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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCDBC7 it is the complementary color #332438. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCDBC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CCDBC7: #D1DBC2, #E2EDD5, #F3FFE8, #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCDBC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CCDBC7: #CCDBC7, #BBC9B4, #AAB7A1, #99A58E and #88937B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 9 / 14

HEX #CCDBC7

RGB 204 219 199

HSL 105, 0.22%, 0.82%

LAB 85.82, -8.66, 8.11

 

Complementary color

CMYK 9 / 36 / 0 / 78

HEX #332438

RGB 51 36 56

HSL 285, 0.22%, 0.18%

LAB 16.75, 11.57, -10.2

 

CMYK 5 / 0 / 11 / 14

HEX #D1DBC2

RGB 209 219 194

HSL 84, 0.26%, 0.81%

LAB 86.06, -7.78, 11.14

 

CMYK 5 / 0 / 10 / 7

HEX #E2EDD5

RGB 226 237 213

HSL 87.5, 0.4%, 0.88%

LAB 92.37, -7.85, 10.37

 

CMYK 5 / 0 / 9 / 0

HEX #F3FFE8

RGB 243 255 232

HSL 91.3, 1%, 0.95%

LAB 98.59, -7.92, 9.63

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 7 / 0 / 9 / 14

HEX #CCDBC7

RGB 204 219 199

HSL 105, 0.22%, 0.82%

LAB 85.82, -8.66, 8.11

 

CMYK 7 / 0 / 10 / 21

HEX #BBC9B4

RGB 187 201 180

HSL 100, 0.16%, 0.75%

LAB 79.4, -8.63, 8.86

 

CMYK 7 / 0 / 12 / 28

HEX #AAB7A1

RGB 170 183 161

HSL 95.45, 0.13%, 0.67%

LAB 72.88, -8.6, 9.65

 

CMYK 7 / 0 / 14 / 35

HEX #99A58E

RGB 153 165 142

HSL 91.3, 0.11%, 0.6%

LAB 66.24, -8.56, 10.49

 

CMYK 7 / 0 / 16 / 42

HEX #88937B

RGB 136 147 123

HSL 87.5, 0.1%, 0.53%

LAB 59.46, -8.53, 11.38

 

CMYK 7 / 0 / 9 / 14

HEX #CCDBC7

RGB 204 219 199

HSL 105, 0.22%, 0.82%

LAB 85.82, -8.66, 8.11

 

CMYK 9 / 0 / 9 / 14

HEX #C8DBC7

RGB 200 219 199

HSL 117, 0.22%, 0.82%

LAB 85.54, -10.03, 7.67

 

CMYK 9 / 0 / 9 / 14

HEX #C7DBC8

RGB 199 219 200

HSL 123, 0.22%, 0.82%

LAB 85.49, -10.2, 7.06

 

CMYK 9 / 0 / 7 / 14

HEX #C7DBCC

RGB 199 219 204

HSL 135, 0.22%, 0.82%

LAB 85.59, -9.47, 5.09

 

CMYK 9 / 0 / 5 / 14

HEX #C7DBCF

RGB 199 219 207

HSL 144, 0.22%, 0.82%

LAB 85.66, -8.92, 3.61

 

CMYK 7 / 0 / 9 / 14

HEX #CCDBC7

RGB 204 219 199

HSL 105, 0.22%, 0.82%

LAB 85.82, -8.66, 8.11

 

CMYK 7 / 0 / 7 / 94

HEX #0E0F0E

RGB 14 15 14

HSL 120, 0.03%, 0.06%

LAB 4.22, -0.51, 0.36

 

CMYK 8 / 0 / 9 / 74

HEX #3D423C

RGB 61 66 60

HSL 110, 0.05%, 0.25%

LAB 27.34, -3.43, 2.94

 

CMYK 7 / 0 / 9 / 54

HEX #6D756A

RGB 109 117 106

HSL 103.64, 0.05%, 0.44%

LAB 48.28, -5.25, 5.03

 

CMYK 7 / 0 / 9 / 34

HEX #9CA899

RGB 156 168 153

HSL 108, 0.08%, 0.63%

LAB 67.56, -7.1, 6.3

 

CMYK 7 / 0 / 9 / 14

HEX #CCDBC7

RGB 204 219 199

HSL 105, 0.22%, 0.82%

LAB 85.82, -8.66, 8.11

 

CMYK 9 / 0 / 0 / 14

HEX #C7DBDA

RGB 199 219 218

HSL 177, 0.22%, 0.82%

LAB 85.94, -6.84, -1.8

 

CMYK 0 / 9 / 3 / 14

HEX #DBC7D4

RGB 219 199 212

HSL 321, 0.22%, 0.82%

LAB 82.2, 9.25, -3.93

 

CMYK 7 / 0 / 9 / 14

HEX #CCDBC7

RGB 204 219 199

HSL 105, 0.22%, 0.82%

LAB 85.82, -8.66, 8.11

 

CMYK 9 / 7 / 0 / 14

HEX #C7CCDB

RGB 199 204 219

HSL 225, 0.22%, 0.82%

LAB 82.08, 1.18, -8.02

 

CMYK 0 / 9 / 7 / 14

HEX #DBC7CC

RGB 219 199 204

HSL 345, 0.22%, 0.82%

LAB 81.98, 7.85, 0.04

 

CMYK 7 / 0 / 9 / 14

HEX #CCDBC7

RGB 204 219 199

HSL 105, 0.22%, 0.82%

LAB 85.82, -8.66, 8.11

 

CMYK 9 / 0 / 0 / 14

HEX #C7DBDA

RGB 199 219 218

HSL 177, 0.22%, 0.82%

LAB 85.94, -6.84, -1.8

 

CMYK 2 / 9 / 0 / 14

HEX #D6C7DB

RGB 214 199 219

HSL 285, 0.22%, 0.82%

LAB 81.98, 8.83, -8.04

 

CMYK 0 / 9 / 9 / 14

HEX #DBC7C8

RGB 219 199 200

HSL 357, 0.22%, 0.82%

LAB 81.88, 7.17, 2.04

 

CMYK 7 / 0 / 9 / 14

HEX #CCDBC7

RGB 204 219 199

HSL 105, 0.22%, 0.82%

LAB 85.82, -8.66, 8.11

 

CMYK 9 / 2 / 0 / 14

HEX #C7D6DB

RGB 199 214 219

HSL 195, 0.22%, 0.82%

LAB 84.66, -4.06, -4.2

 

CMYK 2 / 9 / 0 / 14

HEX #D6C7DB

RGB 214 199 219

HSL 285, 0.22%, 0.82%

LAB 81.98, 8.83, -8.04

 

CMYK 0 / 7 / 9 / 14

HEX #DBCCC7

RGB 219 204 199

HSL 15, 0.22%, 0.82%

LAB 83.11, 4.36, 4.35

 

Description

Color code: HEX #CCDBC7 | qconv.com Color code: HEX #CCDBC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 219 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 219 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 9 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 9% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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