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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCDC35 it is the complementary color #3323CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCDC35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCDC35 shade: #D1DC30, #E2EE43, #F3FF56, #FFFF69 and #FFFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCDC35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCDC35 shade: #CCDC35, #BBCA22, #AAB80F, #99A600 and #889400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCDC35 shade: #CCDC38, #DCBF38, #DC9338, #DC6738 and #DC3A38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCDC35 shade: #CCDC38, #A0DC38, #74DC38, #47DC38 and #38DC54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCDC35 shade matches the following richer shades: #CCDC38 and #DBEF25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCDC35 shade: #CCDC38, #BDC94B, #ADB65E, #9EA371 and #8F9084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCDC35 shade: #DC9238, #DCBE38, #CEDC38, #A2DC38 and #77DC38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCDC35 shade: #97A41D, #B7C723, #CCDC38, #D5E25B and #DEE87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCDC35 shade: #CCDC35, #38DC66 and #A838DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCDC35 shade: #CCDC35, #38CEDC and #DC38CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCDC35 shade: #CCDC35, #38DC66, #4538DC and #DC38AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCDC35 shade: #CCDC35, #38DC97, #4538DC and #DC387C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 76 / 14

HEX #CCDC35

RGB 204 220 53

HSL 65.75, 0.7%, 0.54%

LAB 84.11, -24.85, 73.92

 

Complementary color

CMYK 75 / 83 / 0 / 21

HEX #3323CA

RGB 51 35 202

HSL 245.75, 0.7%, 0.46%

LAB 29.84, 57.55, -81.59

 

CMYK 5 / 0 / 78 / 14

HEX #D1DC30

RGB 209 220 48

HSL 63.84, 0.71%, 0.53%

LAB 84.46, -22.98, 75.82

 

CMYK 5 / 0 / 72 / 7

HEX #E2EE43

RGB 226 238 67

HSL 64.21, 0.83%, 0.6%

LAB 90.65, -23.87, 76.2

 

CMYK 5 / 0 / 66 / 0

HEX #F3FF56

RGB 243 255 86

HSL 64.26, 1%, 0.67%

LAB 96.51, -24.16, 75.75

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 7 / 0 / 76 / 14

HEX #CCDC35

RGB 204 220 53

HSL 65.75, 0.7%, 0.54%

LAB 84.11, -24.85, 73.92

 

CMYK 7 / 0 / 83 / 21

HEX #BBCA22

RGB 187 202 34

HSL 65.36, 0.71%, 0.46%

LAB 77.83, -23.89, 73.01

 

CMYK 8 / 0 / 92 / 28

HEX #AAB80F

RGB 170 184 15

HSL 64.97, 0.85%, 0.39%

LAB 71.46, -22.73, 70.89

 

CMYK 8 / 0 / 100 / 35

HEX #99A600

RGB 153 166 0

HSL 64.7, 1%, 0.33%

LAB 65, -21.37, 67.28

 

CMYK 8 / 0 / 100 / 42

HEX #889400

RGB 136 148 0

HSL 64.86, 1%, 0.29%

LAB 58.43, -19.78, 61.81

 

CMYK 7 / 0 / 75 / 14

HEX #CCDC38

RGB 204 220 56

HSL 65.85, 0.7%, 0.54%

LAB 84.13, -24.73, 73.01

 

CMYK 0 / 13 / 75 / 14

HEX #DCBF38

RGB 220 191 56

HSL 49.39, 0.7%, 0.54%

LAB 77.73, -3.49, 67.48

 

CMYK 0 / 33 / 75 / 14

HEX #DC9338

RGB 220 147 56

HSL 33.29, 0.7%, 0.54%

LAB 66.8, 19.85, 56.89

 

CMYK 0 / 53 / 75 / 14

HEX #DC6738

RGB 220 103 56

HSL 17.2, 0.7%, 0.54%

LAB 57.27, 42.83, 47.15

 

CMYK 0 / 74 / 75 / 14

HEX #DC3A38

RGB 220 58 56

HSL 0.73, 0.7%, 0.54%

LAB 50.13, 61.86, 39.44

 

CMYK 7 / 0 / 75 / 14

HEX #CCDC38

RGB 204 220 56

HSL 65.85, 0.7%, 0.54%

LAB 84.13, -24.73, 73.01

 

CMYK 27 / 0 / 75 / 14

HEX #A0DC38

RGB 160 220 56

HSL 81.95, 0.7%, 0.54%

LAB 81.26, -42.04, 69.29

 

CMYK 47 / 0 / 75 / 14

HEX #74DC38

RGB 116 220 56

HSL 98.05, 0.7%, 0.54%

LAB 79.15, -56.9, 66.52

 

CMYK 68 / 0 / 75 / 14

HEX #47DC38

RGB 71 220 56

HSL 114.51, 0.7%, 0.54%

LAB 77.76, -67.91, 64.69

 

CMYK 75 / 0 / 62 / 14

HEX #38DC54

RGB 56 220 84

HSL 130.24, 0.7%, 0.54%

LAB 77.68, -67.86, 53.75

 

CMYK 7 / 0 / 75 / 14

HEX #CCDC38

RGB 204 220 56

HSL 65.85, 0.7%, 0.54%

LAB 84.13, -24.73, 73.01

 

CMYK 8 / 0 / 85 / 6

HEX #DBEF25

RGB 219 239 37

HSL 65.94, 0.86%, 0.54%

LAB 90.29, -28.24, 83.74

 

CMYK 7 / 0 / 75 / 14

HEX #CCDC38

RGB 204 220 56

HSL 65.85, 0.7%, 0.54%

LAB 84.13, -24.73, 73.01

 

CMYK 6 / 0 / 63 / 21

HEX #BDC94B

RGB 189 201 75

HSL 65.71, 0.54%, 0.54%

LAB 77.93, -20.63, 59.51

 

CMYK 5 / 0 / 48 / 29

HEX #ADB65E

RGB 173 182 94

HSL 66.14, 0.38%, 0.54%

LAB 71.66, -16.12, 43.39

 

CMYK 3 / 0 / 31 / 36

HEX #9EA371

RGB 158 163 113

HSL 66, 0.21%, 0.54%

LAB 65.48, -10.1, 25.44

 

CMYK 1 / 0 / 8 / 44

HEX #8F9084

RGB 143 144 132

HSL 65, 0.05%, 0.54%

LAB 59.39, -2.62, 6.24

 

CMYK 0 / 34 / 75 / 14

HEX #DC9238

RGB 220 146 56

HSL 32.93, 0.7%, 0.54%

LAB 66.56, 20.39, 56.65

 

CMYK 0 / 14 / 75 / 14

HEX #DCBE38

RGB 220 190 56

HSL 49.02, 0.7%, 0.54%

LAB 77.48, -2.98, 67.24

 

CMYK 6 / 0 / 75 / 14

HEX #CEDC38

RGB 206 220 56

HSL 65.12, 0.7%, 0.54%

LAB 84.27, -23.91, 73.2

 

CMYK 26 / 0 / 75 / 14

HEX #A2DC38

RGB 162 220 56

HSL 81.22, 0.7%, 0.54%

LAB 81.38, -41.3, 69.44

 

CMYK 46 / 0 / 75 / 14

HEX #77DC38

RGB 119 220 56

HSL 96.95, 0.7%, 0.54%

LAB 79.27, -56, 66.67

 

CMYK 8 / 0 / 82 / 36

HEX #97A41D

RGB 151 164 29

HSL 65.78, 0.7%, 0.38%

LAB 64.34, -20.63, 61.61

 

CMYK 8 / 0 / 82 / 22

HEX #B7C723

RGB 183 199 35

HSL 65.85, 0.7%, 0.46%

LAB 76.7, -24.08, 71.69

 

CMYK 7 / 0 / 75 / 14

HEX #CCDC38

RGB 204 220 56

HSL 65.85, 0.7%, 0.54%

LAB 84.13, -24.73, 73.01

 

CMYK 6 / 0 / 60 / 11

HEX #D5E25B

RGB 213 226 91

HSL 65.78, 0.7%, 0.62%

LAB 86.65, -21.98, 62.74

 

CMYK 4 / 0 / 46 / 9

HEX #DEE87E

RGB 222 232 126

HSL 65.66, 0.7%, 0.7%

LAB 89.28, -18.41, 50.14

 

CMYK 7 / 0 / 76 / 14

HEX #CCDC35

RGB 204 220 53

HSL 65.75, 0.7%, 0.54%

LAB 84.11, -24.85, 73.92

 

CMYK 75 / 0 / 54 / 14

HEX #38DC66

RGB 56 220 102

HSL 136.83, 0.7%, 0.54%

LAB 77.87, -65.6, 45.85

 

CMYK 24 / 75 / 0 / 14

HEX #A838DC

RGB 168 56 220

HSL 280.98, 0.7%, 0.54%

LAB 47.39, 69, -62.7

 

CMYK 7 / 0 / 76 / 14

HEX #CCDC35

RGB 204 220 53

HSL 65.75, 0.7%, 0.54%

LAB 84.11, -24.85, 73.92

 

CMYK 75 / 6 / 0 / 14

HEX #38CEDC

RGB 56 206 220

HSL 185.12, 0.7%, 0.54%

LAB 76.16, -33.42, -18.09

 

CMYK 0 / 75 / 6 / 14

HEX #DC38CE

RGB 220 56 206

HSL 305.12, 0.7%, 0.54%

LAB 54.55, 76.94, -42.79

 

CMYK 7 / 0 / 76 / 14

HEX #CCDC35

RGB 204 220 53

HSL 65.75, 0.7%, 0.54%

LAB 84.11, -24.85, 73.92

 

CMYK 75 / 0 / 54 / 14

HEX #38DC66

RGB 56 220 102

HSL 136.83, 0.7%, 0.54%

LAB 77.87, -65.6, 45.85

 

CMYK 69 / 75 / 0 / 14

HEX #4538DC

RGB 69 56 220

HSL 244.76, 0.7%, 0.54%

LAB 36.48, 54.32, -80.98

 

CMYK 0 / 75 / 21 / 14

HEX #DC38AD

RGB 220 56 173

HSL 317.2, 0.7%, 0.54%

LAB 53.02, 72.38, -26.1

 

CMYK 7 / 0 / 76 / 14

HEX #CCDC35

RGB 204 220 53

HSL 65.75, 0.7%, 0.54%

LAB 84.11, -24.85, 73.92

 

CMYK 75 / 0 / 31 / 14

HEX #38DC97

RGB 56 220 151

HSL 154.76, 0.7%, 0.54%

LAB 78.61, -57.07, 22.29

 

CMYK 69 / 75 / 0 / 14

HEX #4538DC

RGB 69 56 220

HSL 244.76, 0.7%, 0.54%

LAB 36.48, 54.32, -80.98

 

CMYK 0 / 75 / 44 / 14

HEX #DC387C

RGB 220 56 124

HSL 335.12, 0.7%, 0.54%

LAB 51.27, 66.96, 0.4

 

Description

Color code: HEX #CCDC35 | qconv.com Color code: HEX #CCDC35 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 220 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 220 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 76 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 76% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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