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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCC2AA it is the complementary color #333D55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCC2AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCC2AA shade: #D1C2A5, #E2D4B8, #F3E6CB, #FFF8DE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCC2AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCC2AA shade: #CCC2AA, #BBB097, #AA9E84, #998C71 and #887A5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCC2AA shade: #CBC1A9, #CBB8A9, #CBAFA9 and #CBA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCC2AA shade: #CBC1A9, #CBCBA9, #C3CBA9, #BACBA9 and #B0CBA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCC2AA shade matches the following richer shades: #CBC1A9, #D7C69E, #E2CA93, #EDCF88 and #F8D47C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCC2AA shade: #CBC1A9, #C0BDB4, #B5B8BF, #AAB3CA and #9FAFD5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCC2AA shade: #CBAFA9, #CBB8A9, #CBC1A9, #CBCAA9 and #C3CBA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCC2AA shade: #AC9C75, #BCAF8F, #CBC1A9, #DBD4C3 and #EAE6DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCC2AA shade: #CCC2AA, #ACCBA9 and #B3A9CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCC2AA shade: #CCC2AA, #A9CBC1 and #C1A9CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCC2AA shade: #CCC2AA, #ACCBA9, #A9B3CB and #C8A9CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCC2AA shade: #CCC2AA, #A9CBB0, #A9B3CB and #CBA9C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 17 / 20

HEX #CCC2AA

RGB 204 194 170

HSL 42.35, 0.25%, 0.73%

LAB 78.65, -0.48, 13.33

 

Complementary color

CMYK 40 / 28 / 0 / 67

HEX #333D55

RGB 51 61 85

HSL 222.35, 0.25%, 0.27%

LAB 25.85, 2.77, -15.77

 

CMYK 0 / 7 / 21 / 18

HEX #D1C2A5

RGB 209 194 165

HSL 39.55, 0.32%, 0.73%

LAB 78.96, 0.63, 16.5

 

CMYK 0 / 6 / 19 / 11

HEX #E2D4B8

RGB 226 212 184

HSL 40, 0.42%, 0.8%

LAB 85.36, 0.34, 15.6

 

CMYK 0 / 5 / 16 / 5

HEX #F3E6CB

RGB 243 230 203

HSL 40.5, 0.63%, 0.87%

LAB 91.67, 0.08, 14.74

 

CMYK 0 / 3 / 13 / 0

HEX #FFF8DE

RGB 255 248 222

HSL 47.27, 1%, 0.94%

LAB 97.5, -1.91, 13.32

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 5 / 17 / 20

HEX #CCC2AA

RGB 204 194 170

HSL 42.35, 0.25%, 0.73%

LAB 78.65, -0.48, 13.33

 

CMYK 0 / 6 / 19 / 27

HEX #BBB097

RGB 187 176 151

HSL 41.67, 0.21%, 0.66%

LAB 72.13, -0.22, 14.23

 

CMYK 0 / 7 / 22 / 33

HEX #AA9E84

RGB 170 158 132

HSL 41.05, 0.18%, 0.59%

LAB 65.49, 0.07, 15.18

 

CMYK 0 / 8 / 26 / 40

HEX #998C71

RGB 153 140 113

HSL 40.5, 0.16%, 0.52%

LAB 58.71, 0.42, 16.21

 

CMYK 0 / 10 / 31 / 47

HEX #887A5E

RGB 136 122 94

HSL 40, 0.18%, 0.45%

LAB 51.79, 0.82, 17.32

 

CMYK 0 / 5 / 17 / 20

HEX #CBC1A9

RGB 203 193 169

HSL 42.35, 0.25%, 0.73%

LAB 78.29, -0.48, 13.35

 

CMYK 0 / 9 / 17 / 20

HEX #CBB8A9

RGB 203 184 169

HSL 26.47, 0.25%, 0.73%

LAB 75.97, 4.3, 10.07

 

CMYK 0 / 14 / 17 / 20

HEX #CBAFA9

RGB 203 175 169

HSL 10.59, 0.25%, 0.73%

LAB 73.69, 9.13, 6.8

 

CMYK 0 / 17 / 17 / 20

HEX #CBA9A9

RGB 203 169 169

HSL 0, 0.25%, 0.73%

LAB 72.19, 12.39, 4.64

 

CMYK 0 / 5 / 17 / 20

HEX #CBC1A9

RGB 203 193 169

HSL 42.35, 0.25%, 0.73%

LAB 78.29, -0.48, 13.35

 

CMYK 0 / 0 / 17 / 20

HEX #CBCBA9

RGB 203 203 169

HSL 60, 0.25%, 0.73%

LAB 80.89, -5.71, 17

 

CMYK 4 / 0 / 17 / 20

HEX #C3CBA9

RGB 195 203 169

HSL 74.12, 0.25%, 0.73%

LAB 80.28, -8.64, 16.06

 

CMYK 8 / 0 / 17 / 20

HEX #BACBA9

RGB 186 203 169

HSL 90, 0.25%, 0.73%

LAB 79.62, -11.88, 15.04

 

CMYK 13 / 0 / 17 / 20

HEX #B0CBA9

RGB 176 203 169

HSL 107.65, 0.25%, 0.73%

LAB 78.93, -15.42, 13.96

 

CMYK 0 / 5 / 17 / 20

HEX #CBC1A9

RGB 203 193 169

HSL 42.35, 0.25%, 0.73%

LAB 78.29, -0.48, 13.35

 

CMYK 0 / 8 / 27 / 16

HEX #D7C69E

RGB 215 198 158

HSL 42.11, 0.42%, 0.73%

LAB 80.35, -0.19, 22.24

 

CMYK 0 / 11 / 35 / 11

HEX #E2CA93

RGB 226 202 147

HSL 41.77, 0.58%, 0.73%

LAB 82.12, 0.57, 30.57

 

CMYK 0 / 13 / 43 / 7

HEX #EDCF88

RGB 237 207 136

HSL 42.18, 0.74%, 0.73%

LAB 84.18, 1.09, 39.1

 

CMYK 0 / 15 / 50 / 3

HEX #F8D47C

RGB 248 212 124

HSL 42.58, 0.9%, 0.73%

LAB 86.26, 1.77, 47.89

 

CMYK 0 / 5 / 17 / 20

HEX #CBC1A9

RGB 203 193 169

HSL 42.35, 0.25%, 0.73%

LAB 78.29, -0.48, 13.35

 

CMYK 0 / 2 / 6 / 25

HEX #C0BDB4

RGB 192 189 180

HSL 45, 0.09%, 0.73%

LAB 76.62, -0.56, 4.91

 

CMYK 5 / 4 / 0 / 25

HEX #B5B8BF

RGB 181 184 191

HSL 222, 0.07%, 0.73%

LAB 74.74, 0.3, -3.91

 

CMYK 16 / 11 / 0 / 21

HEX #AAB3CA

RGB 170 179 202

HSL 223.13, 0.23%, 0.73%

LAB 72.93, 1.6, -12.71

 

CMYK 25 / 18 / 0 / 16

HEX #9FAFD5

RGB 159 175 213

HSL 222.22, 0.39%, 0.73%

LAB 71.44, 2.83, -21.04

 

CMYK 0 / 14 / 17 / 20

HEX #CBAFA9

RGB 203 175 169

HSL 10.59, 0.25%, 0.73%

LAB 73.69, 9.13, 6.8

 

CMYK 0 / 9 / 17 / 20

HEX #CBB8A9

RGB 203 184 169

HSL 26.47, 0.25%, 0.73%

LAB 75.97, 4.3, 10.07

 

CMYK 0 / 5 / 17 / 20

HEX #CBC1A9

RGB 203 193 169

HSL 42.35, 0.25%, 0.73%

LAB 78.29, -0.48, 13.35

 

CMYK 0 / 0 / 17 / 20

HEX #CBCAA9

RGB 203 202 169

HSL 58.24, 0.25%, 0.73%

LAB 80.63, -5.19, 16.63

 

CMYK 4 / 0 / 17 / 20

HEX #C3CBA9

RGB 195 203 169

HSL 74.12, 0.25%, 0.73%

LAB 80.28, -8.64, 16.06

 

CMYK 0 / 9 / 32 / 33

HEX #AC9C75

RGB 172 156 117

HSL 42.55, 0.25%, 0.57%

LAB 64.83, -0.16, 22.6

 

CMYK 0 / 7 / 24 / 26

HEX #BCAF8F

RGB 188 175 143

HSL 42.67, 0.25%, 0.65%

LAB 71.78, -0.49, 18.11

 

CMYK 0 / 5 / 17 / 20

HEX #CBC1A9

RGB 203 193 169

HSL 42.35, 0.25%, 0.73%

LAB 78.29, -0.48, 13.35

 

CMYK 0 / 3 / 11 / 14

HEX #DBD4C3

RGB 219 212 195

HSL 42.5, 0.25%, 0.81%

LAB 85.04, -0.48, 9.26

 

CMYK 0 / 2 / 6 / 8

HEX #EAE6DD

RGB 234 230 221

HSL 41.54, 0.24%, 0.89%

LAB 91.37, -0.2, 4.85

 

CMYK 0 / 5 / 17 / 20

HEX #CCC2AA

RGB 204 194 170

HSL 42.35, 0.25%, 0.73%

LAB 78.65, -0.48, 13.33

 

CMYK 15 / 0 / 17 / 20

HEX #ACCBA9

RGB 172 203 169

HSL 114.71, 0.25%, 0.73%

LAB 78.66, -16.81, 13.55

 

CMYK 12 / 17 / 0 / 20

HEX #B3A9CB

RGB 179 169 203

HSL 257.65, 0.25%, 0.73%

LAB 71.06, 10.24, -15.99

 

CMYK 0 / 5 / 17 / 20

HEX #CCC2AA

RGB 204 194 170

HSL 42.35, 0.25%, 0.73%

LAB 78.65, -0.48, 13.33

 

CMYK 17 / 0 / 5 / 20

HEX #A9CBC1

RGB 169 203 193

HSL 162.35, 0.25%, 0.73%

LAB 79.04, -13.3, 1.2

 

CMYK 5 / 17 / 0 / 20

HEX #C1A9CB

RGB 193 169 203

HSL 282.35, 0.25%, 0.73%

LAB 72.25, 14.91, -14.09

 

CMYK 0 / 5 / 17 / 20

HEX #CCC2AA

RGB 204 194 170

HSL 42.35, 0.25%, 0.73%

LAB 78.65, -0.48, 13.33

 

CMYK 15 / 0 / 17 / 20

HEX #ACCBA9

RGB 172 203 169

HSL 114.71, 0.25%, 0.73%

LAB 78.66, -16.81, 13.55

 

CMYK 17 / 12 / 0 / 20

HEX #A9B3CB

RGB 169 179 203

HSL 222.35, 0.25%, 0.73%

LAB 72.88, 1.5, -13.32

 

CMYK 1 / 17 / 0 / 20

HEX #C8A9CB

RGB 200 169 203

HSL 294.71, 0.25%, 0.73%

LAB 72.87, 17.27, -13.09

 

CMYK 0 / 5 / 17 / 20

HEX #CCC2AA

RGB 204 194 170

HSL 42.35, 0.25%, 0.73%

LAB 78.65, -0.48, 13.33

 

CMYK 17 / 0 / 13 / 20

HEX #A9CBB0

RGB 169 203 176

HSL 132.35, 0.25%, 0.73%

LAB 78.63, -16.58, 9.73

 

CMYK 17 / 12 / 0 / 20

HEX #A9B3CB

RGB 169 179 203

HSL 222.35, 0.25%, 0.73%

LAB 72.88, 1.5, -13.32

 

CMYK 0 / 17 / 3 / 20

HEX #CBA9C4

RGB 203 169 196

HSL 312.35, 0.25%, 0.73%

LAB 72.93, 17, -9.12

 

Description

Color code: HEX #CCC2AA | qconv.com Color code: HEX #CCC2AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 194 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 194 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 17 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 17% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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