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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD768 it is the complementary color #332897. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD768. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD768 shade: #D1D763, #E2E976, #F3FB89, #FFFF9C and #FFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD768. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD768 shade: #CCD768, #BBC555, #AAB342, #99A12F and #888F1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD768 shade: #CDD76A, #D7C56A, #D7A76A, #D78A6A and #D76C6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD768 shade: #CDD76A, #AFD76A, #91D76A, #74D76A and #6AD77D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD768 shade matches the following richer shades: #CDD76A, #D9E75B and #E5F64B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD768 shade: #CDD76A, #C0C879, #B4B988, #A8AA98 and #9C9AA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD768 shade: #D7A66A, #D7C36A, #CED76A, #B1D76A and #94D76A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD768 shade: #AFBD32, #C1CF49, #CDD76A, #D8E08B and #E3E9AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD768 shade: #CCD768, #6AD789 and #B56AD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD768 shade: #CCD768, #6ACED7 and #D76ACE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD768 shade: #CCD768, #6AD789, #736AD7 and #D76AB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD768 shade: #CCD768, #6AD7AA, #736AD7 and #D76A98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 52 / 16

HEX #CCD768

RGB 204 215 104

HSL 65.95, 0.58%, 0.63%

LAB 83.15, -19.2, 52.83

 

Complementary color

CMYK 66 / 74 / 0 / 41

HEX #332897

RGB 51 40 151

HSL 245.95, 0.58%, 0.37%

LAB 25.12, 39.18, -58.85

 

CMYK 3 / 0 / 54 / 16

HEX #D1D763

RGB 209 215 99

HSL 63.1, 0.59%, 0.62%

LAB 83.47, -17.61, 55.6

 

CMYK 3 / 0 / 49 / 9

HEX #E2E976

RGB 226 233 118

HSL 63.65, 0.72%, 0.69%

LAB 89.75, -18.07, 54.53

 

CMYK 3 / 0 / 45 / 2

HEX #F3FB89

RGB 243 251 137

HSL 64.21, 0.93%, 0.76%

LAB 95.94, -18.45, 53.42

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 5 / 0 / 52 / 16

HEX #CCD768

RGB 204 215 104

HSL 65.95, 0.58%, 0.63%

LAB 83.15, -19.2, 52.83

 

CMYK 5 / 0 / 57 / 23

HEX #BBC555

RGB 187 197 85

HSL 65.36, 0.49%, 0.55%

LAB 76.77, -18.74, 53.87

 

CMYK 5 / 0 / 63 / 30

HEX #AAB342

RGB 170 179 66

HSL 64.78, 0.46%, 0.48%

LAB 70.3, -18.17, 54.73

 

CMYK 5 / 0 / 71 / 37

HEX #99A12F

RGB 153 161 47

HSL 64.21, 0.55%, 0.41%

LAB 63.73, -17.44, 55.24

 

CMYK 5 / 0 / 80 / 44

HEX #888F1C

RGB 136 143 28

HSL 63.65, 0.67%, 0.34%

LAB 57.04, -16.51, 55.02

 

CMYK 5 / 0 / 51 / 16

HEX #CDD76A

RGB 205 215 106

HSL 65.5, 0.58%, 0.63%

LAB 83.24, -18.62, 52.03

 

CMYK 0 / 8 / 51 / 16

HEX #D7C56A

RGB 215 197 106

HSL 50.09, 0.58%, 0.63%

LAB 79.28, -5.49, 47.52

 

CMYK 0 / 22 / 51 / 16

HEX #D7A76A

RGB 215 167 106

HSL 33.58, 0.58%, 0.63%

LAB 71.64, 10.33, 38.14

 

CMYK 0 / 36 / 51 / 16

HEX #D78A6A

RGB 215 138 106

HSL 17.61, 0.58%, 0.63%

LAB 64.7, 25.97, 29.28

 

CMYK 0 / 50 / 51 / 16

HEX #D76C6A

RGB 215 108 106

HSL 1.1, 0.58%, 0.63%

LAB 58.24, 41.73, 20.73

 

CMYK 5 / 0 / 51 / 16

HEX #CDD76A

RGB 205 215 106

HSL 65.5, 0.58%, 0.63%

LAB 83.24, -18.62, 52.03

 

CMYK 19 / 0 / 51 / 16

HEX #AFD76A

RGB 175 215 106

HSL 82.02, 0.58%, 0.63%

LAB 81.16, -30.3, 49.05

 

CMYK 33 / 0 / 51 / 16

HEX #91D76A

RGB 145 215 106

HSL 98.53, 0.58%, 0.63%

LAB 79.42, -41.09, 46.55

 

CMYK 46 / 0 / 51 / 16

HEX #74D76A

RGB 116 215 106

HSL 114.5, 0.58%, 0.63%

LAB 78.08, -50.23, 44.61

 

CMYK 51 / 0 / 42 / 16

HEX #6AD77D

RGB 106 215 125

HSL 130.46, 0.58%, 0.63%

LAB 77.96, -50.26, 35.01

 

CMYK 5 / 0 / 51 / 16

HEX #CDD76A

RGB 205 215 106

HSL 65.5, 0.58%, 0.63%

LAB 83.24, -18.62, 52.03

 

CMYK 6 / 0 / 61 / 9

HEX #D9E75B

RGB 217 231 91

HSL 66, 0.74%, 0.63%

LAB 88.28, -22.79, 64.6

 

CMYK 7 / 0 / 70 / 4

HEX #E5F64B

RGB 229 246 75

HSL 65.96, 0.9%, 0.63%

LAB 93.05, -26.07, 75.89

 

CMYK 5 / 0 / 51 / 16

HEX #CDD76A

RGB 205 215 106

HSL 65.5, 0.58%, 0.63%

LAB 83.24, -18.62, 52.03

 

CMYK 4 / 0 / 40 / 22

HEX #C0C879

RGB 192 200 121

HSL 66.08, 0.42%, 0.63%

LAB 78.4, -14.78, 38.56

 

CMYK 3 / 0 / 26 / 27

HEX #B4B988

RGB 180 185 136

HSL 66.12, 0.26%, 0.63%

LAB 73.66, -9.87, 24.35

 

CMYK 1 / 0 / 11 / 33

HEX #A8AA98

RGB 168 170 152

HSL 66.67, 0.1%, 0.63%

LAB 69, -3.97, 9.03

 

CMYK 7 / 8 / 0 / 35

HEX #9C9AA7

RGB 156 154 167

HSL 249.23, 0.07%, 0.63%

LAB 64.14, 3.29, -6.52

 

CMYK 0 / 23 / 51 / 16

HEX #D7A66A

RGB 215 166 106

HSL 33.03, 0.58%, 0.63%

LAB 71.39, 10.87, 37.83

 

CMYK 0 / 9 / 51 / 16

HEX #D7C36A

RGB 215 195 106

HSL 48.99, 0.58%, 0.63%

LAB 78.76, -4.45, 46.89

 

CMYK 4 / 0 / 51 / 16

HEX #CED76A

RGB 206 215 106

HSL 64.95, 0.58%, 0.63%

LAB 83.32, -18.22, 52.14

 

CMYK 18 / 0 / 51 / 16

HEX #B1D76A

RGB 177 215 106

HSL 80.92, 0.58%, 0.63%

LAB 81.29, -29.54, 49.23

 

CMYK 31 / 0 / 51 / 16

HEX #94D76A

RGB 148 215 106

HSL 96.88, 0.58%, 0.63%

LAB 79.58, -40.07, 46.77

 

CMYK 7 / 0 / 74 / 26

HEX #AFBD32

RGB 175 189 50

HSL 66.04, 0.58%, 0.47%

LAB 73.38, -21.97, 64.09

 

CMYK 7 / 0 / 65 / 19

HEX #C1CF49

RGB 193 207 73

HSL 66.27, 0.58%, 0.55%

LAB 79.87, -22.06, 62.45

 

CMYK 5 / 0 / 51 / 16

HEX #CDD76A

RGB 205 215 106

HSL 65.5, 0.58%, 0.63%

LAB 83.24, -18.62, 52.03

 

CMYK 4 / 0 / 38 / 12

HEX #D8E08B

RGB 216 224 139

HSL 65.65, 0.58%, 0.71%

LAB 86.89, -15.43, 40.71

 

CMYK 3 / 0 / 27 / 9

HEX #E3E9AB

RGB 227 233 171

HSL 65.81, 0.58%, 0.79%

LAB 90.57, -11.81, 29.55

 

CMYK 5 / 0 / 52 / 16

HEX #CCD768

RGB 204 215 104

HSL 65.95, 0.58%, 0.63%

LAB 83.15, -19.2, 52.83

 

CMYK 51 / 0 / 36 / 16

HEX #6AD789

RGB 106 215 137

HSL 137.06, 0.58%, 0.63%

LAB 78.15, -48.27, 29.14

 

CMYK 16 / 51 / 0 / 16

HEX #B56AD7

RGB 181 106 215

HSL 281.28, 0.58%, 0.63%

LAB 57.11, 48.21, -44.23

 

CMYK 5 / 0 / 52 / 16

HEX #CCD768

RGB 204 215 104

HSL 65.95, 0.58%, 0.63%

LAB 83.15, -19.2, 52.83

 

CMYK 51 / 4 / 0 / 16

HEX #6ACED7

RGB 106 206 215

HSL 184.95, 0.58%, 0.63%

LAB 77.35, -26.79, -13.48

 

CMYK 0 / 51 / 4 / 16

HEX #D76ACE

RGB 215 106 206

HSL 304.95, 0.58%, 0.63%

LAB 60.97, 55.96, -32.8

 

CMYK 5 / 0 / 52 / 16

HEX #CCD768

RGB 204 215 104

HSL 65.95, 0.58%, 0.63%

LAB 83.15, -19.2, 52.83

 

CMYK 51 / 0 / 36 / 16

HEX #6AD789

RGB 106 215 137

HSL 137.06, 0.58%, 0.63%

LAB 78.15, -48.27, 29.14

 

CMYK 47 / 51 / 0 / 16

HEX #736AD7

RGB 115 106 215

HSL 244.95, 0.58%, 0.63%

LAB 50.52, 31.43, -55.11

 

CMYK 0 / 51 / 14 / 16

HEX #D76AB8

RGB 215 106 184

HSL 317.06, 0.58%, 0.63%

LAB 60.08, 52.38, -21.66

 

CMYK 5 / 0 / 52 / 16

HEX #CCD768

RGB 204 215 104

HSL 65.95, 0.58%, 0.63%

LAB 83.15, -19.2, 52.83

 

CMYK 51 / 0 / 21 / 16

HEX #6AD7AA

RGB 106 215 170

HSL 155.23, 0.58%, 0.63%

LAB 78.79, -41.86, 12.73

 

CMYK 47 / 51 / 0 / 16

HEX #736AD7

RGB 115 106 215

HSL 244.95, 0.58%, 0.63%

LAB 50.52, 31.43, -55.11

 

CMYK 0 / 51 / 29 / 16

HEX #D76A98

RGB 215 106 152

HSL 334.68, 0.58%, 0.63%

LAB 58.99, 47.8, -4.87

 

Description

Color code: HEX #CCD768 | qconv.com Color code: HEX #CCD768 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 215 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 215 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 52 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 52% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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