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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD962 it is the complementary color #33269D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD962. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD962 shade: #D1D95D, #E2EB70, #F3FD83, #FFFF96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD962. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD962 shade: #CCD962, #BBC74F, #AAB53C, #99A329 and #889116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD962 shade: #CCD963, #D9C663, #D9A663, #D98663 and #D96763

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD962 shade: #CCD963, #ACD963, #8DD963, #6DD963 and #63D979

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD962 shade matches the following richer shades: #CCD963, #D9E953 and #E5F944

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD962 shade: #CCD963, #C0CA73, #B4BA82, #A8AA92 and #9B9AA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD962 shade: #D9A663, #D9C663, #CDD963, #AED963 and #8ED963

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD962 shade: #ADBC2E, #C2D142, #CCD963, #D7E184 and #E2E9A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD962 shade: #CCD962, #63D986 and #B663D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD962 shade: #CCD962, #63CDD9 and #D963CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD962 shade: #CCD962, #63D986, #6F63D9 and #D963B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD962 shade: #CCD962, #63D9AA, #6F63D9 and #D96392

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 55 / 15

HEX #CCD962

RGB 204 217 98

HSL 66.55, 0.61%, 0.62%

LAB 83.62, -20.68, 56.13

 

Complementary color

CMYK 68 / 76 / 0 / 38

HEX #33269D

RGB 51 38 157

HSL 246.55, 0.61%, 0.38%

LAB 25.33, 42.27, -62.18

 

CMYK 4 / 0 / 57 / 15

HEX #D1D95D

RGB 209 217 93

HSL 63.87, 0.62%, 0.61%

LAB 83.95, -19.06, 58.82

 

CMYK 4 / 0 / 52 / 8

HEX #E2EB70

RGB 226 235 112

HSL 64.39, 0.75%, 0.68%

LAB 90.21, -19.56, 57.82

 

CMYK 4 / 0 / 48 / 1

HEX #F3FD83

RGB 243 253 131

HSL 64.92, 0.97%, 0.75%

LAB 96.39, -19.97, 56.75

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 6 / 0 / 55 / 15

HEX #CCD962

RGB 204 217 98

HSL 66.55, 0.61%, 0.62%

LAB 83.62, -20.68, 56.13

 

CMYK 6 / 0 / 60 / 22

HEX #BBC74F

RGB 187 199 79

HSL 66, 0.52%, 0.55%

LAB 77.27, -20.18, 57.06

 

CMYK 6 / 0 / 67 / 29

HEX #AAB53C

RGB 170 181 60

HSL 65.45, 0.5%, 0.47%

LAB 70.82, -19.56, 57.74

 

CMYK 6 / 0 / 75 / 36

HEX #99A329

RGB 153 163 41

HSL 64.92, 0.6%, 0.4%

LAB 64.26, -18.77, 57.93

 

CMYK 6 / 0 / 85 / 43

HEX #889116

RGB 136 145 22

HSL 64.39, 0.74%, 0.33%

LAB 57.6, -17.76, 57.18

 

CMYK 6 / 0 / 54 / 15

HEX #CCD963

RGB 204 217 99

HSL 66.61, 0.61%, 0.62%

LAB 83.63, -20.6, 55.69

 

CMYK 0 / 9 / 54 / 15

HEX #D9C663

RGB 217 198 99

HSL 50.34, 0.61%, 0.62%

LAB 79.64, -5.76, 51.33

 

CMYK 0 / 24 / 54 / 15

HEX #D9A663

RGB 217 166 99

HSL 34.07, 0.61%, 0.62%

LAB 71.5, 11.09, 41.63

 

CMYK 0 / 38 / 54 / 15

HEX #D98663

RGB 217 134 99

HSL 17.8, 0.61%, 0.62%

LAB 63.92, 28.31, 32.16

 

CMYK 0 / 53 / 54 / 15

HEX #D96763

RGB 217 103 99

HSL 2.03, 0.61%, 0.62%

LAB 57.42, 44.36, 23.71

 

CMYK 6 / 0 / 54 / 15

HEX #CCD963

RGB 204 217 99

HSL 66.61, 0.61%, 0.62%

LAB 83.63, -20.6, 55.69

 

CMYK 21 / 0 / 54 / 15

HEX #ACD963

RGB 172 217 99

HSL 82.88, 0.61%, 0.62%

LAB 81.45, -33.04, 52.61

 

CMYK 35 / 0 / 54 / 15

HEX #8DD963

RGB 141 217 99

HSL 98.64, 0.61%, 0.62%

LAB 79.72, -44.09, 50.14

 

CMYK 50 / 0 / 54 / 15

HEX #6DD963

RGB 109 217 99

HSL 114.92, 0.61%, 0.62%

LAB 78.33, -53.87, 48.15

 

CMYK 54 / 0 / 44 / 15

HEX #63D979

RGB 99 217 121

HSL 131.19, 0.61%, 0.62%

LAB 78.26, -53.43, 37.36

 

CMYK 6 / 0 / 54 / 15

HEX #CCD963

RGB 204 217 99

HSL 66.61, 0.61%, 0.62%

LAB 83.63, -20.6, 55.69

 

CMYK 7 / 0 / 64 / 9

HEX #D9E953

RGB 217 233 83

HSL 66.4, 0.77%, 0.62%

LAB 88.76, -24.27, 68.32

 

CMYK 8 / 0 / 73 / 2

HEX #E5F944

RGB 229 249 68

HSL 66.63, 0.94%, 0.62%

LAB 93.81, -27.81, 78.96

 

CMYK 6 / 0 / 54 / 15

HEX #CCD963

RGB 204 217 99

HSL 66.61, 0.61%, 0.62%

LAB 83.63, -20.6, 55.69

 

CMYK 5 / 0 / 43 / 21

HEX #C0CA73

RGB 192 202 115

HSL 66.9, 0.45%, 0.62%

LAB 78.86, -16.45, 42.15

 

CMYK 3 / 0 / 30 / 27

HEX #B4BA82

RGB 180 186 130

HSL 66.43, 0.29%, 0.62%

LAB 73.83, -11.21, 27.76

 

CMYK 1 / 0 / 14 / 33

HEX #A8AA92

RGB 168 170 146

HSL 65, 0.12%, 0.62%

LAB 68.86, -4.98, 12.15

 

CMYK 4 / 5 / 0 / 36

HEX #9B9AA2

RGB 155 154 162

HSL 247.5, 0.04%, 0.62%

LAB 63.91, 1.93, -4.05

 

CMYK 0 / 24 / 54 / 15

HEX #D9A663

RGB 217 166 99

HSL 34.07, 0.61%, 0.62%

LAB 71.5, 11.09, 41.63

 

CMYK 0 / 9 / 54 / 15

HEX #D9C663

RGB 217 198 99

HSL 50.34, 0.61%, 0.62%

LAB 79.64, -5.76, 51.33

 

CMYK 6 / 0 / 54 / 15

HEX #CDD963

RGB 205 217 99

HSL 66.1, 0.61%, 0.62%

LAB 83.71, -20.2, 55.79

 

CMYK 20 / 0 / 54 / 15

HEX #AED963

RGB 174 217 99

HSL 81.86, 0.61%, 0.62%

LAB 81.58, -32.29, 52.78

 

CMYK 35 / 0 / 54 / 15

HEX #8ED963

RGB 142 217 99

HSL 98.14, 0.61%, 0.62%

LAB 79.77, -43.75, 50.21

 

CMYK 8 / 0 / 76 / 26

HEX #ADBC2E

RGB 173 188 46

HSL 66.34, 0.61%, 0.46%

LAB 72.92, -22.5, 64.93

 

CMYK 7 / 0 / 68 / 18

HEX #C2D142

RGB 194 209 66

HSL 66.29, 0.61%, 0.54%

LAB 80.44, -23.03, 65.77

 

CMYK 6 / 0 / 54 / 15

HEX #CCD963

RGB 204 217 99

HSL 66.61, 0.61%, 0.62%

LAB 83.63, -20.6, 55.69

 

CMYK 4 / 0 / 41 / 12

HEX #D7E184

RGB 215 225 132

HSL 66.45, 0.61%, 0.7%

LAB 86.98, -17.08, 44.28

 

CMYK 3 / 0 / 29 / 9

HEX #E2E9A5

RGB 226 233 165

HSL 66.18, 0.61%, 0.78%

LAB 90.4, -12.97, 32.35

 

CMYK 6 / 0 / 55 / 15

HEX #CCD962

RGB 204 217 98

HSL 66.55, 0.61%, 0.62%

LAB 83.62, -20.68, 56.13

 

CMYK 54 / 0 / 38 / 15

HEX #63D986

RGB 99 217 134

HSL 137.8, 0.61%, 0.62%

LAB 78.46, -51.32, 31.05

 

CMYK 16 / 54 / 0 / 15

HEX #B663D9

RGB 182 99 217

HSL 282.2, 0.61%, 0.62%

LAB 55.97, 52.49, -47.16

 

CMYK 6 / 0 / 55 / 15

HEX #CCD962

RGB 204 217 98

HSL 66.55, 0.61%, 0.62%

LAB 83.62, -20.68, 56.13

 

CMYK 54 / 6 / 0 / 15

HEX #63CDD9

RGB 99 205 217

HSL 186.1, 0.61%, 0.62%

LAB 76.88, -27.19, -15.29

 

CMYK 0 / 54 / 6 / 15

HEX #D963CD

RGB 217 99 205

HSL 306.1, 0.61%, 0.62%

LAB 59.96, 59.64, -33.77

 

CMYK 6 / 0 / 55 / 15

HEX #CCD962

RGB 204 217 98

HSL 66.55, 0.61%, 0.62%

LAB 83.62, -20.68, 56.13

 

CMYK 54 / 0 / 38 / 15

HEX #63D986

RGB 99 217 134

HSL 137.8, 0.61%, 0.62%

LAB 78.46, -51.32, 31.05

 

CMYK 49 / 54 / 0 / 15

HEX #6F63D9

RGB 111 99 217

HSL 246.1, 0.61%, 0.62%

LAB 48.65, 35.33, -59.27

 

CMYK 0 / 54 / 16 / 15

HEX #D963B6

RGB 217 99 182

HSL 317.8, 0.61%, 0.62%

LAB 59.02, 56.01, -22.11

 

CMYK 6 / 0 / 55 / 15

HEX #CCD962

RGB 204 217 98

HSL 66.55, 0.61%, 0.62%

LAB 83.62, -20.68, 56.13

 

CMYK 54 / 0 / 22 / 15

HEX #63D9AA

RGB 99 217 170

HSL 156.1, 0.61%, 0.62%

LAB 79.15, -44.32, 13.19

 

CMYK 49 / 54 / 0 / 15

HEX #6F63D9

RGB 111 99 217

HSL 246.1, 0.61%, 0.62%

LAB 48.65, 35.33, -59.27

 

CMYK 0 / 54 / 33 / 15

HEX #D96392

RGB 217 99 146

HSL 336.1, 0.61%, 0.62%

LAB 57.8, 51.1, -3.11

 

Description

Color code: HEX #CCD962 | qconv.com Color code: HEX #CCD962 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 217 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 217 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 55 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 55% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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