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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD81C it is the complementary color #3327E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD81C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD81C shade: #D1D817, #E2EA2A, #F3FC3D, #FFFF50 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD81C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD81C shade: #CCD81C, #BBC609, #AAB400, #99A200 and #889000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD81C shade: #CCD81C, #D8B11C, #D87F1C, #D84C1C and #D81C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD81C shade: #CCD81C, #99D81C, #66D81C, #34D81C and #1CD837

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD81C shade matches the following richer shades: #CCD81C and #DDEC08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD81C shade: #CCD81C, #BBC42F, #AAB143, #989D57 and #87896B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD81C shade: #D87D1C, #D8AF1C, #CFD81C, #9CD81C and #6AD81C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD81C shade: #878F12, #AAB417, #CCD81C, #DAE538 and #E1E95D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD81C shade: #CCD81C, #1CD84B and #961CD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD81C shade: #CCD81C, #1CCFD8 and #D81CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD81C shade: #CCD81C, #1CD84B, #251CD8 and #D81CA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD81C shade: #CCD81C, #1CD883, #251CD8 and #D81C70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

Complementary color

CMYK 78 / 83 / 0 / 11

HEX #3327E3

RGB 51 39 227

HSL 243.83, 0.77%, 0.52%

LAB 33.35, 63.1, -90.21

 

CMYK 3 / 0 / 89 / 15

HEX #D1D817

RGB 209 216 23

HSL 62.18, 0.81%, 0.47%

LAB 83.3, -21.7, 80.28

 

CMYK 3 / 0 / 82 / 8

HEX #E2EA2A

RGB 226 234 42

HSL 62.5, 0.82%, 0.54%

LAB 89.48, -22.88, 82.19

 

CMYK 4 / 0 / 76 / 1

HEX #F3FC3D

RGB 243 252 61

HSL 62.83, 0.97%, 0.61%

LAB 95.59, -23.89, 83.1

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

CMYK 6 / 0 / 95 / 22

HEX #BBC609

RGB 187 198 9

HSL 63.49, 0.91%, 0.41%

LAB 76.66, -22.43, 76.17

 

CMYK 6 / 0 / 100 / 29

HEX #AAB400

RGB 170 180 0

HSL 63.33, 1%, 0.35%

LAB 70.31, -20.95, 71.8

 

CMYK 6 / 0 / 100 / 36

HEX #99A200

RGB 153 162 0

HSL 63.33, 1%, 0.32%

LAB 63.85, -19.35, 66.42

 

CMYK 6 / 0 / 100 / 44

HEX #889000

RGB 136 144 0

HSL 63.33, 1%, 0.28%

LAB 57.25, -17.72, 60.94

 

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

CMYK 0 / 18 / 87 / 15

HEX #D8B11C

RGB 216 177 28

HSL 47.55, 0.77%, 0.48%

LAB 73.63, 1.2, 71.93

 

CMYK 0 / 41 / 87 / 15

HEX #D87F1C

RGB 216 127 28

HSL 31.6, 0.77%, 0.48%

LAB 61.53, 27.96, 62.26

 

CMYK 0 / 65 / 87 / 15

HEX #D84C1C

RGB 216 76 28

HSL 15.32, 0.77%, 0.48%

LAB 51.67, 52.91, 54.37

 

CMYK 0 / 87 / 87 / 15

HEX #D81C1C

RGB 216 28 28

HSL 0, 0.77%, 0.48%

LAB 46.33, 67.73, 50.11

 

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

CMYK 29 / 0 / 87 / 15

HEX #99D81C

RGB 153 216 28

HSL 80.11, 0.77%, 0.48%

LAB 79.6, -44.02, 74.87

 

CMYK 53 / 0 / 87 / 15

HEX #66D81C

RGB 102 216 28

HSL 96.38, 0.77%, 0.48%

LAB 77.29, -60.77, 72

 

CMYK 76 / 0 / 87 / 15

HEX #34D81C

RGB 52 216 28

HSL 112.34, 0.77%, 0.48%

LAB 76.02, -71.32, 70.41

 

CMYK 87 / 0 / 75 / 15

HEX #1CD837

RGB 28 216 55

HSL 128.62, 0.77%, 0.48%

LAB 75.84, -72.46, 62.89

 

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

CMYK 6 / 0 / 97 / 7

HEX #DDEC08

RGB 221 236 8

HSL 63.95, 0.93%, 0.48%

LAB 89.57, -26.47, 87.14

 

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

CMYK 5 / 0 / 76 / 23

HEX #BBC42F

RGB 187 196 47

HSL 63.62, 0.61%, 0.48%

LAB 76.22, -20.5, 68.05

 

CMYK 4 / 0 / 62 / 31

HEX #AAB143

RGB 170 177 67

HSL 63.82, 0.45%, 0.48%

LAB 69.75, -17.09, 53.72

 

CMYK 3 / 0 / 45 / 38

HEX #989D57

RGB 152 157 87

HSL 64.29, 0.29%, 0.48%

LAB 62.91, -12.55, 35.87

 

CMYK 1 / 0 / 22 / 46

HEX #87896B

RGB 135 137 107

HSL 64, 0.12%, 0.48%

LAB 56.19, -6.09, 15.88

 

CMYK 0 / 42 / 87 / 15

HEX #D87D1C

RGB 216 125 28

HSL 30.96, 0.77%, 0.48%

LAB 61.09, 29.02, 61.9

 

CMYK 0 / 19 / 87 / 15

HEX #D8AF1C

RGB 216 175 28

HSL 46.91, 0.77%, 0.48%

LAB 73.12, 2.25, 71.52

 

CMYK 4 / 0 / 87 / 15

HEX #CFD81C

RGB 207 216 28

HSL 62.87, 0.77%, 0.48%

LAB 83.16, -22.44, 79.27

 

CMYK 28 / 0 / 87 / 15

HEX #9CD81C

RGB 156 216 28

HSL 79.15, 0.77%, 0.48%

LAB 79.76, -42.9, 75.08

 

CMYK 51 / 0 / 87 / 15

HEX #6AD81C

RGB 106 216 28

HSL 95.11, 0.77%, 0.48%

LAB 77.44, -59.65, 72.18

 

CMYK 6 / 0 / 87 / 44

HEX #878F12

RGB 135 143 18

HSL 63.84, 0.78%, 0.32%

LAB 56.92, -17.29, 57.53

 

CMYK 6 / 0 / 87 / 29

HEX #AAB417

RGB 170 180 23

HSL 63.82, 0.77%, 0.4%

LAB 70.35, -20.59, 68.64

 

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

CMYK 5 / 0 / 76 / 10

HEX #DAE538

RGB 218 229 56

HSL 63.82, 0.77%, 0.56%

LAB 87.6, -23.3, 76.59

 

CMYK 3 / 0 / 60 / 9

HEX #E1E95D

RGB 225 233 93

HSL 63.43, 0.76%, 0.64%

LAB 89.43, -20.41, 65.18

 

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

CMYK 87 / 0 / 65 / 15

HEX #1CD84B

RGB 28 216 75

HSL 135, 0.77%, 0.48%

LAB 75.99, -70.66, 55.55

 

CMYK 31 / 87 / 0 / 15

HEX #961CD8

RGB 150 28 216

HSL 278.94, 0.77%, 0.48%

LAB 41.65, 73.53, -69.87

 

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

CMYK 87 / 4 / 0 / 15

HEX #1CCFD8

RGB 28 207 216

HSL 182.87, 0.77%, 0.48%

LAB 75.97, -37.38, -16.27

 

CMYK 0 / 87 / 4 / 15

HEX #D81CCF

RGB 216 28 207

HSL 302.87, 0.77%, 0.48%

LAB 51.76, 82.6, -47.84

 

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

CMYK 87 / 0 / 65 / 15

HEX #1CD84B

RGB 28 216 75

HSL 135, 0.77%, 0.48%

LAB 75.99, -70.66, 55.55

 

CMYK 83 / 87 / 0 / 15

HEX #251CD8

RGB 37 28 216

HSL 242.87, 0.77%, 0.48%

LAB 29.87, 63.65, -89.7

 

CMYK 0 / 87 / 22 / 15

HEX #D81CA9

RGB 216 28 169

HSL 315, 0.77%, 0.48%

LAB 49.85, 77.57, -28.71

 

CMYK 6 / 0 / 87 / 15

HEX #CCD81C

RGB 204 216 28

HSL 63.83, 0.77%, 0.48%

LAB 82.93, -23.7, 78.99

 

CMYK 87 / 0 / 39 / 15

HEX #1CD883

RGB 28 216 131

HSL 152.87, 0.77%, 0.48%

LAB 76.68, -62.36, 29.96

 

CMYK 83 / 87 / 0 / 15

HEX #251CD8

RGB 37 28 216

HSL 242.87, 0.77%, 0.48%

LAB 29.87, 63.65, -89.7

 

CMYK 0 / 87 / 48 / 15

HEX #D81C70

RGB 216 28 112

HSL 333.19, 0.77%, 0.48%

LAB 47.75, 71.81, 2.51

 

Description

Color code: HEX #CCD81C | qconv.com Color code: HEX #CCD81C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 216 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 216 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 87 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 87% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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