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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD2AB3F it is the complementary color #332D543F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD2AB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD2AB3F shade: #D1D2A63F, #E2E4B93F, #F3F6CC3F, #FFFFDF3F and #FFFFF23F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD2AB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD2AB3F shade: #CCD2AB3F, #BBC0983F, #AAAE853F, #999C723F and #888A5F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD2AB3F shade: #CCD2AC, #D2CEAC, #D2C4AC, #D2B9AC and #D2AFAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD2AB3F shade: #CCD2AC, #C2D2AC, #B8D2AC, #AED2AC and #ACD2B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD2AB3F shade matches the following richer shades: #CCD2AC, #D4DDA2, #DBE797, #E2F18D and #E9FC83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD2AB3F shade: #CCD2AC, #C5C8B6, #BEBEC1, #B7B3CB and #B0A9D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD2AB3F shade: #D2C4AC, #D2CEAC, #CDD2AC, #C2D2AC and #B8D2AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD2AB3F shade: #ACB576, #BCC491, #CCD2AC, #DDE1C7 and #EDEFE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD2AB3F shade: #CCD2AB, #ACD2BA and #C9ACD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD2AB3F shade: #CCD2AB, #ACCDD2 and #D2ACCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD2AB3F shade: #CCD2AB, #ACD2BA, #B2ACD2 and #D2ACC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD2AB3F shade: #CCD2AB, #ACD2C5, #B2ACD2 and #D2ACBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 5 / 4

HEX #CCD2AB3F

RGBA 204 210 171 0.25

HSLA 69.23, 0.3%, 0.75%, 0.25

LABA 82.84, -8.64, 18.68, 0.25

 

Complementary color

CMYK 10 / 12 / 0 / 17

HEX #332D543F

RGBA 51 45 84 0.25

HSLA 249.23, 0.3%, 0.25%, 0.25

LABA 20.91, 13.43, -22.85, 0.25

 

CMYK 0 / 0 / 5 / 4

HEX #D1D2A63F

RGBA 209 210 166 0.25

HSLA 61.36, 0.33%, 0.74%, 0.25

LABA 83.13, -7.55, 21.76, 0.25

 

CMYK 0 / 0 / 5 / 3

HEX #E2E4B93F

RGBA 226 228 185 0.25

HSLA 62.79, 0.44%, 0.81%, 0.25

LABA 89.47, -7.71, 20.81, 0.25

 

CMYK 0 / 0 / 4 / 1

HEX #F3F6CC3F

RGBA 243 246 204 0.25

HSLA 64.29, 0.7%, 0.88%, 0.25

LABA 95.72, -7.85, 19.91, 0.25

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFDF3F

RGBA 255 255 223 0.25

HSLA 60, 1%, 0.94%, 0.25

LABA 99.26, -5.26, 15.31, 0.25

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFF23F

RGBA 255 255 242 0.25

HSLA 60, 1%, 0.97%, 0.25

LABA 99.69, -2.22, 6.2, 0.25

 

CMYK 1 / 0 / 5 / 4

HEX #CCD2AB3F

RGBA 204 210 171 0.25

HSLA 69.23, 0.3%, 0.75%, 0.25

LABA 82.84, -8.64, 18.68, 0.25

 

CMYK 1 / 0 / 5 / 6

HEX #BBC0983F

RGBA 187 192 152 0.25

HSLA 67.5, 0.24%, 0.67%, 0.25

LABA 76.39, -8.52, 19.63, 0.25

 

CMYK 1 / 0 / 6 / 8

HEX #AAAE853F

RGBA 170 174 133 0.25

HSLA 65.85, 0.2%, 0.6%, 0.25

LABA 69.83, -8.38, 20.63, 0.25

 

CMYK 0 / 0 / 7 / 10

HEX #999C723F

RGBA 153 156 114 0.25

HSLA 64.29, 0.18%, 0.53%, 0.25

LABA 63.15, -8.21, 21.7, 0.25

 

CMYK 0 / 0 / 8 / 11

HEX #888A5F3F

RGBA 136 138 95 0.25

HSLA 62.79, 0.18%, 0.46%, 0.25

LABA 56.32, -8.01, 22.84, 0.25

 

CMYK 3 / 0 / 18 / 18

HEX #CCD2AC

RGB 204 210 172

HSL 69.47, 0.3%, 0.75%

LAB 82.87, -8.49, 18.18

 

CMYK 0 / 2 / 18 / 18

HEX #D2CEAC

RGB 210 206 172

HSL 53.68, 0.3%, 0.75%

LAB 82.28, -4.23, 17.44

 

CMYK 0 / 7 / 18 / 18

HEX #D2C4AC

RGB 210 196 172

HSL 37.89, 0.3%, 0.75%

LAB 79.7, 0.99, 13.82

 

CMYK 0 / 12 / 18 / 18

HEX #D2B9AC

RGB 210 185 172

HSL 20.53, 0.3%, 0.75%

LAB 76.91, 6.83, 9.86

 

CMYK 0 / 17 / 18 / 18

HEX #D2AFAC

RGB 210 175 172

HSL 4.74, 0.3%, 0.75%

LAB 74.41, 12.2, 6.28

 

CMYK 3 / 0 / 18 / 18

HEX #CCD2AC

RGB 204 210 172

HSL 69.47, 0.3%, 0.75%

LAB 82.87, -8.49, 18.18

 

CMYK 8 / 0 / 18 / 18

HEX #C2D2AC

RGB 194 210 172

HSL 85.26, 0.3%, 0.75%

LAB 82.13, -12.11, 17.05

 

CMYK 12 / 0 / 18 / 18

HEX #B8D2AC

RGB 184 210 172

HSL 101.05, 0.3%, 0.75%

LAB 81.44, -15.65, 15.97

 

CMYK 17 / 0 / 18 / 18

HEX #AED2AC

RGB 174 210 172

HSL 116.84, 0.3%, 0.75%

LAB 80.78, -19.12, 14.95

 

CMYK 18 / 0 / 14 / 18

HEX #ACD2B5

RGB 172 210 181

HSL 134.21, 0.3%, 0.75%

LAB 80.85, -18.18, 10.25

 

CMYK 3 / 0 / 18 / 18

HEX #CCD2AC

RGB 204 210 172

HSL 69.47, 0.3%, 0.75%

LAB 82.87, -8.49, 18.18

 

CMYK 4 / 0 / 27 / 13

HEX #D4DDA2

RGB 212 221 162

HSL 69.15, 0.46%, 0.75%

LAB 86.17, -12.57, 28.02

 

CMYK 5 / 0 / 35 / 9

HEX #DBE797

RGB 219 231 151

HSL 69, 0.63%, 0.75%

LAB 89.13, -16.34, 37.66

 

CMYK 6 / 0 / 41 / 5

HEX #E2F18D

RGB 226 241 141

HSL 69, 0.78%, 0.75%

LAB 92.13, -19.72, 46.53

 

CMYK 8 / 0 / 48 / 1

HEX #E9FC83

RGB 233 252 131

HSL 69.42, 0.95%, 0.75%

LAB 95.41, -23.33, 55.4

 

CMYK 3 / 0 / 18 / 18

HEX #CCD2AC

RGB 204 210 172

HSL 69.47, 0.3%, 0.75%

LAB 82.87, -8.49, 18.18

 

CMYK 1 / 0 / 9 / 22

HEX #C5C8B6

RGB 197 200 182

HSL 70, 0.14%, 0.75%

LAB 79.93, -4.23, 8.64

 

CMYK 2 / 2 / 0 / 24

HEX #BEBEC1

RGB 190 190 193

HSL 240, 0.02%, 0.75%

LAB 77.06, 0.56, -1.52

 

CMYK 10 / 12 / 0 / 20

HEX #B7B3CB

RGB 183 179 203

HSL 250, 0.19%, 0.75%

LAB 73.95, 6.08, -11.62

 

CMYK 17 / 21 / 0 / 16

HEX #B0A9D5

RGB 176 169 213

HSL 249.55, 0.34%, 0.75%

LAB 71.15, 11.43, -21.37

 

CMYK 0 / 7 / 18 / 18

HEX #D2C4AC

RGB 210 196 172

HSL 37.89, 0.3%, 0.75%

LAB 79.7, 0.99, 13.82

 

CMYK 0 / 2 / 18 / 18

HEX #D2CEAC

RGB 210 206 172

HSL 53.68, 0.3%, 0.75%

LAB 82.28, -4.23, 17.44

 

CMYK 2 / 0 / 18 / 18

HEX #CDD2AC

RGB 205 210 172

HSL 67.89, 0.3%, 0.75%

LAB 82.94, -8.13, 18.3

 

CMYK 8 / 0 / 18 / 18

HEX #C2D2AC

RGB 194 210 172

HSL 85.26, 0.3%, 0.75%

LAB 82.13, -12.11, 17.05

 

CMYK 12 / 0 / 18 / 18

HEX #B8D2AC

RGB 184 210 172

HSL 101.05, 0.3%, 0.75%

LAB 81.44, -15.65, 15.97

 

CMYK 5 / 0 / 35 / 29

HEX #ACB576

RGB 172 181 118

HSL 68.57, 0.3%, 0.59%

LAB 71.64, -13.31, 31.1

 

CMYK 4 / 0 / 26 / 23

HEX #BCC491

RGB 188 196 145

HSL 69.41, 0.3%, 0.67%

LAB 77.41, -11.23, 24.75

 

CMYK 3 / 0 / 18 / 18

HEX #CCD2AC

RGB 204 210 172

HSL 69.47, 0.3%, 0.75%

LAB 82.87, -8.49, 18.18

 

CMYK 2 / 0 / 12 / 12

HEX #DDE1C7

RGB 221 225 199

HSL 69.23, 0.3%, 0.83%

LAB 88.61, -5.81, 12.26

 

CMYK 1 / 0 / 5 / 6

HEX #EDEFE2

RGB 237 239 226

HSL 69.23, 0.29%, 0.91%

LAB 93.98, -2.92, 6.04

 

CMYK 3 / 0 / 19 / 18

HEX #CCD2AB

RGB 204 210 171

HSL 69.23, 0.3%, 0.75%

LAB 82.84, -8.64, 18.68

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 4 / 18 / 0 / 18

HEX #C9ACD2

RGB 201 172 210

HSL 285.79, 0.3%, 0.75%

LAB 73.92, 17.32, -15.34

 

CMYK 3 / 0 / 19 / 18

HEX #CCD2AB

RGB 204 210 171

HSL 69.23, 0.3%, 0.75%

LAB 82.84, -8.64, 18.68

 

CMYK 18 / 2 / 0 / 18

HEX #ACCDD2

RGB 172 205 210

HSL 187.89, 0.3%, 0.75%

LAB 80.23, -9.87, -6.15

 

CMYK 0 / 18 / 2 / 18

HEX #D2ACCD

RGB 210 172 205

HSL 307.89, 0.3%, 0.75%

LAB 74.58, 19.42, -11.52

 

CMYK 3 / 0 / 19 / 18

HEX #CCD2AB

RGB 204 210 171

HSL 69.23, 0.3%, 0.75%

LAB 82.84, -8.64, 18.68

 

CMYK 18 / 0 / 11 / 18

HEX #ACD2BA

RGB 172 210 186

HSL 142.11, 0.3%, 0.75%

LAB 80.97, -17.25, 7.76

 

CMYK 15 / 18 / 0 / 18

HEX #B2ACD2

RGB 178 172 210

HSL 249.47, 0.3%, 0.75%

LAB 71.98, 9.76, -18.46

 

CMYK 0 / 18 / 6 / 18

HEX #D2ACC5

RGB 210 172 197

HSL 320.53, 0.3%, 0.75%

LAB 74.34, 17.98, -7.5

 

CMYK 3 / 0 / 19 / 18

HEX #CCD2AB

RGB 204 210 171

HSL 69.23, 0.3%, 0.75%

LAB 82.84, -8.64, 18.68

 

CMYK 18 / 0 / 6 / 18

HEX #ACD2C5

RGB 172 210 197

HSL 159.47, 0.3%, 0.75%

LAB 81.23, -15.11, 2.28

 

CMYK 15 / 18 / 0 / 18

HEX #B2ACD2

RGB 178 172 210

HSL 249.47, 0.3%, 0.75%

LAB 71.98, 9.76, -18.46

 

CMYK 0 / 18 / 11 / 18

HEX #D2ACBA

RGB 210 172 186

HSL 337.89, 0.3%, 0.75%

LAB 74.03, 16.08, -1.94

 

Description

Color code: HEX #CCD2AB3F | qconv.com Color code: HEX #CCD2AB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 210 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 210 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 5 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 5% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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