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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCE089 it is the complementary color #331F76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCE089. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCE089 shade: #D1E084, #E2F297, #F3FFAA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCE089. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCE089 shade: #CCE089, #BBCE76, #AABC63, #99AA50 and #88983D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCE089 shade: #CCE08A, #E0DD8A, #E0C58A, #E0AE8A and #E0978A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCE089 shade: #CCE08A, #B5E08A, #9EE08A, #8AE08D and #8AE0A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCE089 shade matches the following richer shades: #CCE08A, #D3EC7E and #D9F872

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCE089 shade: #CCE08A, #C6D496, #BFC8A2, #B9BCAE and #B2B0BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCE089 shade: #E0C58A, #E0DC8A, #CDE08A, #B6E08A and #A0E08A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCE089 shade: #B0CF49, #BED76A, #CCE08A, #DAE9AB and #E9F1CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCE089 shade: #CCE089, #8AE0AE and #D08AE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCE089 shade: #CCE089, #8ACDE0 and #E08ACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCE089 shade: #CCE089, #8AE0AE, #9D8AE0 and #E08ABC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCE089 shade: #CCE089, #8AE0C8, #9D8AE0 and #E08AA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 39 / 12

HEX #CCE089

RGB 204 224 137

HSL 73.79, 0.58%, 0.71%

LAB 85.98, -20.24, 40.38

 

Complementary color

CMYK 57 / 74 / 0 / 54

HEX #331F76

RGB 51 31 118

HSL 253.79, 0.58%, 0.29%

LAB 20.01, 33.68, -46.54

 

CMYK 7 / 0 / 41 / 12

HEX #D1E084

RGB 209 224 132

HSL 69.78, 0.6%, 0.7%

LAB 86.27, -18.9, 43.29

 

CMYK 7 / 0 / 38 / 5

HEX #E2F297

RGB 226 242 151

HSL 70.55, 0.78%, 0.77%

LAB 92.53, -19.09, 42.16

 

CMYK 5 / 0 / 33 / 0

HEX #F3FFAA

RGB 243 255 170

HSL 68.47, 1%, 0.83%

LAB 97.42, -16.84, 39.37

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 9 / 0 / 39 / 12

HEX #CCE089

RGB 204 224 137

HSL 73.79, 0.58%, 0.71%

LAB 85.98, -20.24, 40.38

 

CMYK 9 / 0 / 43 / 19

HEX #BBCE76

RGB 187 206 118

HSL 72.95, 0.47%, 0.64%

LAB 79.62, -20.07, 41.53

 

CMYK 10 / 0 / 47 / 26

HEX #AABC63

RGB 170 188 99

HSL 72.13, 0.4%, 0.56%

LAB 73.16, -19.86, 42.7

 

CMYK 10 / 0 / 53 / 33

HEX #99AA50

RGB 153 170 80

HSL 71.33, 0.36%, 0.49%

LAB 66.6, -19.57, 43.85

 

CMYK 11 / 0 / 60 / 40

HEX #88983D

RGB 136 152 61

HSL 70.55, 0.43%, 0.42%

LAB 59.91, -19.18, 44.9

 

CMYK 9 / 0 / 38 / 12

HEX #CCE08A

RGB 204 224 138

HSL 73.95, 0.58%, 0.71%

LAB 86, -20.12, 39.9

 

CMYK 0 / 1 / 38 / 12

HEX #E0DD8A

RGB 224 221 138

HSL 57.91, 0.58%, 0.71%

LAB 86.7, -10.95, 41.1

 

CMYK 0 / 12 / 38 / 12

HEX #E0C58A

RGB 224 197 138

HSL 41.16, 0.58%, 0.71%

LAB 80.52, 1.35, 33.1

 

CMYK 0 / 22 / 38 / 12

HEX #E0AE8A

RGB 224 174 138

HSL 25.12, 0.58%, 0.71%

LAB 74.8, 13.51, 25.48

 

CMYK 0 / 33 / 38 / 12

HEX #E0978A

RGB 224 151 138

HSL 9.07, 0.58%, 0.71%

LAB 69.34, 25.85, 18.04

 

CMYK 9 / 0 / 38 / 12

HEX #CCE08A

RGB 204 224 138

HSL 73.95, 0.58%, 0.71%

LAB 86, -20.12, 39.9

 

CMYK 19 / 0 / 38 / 12

HEX #B5E08A

RGB 181 224 138

HSL 90, 0.58%, 0.71%

LAB 84.47, -28.62, 37.62

 

CMYK 29 / 0 / 38 / 12

HEX #9EE08A

RGB 158 224 138

HSL 106.05, 0.58%, 0.71%

LAB 83.13, -36.61, 35.63

 

CMYK 38 / 0 / 37 / 12

HEX #8AE08D

RGB 138 224 141

HSL 122.09, 0.58%, 0.71%

LAB 82.18, -42.53, 32.68

 

CMYK 38 / 0 / 26 / 12

HEX #8AE0A5

RGB 138 224 165

HSL 138.84, 0.58%, 0.71%

LAB 82.61, -38.46, 20.89

 

CMYK 9 / 0 / 38 / 12

HEX #CCE08A

RGB 204 224 138

HSL 73.95, 0.58%, 0.71%

LAB 86, -20.12, 39.9

 

CMYK 11 / 0 / 47 / 7

HEX #D3EC7E

RGB 211 236 126

HSL 73.64, 0.74%, 0.71%

LAB 89.55, -24.58, 50.3

 

CMYK 13 / 0 / 54 / 3

HEX #D9F872

RGB 217 248 114

HSL 73.88, 0.91%, 0.71%

LAB 93.06, -29.07, 60.06

 

CMYK 9 / 0 / 38 / 12

HEX #CCE08A

RGB 204 224 138

HSL 73.95, 0.58%, 0.71%

LAB 86, -20.12, 39.9

 

CMYK 7 / 0 / 29 / 17

HEX #C6D496

RGB 198 212 150

HSL 73.55, 0.42%, 0.71%

LAB 82.54, -14.91, 29.17

 

CMYK 5 / 0 / 19 / 22

HEX #BFC8A2

RGB 191 200 162

HSL 74.21, 0.26%, 0.71%

LAB 79.04, -9.65, 18

 

CMYK 2 / 0 / 7 / 26

HEX #B9BCAE

RGB 185 188 174

HSL 72.86, 0.09%, 0.71%

LAB 75.66, -3.58, 6.71

 

CMYK 4 / 5 / 0 / 27

HEX #B2B0BA

RGB 178 176 186

HSL 252, 0.07%, 0.71%

LAB 72.27, 2.62, -4.85

 

CMYK 0 / 12 / 38 / 12

HEX #E0C58A

RGB 224 197 138

HSL 41.16, 0.58%, 0.71%

LAB 80.52, 1.35, 33.1

 

CMYK 0 / 2 / 38 / 12

HEX #E0DC8A

RGB 224 220 138

HSL 57.21, 0.58%, 0.71%

LAB 86.44, -10.45, 40.76

 

CMYK 8 / 0 / 38 / 12

HEX #CDE08A

RGB 205 224 138

HSL 73.26, 0.58%, 0.71%

LAB 86.07, -19.74, 40

 

CMYK 19 / 0 / 38 / 12

HEX #B6E08A

RGB 182 224 138

HSL 89.3, 0.58%, 0.71%

LAB 84.53, -28.26, 37.72

 

CMYK 29 / 0 / 38 / 12

HEX #A0E08A

RGB 160 224 138

HSL 104.65, 0.58%, 0.71%

LAB 83.24, -35.94, 35.79

 

CMYK 15 / 0 / 65 / 19

HEX #B0CF49

RGB 176 207 73

HSL 73.88, 0.58%, 0.55%

LAB 78.66, -28.93, 60.82

 

CMYK 12 / 0 / 51 / 16

HEX #BED76A

RGB 190 215 106

HSL 73.76, 0.58%, 0.63%

LAB 82.16, -24.54, 50.48

 

CMYK 9 / 0 / 38 / 12

HEX #CCE08A

RGB 204 224 138

HSL 73.95, 0.58%, 0.71%

LAB 86, -20.12, 39.9

 

CMYK 6 / 0 / 27 / 9

HEX #DAE9AB

RGB 218 233 171

HSL 74.52, 0.58%, 0.79%

LAB 89.92, -15.11, 28.55

 

CMYK 3 / 0 / 16 / 5

HEX #E9F1CB

RGB 233 241 203

HSL 72.63, 0.58%, 0.87%

LAB 93.69, -9.03, 17.48

 

CMYK 9 / 0 / 39 / 12

HEX #CCE089

RGB 204 224 137

HSL 73.79, 0.58%, 0.71%

LAB 85.98, -20.24, 40.38

 

CMYK 38 / 0 / 22 / 12

HEX #8AE0AE

RGB 138 224 174

HSL 145.12, 0.58%, 0.71%

LAB 82.79, -36.77, 16.43

 

CMYK 7 / 38 / 0 / 12

HEX #D08AE0

RGB 208 138 224

HSL 288.84, 0.58%, 0.71%

LAB 67.25, 40.85, -33.17

 

CMYK 9 / 0 / 39 / 12

HEX #CCE089

RGB 204 224 137

HSL 73.79, 0.58%, 0.71%

LAB 85.98, -20.24, 40.38

 

CMYK 38 / 8 / 0 / 12

HEX #8ACDE0

RGB 138 205 224

HSL 193.26, 0.58%, 0.71%

LAB 78.72, -16.39, -16.11

 

CMYK 0 / 38 / 8 / 12

HEX #E08ACD

RGB 224 138 205

HSL 313.26, 0.58%, 0.71%

LAB 68.34, 42.37, -20.8

 

CMYK 9 / 0 / 39 / 12

HEX #CCE089

RGB 204 224 137

HSL 73.79, 0.58%, 0.71%

LAB 85.98, -20.24, 40.38

 

CMYK 38 / 0 / 22 / 12

HEX #8AE0AE

RGB 138 224 174

HSL 145.12, 0.58%, 0.71%

LAB 82.79, -36.77, 16.43

 

CMYK 30 / 38 / 0 / 12

HEX #9D8AE0

RGB 157 138 224

HSL 253.26, 0.58%, 0.71%

LAB 62.28, 25.86, -41.3

 

CMYK 0 / 38 / 16 / 12

HEX #E08ABC

RGB 224 138 188

HSL 325.12, 0.58%, 0.71%

LAB 67.77, 39.6, -12.17

 

CMYK 9 / 0 / 39 / 12

HEX #CCE089

RGB 204 224 137

HSL 73.79, 0.58%, 0.71%

LAB 85.98, -20.24, 40.38

 

CMYK 38 / 0 / 11 / 12

HEX #8AE0C8

RGB 138 224 200

HSL 163.26, 0.58%, 0.71%

LAB 83.38, -31.41, 3.57

 

CMYK 30 / 38 / 0 / 12

HEX #9D8AE0

RGB 157 138 224

HSL 253.26, 0.58%, 0.71%

LAB 62.28, 25.86, -41.3

 

CMYK 0 / 38 / 28 / 12

HEX #E08AA2

RGB 224 138 162

HSL 343.26, 0.58%, 0.71%

LAB 67, 35.8, 1.3

 

Description

Color code: HEX #CCE089 | qconv.com Color code: HEX #CCE089 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 224 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 224 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 39 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 39% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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