78

 

CMYK 11 / 0 / 3 / 10

HEX #CCE5DD

RGB 204 229 221

HSL 160.8, 0.32%, 0.85%

LAB 88.97, -9.75, 1.09

 

CMYK 11 / 0 / 2 / 11

HEX #CCE4E0

RGB 204 228 224

HSL 170, 0.31%, 0.85%

LAB 88.78, -8.67, -0.76

 

CMYK 11 / 0 / 0 / 11

HEX #CCE4E4

RGB 204 228 228

HSL 180, 0.31%, 0.85%

LAB 88.89, -7.89, -2.7

 

CMYK 11 / 2 / 0 / 11

HEX #CCE0E4

RGB 204 224 228

HSL 190, 0.31%, 0.85%

LAB 87.85, -5.84, -4.23

 

CMYK 11 / 4 / 0 / 11

HEX #CCDCE4

RGB 204 220 228

HSL 200, 0.31%, 0.85%

LAB 86.81, -3.78, -5.76

 

CMYK 11 / 0 / 3 / 10

HEX #CCE5DD

RGB 204 229 221

HSL 160.8, 0.32%, 0.85%

LAB 88.97, -9.75, 1.09

 

CMYK 12 / 0 / 4 / 90

HEX #161918

RGB 22 25 24

HSL 160, 0.06%, 0.09%

LAB 8.41, -1.7, 0.21

 

CMYK 11 / 0 / 4 / 70

HEX #444C49

RGB 68 76 73

HSL 157.5, 0.06%, 0.28%

LAB 31.53, -3.91, 0.68

 

CMYK 11 / 0 / 3 / 50

HEX #717F7B

RGB 113 127 123

HSL 162.86, 0.06%, 0.47%

LAB 51.97, -5.99, 0.41

 

CMYK 11 / 0 / 3 / 30

HEX #9FB2AC

RGB 159 178 172

HSL 161.05, 0.11%, 0.66%

LAB 71, -7.75, 0.82

 

CMYK 11 / 0 / 3 / 10

HEX #CCE5DD

RGB 204 229 221

HSL 160.8, 0.32%, 0.85%

LAB 88.97, -9.75, 1.09

 

CMYK 11 / 9 / 0 / 11

HEX #CCCFE4

RGB 204 207 228

HSL 232.5, 0.31%, 0.85%

LAB 83.48, 3.02, -10.71

 

CMYK 0 / 7 / 11 / 11

HEX #E4D3CC

RGB 228 211 204

HSL 17.5, 0.31%, 0.85%

LAB 85.73, 4.71, 5.57

 

CMYK 11 / 0 / 3 / 10

HEX #CCE5DD

RGB 204 229 221

HSL 160.8, 0.32%, 0.85%

LAB 88.97, -9.75, 1.09

 

CMYK 4 / 11 / 0 / 11

HEX #DCCCE4

RGB 220 204 228

HSL 280, 0.31%, 0.85%

LAB 83.97, 9.87, -9.84

 

CMYK 0 / 4 / 11 / 11

HEX #E4DCCC

RGB 228 220 204

HSL 40, 0.31%, 0.85%

LAB 87.99, 0.03, 8.82

 

CMYK 11 / 0 / 3 / 10

HEX #CCE5DD

RGB 204 229 221

HSL 160.8, 0.32%, 0.85%

LAB 88.97, -9.75, 1.09

 

CMYK 11 / 9 / 0 / 11

HEX #CCCFE4

RGB 204 207 228

HSL 232.5, 0.31%, 0.85%

LAB 83.48, 3.02, -10.71

 

CMYK 0 / 11 / 7 / 11

HEX #E4CCD4

RGB 228 204 212

HSL 340, 0.31%, 0.85%

LAB 84.19, 9.72, -0.91

 

CMYK 0 / 1 / 11 / 11

HEX #E4E1CC

RGB 228 225 204

HSL 52.5, 0.31%, 0.85%

LAB 89.25, -2.54, 10.63

 

CMYK 11 / 0 / 3 / 10

HEX #CCE5DD

RGB 204 229 221

HSL 160.8, 0.32%, 0.85%

LAB 88.97, -9.75, 1.09

 

CMYK 9 / 11 / 0 / 11

HEX #D0CCE4

RGB 208 204 228

HSL 250, 0.31%, 0.85%

LAB 83.02, 5.92, -11.36

 

CMYK 0 / 11 / 7 / 11

HEX #E4CCD4

RGB 228 204 212

HSL 340, 0.31%, 0.85%

LAB 84.19, 9.72, -0.91

 

CMYK 2 / 0 / 11 / 11

HEX #E0E4CC

RGB 224 228 204

HSL 70, 0.31%, 0.85%

LAB 89.72, -5.47, 11.25

 

Description

Color code: HEX #CCE5DD | qconv.com Color code: HEX #CCE5DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 229 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 229 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 3 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 3% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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