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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD7CE it is the complementary color #332831. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD7CE shade: #D1D7C9, #E2E9DC, #F3FBEF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD7CE shade: #CCD7CE, #BBC5BB, #AAB3A8, #99A195 and #888F82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD7CE shade: #CCD7CE, #CDD7CC, #D0D7CC, #D3D7CC and #D5D7CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD7CE shade: #CCD7CE, #CCD7D1, #CCD7D4, #CCD7D7 and #CCD4D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD7CE shade matches the following richer shades: #CCD7CE, #C4DEC9, #BDE5C4, #B5EDBF and #AEF4BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD7CE shade: #CCD7CE, #D3CFD2, #DAC8D7, #E2C0DC and #E9B9E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD7CE shade: #D0D7CC, #CDD7CC, #CCD7CD, #CCD7D0 and #CCD7D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD7CE shade: #9DB2A1, #B4C4B7, #CCD7CE, #E3E9E4 and #FAFBFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD7CE shade: #CCD7CE, #CCD3D7 and #D7CCCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD7CE shade: #CCD7CE, #CDCCD7 and #D7CDCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD7CE shade: #CCD7CE, #CCD3D7, #D7CCD5 and #D7D0CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD7CE shade: #CCD7CE, #CCCFD7, #D7CCD5 and #D7D3CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

Complementary color

CMYK 0 / 22 / 4 / 80

HEX #332831

RGB 51 40 49

HSL 310.91, 0.12%, 0.18%

LAB 17.66, 7.07, -3.92

 

CMYK 3 / 0 / 7 / 16

HEX #D1D7C9

RGB 209 215 201

HSL 85.71, 0.15%, 0.82%

LAB 85.19, -4.54, 6.19

 

CMYK 3 / 0 / 6 / 9

HEX #E2E9DC

RGB 226 233 220

HSL 92.31, 0.23%, 0.89%

LAB 91.51, -4.64, 5.49

 

CMYK 3 / 0 / 5 / 2

HEX #F3FBEF

RGB 243 251 239

HSL 100, 0.6%, 0.96%

LAB 97.75, -4.74, 4.82

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

CMYK 5 / 0 / 5 / 23

HEX #BBC5BB

RGB 187 197 187

HSL 120, 0.08%, 0.75%

LAB 78.51, -5.29, 3.82

 

CMYK 5 / 0 / 6 / 30

HEX #AAB3A8

RGB 170 179 168

HSL 109.09, 0.07%, 0.68%

LAB 71.97, -5.22, 4.52

 

CMYK 5 / 0 / 7 / 37

HEX #99A195

RGB 153 161 149

HSL 100, 0.06%, 0.61%

LAB 65.3, -5.14, 5.26

 

CMYK 5 / 0 / 9 / 44

HEX #888F82

RGB 136 143 130

HSL 92.31, 0.05%, 0.54%

LAB 58.5, -5.07, 6.03

 

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

CMYK 5 / 0 / 5 / 16

HEX #CDD7CC

RGB 205 215 204

HSL 114.55, 0.12%, 0.82%

LAB 84.97, -5.38, 4.24

 

CMYK 3 / 0 / 5 / 16

HEX #D0D7CC

RGB 208 215 204

HSL 98.18, 0.12%, 0.82%

LAB 85.19, -4.36, 4.59

 

CMYK 2 / 0 / 5 / 16

HEX #D3D7CC

RGB 211 215 204

HSL 81.82, 0.12%, 0.82%

LAB 85.41, -3.32, 4.94

 

CMYK 1 / 0 / 5 / 16

HEX #D5D7CC

RGB 213 215 204

HSL 70.91, 0.12%, 0.82%

LAB 85.56, -2.63, 5.18

 

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

CMYK 5 / 0 / 3 / 16

HEX #CCD7D1

RGB 204 215 209

HSL 147.27, 0.12%, 0.82%

LAB 85.02, -4.82, 1.66

 

CMYK 5 / 0 / 1 / 16

HEX #CCD7D4

RGB 204 215 212

HSL 163.64, 0.12%, 0.82%

LAB 85.09, -4.26, 0.18

 

CMYK 5 / 0 / 0 / 16

HEX #CCD7D7

RGB 204 215 215

HSL 180, 0.12%, 0.82%

LAB 85.17, -3.7, -1.29

 

CMYK 5 / 1 / 0 / 16

HEX #CCD4D7

RGB 204 212 215

HSL 196.36, 0.12%, 0.82%

LAB 84.4, -2.14, -2.43

 

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

CMYK 12 / 0 / 9 / 13

HEX #C4DEC9

RGB 196 222 201

HSL 131.54, 0.28%, 0.82%

LAB 86.1, -12.55, 7.39

 

CMYK 17 / 0 / 14 / 10

HEX #BDE5C4

RGB 189 229 196

HSL 130.5, 0.43%, 0.82%

LAB 87.41, -19.28, 11.82

 

CMYK 24 / 0 / 19 / 7

HEX #B5EDBF

RGB 181 237 191

HSL 130.71, 0.61%, 0.82%

LAB 89, -26.66, 16.6

 

CMYK 29 / 0 / 23 / 4

HEX #AEF4BB

RGB 174 244 187

HSL 131.14, 0.76%, 0.82%

LAB 90.45, -32.87, 20.64

 

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

CMYK 0 / 2 / 0 / 17

HEX #D3CFD2

RGB 211 207 210

HSL 315, 0.04%, 0.82%

LAB 83.51, 1.92, -1.01

 

CMYK 0 / 8 / 1 / 15

HEX #DAC8D7

RGB 218 200 215

HSL 310, 0.2%, 0.82%

LAB 82.44, 8.92, -5.18

 

CMYK 0 / 15 / 3 / 11

HEX #E2C0DC

RGB 226 192 220

HSL 310.59, 0.37%, 0.82%

LAB 81.31, 16.81, -9.46

 

CMYK 0 / 21 / 4 / 9

HEX #E9B9E0

RGB 233 185 224

HSL 311.25, 0.52%, 0.82%

LAB 80.41, 23.63, -12.89

 

CMYK 3 / 0 / 5 / 16

HEX #D0D7CC

RGB 208 215 204

HSL 98.18, 0.12%, 0.82%

LAB 85.19, -4.36, 4.59

 

CMYK 5 / 0 / 5 / 16

HEX #CDD7CC

RGB 205 215 204

HSL 114.55, 0.12%, 0.82%

LAB 84.97, -5.38, 4.24

 

CMYK 5 / 0 / 5 / 16

HEX #CCD7CD

RGB 204 215 205

HSL 125.45, 0.12%, 0.82%

LAB 84.92, -5.54, 3.64

 

CMYK 5 / 0 / 3 / 16

HEX #CCD7D0

RGB 204 215 208

HSL 141.82, 0.12%, 0.82%

LAB 84.99, -5, 2.16

 

CMYK 5 / 0 / 2 / 16

HEX #CCD7D3

RGB 204 215 211

HSL 158.18, 0.12%, 0.82%

LAB 85.07, -4.45, 0.68

 

CMYK 12 / 0 / 10 / 30

HEX #9DB2A1

RGB 157 178 161

HSL 131.43, 0.12%, 0.66%

LAB 70.58, -10.57, 6.24

 

CMYK 8 / 0 / 7 / 23

HEX #B4C4B7

RGB 180 196 183

HSL 131.25, 0.12%, 0.74%

LAB 77.64, -7.92, 4.65

 

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

CMYK 3 / 0 / 2 / 9

HEX #E3E9E4

RGB 227 233 228

HSL 130, 0.12%, 0.9%

LAB 91.78, -2.89, 1.72

 

CMYK 0 / 0 / 0 / 2

HEX #FAFBFA

RGB 250 251 250

HSL 120, 0.11%, 0.98%

LAB 98.52, -0.5, 0.35

 

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

CMYK 5 / 2 / 0 / 16

HEX #CCD3D7

RGB 204 211 215

HSL 201.82, 0.12%, 0.82%

LAB 84.14, -1.62, -2.81

 

CMYK 0 / 5 / 4 / 16

HEX #D7CCCE

RGB 215 204 206

HSL 349.09, 0.12%, 0.82%

LAB 82.96, 4.16, 0.36

 

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

CMYK 5 / 5 / 0 / 16

HEX #CDCCD7

RGB 205 204 215

HSL 245.45, 0.12%, 0.82%

LAB 82.42, 2.4, -5.33

 

CMYK 0 / 5 / 5 / 16

HEX #D7CDCC

RGB 215 205 204

HSL 5.45, 0.12%, 0.82%

LAB 83.16, 3.28, 1.72

 

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

CMYK 5 / 2 / 0 / 16

HEX #CCD3D7

RGB 204 211 215

HSL 201.82, 0.12%, 0.82%

LAB 84.14, -1.62, -2.81

 

CMYK 0 / 5 / 1 / 16

HEX #D7CCD5

RGB 215 204 213

HSL 310.91, 0.12%, 0.82%

LAB 83.15, 5.41, -3.1

 

CMYK 0 / 3 / 5 / 16

HEX #D7D0CC

RGB 215 208 204

HSL 21.82, 0.12%, 0.82%

LAB 83.92, 1.71, 2.83

 

CMYK 5 / 0 / 4 / 16

HEX #CCD7CE

RGB 204 215 206

HSL 130.91, 0.12%, 0.82%

LAB 84.94, -5.36, 3.14

 

CMYK 5 / 4 / 0 / 16

HEX #CCCFD7

RGB 204 207 215

HSL 223.64, 0.12%, 0.82%

LAB 83.11, 0.48, -4.32

 

CMYK 0 / 5 / 1 / 16

HEX #D7CCD5

RGB 215 204 213

HSL 310.91, 0.12%, 0.82%

LAB 83.15, 5.41, -3.1

 

CMYK 0 / 2 / 5 / 16

HEX #D7D3CC

RGB 215 211 204

HSL 38.18, 0.12%, 0.82%

LAB 84.69, 0.14, 3.94

 

Description

Color code: HEX #CCD7CE | qconv.com Color code: HEX #CCD7CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 215 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 215 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 4 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 4% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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