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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCC5E9 it is the complementary color #333A16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCC5E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCC5E9 shade: #D1C5E4, #E2D7F7, #F3E9FF, #FFFBFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCC5E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCC5E9 shade: #CCC5E9, #BBB3D6, #AAA1C3, #998FB0 and #887D9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCC5E9 shade: #CBC4E9, #D5C4E9, #DFC4E9, #E9C4E8 and #E9C4DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCC5E9 shade: #CBC4E9 and #C4C4E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCC5E9 shade matches the following richer shades: #CBC4E9, #C7BDEF, #C3B7F6 and #BFB0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCC5E9 shade: #CBC4E9, #CFCAE2, #D3D1DB, #D7D8D5 and #DBDECE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCC5E9 shade: #C4D1E9, #C4C7E9, #CBC4E9, #D4C4E9 and #DEC4E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCC5E9 shade: #9688D2, #B1A6DD, #CBC4E9, #E5E2F4 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCC5E9 shade: #CCC5E9, #E9C4DA and #CCE9C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCC5E9 shade: #CCC5E9, #E9CBC4 and #C4E9CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCC5E9 shade: #CCC5E9, #E9C4DA, #E2E9C4 and #C4E9D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCC5E9 shade: #CCC5E9, #E9C4CF, #E2E9C4 and #C4E9DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 15 / 0 / 9

HEX #CCC5E9

RGB 204 197 233

HSL 251.67, 0.45%, 0.84%

LAB 81.1, 9.37, -16.94

 

Complementary color

CMYK 12 / 0 / 62 / 77

HEX #333A16

RGB 51 58 22

HSL 71.67, 0.45%, 0.16%

LAB 22.96, -9.5, 21.1

 

CMYK 8 / 14 / 0 / 11

HEX #D1C5E4

RGB 209 197 228

HSL 263.23, 0.36%, 0.83%

LAB 81.34, 9.98, -13.86

 

CMYK 9 / 13 / 0 / 3

HEX #E2D7F7

RGB 226 215 247

HSL 260.63, 0.67%, 0.91%

LAB 87.72, 9.68, -14.26

 

CMYK 5 / 9 / 0 / 0

HEX #F3E9FF

RGB 243 233 255

HSL 267.27, 1%, 0.96%

LAB 93.69, 7.31, -9.41

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 12 / 15 / 0 / 9

HEX #CCC5E9

RGB 204 197 233

HSL 251.67, 0.45%, 0.84%

LAB 81.1, 9.37, -16.94

 

CMYK 13 / 16 / 0 / 16

HEX #BBB3D6

RGB 187 179 214

HSL 253.71, 0.3%, 0.77%

LAB 74.61, 9.68, -16.59

 

CMYK 13 / 17 / 0 / 24

HEX #AAA1C3

RGB 170 161 195

HSL 255.88, 0.22%, 0.7%

LAB 68, 10.01, -16.26

 

CMYK 13 / 19 / 0 / 31

HEX #998FB0

RGB 153 143 176

HSL 258.18, 0.17%, 0.63%

LAB 61.27, 10.38, -15.93

 

CMYK 13 / 20 / 0 / 38

HEX #887D9D

RGB 136 125 157

HSL 260.63, 0.14%, 0.55%

LAB 54.38, 10.77, -15.61

 

CMYK 13 / 16 / 0 / 9

HEX #CBC4E9

RGB 203 196 233

HSL 251.35, 0.46%, 0.84%

LAB 80.77, 9.59, -17.44

 

CMYK 9 / 16 / 0 / 9

HEX #D5C4E9

RGB 213 196 233

HSL 267.57, 0.46%, 0.84%

LAB 81.57, 12.81, -16.16

 

CMYK 4 / 16 / 0 / 9

HEX #DFC4E9

RGB 223 196 233

HSL 283.78, 0.46%, 0.84%

LAB 82.41, 16.08, -14.82

 

CMYK 0 / 16 / 0 / 9

HEX #E9C4E8

RGB 233 196 232

HSL 301.62, 0.46%, 0.84%

LAB 83.25, 19.2, -12.93

 

CMYK 0 / 16 / 4 / 9

HEX #E9C4DF

RGB 233 196 223

HSL 316.22, 0.46%, 0.84%

LAB 82.98, 17.59, -8.52

 

CMYK 13 / 16 / 0 / 9

HEX #CBC4E9

RGB 203 196 233

HSL 251.35, 0.46%, 0.84%

LAB 80.77, 9.59, -17.44

 

CMYK 16 / 16 / 0 / 9

HEX #C4C4E9

RGB 196 196 233

HSL 240, 0.46%, 0.84%

LAB 80.24, 7.36, -18.3

 

CMYK 13 / 16 / 0 / 9

HEX #CBC4E9

RGB 203 196 233

HSL 251.35, 0.46%, 0.84%

LAB 80.77, 9.59, -17.44

 

CMYK 17 / 21 / 0 / 6

HEX #C7BDEF

RGB 199 189 239

HSL 252, 0.61%, 0.84%

LAB 78.91, 13.37, -23.51

 

CMYK 21 / 26 / 0 / 4

HEX #C3B7F6

RGB 195 183 246

HSL 251.43, 0.78%, 0.84%

LAB 77.35, 16.96, -29.68

 

CMYK 24 / 30 / 0 / 1

HEX #BFB0FC

RGB 191 176 252

HSL 251.84, 0.93%, 0.84%

LAB 75.55, 21, -35.72

 

CMYK 13 / 16 / 0 / 9

HEX #CBC4E9

RGB 203 196 233

HSL 251.35, 0.46%, 0.84%

LAB 80.77, 9.59, -17.44

 

CMYK 8 / 11 / 0 / 11

HEX #CFCAE2

RGB 207 202 226

HSL 252.5, 0.29%, 0.84%

LAB 82.38, 6.26, -11.25

 

CMYK 4 / 5 / 0 / 14

HEX #D3D1DB

RGB 211 209 219

HSL 252, 0.12%, 0.84%

LAB 84.26, 2.53, -4.7

 

CMYK 0 / 0 / 1 / 15

HEX #D7D8D5

RGB 215 216 213

HSL 80, 0.04%, 0.84%

LAB 86.19, -0.87, 1.35

 

CMYK 1 / 0 / 7 / 13

HEX #DBDECE

RGB 219 222 206

HSL 71.25, 0.2%, 0.84%

LAB 87.85, -3.82, 7.48

 

CMYK 16 / 10 / 0 / 9

HEX #C4D1E9

RGB 196 209 233

HSL 218.92, 0.46%, 0.84%

LAB 83.56, 0.44, -13.31

 

CMYK 16 / 15 / 0 / 9

HEX #C4C7E9

RGB 196 199 233

HSL 235.14, 0.46%, 0.84%

LAB 81, 5.75, -17.15

 

CMYK 13 / 16 / 0 / 9

HEX #CBC4E9

RGB 203 196 233

HSL 251.35, 0.46%, 0.84%

LAB 80.77, 9.59, -17.44

 

CMYK 9 / 16 / 0 / 9

HEX #D4C4E9

RGB 212 196 233

HSL 265.95, 0.46%, 0.84%

LAB 81.49, 12.48, -16.29

 

CMYK 5 / 16 / 0 / 9

HEX #DEC4E9

RGB 222 196 233

HSL 282.16, 0.46%, 0.84%

LAB 82.32, 15.75, -14.95

 

CMYK 29 / 35 / 0 / 18

HEX #9688D2

RGB 150 136 210

HSL 251.35, 0.45%, 0.68%

LAB 60.56, 21.49, -36.22

 

CMYK 20 / 25 / 0 / 13

HEX #B1A6DD

RGB 177 166 221

HSL 252, 0.45%, 0.76%

LAB 70.76, 15.21, -26.35

 

CMYK 13 / 16 / 0 / 9

HEX #CBC4E9

RGB 203 196 233

HSL 251.35, 0.46%, 0.84%

LAB 80.77, 9.59, -17.44

 

CMYK 6 / 7 / 0 / 4

HEX #E5E2F4

RGB 229 226 244

HSL 250, 0.45%, 0.92%

LAB 90.59, 4.32, -8.38

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 12 / 15 / 0 / 9

HEX #CCC5E9

RGB 204 197 233

HSL 251.67, 0.45%, 0.84%

LAB 81.1, 9.37, -16.94

 

CMYK 0 / 16 / 6 / 9

HEX #E9C4DA

RGB 233 196 218

HSL 324.32, 0.46%, 0.84%

LAB 82.84, 16.72, -6.05

 

CMYK 12 / 0 / 16 / 9

HEX #CCE9C4

RGB 204 233 196

HSL 107.03, 0.46%, 0.84%

LAB 89.44, -16.23, 14.83

 

CMYK 12 / 15 / 0 / 9

HEX #CCC5E9

RGB 204 197 233

HSL 251.67, 0.45%, 0.84%

LAB 81.1, 9.37, -16.94

 

CMYK 0 / 13 / 16 / 9

HEX #E9CBC4

RGB 233 203 196

HSL 11.35, 0.46%, 0.84%

LAB 83.98, 9.41, 7.36

 

CMYK 16 / 0 / 13 / 9

HEX #C4E9CB

RGB 196 233 203

HSL 131.35, 0.46%, 0.84%

LAB 89.08, -17.69, 10.6

 

CMYK 12 / 15 / 0 / 9

HEX #CCC5E9

RGB 204 197 233

HSL 251.67, 0.45%, 0.84%

LAB 81.1, 9.37, -16.94

 

CMYK 0 / 16 / 6 / 9

HEX #E9C4DA

RGB 233 196 218

HSL 324.32, 0.46%, 0.84%

LAB 82.84, 16.72, -6.05

 

CMYK 3 / 0 / 16 / 9

HEX #E2E9C4

RGB 226 233 196

HSL 71.35, 0.46%, 0.84%

LAB 90.98, -8.57, 17.21

 

CMYK 16 / 0 / 10 / 9

HEX #C4E9D2

RGB 196 233 210

HSL 142.7, 0.46%, 0.84%

LAB 89.24, -16.42, 7.17

 

CMYK 12 / 15 / 0 / 9

HEX #CCC5E9

RGB 204 197 233

HSL 251.67, 0.45%, 0.84%

LAB 81.1, 9.37, -16.94

 

CMYK 0 / 16 / 11 / 9

HEX #E9C4CF

RGB 233 196 207

HSL 342.16, 0.46%, 0.84%

LAB 82.54, 14.87, -0.6

 

CMYK 3 / 0 / 16 / 9

HEX #E2E9C4

RGB 226 233 196

HSL 71.35, 0.46%, 0.84%

LAB 90.98, -8.57, 17.21

 

CMYK 16 / 0 / 5 / 9

HEX #C4E9DD

RGB 196 233 221

HSL 160.54, 0.46%, 0.84%

LAB 89.5, -14.34, 1.8

 

Description

Color code: HEX #CCC5E9 | qconv.com Color code: HEX #CCC5E9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 197 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 197 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 15 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 15% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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