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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCC6DB3F it is the complementary color #3339243F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCC6DB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCC6DB3F shade: #D1C6D63F, #E2D8E93F, #F3EAFC3F, #FFFCFF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCC6DB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCC6DB3F shade: #CCC6DB3F, #BBB4C83F, #AAA2B53F, #9990A23F and #887E8F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCC6DB3F shade: #CDC7DC, #D2C7DC, #D8C7DC, #DCC7DA and #DCC7D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCC6DB3F shade: #CDC7DC and #C7C7DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCC6DB3F shade matches the following richer shades: #CDC7DC, #C9BFE3, #C6B8EB, #C3B0F2 and #C0A9F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCC6DB3F shade: #CDC7DC, #D0CED4, #D3D5CD, #D6DDC5 and #D9E4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCC6DB3F shade: #C7CCDC, #C7C7DC, #CDC7DC, #D2C7DC and #D8C7DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCC6DB3F shade: #9F94BC, #B6ADCC, #CDC7DC, #E3E0EC and #FAF9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCC6DB3F shade: #CCC6DB, #DCC7D1 and #C9DCC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCC6DB3F shade: #CCC6DB, #DCCDC7 and #C7DCCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCC6DB3F shade: #CCC6DB, #DCC7D1, #D6DCC7 and #C7DCD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCC6DB3F shade: #CCC6DB, #DCC7CB, #D6DCC7 and #C7DCD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 2 / 0 / 4

HEX #CCC6DB3F

RGBA 204 198 219 0.25

HSLA 257.14, 0.23%, 0.82%, 0.25

LABA 80.93, 6.02, -9.69, 0.25

 

Complementary color

CMYK 3 / 0 / 9 / 19

HEX #3339243F

RGBA 51 57 36 0.25

HSLA 77.14, 0.23%, 0.18%, 0.25

LABA 22.85, -6.92, 12.28, 0.25

 

CMYK 1 / 2 / 0 / 4

HEX #D1C6D63F

RGBA 209 198 214 0.25

HSLA 281.25, 0.16%, 0.81%, 0.25

LABA 81.18, 6.74, -6.59, 0.25

 

CMYK 1 / 2 / 0 / 2

HEX #E2D8E93F

RGBA 226 216 233 0.25

HSLA 275.29, 0.28%, 0.88%, 0.25

LABA 87.56, 6.48, -7.1, 0.25

 

CMYK 1 / 2 / 0 / 0

HEX #F3EAFC3F

RGBA 243 234 252 0.25

HSLA 270, 0.75%, 0.95%, 0.25

LABA 93.85, 6.24, -7.6, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFCFF3F

RGBA 255 252 255 0.25

HSLA 300, 1%, 0.99%, 0.25

LABA 99.26, 1.52, -1.09, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 2 / 2 / 0 / 4

HEX #CCC6DB3F

RGBA 204 198 219 0.25

HSLA 257.14, 0.23%, 0.82%, 0.25

LABA 80.93, 6.02, -9.69, 0.25

 

CMYK 2 / 3 / 0 / 5

HEX #BBB4C83F

RGBA 187 180 200 0.25

HSLA 261, 0.15%, 0.75%, 0.25

LABA 74.43, 6.27, -9.23, 0.25

 

CMYK 2 / 3 / 0 / 7

HEX #AAA2B53F

RGBA 170 162 181 0.25

HSLA 265.26, 0.11%, 0.67%, 0.25

LABA 67.82, 6.54, -8.76, 0.25

 

CMYK 1 / 3 / 0 / 9

HEX #9990A23F

RGBA 153 144 162 0.25

HSLA 270, 0.09%, 0.6%, 0.25

LABA 61.07, 6.84, -8.28, 0.25

 

CMYK 1 / 3 / 0 / 11

HEX #887E8F3F

RGBA 136 126 143 0.25

HSLA 275.29, 0.07%, 0.53%, 0.25

LABA 54.17, 7.16, -7.79, 0.25

 

CMYK 7 / 10 / 0 / 14

HEX #CDC7DC

RGB 205 199 220

HSL 257.14, 0.23%, 0.82%

LAB 81.29, 6.01, -9.68

 

CMYK 5 / 10 / 0 / 14

HEX #D2C7DC

RGB 210 199 220

HSL 271.43, 0.23%, 0.82%

LAB 81.68, 7.68, -9.05

 

CMYK 2 / 10 / 0 / 14

HEX #D8C7DC

RGB 216 199 220

HSL 288.57, 0.23%, 0.82%

LAB 82.17, 9.69, -8.28

 

CMYK 0 / 10 / 1 / 14

HEX #DCC7DA

RGB 220 199 218

HSL 305.71, 0.23%, 0.82%

LAB 82.45, 10.68, -6.76

 

CMYK 0 / 10 / 4 / 14

HEX #DCC7D4

RGB 220 199 212

HSL 322.86, 0.23%, 0.82%

LAB 82.28, 9.6, -3.79

 

CMYK 7 / 10 / 0 / 14

HEX #CDC7DC

RGB 205 199 220

HSL 257.14, 0.23%, 0.82%

LAB 81.29, 6.01, -9.68

 

CMYK 10 / 10 / 0 / 14

HEX #C7C7DC

RGB 199 199 220

HSL 240, 0.23%, 0.82%

LAB 80.83, 4.04, -10.42

 

CMYK 7 / 10 / 0 / 14

HEX #CDC7DC

RGB 205 199 220

HSL 257.14, 0.23%, 0.82%

LAB 81.29, 6.01, -9.68

 

CMYK 11 / 16 / 0 / 11

HEX #C9BFE3

RGB 201 191 227

HSL 256.67, 0.39%, 0.82%

LAB 79.17, 10.4, -16.65

 

CMYK 16 / 22 / 0 / 8

HEX #C6B8EB

RGB 198 184 235

HSL 256.47, 0.56%, 0.82%

LAB 77.45, 14.92, -23.59

 

CMYK 19 / 27 / 0 / 5

HEX #C3B0F2

RGB 195 176 242

HSL 257.27, 0.72%, 0.82%

LAB 75.49, 19.91, -30.39

 

CMYK 23 / 32 / 0 / 2

HEX #C0A9F9

RGB 192 169 249

HSL 257.25, 0.87%, 0.82%

LAB 73.82, 24.46, -36.78

 

CMYK 7 / 10 / 0 / 14

HEX #CDC7DC

RGB 205 199 220

HSL 257.14, 0.23%, 0.82%

LAB 81.29, 6.01, -9.68

 

CMYK 2 / 3 / 0 / 17

HEX #D0CED4

RGB 208 206 212

HSL 260, 0.07%, 0.82%

LAB 83.08, 1.79, -2.74

 

CMYK 1 / 0 / 4 / 16

HEX #D3D5CD

RGB 211 213 205

HSL 75, 0.09%, 0.82%

LAB 84.92, -2.11, 3.7

 

CMYK 3 / 0 / 11 / 13

HEX #D6DDC5

RGB 214 221 197

HSL 77.5, 0.26%, 0.82%

LAB 87.02, -6.56, 10.97

 

CMYK 5 / 0 / 17 / 11

HEX #D9E4BE

RGB 217 228 190

HSL 77.37, 0.41%, 0.82%

LAB 88.9, -10.18, 17.33

 

CMYK 10 / 7 / 0 / 14

HEX #C7CCDC

RGB 199 204 220

HSL 225.71, 0.23%, 0.82%

LAB 82.11, 1.38, -8.52

 

CMYK 10 / 10 / 0 / 14

HEX #C7C7DC

RGB 199 199 220

HSL 240, 0.23%, 0.82%

LAB 80.83, 4.04, -10.42

 

CMYK 7 / 10 / 0 / 14

HEX #CDC7DC

RGB 205 199 220

HSL 257.14, 0.23%, 0.82%

LAB 81.29, 6.01, -9.68

 

CMYK 5 / 10 / 0 / 14

HEX #D2C7DC

RGB 210 199 220

HSL 271.43, 0.23%, 0.82%

LAB 81.68, 7.68, -9.05

 

CMYK 2 / 10 / 0 / 14

HEX #D8C7DC

RGB 216 199 220

HSL 288.57, 0.23%, 0.82%

LAB 82.17, 9.69, -8.28

 

CMYK 15 / 21 / 0 / 26

HEX #9F94BC

RGB 159 148 188

HSL 256.5, 0.23%, 0.66%

LAB 63.49, 12.17, -19.27

 

CMYK 11 / 15 / 0 / 20

HEX #B6ADCC

RGB 182 173 204

HSL 257.42, 0.23%, 0.74%

LAB 72.36, 9.24, -14.56

 

CMYK 7 / 10 / 0 / 14

HEX #CDC7DC

RGB 205 199 220

HSL 257.14, 0.23%, 0.82%

LAB 81.29, 6.01, -9.68

 

CMYK 4 / 5 / 0 / 7

HEX #E3E0EC

RGB 227 224 236

HSL 255, 0.24%, 0.9%

LAB 89.72, 3.2, -5.49

 

CMYK 0 / 1 / 0 / 2

HEX #FAF9FB

RGB 250 249 251

HSL 270, 0.2%, 0.98%

LAB 98.05, 0.69, -0.85

 

CMYK 7 / 10 / 0 / 14

HEX #CCC6DB

RGB 204 198 219

HSL 257.14, 0.23%, 0.82%

LAB 80.93, 6.02, -9.69

 

CMYK 0 / 10 / 5 / 14

HEX #DCC7D1

RGB 220 199 209

HSL 331.43, 0.23%, 0.82%

LAB 82.2, 9.07, -2.31

 

CMYK 9 / 0 / 10 / 14

HEX #C9DCC7

RGB 201 220 199

HSL 114.29, 0.23%, 0.82%

LAB 85.87, -10.2, 8.15

 

CMYK 7 / 10 / 0 / 14

HEX #CCC6DB

RGB 204 198 219

HSL 257.14, 0.23%, 0.82%

LAB 80.93, 6.02, -9.69

 

CMYK 0 / 7 / 10 / 14

HEX #DCCDC7

RGB 220 205 199

HSL 17.14, 0.23%, 0.82%

LAB 83.44, 4.19, 4.85

 

CMYK 10 / 0 / 7 / 14

HEX #C7DCCD

RGB 199 220 205

HSL 137.14, 0.23%, 0.82%

LAB 85.87, -9.8, 4.98

 

CMYK 7 / 10 / 0 / 14

HEX #CCC6DB

RGB 204 198 219

HSL 257.14, 0.23%, 0.82%

LAB 80.93, 6.02, -9.69

 

CMYK 0 / 10 / 5 / 14

HEX #DCC7D1

RGB 220 199 209

HSL 331.43, 0.23%, 0.82%

LAB 82.2, 9.07, -2.31

 

CMYK 3 / 0 / 10 / 14

HEX #D6DCC7

RGB 214 220 199

HSL 77.14, 0.23%, 0.82%

LAB 86.8, -5.71, 9.61

 

CMYK 10 / 0 / 5 / 14

HEX #C7DCD1

RGB 199 220 209

HSL 148.57, 0.23%, 0.82%

LAB 85.97, -9.06, 3.01

 

CMYK 7 / 10 / 0 / 14

HEX #CCC6DB

RGB 204 198 219

HSL 257.14, 0.23%, 0.82%

LAB 80.93, 6.02, -9.69

 

CMYK 0 / 10 / 8 / 14

HEX #DCC7CB

RGB 220 199 203

HSL 348.57, 0.23%, 0.82%

LAB 82.04, 8.03, 0.67

 

CMYK 3 / 0 / 10 / 14

HEX #D6DCC7

RGB 214 220 199

HSL 77.14, 0.23%, 0.82%

LAB 86.8, -5.71, 9.61

 

CMYK 10 / 0 / 2 / 14

HEX #C7DCD7

RGB 199 220 215

HSL 165.71, 0.23%, 0.82%

LAB 86.12, -7.93, 0.06

 

Description

Color code: HEX #CCC6DB3F | qconv.com Color code: HEX #CCC6DB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 198 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 198 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 2 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 2% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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