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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCC6F93F it is the complementary color #3339063F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCC6F93F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCC6F93F shade: #D1C6F43F, #E2D8FF3F, #F3EAFF3F, #FFFCFF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCC6F93F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCC6F93F shade: #CCC6F93F, #BBB4E63F, #AAA2D33F, #9990C03F and #887EAD3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCC6F93F shade: #CDC8F9, #DBC8F9, #E8C8F9, #F6C8F9 and #F9C8EF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCC6F93F shade: #CDC8F9 and #C8C8F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCC6F93F shade matches the following richer shades: #CDC8F9 and #CAC3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCC6F93F shade: #CDC8F9, #D1CDF4, #D5D2EF, #D9D6EA and #DDDBE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCC6F93F shade: #C8DCF9, #C8CFF9, #CDC8F9, #DBC8F9 and #E8C8F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCC6F93F shade: #8B7DF1, #ACA2F5, #CDC8F9, #EFEDFD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCC6F93F shade: #CCC6F9, #F9C8E9 and #D6F9C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCC6F93F shade: #CCC6F9, #F9CDC8 and #C8F9CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCC6F93F shade: #CCC6F9, #F9C8E9, #F3F9C8 and #C8F9D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCC6F93F shade: #CCC6F9, #F9C8DB, #F3F9C8 and #C8F9E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 5 / 0 / 1

HEX #CCC6F93F

RGBA 204 198 249 0.25

HSLA 247.06, 0.81%, 0.88%, 0.25

LABA 81.87, 12.22, -24.31, 0.25

 

Complementary color

CMYK 3 / 0 / 22 / 19

HEX #3339063F

RGBA 51 57 6 0.25

HSLA 67.06, 0.81%, 0.12%, 0.25

LABA 22.45, -10.21, 28.35, 0.25

 

CMYK 4 / 5 / 0 / 1

HEX #D1C6F43F

RGBA 209 198 244 0.25

HSLA 254.35, 0.68%, 0.87%, 0.25

LABA 82.1, 12.7, -21.27, 0.25

 

CMYK 3 / 4 / 0 / 0

HEX #E2D8FF3F

RGBA 226 216 255 0.25

HSLA 255.38, 1%, 0.92%, 0.25

LABA 88.21, 10.74, -17.74, 0.25

 

CMYK 1 / 2 / 0 / 0

HEX #F3EAFF3F

RGBA 243 234 255 0.25

HSLA 265.71, 1%, 0.96%, 0.25

LABA 93.93, 6.8, -9.04, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCFF3F

RGBA 255 252 255 0.25

HSLA 300, 1%, 0.99%, 0.25

LABA 99.26, 1.52, -1.09, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 5 / 5 / 0 / 1

HEX #CCC6F93F

RGBA 204 198 249 0.25

HSLA 247.06, 0.81%, 0.88%, 0.25

LABA 81.87, 12.22, -24.31, 0.25

 

CMYK 5 / 5 / 0 / 2

HEX #BBB4E63F

RGBA 187 180 230 0.25

HSLA 248.4, 0.5%, 0.8%, 0.25

LABA 75.4, 12.59, -24.09, 0.25

 

CMYK 5 / 6 / 0 / 4

HEX #AAA2D33F

RGBA 170 162 211 0.25

HSLA 249.8, 0.36%, 0.73%, 0.25

LABA 68.82, 12.99, -23.88, 0.25

 

CMYK 5 / 6 / 0 / 6

HEX #9990C03F

RGBA 153 144 192 0.25

HSLA 251.25, 0.28%, 0.66%, 0.25

LABA 62.1, 13.43, -23.69, 0.25

 

CMYK 5 / 7 / 0 / 8

HEX #887EAD3F

RGBA 136 126 173 0.25

HSLA 252.77, 0.22%, 0.59%, 0.25

LABA 55.25, 13.92, -23.53, 0.25

 

CMYK 18 / 20 / 0 / 2

HEX #CDC8F9

RGB 205 200 249

HSL 246.12, 0.8%, 0.88%

LAB 82.45, 11.45, -23.43

 

CMYK 12 / 20 / 0 / 2

HEX #DBC8F9

RGB 219 200 249

HSL 263.27, 0.8%, 0.88%

LAB 83.55, 15.81, -21.65

 

CMYK 7 / 20 / 0 / 2

HEX #E8C8F9

RGB 232 200 249

HSL 279.18, 0.8%, 0.88%

LAB 84.64, 19.95, -19.9

 

CMYK 1 / 20 / 0 / 2

HEX #F6C8F9

RGB 246 200 249

HSL 296.33, 0.8%, 0.88%

LAB 85.88, 24.47, -17.91

 

CMYK 0 / 20 / 4 / 2

HEX #F9C8EF

RGB 249 200 239

HSL 312.24, 0.8%, 0.88%

LAB 85.85, 23.66, -12.62

 

CMYK 18 / 20 / 0 / 2

HEX #CDC8F9

RGB 205 200 249

HSL 246.12, 0.8%, 0.88%

LAB 82.45, 11.45, -23.43

 

CMYK 20 / 20 / 0 / 2

HEX #C8C8F9

RGB 200 200 249

HSL 240, 0.8%, 0.88%

LAB 82.07, 9.92, -24.04

 

CMYK 18 / 20 / 0 / 2

HEX #CDC8F9

RGB 205 200 249

HSL 246.12, 0.8%, 0.88%

LAB 82.45, 11.45, -23.43

 

CMYK 20 / 23 / 0 / 0

HEX #CAC3FE

RGB 202 195 254

HSL 247.12, 0.97%, 0.88%

LAB 81.15, 14.33, -28.1

 

CMYK 18 / 20 / 0 / 2

HEX #CDC8F9

RGB 205 200 249

HSL 246.12, 0.8%, 0.88%

LAB 82.45, 11.45, -23.43

 

CMYK 14 / 16 / 0 / 4

HEX #D1CDF4

RGB 209 205 244

HSL 246.15, 0.64%, 0.88%

LAB 83.84, 8.96, -18.64

 

CMYK 11 / 12 / 0 / 6

HEX #D5D2EF

RGB 213 210 239

HSL 246.21, 0.48%, 0.88%

LAB 85.24, 6.55, -13.85

 

CMYK 7 / 9 / 0 / 8

HEX #D9D6EA

RGB 217 214 234

HSL 249, 0.32%, 0.88%

LAB 86.4, 4.75, -9.44

 

CMYK 3 / 4 / 0 / 10

HEX #DDDBE5

RGB 221 219 229

HSL 252, 0.16%, 0.88%

LAB 87.82, 2.51, -4.66

 

CMYK 20 / 12 / 0 / 2

HEX #C8DCF9

RGB 200 220 249

HSL 215.51, 0.8%, 0.88%

LAB 87.15, -0.69, -16.36

 

CMYK 20 / 17 / 0 / 2

HEX #C8CFF9

RGB 200 207 249

HSL 231.43, 0.8%, 0.88%

LAB 83.83, 6.17, -21.37

 

CMYK 18 / 20 / 0 / 2

HEX #CDC8F9

RGB 205 200 249

HSL 246.12, 0.8%, 0.88%

LAB 82.45, 11.45, -23.43

 

CMYK 12 / 20 / 0 / 2

HEX #DBC8F9

RGB 219 200 249

HSL 263.27, 0.8%, 0.88%

LAB 83.55, 15.81, -21.65

 

CMYK 7 / 20 / 0 / 2

HEX #E8C8F9

RGB 232 200 249

HSL 279.18, 0.8%, 0.88%

LAB 84.64, 19.95, -19.9

 

CMYK 42 / 48 / 0 / 5

HEX #8B7DF1

RGB 139 125 241

HSL 247.24, 0.81%, 0.72%

LAB 58.52, 33.26, -56.79

 

CMYK 30 / 34 / 0 / 4

HEX #ACA2F5

RGB 172 162 245

HSL 247.23, 0.81%, 0.8%

LAB 70.32, 21.68, -40.18

 

CMYK 18 / 20 / 0 / 2

HEX #CDC8F9

RGB 205 200 249

HSL 246.12, 0.8%, 0.88%

LAB 82.45, 11.45, -23.43

 

CMYK 6 / 6 / 0 / 1

HEX #EFEDFD

RGB 239 237 253

HSL 247.5, 0.8%, 0.96%

LAB 94.32, 3.58, -7.47

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 20 / 0 / 2

HEX #CCC6F9

RGB 204 198 249

HSL 247.06, 0.81%, 0.88%

LAB 81.87, 12.22, -24.31

 

CMYK 0 / 20 / 6 / 2

HEX #F9C8E9

RGB 249 200 233

HSL 319.59, 0.8%, 0.88%

LAB 85.67, 22.63, -9.7

 

CMYK 14 / 0 / 20 / 2

HEX #D6F9C8

RGB 214 249 200

HSL 102.86, 0.8%, 0.88%

LAB 94.41, -20.02, 19.83

 

CMYK 18 / 20 / 0 / 2

HEX #CCC6F9

RGB 204 198 249

HSL 247.06, 0.81%, 0.88%

LAB 81.87, 12.22, -24.31

 

CMYK 0 / 18 / 20 / 2

HEX #F9CDC8

RGB 249 205 200

HSL 6.12, 0.8%, 0.88%

LAB 85.99, 14.74, 8.31

 

CMYK 20 / 0 / 18 / 2

HEX #C8F9CD

RGB 200 249 205

HSL 126.12, 0.8%, 0.88%

LAB 93.64, -23.84, 16.07

 

CMYK 18 / 20 / 0 / 2

HEX #CCC6F9

RGB 204 198 249

HSL 247.06, 0.81%, 0.88%

LAB 81.87, 12.22, -24.31

 

CMYK 0 / 20 / 6 / 2

HEX #F9C8E9

RGB 249 200 233

HSL 319.59, 0.8%, 0.88%

LAB 85.67, 22.63, -9.7

 

CMYK 2 / 0 / 20 / 2

HEX #F3F9C8

RGB 243 249 200

HSL 67.35, 0.8%, 0.88%

LAB 96.4, -9.93, 22.91

 

CMYK 20 / 0 / 14 / 2

HEX #C8F9D7

RGB 200 249 215

HSL 138.37, 0.8%, 0.88%

LAB 93.86, -22.07, 11.22

 

CMYK 18 / 20 / 0 / 2

HEX #CCC6F9

RGB 204 198 249

HSL 247.06, 0.81%, 0.88%

LAB 81.87, 12.22, -24.31

 

CMYK 0 / 20 / 12 / 2

HEX #F9C8DB

RGB 249 200 219

HSL 336.73, 0.8%, 0.88%

LAB 85.28, 20.3, -2.82

 

CMYK 2 / 0 / 20 / 2

HEX #F3F9C8

RGB 243 249 200

HSL 67.35, 0.8%, 0.88%

LAB 96.4, -9.93, 22.91

 

CMYK 20 / 0 / 8 / 2

HEX #C8F9E6

RGB 200 249 230

HSL 156.73, 0.8%, 0.88%

LAB 94.2, -19.26, 3.98

 

Description

Color code: HEX #CCC6F93F | qconv.com Color code: HEX #CCC6F93F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 198 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 198 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 5 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 5% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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