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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCE4C8 it is the complementary color #331B37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCE4C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCE4C8 shade: #D1E4C3, #E2F6D6, #F3FFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCE4C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCE4C8 shade: #CCE4C8, #BBD2B5, #AAC0A2, #99AE8F and #889C7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCE4C8 shade: #CCE4C8, #D3E4C8, #DBE4C8, #E2E4C8 and #E4DDC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCE4C8 shade: #CCE4C8, #C8E4CB, #C8E4D3, #C8E4DA and #C8E4E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCE4C8 shade matches the following richer shades: #CCE4C8, #C7EAC1, #C2F1BB, #BEF7B4 and #B9FEAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCE4C8 shade: #CCE4C8, #D1DDCE, #D5D6D5, #DAD0DC and #DFC9E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCE4C8 shade: #DBE4C8, #D3E4C8, #CCE4C8, #C8E4CB and #C8E4D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCE4C8 shade: #99C891, #B2D6AC, #CCE4C8 and #E5F1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCE4C8 shade: #CCE4C8, #C8E2E4 and #E4C8D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCE4C8 shade: #CCE4C8, #C8CCE4 and #E4C8CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCE4C8 shade: #CCE4C8, #C8E2E4, #DFC8E4 and #E4C9C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCE4C8 shade: #CCE4C8, #C8DAE4, #DFC8E4 and #E4D2C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

Complementary color

CMYK 7 / 51 / 0 / 78

HEX #331B37

RGB 51 27 55

HSL 291.43, 0.34%, 0.16%

LAB 14.19, 17.49, -13.45

 

CMYK 8 / 0 / 14 / 11

HEX #D1E4C3

RGB 209 228 195

HSL 94.55, 0.38%, 0.83%

LAB 88.44, -12.18, 13.99

 

CMYK 8 / 0 / 13 / 4

HEX #E2F6D6

RGB 226 246 214

HSL 97.5, 0.64%, 0.9%

LAB 94.71, -12.19, 13.18

 

CMYK 5 / 0 / 9 / 0

HEX #F3FFE9

RGB 243 255 233

HSL 92.73, 1%, 0.96%

LAB 98.61, -7.76, 9.15

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 11 / 0 / 14 / 18

HEX #BBD2B5

RGB 187 210 181

HSL 107.59, 0.24%, 0.77%

LAB 81.84, -13.08, 11.79

 

CMYK 11 / 0 / 16 / 25

HEX #AAC0A2

RGB 170 192 162

HSL 104, 0.19%, 0.69%

LAB 75.36, -13.11, 12.62

 

CMYK 12 / 0 / 18 / 32

HEX #99AE8F

RGB 153 174 143

HSL 100.65, 0.16%, 0.62%

LAB 68.77, -13.15, 13.51

 

CMYK 13 / 0 / 21 / 39

HEX #889C7C

RGB 136 156 124

HSL 97.5, 0.14%, 0.55%

LAB 62.05, -13.2, 14.45

 

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 7 / 0 / 12 / 11

HEX #D3E4C8

RGB 211 228 200

HSL 96.43, 0.34%, 0.84%

LAB 88.69, -10.65, 11.75

 

CMYK 4 / 0 / 12 / 11

HEX #DBE4C8

RGB 219 228 200

HSL 79.29, 0.34%, 0.84%

LAB 89.26, -7.88, 12.64

 

CMYK 1 / 0 / 12 / 11

HEX #E2E4C8

RGB 226 228 200

HSL 64.29, 0.34%, 0.84%

LAB 89.78, -5.41, 13.45

 

CMYK 0 / 3 / 12 / 11

HEX #E4DDC8

RGB 228 221 200

HSL 45, 0.34%, 0.84%

LAB 88.15, -1.12, 11.15

 

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 12 / 0 / 11 / 11

HEX #C8E4CB

RGB 200 228 203

HSL 126.43, 0.34%, 0.84%

LAB 88.01, -13.87, 9.1

 

CMYK 12 / 0 / 7 / 11

HEX #C8E4D3

RGB 200 228 211

HSL 143.57, 0.34%, 0.84%

LAB 88.19, -12.42, 5.18

 

CMYK 12 / 0 / 4 / 11

HEX #C8E4DA

RGB 200 228 218

HSL 158.57, 0.34%, 0.84%

LAB 88.37, -11.11, 1.75

 

CMYK 12 / 0 / 1 / 11

HEX #C8E4E2

RGB 200 228 226

HSL 175.71, 0.34%, 0.84%

LAB 88.57, -9.56, -2.15

 

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 15 / 0 / 18 / 8

HEX #C7EAC1

RGB 199 234 193

HSL 111.22, 0.49%, 0.84%

LAB 89.32, -18.92, 16.17

 

CMYK 20 / 0 / 22 / 5

HEX #C2F1BB

RGB 194 241 187

HSL 112.22, 0.66%, 0.84%

LAB 90.77, -25, 21.25

 

CMYK 23 / 0 / 27 / 3

HEX #BEF7B4

RGB 190 247 180

HSL 111.04, 0.81%, 0.84%

LAB 92.03, -30.29, 26.53

 

CMYK 27 / 0 / 32 / 0

HEX #B9FEAD

RGB 185 254 173

HSL 111.11, 0.98%, 0.84%

LAB 93.54, -36.24, 32.07

 

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 5 / 0 / 7 / 13

HEX #D1DDCE

RGB 209 221 206

HSL 108, 0.18%, 0.84%

LAB 86.86, -6.75, 5.96

 

CMYK 0 / 0 / 0 / 16

HEX #D5D6D5

RGB 213 214 213

HSL 120, 0.01%, 0.84%

LAB 85.53, -0.52, 0.36

 

CMYK 1 / 5 / 0 / 14

HEX #DAD0DC

RGB 218 208 220

HSL 290, 0.15%, 0.84%

LAB 84.58, 5.6, -4.7

 

CMYK 1 / 11 / 0 / 11

HEX #DFC9E2

RGB 223 201 226

HSL 292.8, 0.3%, 0.84%

LAB 83.42, 12.1, -9.57

 

CMYK 4 / 0 / 12 / 11

HEX #DBE4C8

RGB 219 228 200

HSL 79.29, 0.34%, 0.84%

LAB 89.26, -7.88, 12.64

 

CMYK 7 / 0 / 12 / 11

HEX #D3E4C8

RGB 211 228 200

HSL 96.43, 0.34%, 0.84%

LAB 88.69, -10.65, 11.75

 

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 12 / 0 / 11 / 11

HEX #C8E4CB

RGB 200 228 203

HSL 126.43, 0.34%, 0.84%

LAB 88.01, -13.87, 9.1

 

CMYK 12 / 0 / 8 / 11

HEX #C8E4D2

RGB 200 228 210

HSL 141.43, 0.34%, 0.84%

LAB 88.17, -12.61, 5.67

 

CMYK 24 / 0 / 28 / 22

HEX #99C891

RGB 153 200 145

HSL 111.27, 0.33%, 0.68%

LAB 76.15, -25.95, 22.64

 

CMYK 17 / 0 / 20 / 16

HEX #B2D6AC

RGB 178 214 172

HSL 111.43, 0.34%, 0.76%

LAB 82.13, -19.74, 16.88

 

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 5 / 0 / 6 / 5

HEX #E5F1E3

RGB 229 241 227

HSL 111.43, 0.33%, 0.92%

LAB 93.93, -6.46, 5.38

 

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 12 / 1 / 0 / 11

HEX #C8E2E4

RGB 200 226 228

HSL 184.29, 0.34%, 0.84%

LAB 88.1, -8.15, -3.89

 

CMYK 0 / 12 / 6 / 11

HEX #E4C8D7

RGB 228 200 215

HSL 327.86, 0.34%, 0.84%

LAB 83.29, 12.35, -3.84

 

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 12 / 11 / 0 / 11

HEX #C8CCE4

RGB 200 204 228

HSL 231.43, 0.34%, 0.84%

LAB 82.41, 3.32, -12.32

 

CMYK 0 / 12 / 11 / 11

HEX #E4C8CC

RGB 228 200 204

HSL 351.43, 0.34%, 0.84%

LAB 83, 10.49, 1.62

 

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 12 / 1 / 0 / 11

HEX #C8E2E4

RGB 200 226 228

HSL 184.29, 0.34%, 0.84%

LAB 88.1, -8.15, -3.89

 

CMYK 2 / 12 / 0 / 11

HEX #DFC8E4

RGB 223 200 228

HSL 289.29, 0.34%, 0.84%

LAB 83.23, 13, -10.91

 

CMYK 0 / 12 / 12 / 11

HEX #E4C9C8

RGB 228 201 200

HSL 2.14, 0.34%, 0.84%

LAB 83.15, 9.31, 3.97

 

CMYK 11 / 0 / 12 / 11

HEX #CCE4C8

RGB 204 228 200

HSL 111.43, 0.34%, 0.84%

LAB 88.21, -13.05, 10.99

 

CMYK 12 / 4 / 0 / 11

HEX #C8DAE4

RGB 200 218 228

HSL 201.43, 0.34%, 0.84%

LAB 86.02, -4.03, -6.96

 

CMYK 2 / 12 / 0 / 11

HEX #DFC8E4

RGB 223 200 228

HSL 289.29, 0.34%, 0.84%

LAB 83.23, 13, -10.91

 

CMYK 0 / 8 / 12 / 11

HEX #E4D2C8

RGB 228 210 200

HSL 21.43, 0.34%, 0.84%

LAB 85.38, 4.58, 7.19

 

Description

Color code: HEX #CCE4C8 | qconv.com Color code: HEX #CCE4C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 228 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 228 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 12 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 12% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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