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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD3DA it is the complementary color #332C25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD3DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD3DA shade: #D1D3D5, #E2E5E8 and #F3F7FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD3DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD3DA shade: #CCD3DA, #BBC1C7, #AAAFB4, #999DA1 and #888B8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD3DA shade: #CCD3DA, #CCCFDA, #CDCCDA, #D1CCDA and #D4CCDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD3DA shade: #CCD3DA, #CCCFDA and #CCCCDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD3DA shade matches the following richer shades: #CCD3DA, #C5D3E1, #BED3E8, #B7D3EF and #B0D3F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD3DA shade: #CCD3DA, #D3D3D3, #DAD3CC, #E1D3C5 and #E8D3BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD3DA shade: #CCDADA, #CCD7DA, #CCD3DA, #CCCFDA and #CDCCDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD3DA shade: #9CAAB7, #B4BFC9, #CCD3DA, #E4E8EB and #FCFCFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD3DA shade: #CCD3DA, #D6CCDA and #D9DACC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD3DA shade: #CCD3DA, #DACCD3 and #D3DACC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD3DA shade: #CCD3DA, #D6CCDA, #DAD3CC and #D0DACC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD3DA shade: #CCD3DA, #DACCDA, #DAD3CC and #CCDACC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

Complementary color

CMYK 0 / 14 / 27 / 80

HEX #332C25

RGB 51 44 37

HSL 30, 0.16%, 0.17%

LAB 18.53, 1.79, 5.72

 

CMYK 2 / 1 / 0 / 16

HEX #D1D3D5

RGB 209 211 213

HSL 210, 0.05%, 0.83%

LAB 84.46, -0.31, -1.23

 

CMYK 3 / 1 / 0 / 9

HEX #E2E5E8

RGB 226 229 232

HSL 210, 0.12%, 0.9%

LAB 90.8, -0.46, -1.82

 

CMYK 3 / 2 / 0 / 2

HEX #F3F7FB

RGB 243 247 251

HSL 210, 0.5%, 0.97%

LAB 97.04, -0.6, -2.39

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 6 / 3 / 0 / 22

HEX #BBC1C7

RGB 187 193 199

HSL 210, 0.1%, 0.76%

LAB 77.77, -0.91, -3.74

 

CMYK 6 / 3 / 0 / 29

HEX #AAAFB4

RGB 170 175 180

HSL 210, 0.06%, 0.69%

LAB 71.22, -0.78, -3.17

 

CMYK 5 / 2 / 0 / 37

HEX #999DA1

RGB 153 157 161

HSL 210, 0.04%, 0.62%

LAB 64.53, -0.64, -2.59

 

CMYK 4 / 2 / 0 / 44

HEX #888B8E

RGB 136 139 142

HSL 210, 0.03%, 0.55%

LAB 57.71, -0.49, -1.99

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 6 / 5 / 0 / 15

HEX #CCCFDA

RGB 204 207 218

HSL 227.14, 0.16%, 0.83%

LAB 83.19, 1.06, -5.8

 

CMYK 6 / 6 / 0 / 15

HEX #CDCCDA

RGB 205 204 218

HSL 244.29, 0.16%, 0.83%

LAB 82.5, 2.97, -6.81

 

CMYK 4 / 6 / 0 / 15

HEX #D1CCDA

RGB 209 204 218

HSL 261.43, 0.16%, 0.83%

LAB 82.81, 4.31, -6.32

 

CMYK 3 / 6 / 0 / 15

HEX #D4CCDA

RGB 212 204 218

HSL 274.29, 0.16%, 0.83%

LAB 83.04, 5.32, -5.95

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 6 / 5 / 0 / 15

HEX #CCCFDA

RGB 204 207 218

HSL 227.14, 0.16%, 0.83%

LAB 83.19, 1.06, -5.8

 

CMYK 6 / 6 / 0 / 15

HEX #CCCCDA

RGB 204 204 218

HSL 240, 0.16%, 0.83%

LAB 82.42, 2.64, -6.93

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 12 / 6 / 0 / 12

HEX #C5D3E1

RGB 197 211 225

HSL 210, 0.32%, 0.83%

LAB 83.91, -1.95, -8.52

 

CMYK 18 / 9 / 0 / 9

HEX #BED3E8

RGB 190 211 232

HSL 210, 0.48%, 0.83%

LAB 83.63, -2.7, -12.71

 

CMYK 23 / 12 / 0 / 6

HEX #B7D3EF

RGB 183 211 239

HSL 210, 0.64%, 0.83%

LAB 83.38, -3.3, -16.85

 

CMYK 28 / 14 / 0 / 4

HEX #B0D3F6

RGB 176 211 246

HSL 210, 0.8%, 0.83%

LAB 83.16, -3.74, -20.94

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 0 / 0 / 0 / 17

HEX #D3D3D3

RGB 211 211 211

HSL 0, 0%, 0.83%

LAB 84.56, 0, -0.01

 

CMYK 0 / 3 / 6 / 15

HEX #DAD3CC

RGB 218 211 204

HSL 30, 0.16%, 0.83%

LAB 84.92, 1.19, 4.31

 

CMYK 0 / 6 / 12 / 12

HEX #E1D3C5

RGB 225 211 197

HSL 30, 0.32%, 0.83%

LAB 85.32, 2.51, 8.65

 

CMYK 0 / 9 / 18 / 9

HEX #E8D3BE

RGB 232 211 190

HSL 30, 0.48%, 0.83%

LAB 85.74, 3.95, 13.04

 

CMYK 6 / 0 / 0 / 15

HEX #CCDADA

RGB 204 218 218

HSL 180, 0.16%, 0.83%

LAB 86.03, -4.68, -1.63

 

CMYK 6 / 1 / 0 / 15

HEX #CCD7DA

RGB 204 215 218

HSL 192.86, 0.16%, 0.83%

LAB 85.25, -3.13, -2.77

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 6 / 5 / 0 / 15

HEX #CCCFDA

RGB 204 207 218

HSL 227.14, 0.16%, 0.83%

LAB 83.19, 1.06, -5.8

 

CMYK 6 / 6 / 0 / 15

HEX #CDCCDA

RGB 205 204 218

HSL 244.29, 0.16%, 0.83%

LAB 82.5, 2.97, -6.81

 

CMYK 15 / 7 / 0 / 28

HEX #9CAAB7

RGB 156 170 183

HSL 208.89, 0.16%, 0.66%

LAB 68.92, -2.17, -8.34

 

CMYK 10 / 5 / 0 / 21

HEX #B4BFC9

RGB 180 191 201

HSL 208.57, 0.16%, 0.75%

LAB 76.79, -1.79, -6.33

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 3 / 1 / 0 / 8

HEX #E4E8EB

RGB 228 232 235

HSL 205.71, 0.15%, 0.91%

LAB 91.78, -0.79, -1.93

 

CMYK 0 / 0 / 0 / 1

HEX #FCFCFD

RGB 252 252 253

HSL 240, 0.2%, 0.99%

LAB 98.99, 0.18, -0.49

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 2 / 6 / 0 / 15

HEX #D6CCDA

RGB 214 204 218

HSL 282.86, 0.16%, 0.83%

LAB 83.2, 5.99, -5.7

 

CMYK 0 / 0 / 6 / 15

HEX #D9DACC

RGB 217 218 204

HSL 64.29, 0.16%, 0.83%

LAB 86.63, -2.79, 6.76

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 0 / 6 / 3 / 15

HEX #DACCD3

RGB 218 204 211

HSL 330, 0.16%, 0.83%

LAB 83.33, 6.08, -1.73

 

CMYK 3 / 0 / 6 / 15

HEX #D3DACC

RGB 211 218 204

HSL 90, 0.16%, 0.83%

LAB 86.18, -4.87, 6.06

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 2 / 6 / 0 / 15

HEX #D6CCDA

RGB 214 204 218

HSL 282.86, 0.16%, 0.83%

LAB 83.2, 5.99, -5.7

 

CMYK 0 / 3 / 6 / 15

HEX #DAD3CC

RGB 218 211 204

HSL 30, 0.16%, 0.83%

LAB 84.92, 1.19, 4.31

 

CMYK 5 / 0 / 6 / 15

HEX #D0DACC

RGB 208 218 204

HSL 102.86, 0.16%, 0.83%

LAB 85.96, -5.9, 5.71

 

CMYK 6 / 3 / 0 / 15

HEX #CCD3DA

RGB 204 211 218

HSL 210, 0.16%, 0.83%

LAB 84.22, -1.04, -4.28

 

CMYK 0 / 6 / 0 / 15

HEX #DACCDA

RGB 218 204 218

HSL 300, 0.16%, 0.83%

LAB 83.52, 7.34, -5.19

 

CMYK 0 / 3 / 6 / 15

HEX #DAD3CC

RGB 218 211 204

HSL 30, 0.16%, 0.83%

LAB 84.92, 1.19, 4.31

 

CMYK 6 / 0 / 6 / 15

HEX #CCDACC

RGB 204 218 204

HSL 120, 0.16%, 0.83%

LAB 85.68, -7.27, 5.26

 

Description

Color code: HEX #CCD3DA | qconv.com Color code: HEX #CCD3DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 211 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 211 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 3 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 3% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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