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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD52E it is the complementary color #332AD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD52E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD52E shade: #D1D529, #E2E73C, #F3F94F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD52E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD52E shade: #CCD52E, #BBC31B, #AAB108, #999F00 and #888D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD52E shade: #CDD62E, #D6B22E, #D6842E, #D6572E and #D62E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD52E shade: #CDD62E, #A0D62E, #72D62E, #45D62E and #2ED645

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD52E shade matches the following richer shades: #CDD62E, #DFEA1A and #F1FE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD52E shade: #CDD62E, #BBC243, #A9AD57, #97996B and #85857F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD52E shade: #D6852E, #D6B12E, #CDD62E, #A1D62E and #74D62E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD52E shade: #8E941D, #AFB724, #CDD62E, #D5DD51 and #DDE373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD52E shade: #CCD52E, #2ED658 and #9B2ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD52E shade: #CCD52E, #2ECDD6 and #D62ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD52E shade: #CCD52E, #2ED658, #372ED6 and #D62EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD52E shade: #CCD52E, #2ED68A, #372ED6 and #D62E7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 78 / 16

HEX #CCD52E

RGB 204 213 46

HSL 63.23, 0.67%, 0.51%

LAB 82.18, -21.74, 74.2

 

Complementary color

CMYK 76 / 80 / 0 / 18

HEX #332AD1

RGB 51 42 209

HSL 243.23, 0.67%, 0.49%

LAB 31.72, 56.47, -82.54

 

CMYK 2 / 0 / 81 / 16

HEX #D1D529

RGB 209 213 41

HSL 61.4, 0.68%, 0.5%

LAB 82.54, -19.81, 76

 

CMYK 2 / 0 / 74 / 9

HEX #E2E73C

RGB 226 231 60

HSL 61.75, 0.78%, 0.57%

LAB 88.76, -20.82, 76.66

 

CMYK 2 / 0 / 68 / 2

HEX #F3F94F

RGB 243 249 79

HSL 62.12, 0.93%, 0.64%

LAB 94.9, -21.68, 76.66

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 4 / 0 / 78 / 16

HEX #CCD52E

RGB 204 213 46

HSL 63.23, 0.67%, 0.51%

LAB 82.18, -21.74, 74.2

 

CMYK 4 / 0 / 86 / 24

HEX #BBC31B

RGB 187 195 27

HSL 62.86, 0.76%, 0.44%

LAB 75.87, -20.65, 72.9

 

CMYK 4 / 0 / 95 / 31

HEX #AAB108

RGB 170 177 8

HSL 62.49, 0.91%, 0.36%

LAB 69.48, -19.35, 70.23

 

CMYK 4 / 0 / 100 / 38

HEX #999F00

RGB 153 159 0

HSL 62.26, 1%, 0.31%

LAB 62.98, -17.82, 65.79

 

CMYK 4 / 0 / 100 / 45

HEX #888D00

RGB 136 141 0

HSL 62.13, 1%, 0.28%

LAB 56.37, -16.15, 60.29

 

CMYK 4 / 0 / 79 / 16

HEX #CDD62E

RGB 205 214 46

HSL 63.21, 0.67%, 0.51%

LAB 82.52, -21.81, 74.54

 

CMYK 0 / 17 / 79 / 16

HEX #D6B22E

RGB 214 178 46

HSL 47.14, 0.67%, 0.51%

LAB 73.76, 0.31, 67

 

CMYK 0 / 38 / 79 / 16

HEX #D6842E

RGB 214 132 46

HSL 30.71, 0.67%, 0.51%

LAB 62.5, 24.97, 56.61

 

CMYK 0 / 59 / 79 / 16

HEX #D6572E

RGB 214 87 46

HSL 14.64, 0.67%, 0.51%

LAB 53.29, 47.85, 47.69

 

CMYK 0 / 79 / 79 / 16

HEX #D62E2E

RGB 214 46 46

HSL 0, 0.67%, 0.51%

LAB 47.56, 63.44, 41.89

 

CMYK 4 / 0 / 79 / 16

HEX #CDD62E

RGB 205 214 46

HSL 63.21, 0.67%, 0.51%

LAB 82.52, -21.81, 74.54

 

CMYK 25 / 0 / 79 / 16

HEX #A0D62E

RGB 160 214 46

HSL 79.29, 0.67%, 0.51%

LAB 79.48, -39.89, 70.66

 

CMYK 47 / 0 / 79 / 16

HEX #72D62E

RGB 114 214 46

HSL 95.71, 0.67%, 0.51%

LAB 77.2, -55.79, 67.72

 

CMYK 68 / 0 / 79 / 16

HEX #45D62E

RGB 69 214 46

HSL 111.79, 0.67%, 0.51%

LAB 75.8, -67.01, 65.9

 

CMYK 79 / 0 / 68 / 16

HEX #2ED645

RGB 46 214 69

HSL 128.21, 0.67%, 0.51%

LAB 75.52, -68.86, 57.51

 

CMYK 4 / 0 / 79 / 16

HEX #CDD62E

RGB 205 214 46

HSL 63.21, 0.67%, 0.51%

LAB 82.52, -21.81, 74.54

 

CMYK 5 / 0 / 89 / 8

HEX #DFEA1A

RGB 223 234 26

HSL 63.17, 0.83%, 0.51%

LAB 89.21, -24.47, 84.94

 

CMYK 5 / 0 / 98 / 0

HEX #F1FE06

RGB 241 254 6

HSL 63.15, 0.99%, 0.51%

LAB 95.83, -26.76, 92.63

 

CMYK 4 / 0 / 79 / 16

HEX #CDD62E

RGB 205 214 46

HSL 63.21, 0.67%, 0.51%

LAB 82.52, -21.81, 74.54

 

CMYK 4 / 0 / 65 / 24

HEX #BBC243

RGB 187 194 67

HSL 63.31, 0.51%, 0.51%

LAB 75.79, -18.49, 60.48

 

CMYK 2 / 0 / 50 / 32

HEX #A9AD57

RGB 169 173 87

HSL 62.79, 0.34%, 0.51%

LAB 68.76, -13.83, 43.29

 

CMYK 1 / 0 / 30 / 40

HEX #97996B

RGB 151 153 107

HSL 62.61, 0.18%, 0.51%

LAB 62.02, -8.38, 24

 

CMYK 0 / 0 / 5 / 48

HEX #85857F

RGB 133 133 127

HSL 60, 0.02%, 0.51%

LAB 55.37, -1.16, 3.22

 

CMYK 0 / 38 / 79 / 16

HEX #D6852E

RGB 214 133 46

HSL 31.07, 0.67%, 0.51%

LAB 62.73, 24.43, 56.83

 

CMYK 0 / 17 / 79 / 16

HEX #D6B12E

RGB 214 177 46

HSL 46.79, 0.67%, 0.51%

LAB 73.51, 0.84, 66.76

 

CMYK 4 / 0 / 79 / 16

HEX #CDD62E

RGB 205 214 46

HSL 63.21, 0.67%, 0.51%

LAB 82.52, -21.81, 74.54

 

CMYK 25 / 0 / 79 / 16

HEX #A1D62E

RGB 161 214 46

HSL 78.93, 0.67%, 0.51%

LAB 79.54, -39.5, 70.73

 

CMYK 46 / 0 / 79 / 16

HEX #74D62E

RGB 116 214 46

HSL 95, 0.67%, 0.51%

LAB 77.28, -55.18, 67.83

 

CMYK 4 / 0 / 80 / 42

HEX #8E941D

RGB 142 148 29

HSL 63.03, 0.67%, 0.35%

LAB 58.99, -16.4, 56.64

 

CMYK 4 / 0 / 80 / 28

HEX #AFB724

RGB 175 183 36

HSL 63.27, 0.67%, 0.43%

LAB 71.63, -19.56, 66.8

 

CMYK 4 / 0 / 79 / 16

HEX #CDD62E

RGB 205 214 46

HSL 63.21, 0.67%, 0.51%

LAB 82.52, -21.81, 74.54

 

CMYK 4 / 0 / 63 / 13

HEX #D5DD51

RGB 213 221 81

HSL 63.43, 0.67%, 0.59%

LAB 85.23, -20.22, 65.33

 

CMYK 3 / 0 / 49 / 11

HEX #DDE373

RGB 221 227 115

HSL 63.21, 0.67%, 0.67%

LAB 87.75, -17.37, 53.47

 

CMYK 4 / 0 / 78 / 16

HEX #CCD52E

RGB 204 213 46

HSL 63.23, 0.67%, 0.51%

LAB 82.18, -21.74, 74.2

 

CMYK 79 / 0 / 59 / 16

HEX #2ED658

RGB 46 214 88

HSL 135, 0.67%, 0.51%

LAB 75.69, -66.78, 49.66

 

CMYK 28 / 79 / 0 / 16

HEX #9B2ED6

RGB 155 46 214

HSL 278.93, 0.67%, 0.51%

LAB 43.91, 68.94, -65

 

CMYK 4 / 0 / 78 / 16

HEX #CCD52E

RGB 204 213 46

HSL 63.23, 0.67%, 0.51%

LAB 82.18, -21.74, 74.2

 

CMYK 79 / 4 / 0 / 16

HEX #2ECDD6

RGB 46 205 214

HSL 183.21, 0.67%, 0.51%

LAB 75.51, -35.74, -15.85

 

CMYK 0 / 79 / 4 / 16

HEX #D62ECD

RGB 214 46 205

HSL 303.21, 0.67%, 0.51%

LAB 52.57, 78.27, -45.42

 

CMYK 4 / 0 / 78 / 16

HEX #CCD52E

RGB 204 213 46

HSL 63.23, 0.67%, 0.51%

LAB 82.18, -21.74, 74.2

 

CMYK 79 / 0 / 59 / 16

HEX #2ED658

RGB 46 214 88

HSL 135, 0.67%, 0.51%

LAB 75.69, -66.78, 49.66

 

CMYK 74 / 79 / 0 / 16

HEX #372ED6

RGB 55 46 214

HSL 243.21, 0.67%, 0.51%

LAB 33.18, 56.34, -83.01

 

CMYK 0 / 79 / 20 / 16

HEX #D62EAC

RGB 214 46 172

HSL 315, 0.67%, 0.51%

LAB 50.95, 73.69, -28.79

 

CMYK 4 / 0 / 78 / 16

HEX #CCD52E

RGB 204 213 46

HSL 63.23, 0.67%, 0.51%

LAB 82.18, -21.74, 74.2

 

CMYK 79 / 0 / 36 / 16

HEX #2ED68A

RGB 46 214 138

HSL 152.86, 0.67%, 0.51%

LAB 76.38, -58.67, 25.99

 

CMYK 74 / 79 / 0 / 16

HEX #372ED6

RGB 55 46 214

HSL 243.21, 0.67%, 0.51%

LAB 33.18, 56.34, -83.01

 

CMYK 0 / 79 / 43 / 16

HEX #D62E7A

RGB 214 46 122

HSL 332.86, 0.67%, 0.51%

LAB 49.08, 68.14, -1.72

 

Description

Color code: HEX #CCD52E | qconv.com Color code: HEX #CCD52E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 213 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 213 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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