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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD508 it is the complementary color #332AF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD508. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD508 shade: #D1D503, #E2E716, #F3F929, #FFFF3C and #FFFF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD508. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD508 shade: #CCD508, #BBC300, #AAB100, #999F00 and #888D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD508 shade: #CBD408, #D4A608, #D46F08, #D43808 and #D40808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD508 shade: #CBD408, #94D408, #5DD408, #26D408 and #08D421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD508 shade matches the following richer shades: #CBD408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD508 shade: #CBD408, #BAC219, #AAB02B, #9A9E3D and #8A8D4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD508 shade: #D46E08, #D4A408, #CDD408, #96D408 and #60D408

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD508 shade: #7E8405, #A5AC06, #CBD408, #ECF60E and #EFF836

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD508 shade: #CCD508, #08D437 and #8908D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD508 shade: #CCD508, #08CDD4 and #D408CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD508 shade: #CCD508, #08D437, #0E08D4 and #D408A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD508 shade: #CCD508, #08D474, #0E08D4 and #D40867

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 96 / 16

HEX #CCD508

RGB 204 213 8

HSL 62.63, 0.93%, 0.43%

LAB 82.08, -22.54, 80.94

 

Complementary color

CMYK 79 / 83 / 0 / 3

HEX #332AF7

RGB 51 42 247

HSL 242.63, 0.93%, 0.57%

LAB 36.13, 67.57, -96.95

 

CMYK 2 / 0 / 99 / 16

HEX #D1D503

RGB 209 213 3

HSL 61.14, 0.97%, 0.42%

LAB 82.46, -20.48, 81.84

 

CMYK 2 / 0 / 90 / 9

HEX #E2E716

RGB 226 231 22

HSL 61.44, 0.83%, 0.5%

LAB 88.63, -21.86, 85.16

 

CMYK 2 / 0 / 84 / 2

HEX #F3F929

RGB 243 249 41

HSL 61.73, 0.95%, 0.57%

LAB 94.72, -23.08, 87.31

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3C

RGB 255 255 60

HSL 60, 1%, 0.62%

LAB 97.27, -20.49, 85.23

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 4 / 0 / 96 / 16

HEX #CCD508

RGB 204 213 8

HSL 62.63, 0.93%, 0.43%

LAB 82.08, -22.54, 80.94

 

CMYK 4 / 0 / 100 / 24

HEX #BBC300

RGB 187 195 0

HSL 62.46, 1%, 0.38%

LAB 75.82, -21.05, 76.46

 

CMYK 4 / 0 / 100 / 31

HEX #AAB100

RGB 170 177 0

HSL 62.37, 1%, 0.35%

LAB 69.46, -19.46, 71.17

 

CMYK 4 / 0 / 100 / 38

HEX #999F00

RGB 153 159 0

HSL 62.26, 1%, 0.31%

LAB 62.98, -17.82, 65.79

 

CMYK 4 / 0 / 100 / 45

HEX #888D00

RGB 136 141 0

HSL 62.13, 1%, 0.28%

LAB 56.37, -16.15, 60.29

 

CMYK 4 / 0 / 96 / 17

HEX #CBD408

RGB 203 212 8

HSL 62.65, 0.93%, 0.43%

LAB 81.73, -22.48, 80.64

 

CMYK 0 / 22 / 96 / 17

HEX #D4A608

RGB 212 166 8

HSL 46.47, 0.93%, 0.43%

LAB 70.38, 4.96, 72.62

 

CMYK 0 / 48 / 96 / 17

HEX #D46F08

RGB 212 111 8

HSL 30.29, 0.93%, 0.43%

LAB 57.45, 34.41, 63.68

 

CMYK 0 / 74 / 96 / 17

HEX #D43808

RGB 212 56 8

HSL 14.12, 0.93%, 0.43%

LAB 48.06, 58.96, 57.92

 

CMYK 0 / 96 / 96 / 17

HEX #D40808

RGB 212 8 8

HSL 0, 0.93%, 0.43%

LAB 44.5, 69.04, 56.05

 

CMYK 4 / 0 / 96 / 17

HEX #CBD408

RGB 203 212 8

HSL 62.65, 0.93%, 0.43%

LAB 81.73, -22.48, 80.64

 

CMYK 30 / 0 / 96 / 17

HEX #94D408

RGB 148 212 8

HSL 78.82, 0.93%, 0.43%

LAB 78.11, -44.56, 76.28

 

CMYK 56 / 0 / 96 / 17

HEX #5DD408

RGB 93 212 8

HSL 95, 0.93%, 0.43%

LAB 75.72, -62.25, 73.37

 

CMYK 82 / 0 / 96 / 17

HEX #26D408

RGB 38 212 8

HSL 111.18, 0.93%, 0.43%

LAB 74.52, -72.45, 71.9

 

CMYK 96 / 0 / 84 / 17

HEX #08D421

RGB 8 212 33

HSL 127.35, 0.93%, 0.43%

LAB 74.35, -73.76, 67.7

 

CMYK 4 / 0 / 96 / 17

HEX #CBD408

RGB 203 212 8

HSL 62.65, 0.93%, 0.43%

LAB 81.73, -22.48, 80.64

 

CMYK 4 / 0 / 96 / 17

HEX #CBD408

RGB 203 212 8

HSL 62.65, 0.93%, 0.43%

LAB 81.73, -22.48, 80.64

 

CMYK 4 / 0 / 87 / 24

HEX #BAC219

RGB 186 194 25

HSL 62.84, 0.77%, 0.43%

LAB 75.51, -20.63, 72.97

 

CMYK 3 / 0 / 76 / 31

HEX #AAB02B

RGB 170 176 43

HSL 62.71, 0.61%, 0.43%

LAB 69.31, -17.92, 62.46

 

CMYK 3 / 0 / 61 / 38

HEX #9A9E3D

RGB 154 158 61

HSL 62.47, 0.44%, 0.43%

LAB 63.06, -14.57, 48.76

 

CMYK 2 / 0 / 44 / 45

HEX #8A8D4F

RGB 138 141 79

HSL 62.9, 0.28%, 0.43%

LAB 57.09, -10.79, 32.6

 

CMYK 0 / 48 / 96 / 17

HEX #D46E08

RGB 212 110 8

HSL 30, 0.93%, 0.43%

LAB 57.24, 34.93, 63.54

 

CMYK 0 / 23 / 96 / 17

HEX #D4A408

RGB 212 164 8

HSL 45.88, 0.93%, 0.43%

LAB 69.87, 6.03, 72.26

 

CMYK 3 / 0 / 96 / 17

HEX #CDD408

RGB 205 212 8

HSL 62.06, 0.93%, 0.43%

LAB 81.88, -21.64, 80.82

 

CMYK 29 / 0 / 96 / 17

HEX #96D408

RGB 150 212 8

HSL 78.24, 0.93%, 0.43%

LAB 78.22, -43.81, 76.42

 

CMYK 55 / 0 / 96 / 17

HEX #60D408

RGB 96 212 8

HSL 94.12, 0.93%, 0.43%

LAB 75.82, -61.45, 73.49

 

CMYK 5 / 0 / 96 / 48

HEX #7E8405

RGB 126 132 5

HSL 62.83, 0.93%, 0.27%

LAB 52.89, -15.89, 56.44

 

CMYK 4 / 0 / 97 / 33

HEX #A5AC06

RGB 165 172 6

HSL 62.53, 0.93%, 0.35%

LAB 67.66, -19.05, 68.92

 

CMYK 4 / 0 / 96 / 17

HEX #CBD408

RGB 203 212 8

HSL 62.65, 0.93%, 0.43%

LAB 81.73, -22.48, 80.64

 

CMYK 4 / 0 / 94 / 4

HEX #ECF60E

RGB 236 246 14

HSL 62.59, 0.93%, 0.51%

LAB 93.35, -24.98, 90

 

CMYK 4 / 0 / 78 / 3

HEX #EFF836

RGB 239 248 54

HSL 62.78, 0.93%, 0.59%

LAB 94.21, -23.86, 83.68

 

CMYK 4 / 0 / 96 / 16

HEX #CCD508

RGB 204 213 8

HSL 62.63, 0.93%, 0.43%

LAB 82.08, -22.54, 80.94

 

CMYK 96 / 0 / 74 / 17

HEX #08D437

RGB 8 212 55

HSL 133.82, 0.93%, 0.43%

LAB 74.45, -72.4, 61.46

 

CMYK 35 / 96 / 0 / 17

HEX #8908D4

RGB 137 8 212

HSL 277.94, 0.93%, 0.43%

LAB 38.28, 74.36, -73.15

 

CMYK 4 / 0 / 96 / 16

HEX #CCD508

RGB 204 213 8

HSL 62.63, 0.93%, 0.43%

LAB 82.08, -22.54, 80.94

 

CMYK 96 / 3 / 0 / 17

HEX #08CDD4

RGB 8 205 212

HSL 182.06, 0.93%, 0.43%

LAB 75.12, -38.46, -15.4

 

CMYK 0 / 96 / 3 / 17

HEX #D408CD

RGB 212 8 205

HSL 302.06, 0.93%, 0.43%

LAB 50.19, 83.87, -49.23

 

CMYK 4 / 0 / 96 / 16

HEX #CCD508

RGB 204 213 8

HSL 62.63, 0.93%, 0.43%

LAB 82.08, -22.54, 80.94

 

CMYK 96 / 0 / 74 / 17

HEX #08D437

RGB 8 212 55

HSL 133.82, 0.93%, 0.43%

LAB 74.45, -72.4, 61.46

 

CMYK 93 / 96 / 0 / 17

HEX #0E08D4

RGB 14 8 212

HSL 241.76, 0.93%, 0.43%

LAB 26.79, 67.43, -92.54

 

CMYK 0 / 96 / 23 / 17

HEX #D408A4

RGB 212 8 164

HSL 314.12, 0.93%, 0.43%

LAB 48.07, 78.55, -28.57

 

CMYK 4 / 0 / 96 / 16

HEX #CCD508

RGB 204 213 8

HSL 62.63, 0.93%, 0.43%

LAB 82.08, -22.54, 80.94

 

CMYK 96 / 0 / 45 / 17

HEX #08D474

RGB 8 212 116

HSL 151.76, 0.93%, 0.43%

LAB 75.08, -64.72, 35.46

 

CMYK 93 / 96 / 0 / 17

HEX #0E08D4

RGB 14 8 212

HSL 241.76, 0.93%, 0.43%

LAB 26.79, 67.43, -92.54

 

CMYK 0 / 96 / 51 / 17

HEX #D40867

RGB 212 8 103

HSL 332.06, 0.93%, 0.43%

LAB 45.84, 72.69, 5.22

 

Description

Color code: HEX #CCD508 | qconv.com Color code: HEX #CCD508 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 213 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 213 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 96 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 96% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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